October 2007 Archives

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"Photos shouldn't be trapped in your camera," say the creators of Eye-Fi, a wireless memory card that enables you to upload images from your camera to a computer or one of its online partners.

This is most likely one of those stop-gap technologies, like the CD burner, that's useful until camera manufacturers get their wireless acts together and provide W-Fi as a standard feature. The good news is with the Eye-Fi, however, that even if your don't use its wireless capability, you still have a 2 GB memory card.

Eye-Fi is for Jpeg shooters, but I suspect that if you shoot Raw+Jpeg, you can have your Raw plus wireless too. in addition to sending images to your Mac or PC, you can upload to Kodak Gallery, Wal Mart, Shutterfly, Snapfish, PhotoBucket, FaceBook, WebShots, Picasa, SmugMug, Flickr, Fotki, TypePad, Vox, DotPhoto, PhanFare, Sharpcast, and Gallery.

The wireless range of the Eye-Fi is about 45 feet indoors, and twice that outside. It's compatible with 802.11g, 802.11b, and even 802.11n networks. It has decent security too: Static WEP 40/104/128, WPA-PSK, and WPA2-PSK.

You can purchase Eye-Fi on Amazon.com for $99.99

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This week, I reach down into the photo goodie bag and pull out a few treats for the Halloween season. Sweets include: adding metadata to your images so people know who took the photo and its copyright status, my camera gear kit for an upcoming trip to the Caribbean, an update on Mac OS X Leopard for photographers, and a few publishing notes for November.

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File description fields in Photoshop that enable you to add metadata to your images.

Monthly Photo Assignment

Close Up is this month's photo assignment. Time to find that close up button on your compact or break out the macro lens for your DSLR. October is get close month, real close. You can read more about how to submit on our Submissions page. Deadline for entry is Oct. 31.

Listen to the Podcast

Now that I've piqued your curiosity, it's time to listen to today's audio show titled, "Trick or Treat." You can download the podcast here (29 minutes). You can also subscribe to the podcast in iTunes

The Digital Story Podcasts are available for direct download from Apple iPhones. I've created a special mobile download page here. Just load the page in Safari, browse the podcast line-up, and click on the one you want to listen to.

Want to share photos and talk with other members in our virtual camera club? Check out our new Flickr Public Group. It's a blast!

Have you looked at the Park by the Numbers Camera Phone Project? If you have a camera phone, you've got to check this out.

Event Calendar

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.


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Sponsor Notes...

Add Magic to Your Slideshows -- FotoMagico presentations are so amazing that your audience will be asking how you did it.

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So you don't have time to visit a store for the latest offerings from Pentax? If you're in New York City, meet the BobCar. BobCars are three-wheeled, energy efficient, mini-vehicles that engage consumers right on the street. These mobile showrooms feature the latest Pentax digital SLR and compact digital cameras offering hands-on demonstrations, literature, and special incentives. Two Pentax BobCars are scooting around a 15 mile radius in New York City from mid-October until the end of December.

My experience with Pentax cameras has been positive over the years, especially with their DSLRs and water-resistant compacts. So I'm happy to see them trying something innovative to get the word out about their products. If you are hanging out in NYC at all between now and the New Year, here's the BobCar Schedule.

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Rick Sammon on Travel Photography

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Some of the best moments for me in New York City was spending time with Rick Sammon, who is passionate about teaching photography. His travels all over the world have enabled him to compile lots of great tips and tricks. He shares some of his favorites in an interview we had in the O'Reilly booth.

Photo of Rick Sammon by Colleen Wheeler captured with a Canon 10D, 50mm lens, ISO 800, 1/90th at f-2.5.

Event Calendar

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.


Mac OS X Leopard Upgrade and Photo Apps

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Generally speaking, our most popular photo applications should work well under Mac OS X 10.5 Leopard. John Nack, states in his blog, "The good news is that most Adobe apps don't require updates in order to run well. That is, the CS3 versions of Photoshop, Illustrator, InDesign, Flash, Dreamweaver, Fireworks, and other apps are good to go for Leopard right now. Rock out."

