June 2024 Archives

This is The Digital Story Podcast #953, June 25, 2024. Today's theme is "How to Buy an Infrared Camera." I'm Derrick Story.

Opening Monologue

Infrared photography is exciting and is an excellent way to get the creative juices flowing. But finding the right camera for you might appear daunting at first. There are so