Macworld Magazine also gives most Adobe apps a green light in a recent article, commenting that "Products that will require updates for full Leopard compatibility include Adobe Acrobat 8 Professional and the company’s professional video applications, including Adobe Premiere Pro CS3, After Effects CS3 Professional, Encore CS3 and Soundbooth CS3." But the photo apps seem to be fine, including Lightroom. [Update 10-28-07 PM: Reports are coming in that there are problems with Lightroom 1.2 and Leopard. James Duncan Davidson has posted on Inside Lightroom, and the comments following the post should add more information.]

On the Inside Aperture web site, the biggest warning hovered around Leopard and Time Machine. So you might want to read the comments at the end of that post for the latest information. Since that post, Apple has released an an Aperture 1.5.6 update that improves Leopard compatibility. It's available via Software Update and recommended for all Aperture users.

As for iPhoto 08 and Leopard, installing the iLife Support 8.1.1 via Software Update should address any minor compatibility issues between iPhoto and the big cat.

So all in all, looks like photographers using one or more of the major photo apps can update to Leopard with a reasonable amount of confidence. But with any update, practice good data management and back everything up first... just in case.

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Grab Shot 127 - "Bazaar Cemetery"

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"The Bazaar Cemetery is located on the Scenic Byway 177 in the Flint Hills of Kansas," says Jay Hunt. "I couldn't resist grabbing a shot because it seemed so...well... bazaar."

Jay used his Canon PowerShot Pro1 in center-weighted average metering mode with the aperture set to f-2.8. The beautiful cloud-filled sky didn't hurt any either!

If you have a candid you'd like to share, take a look at our Submissions page, then send us your Grab Shot. If we publish it, you'll receive an ultra cool custom carabineer keychain.

And you can view more images from our virtual camera club in the Member Photo Gallery.

Event Calendar

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.


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The Reviews Are In: Canon 40D a Hit

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One of the first visual tip-offs that indicate if a reviewer likes a camera is how the list of "pros" stacks up against the "cons." Two recent in-depth reviews of the Canon EOS 40D were published -- by Imaging Resource and by DP Review, and the pros and cons list were more lopsided than the first game of the World Series (Boston Red Sox 13, Colorado Rockies 1). DP Review's cons list, as short as it was, still seemed to be a stretch to find anything negative.

In his conclusion, Phil Askey sums up: "When I first started using the EOS 40D a simple description came to mind: that this is a 'well sorted camera'. It feels well rounded - the result of years of evolutionary improvement, it delivers in almost every area, and it inspires confidence. From a usability point of view the viewfinder feels larger, ergonomics are good, the user interface is clear and easy to learn, there are no in-use performance issues, metering and auto-focus show good consistency and the results speak for themselves; colorful (yet accurate) detailed images with low noise even at high sensitivities." (From DP Review).

Imaging Resource echos this sentiment: "The new Canon 40D offers a very mature set of features in a camera that's priced lower than its predecessors. It also offers as much value and image quality as competing designs that are hundreds of dollars more. Canon's pro SLR designs have always been conservative, and they didn't try to leap-frog the market with a higher resolution sensor; instead they stuck to a 10-megapixel sensor size that would deliver the quality that Canon fans are used to," says Shawn Barnett, Dave Etchells, and Siegfried Weidelich of Imaging Resource.

These days, when I think DSLR, I want a camera that produces outstanding "photographic" images, that is durable, and is a pleasure to use. The Canon 40D fits that bill nicely. Yes, the reviews are in, and the the 40D is a hit.

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Even perusing just a snapshot of Albert Watson's career, you quickly realize that he's not the typical New York fashion photographer (more than 250 covers of Vouge Magazine alone). Yes, since the 1970s, Watson has photographed numerous high-profile models and celebrities. But he's also applied his talent and experience to create a body of fine art imagery that explores the breadth of his medium, leading Watson to be named one of PDN's "20 Most Influential Photographers of All Time."

Watson's work lined the gallery walls in the HP booth at PhotoPlus Expo 07, and he was the feature presentation on Friday night, "Albert Watson: Meet the Master." HP contacted me before the show asking if I'd like to interview Albert during my stay in New York. I immediately accepted and met with him Thursday afternoon in a conference room at Javits.

We began our conversation by discussing the wedding of Prince Andrew and Sarah Ferguson, the only wedding he's ever covered. At first Albert was hesitant to talk about the event. But I wanted to know how a high profile fashion and art photographer prepares for a royal wedding, and this is where our conversation begins.

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A few of Albert Watson's prints hanging in the HP booth at PhotoPlus Expo.

I recorded the podcast in stereo to give you a better feel for the room. Plus, I didn't want to push a microphone in Albert's face; rather, I wanted him to feel free to gesture and use his body to illustrate his points. I decided to leave the podcast in stereo (instead of sampling down to mono) to retain this ambience. The result is a bigger file, but one that I think puts you right there at the table with Albert Watson and myself. I jokingly call this the Special Headphone Edition of The Digital Story

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Albert Watson annotations from a print in progress.

Special thanks to HP, who arranged the interview and were gracious hosts for both Albert and myself.

Monthly Photo Assignment

Close Up is this month's photo assignment. Time to find that close up button on your compact or break out the macro lens for your DSLR. October is get close month, real close. You can read more about how to submit on our Submissions page. Deadline for entry is Oct. 31.

Listen to the Podcast

Now that I've piqued your curiosity, it's time to listen to today's audio show titled, "Albert Watson, Photography Legend." You can download the podcast here (28 minutes). You can also subscribe to the podcast in iTunes

The Digital Story Podcasts are available for direct download from Apple iPhones. I've created a special mobile download page here. Just load the page in Safari, browse the podcast line-up, and click on the one you want to listen to.

Want to share photos and talk with other members in our virtual camera club? Check out our new Flickr Public Group. It's a blast!

Have you looked at the Park by the Numbers Camera Phone Project? If you have a camera phone, you've got to check this out.

Event Calendar

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.


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Sponsor Notes...

Add Magic to Your Slideshows -- FotoMagico presentations are so amazing that your audience will be asking how you did it.

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The September 2007 Photo Assignment was "Duotone," and we have an excellent cross section of images to show you -- 35 photos submitted by Digital Story members who demonstrate their ability to abstract a scene and render it with minimal color.

To produce the gallery, the pictures were first loaded into Aperture. I then added the accompanying stories to the IPTC caption field and combined it with the EXIF data from the photograph. The final step was to create a web gallery in Aperture and upload it to the Digial Story server. You can view this month's photo assignment here.

The October assignment is "Close Up." Start working on your contribution now. Details can be found on the Submissions page. Because of our new gallery format, you can now submit photo assignment pictures up to 600 pixels in the widest direction. Please follow the instructions carefully for labeling the subject line of the email for your submission. It's easy to lose these in the pile of mail if not labeled correctly. For example, the subject line for next month's assignment should be: "Photo Assignment: Sept 2007." Also, if you can, please don't strip out the metadata. And feel free to add any IPTC data you wish (These fields in particular: Caption, Credit, Copyright, Byline), I use that for the caption info.

Good luck with your October assignment, and congratulations to all of the fine contributors for September. It's an excellent collection of images.

Photo by Bo Danielsson

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A comment I heard repeatedly touted the "quality" of PhotoPlus Expo in NYC. I have to agree. This event has become one of my favorite photography expos.

As you walk the floor passing by Canon, Nikon, Epson, HP, Sony, Lowepro, Adobe, Apple, O'Reilly, Lynda.com, and on and on, you get a real sense of businesses that have their trade show act together. There's not a lot of junk or blaring noise. The booths are well-designed and professionally staffed. You can learn about new products at PhotoPlus and actually have conversations with staff about them.

The Javits Convention Center, pictured here, contributes to this atomosphere. It is bright, airy, and supports lots of services including an excellent food court. And it's easy to navigate. The morning light is particularly beautiful as it streams in through the giant glass walls.

In terms of announcements, the bulk of the activity was on the hardware side. New Lensbaby 3GPL, SanDisk 8GB Extreme III SDHC card, Sony PictureStation, Olympus lenses, Canon telephotos, Nikon wireless accessories, Epson Exhibition Firer Paper, and a new T-Max 400 BW film from Kodak, were just a few of the releases. However, software-wise, I did spend some time with DxO Labs and their new DxO Optics Pro application for Raw processing. I'll follow up with more information on that after testing. You can get a nice overview of the show announcements on the CameraTown PR page.

The booth demos were also impressive. Apple was showing off Aperture, Adobe both Lightroom and Photoshop CS3, Nikon and their NX software -- just to cite a few big names. But every stop seemed to have something interesting to offer.

PhotoPlus Expo might be an event you'll want add to your calendar for 2008. It's a great place to research products and get back in touch with the East Coast photography community. Smart people to talk to, lots to see and do.

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As part of my PhotoPlus activities, I was invited to the Digital Photo Masters Event last night, which took place on the 22nd floor of the AT&T building on the Avenue of the Americas in NYC. The atmosphere felt very New York trendy to this California boy -- loft with high ceiling, lots of artwork, expensive shoes, dispassionate DJ, and an air of importance.

Among the highbrow activity was a nicely-booted mom with child in tow. It was odd to see a child in this otherwise very adult setting. At one point the child had a clothing malfunction prompting the mom to do what mothers do best... quickly remedy the situation and get back to business.

I set my Canon G9 on the floor and peered down into the LCD monitor to line up this shot. Settings were ISO 400, flash off, 1/8 of a second at f-3.5, image stabilizer on, using Raw capture. Having my camera out and ready to shoot enabled me to capture this grab shot.

Photo by Derrick Story

If you have a candid you'd like to share, take a look at our Submissions page, then send us your Grab Shot. If we publish it, you'll receive an ultra cool custom carabineer keychain.

And you can view more images from our virtual camera club in the Member Photo Gallery.

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.


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Interesting post on John Nack's weblog that's based on a survey of 1,026 pro shooters by InfoTrends stating that 2/3rds of them are using Photoshop over Lightroom and Aperture.

Colleen Wheeler followed up with more anecdotal information in her post Yes, We Still Love ACR. Regardless of how much you trust the actual InfoTrends data, or believe the anecdotal, this is interesting.

My take on it... photographers are creatures of habit. They're already buying Photoshop CS3 because they need it. ACR and Bridge are better than ever. I'm not surprised that they are sticking with what they know.

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Mixed lighting is one of the most difficult situations I encounter for my reportage. During a recent portrait of Mark Dahm, I wanted to use fill flash for the subject, yet capture the intriguing hallways of Adobe's headquarters in San Jose.

I used Face Detection on a Canon PowerShot G9 to get a great exposure of Mark, but the hallway on my right went extremely yellow due to the artificial lighting... so much so that I found it distracting.

I've been using a nice trick in Adobe Camera Raw 4 (ACR is part of Photoshop CS3) to quickly adjust the image. I click on the HSL/Grayscale icon, click on the Saturation tab, find the offending color (Yellows in this case) and pull down its saturation a bit. This adjustment helps correct the lighting without affecting the other aspects of the shot. This technique works on some shots better than others, but I've had great luck with it.

One other note, ACR 4 can now handle Jpegs and Tiffs, so you can use this technique even if you're not shooting Raw. Give it a try!

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Mark Dahm, Adobe Product Manager

Adobe Photoshop Elements 6 walks a tightrope that balances cutting edge imaging technology with ease of use. It is designed for hobbyist photographers who want to manage, edit, and output pictures from their digital cameras. Elements 6 is the Windows version of the application. Photoshop Elements for the Mac will be out early next year.

My quest to learn more about this intriguing application led me to the doorstep of Mark Dahm, Adobe Senior Product Manager for Photoshop Elements. As you can imagine, Mark is passionate about this software, and he did a great job of highlighting its features and explaining many of Adobe's decisions around this product. I think both Mac and Windows users will enjoy what Mark has to say.

Photo of Mark Dahm by Derrick Story, taken on the 11th Floor of the West Tower in Adobe Headquarters in San Jose, CA. Captured with a Canon G9 in Wide View Jpeg mode using Face Detection for focus and flash exposure, processed in ACR 4.0.

Monthly Photo Assignment

Close Up is this month's photo assignment. Time to find that close up button on your compact or break out the macro lens for your DSLR. October is get close month, real close. You can read more about how to submit on our Submissions page. Deadline for entry is Oct. 31.

Listen to the Podcast

Now that I've piqued your curiosity, it's time to listen to today's audio show titled, "Mark Dahm on Photoshop Elements 6." You can download the podcast here (33 minutes). You can also subscribe to the podcast in iTunes

The Digital Story Podcasts are available for direct download from Apple iPhones. I've created a special mobile download page here. Just load the page in Safari, browse the podcast line-up, and click on the one you want to listen to.

Want to share photos and talk with other members in our virtual camera club? Check out our new Flickr Public Group. It's a blast!

Have you looked at the Park by the Numbers Camera Phone Project? If you have a camera phone, you've got to check this out.

Event Calendar

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.


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Sponsor Notes...

Add Magic to Your Slideshows -- FotoMagico presentations are so amazing that your audience will be asking how you did it.

Flickr Tips Article for Photogs

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"It’s little wonder that Flickr has become the photo-sharing Web site of choice for so many digital photographers. In a matter of minutes, you can set up a free account, upload photos, and invite friends and family to view your masterpieces. Add tags (descriptive keywords) to those photos, and anyone can find and enjoy your images. Guests can add comments, offer suggestions for improving your shots, and even include you in their contacts list, creating a social network of like-minded users."

"But if you think you’ve seen all Flickr can do, you may be in for a surprise. An abundance of Flickr add-ons and related Web sites make the photo-sharing experience faster, nimbler, and more fun."

Those are the opening salvos from my latest article for Macworld Magazine titled, Great Flickr add-ons. Nothing too deep here, but I do cover adding photos to Flickr via email, online photo editing, streaming Flickr images into your web site, and some handy uploading tools. It's fun and it's free.

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Grab Shot 125 - "The Vault"

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"I attended my daughter's gymnastic competition last weekend and managed to get some great action shots with the new Canon 70 - 200mm f4 L," said Paul Merrett. "Typically gymnastic halls are dark and make action photography quite a challenge. I was lucky this time as the place was well lit with lot of translucent sheets in the roof."

"I grade my photos according to the usual filters such as composition and aesthetics. Then my wife decimates my gym photos with correct (gymnastic) technique. Comments like "non-pointed toes," "bent back," and "wrong shape" come fast and furious. Plenty of shots I love get demoted because of incorrect gym technique. I can understand. Nobody wants a photo of themselves hitting a tennis ball with the wrong end of the racket! Needless to say, in this photo. My daughters back is correct, feet pointed, etc. (phew) She scored well on this run too."

Paul set his Canon 400D to f4, 1/500, 200mm, ISO 1600 for this terrific shot.

If you have a candid you'd like to share, take a look at our Submissions page, then send us your Grab Shot. If we publish it, you'll receive an ultra cool custom carabineer keychain.

And you can view more images from our virtual camera club in the Member Photo Gallery.

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.


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Heading to NY for PhotoPlus Expo

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At this year's PhotoPlus Expo, I'll be working in the O'Reilly Media booth interviewing top photographers such as Rick Sammon and Photoshop experts including Katrin Eismann. I'll also be gathering information and podcast interviews for The Digital Story. It will be a busy few days.

Our friend, Scott Sheppard from Inside Media Networks will be there too as the official broadcast partner for the Expo.

In reference to Scott's presence: "We're pleased to bring our exhibitors and attendees the excitement of live radio and video coverage right from the show floor" states, Jeff McQuilkin, Show Director, PDN PhotoPlus Expo. "This is the hottest photography event of the year and we're delighted that our partnership with Inside Digital Photo will allow people all over the world to get in on all the excitement."

(Inside Digital Photo TV has a branded channel on YouTube at http://www.youtube.com/InsideDigitalPhoto and on iTunes at Inside Digital Photo Radio - http://www.itunes.com/podcast?id=203423898 and Inside Digital Photo TV - http://www.itunes.com/podcast?id=260614588.)

It goes without saying that if you're going to attend PhotoPlus Expo, check out my booth schedule and come by and introduce yourself. I'd like to meet you.

Event Calendar

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.


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iPhoto 08 to iDVD - My Favorite Method

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There are many ways to share the images stored in iPhoto, and thanks to the power of the entire iLife suite, photo DVDs are a beautiful option. But I don't care for the Share > Send to iDVD command in iPhoto. I think it brings you into iDVD in an awkward place. Instead, I like to open iDVD separately, then use the "Magic iDVD" approach. Here are the steps:

  1. In iPhoto, create an album and put the pictures in it that you want to use in your DVD slideshow. You can create several albums and put multiple slideshows on one DVD.
  2. Open iDVD and click on the Magic iDVD button.
  3. Choose your theme and type the title for your DVD in the title field.
  4. Go to the Media Browser, click on the Photos tab, and find the iPhoto albums that you want to include on the DVD.
  5. Drop the images from an album into an open Photo window in iDVD. This creates one slideshow. Repeat this process for each additional slideshow.
  6. Click on the Burn button and insert a blank DVD.

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It's that easy. If you want to dress up your DVD or slideshow with music, custom transitions, and other goodies, just click on the Create Project button, then once you're finished with the enhancements, click on Burn.

You can learn more iPhoto 08 tips by listening to my podcast, iPhoto 08.

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iPhoto 08 is the best version of Apple's photo management and processing application. It is included on every new Mac sold, and can be purchased separately as part of the iLife 08 suite.

My personal view is that Mac photographers should become familiar with this imaging program, even if they're using other tools such as Aperture, Lightroom, and CS3. The combination of iPhoto's great user interface, powerful set of imaging tools, and wide variety of output options make this software an excellent addition to any photography workflow.

In this podcast, I show you some of my favorite features in iPhoto 08, plus share some handy tricks for working more efficiently in the application. I've just spent a week in the recording studio at Lynda.com working on an iPhoto title, so I'm reved up and ready to go.

Monthly Photo Assignment

Close Up is this month's photo assignment. Time to find that close up button on your compact or break out the macro lens for your DSLR. October is get close month, real close. You can read more about how to submit on our Submissions page. Deadline for entry is Oct. 31.

Listen to the Podcast

Now that I've piqued your curiosity, it's time to listen to today's audio show titled, "iPhoto 08." You can download the podcast here (29 minutes). You can also subscribe to the podcast in iTunes

The Digital Story Podcasts are available for direct download from Apple iPhones. I've created a special mobile download page here. Just load the page in Safari, browse the podcast line-up, and click on the one you want to listen to.

Want to share photos and talk with other members in our virtual camera club? Check out our new Flickr Public Group. It's a blast!

Have you looked at the Park by the Numbers Camera Phone Project? If you have a camera phone, you've got to check this out.

Event Calendar

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.


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Sponsor Notes...

Add Magic to Your Slideshows -- FotoMagico presentations are so amazing that your audience will be asking how you did it.

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"In August 2007, Nikon invited technology journalists from around the globe - including us - to take part in the D3 and D300 launch announcements in Tokyo, as well as tour the company's Sendai, Japan manufacturing facility where the D3 is being built," writes Rob Galbraith. "While at Sendai Nikon, no pictures were allowed to be taken inside factory buildings, but Nikon has now supplied us with photos showing some of the manufacturing activities we saw when there, including the D3 being assembled."

Rob then displays a series of images from inside the factory that I find fascinating. If you've ever wondered what it looks like inside the facility where top of the line Nikon bodies are assembled, then you should take a look at this article.

Image of a Nikon D3 Image Sensor Unit provided by Nikon USA.

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"Me, my camera, and my tripod hung out a hotel window above a small canal in Venice, Italy," said Joan Hall. "The camera was a Canon 350 XT with the 17-40mm L Canon lens.

If you have a candid you'd like to share, take a look at our Submissions page, then send us your Grab Shot. If we publish it, you'll receive an ultra cool custom carabineer keychain.

And you can view more images from our virtual camera club in the Member Photo Gallery.

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.


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The first thing I noticed when I held the Canon PowerShot G9 was how compact it truly was. I hadn't owned a "G" series camera since the G2, and my, how things have changed.

I was drawn back to Canon's top of the line compact series for a few reasons. First, the G9 supports Raw (.CR2) format. This is a deal breaker for me. No Raw, no dice. In my opinion, every shot I take has potential to end up in a magazine or book, and I have to be able to squeeze every ounce of quality from the image. So even my point and shoot needs to support Raw. The G9 wisely does so.

Next, I very much like the control layout of the G9. The mode dial is on the top right and has all the usual options (P, AV, M, etc.), plus C1, and C2. These are custom configurations that I can set, and they are a godsend. I have C1 set to Raw+Jpeg and C2 set to 16:9 Jpeg. I can switch entire configurations with just a twist of the dial. Wonderful.

On the left top is the ISO dial, that's right, you get a knobby wheel for your ISO, and in the middle is a hotshoe with dedicated contacts. As the saying goes, you had me at C1. This is an amazing top deck.

Best of Current Technology

Inside the camera there is Face Technology, Optical Image Stabilization, FlexiZone AF focusing, customizable self-timer, and independent audio recording saving to .wav format. It's true, you can use the built-in sound recorder to capture at 44.100 kHz, 22.050 kHz, or 11.025 kHz. Quality is still limited by the microphone positioned on top of the camera, but this is a very handy addition to the camera that I've already used a number of times.

And just a note about Face Technology, it really works. It's perfect for a compact camera that's often used for candids. Just compose the scene, and the technology finds the faces in it, sets the focus, and even adjusts the exposure, including flash. You have to try it to believe how well it works. I'm missing fewer shots as a result of this technology.

On the Back

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On the back of the G9, you have an amazing LCD screen. At first I was disappointed that it didn't swivel like the one on my G2. But I discovered that it doesn't have to. You can hold it over your head or beneath your knees, and still see the picture. This is a serious LCD. Plus, it's a gigantic 3" in size. I added a transparent protection sheet to mine because it's so big I have a hard time not brushing it up against the abrasive world.

Another notable feature on the back is the silver "image review" button positioned at the top right of the LCD. Any time you want to peek at the pictures on your memory card, just push the button. It doesn't matter if the camera is powered up or not, the review button works. This is a great convenience that I wish all cameras had.

And What About Those Pictures?

If you have the latest version of Adobe Camera Raw or Lightroom, you can process Canon's G9 .CR2 Raw files. My guess is that Apple will follow with support for Aperture, iPhoto, and Preview soon. Below is a full frame image shot at ISO 100 in Raw, and then a 100 percent detail section from that image so you can examine noise and sharpness.

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The first thing you'll notice is that image noise is more apparent at ISO 100 that you're used to seeing from DSLR images. My feeling is that the 12 megapixel sensor that is smaller (1/1.7) than an APS sensor (found on Digital Rebels, 40Ds, etc.) is responsible for the noise (along with the accompanying electronics). At ISO 400, the noise increases more, and at 800 and 1600 it's too obtrusive for my tastes. Prints made from files captured between 80 and 400 look terrific. Detail, color balance, and dynamic range are excellent.

I would have preferred less resolution, maybe 8 megapixels or 10, as a tradeoff for less noise, if that equation even applies. Either way, as long as I keep the ISO at 400 or less, I've been happy with the prints. Beyond 400, you're taking your chances.

Final Thoughts

Each day I use the PowerShot G9, I like it more. I wish it had better noise control and 16:9 movies at high definition. But that's about it for the wish list. This camera is a joy to shoot with, is very customizable, renders both good movies and stills, and is beautiful to look at.

The PowerShot G9 is not a substitute for a DSLR. But, in my opinion, it is a capable complement. When I walk out the door with the G9 in my pocket, I feel prepared to capture what the world throws my way.

The PowerShot G9 is available for $476 US. And don't forget to spring for the LA-DC58H adapter that allows you to add conversion lenses and 58mm filters. It's only another $22. If you want more detail about the camera itself, here are the full specifications.

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You can publish a book. Jennifer Sauer took an inspired idea and saw it through to her first photo-illustrated manuscript, The Way to Tea. It's an adventure guide to San Francisco tea culture, and it is beautiful.

In this interview, Jennifer explains how she conceived of the concept, pulled it together into pictures and words, and eventually signed a deal with Earth Aware Editions to publish and distribute the project. She provides excellent real world tips for succeeding in the current publishing environment, plus has many insights about the state of photography and her transition from film to digital.

The Way to Tea is a hard cover, 128 page book with 125 full color pictures. It shows you the most intriguing tea lounges and tearooms in the San Francisco Bay Area, introduces you to the world's top tea experts, explains how to judge quality teas, and explores tea cultures from around the world. The Way to Tea is available for $21.95 US.

Jennifer Sauer portrait by Derrick Story.

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Monthly Photo Assignment

Close Up is this month's photo assignment. Time to find that close up button on your compact or break out the macro lens for your DSLR. October is get close month, real close. You can read more about how to submit on our Submissions page. Deadline for entry is Oct. 31.

Listen to the Podcast

Now that I've piqued your curiosity, it's time to listen to today's audio show titled, "Jennifer Sauer on How to Publish." You can download the podcast here (26 minutes). You can also subscribe to the podcast in iTunes

The Digital Story Podcasts are available for direct download from Apple iPhones. I've created a special mobile download page here. Just load the page in Safari, browse the podcast line-up, and click on the one you want to listen to.

Want to share photos and talk with other members in our virtual camera club? Check out our new Flickr Public Group. It's a blast!

Have you looked at the Park by the Numbers Camera Phone Project? If you have a camera phone, you've got to check this out.

Event Calendar

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.


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Sponsor Notes...

Add Magic to Your Slideshows -- FotoMagico presentations are so amazing that your audience will be asking how you did it.

Want to learn new photography tips and tricks firsthand? This is your opportunity to discover shooting techniques that professionals have been using for years.

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Digital Photography Made Amazing is a four-hour exploration of how to make your camera record beautiful images just like those you see in magazines and books.

If you can't make this Saturday's workshop, I've also created an Events Calendar so you can peek ahead, especially if you're planning a trip to Northern California.

If you see something on the Events Calendar that you like, you can email me first to confirm the date and find out additional details. My contact information is on the Submissions page.

If you are around the Santa Rosa area this weekend, you can sign up online.

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When Face Detection became the big buzz technology at PMA earlier this year, I, like many photographers, was skeptical. But I've been using the new Canon PowerShot G9 that includes Canon's latest version of this technology, and I'm impressed with how well it works for both focusing and exposure.

I like it because when shooting people candids; it's faster than my previous method of focusing on a person, holding down the shutter button halfway to lock the exposure, then recomposing. That method worked, but I lost good shots because it took a few seconds to execute. Face Detection is quicker, and using it enabled me to get more into the flow of the shoot.

What's really nice is that Face Detection also calculates exposure. This is particularly helpful for flash shots of people in low light. Typically cameras would overexpose the subject unless you used flash exposure lock (again time consuming). Face Detection knows what's most important in the scene and calculates the flash exposure accordingly.

Along with good image stabilization, I'm now updating my recommendatlon to include Face Detection as a "must have" feature on your next compact camera. It's the real deal.

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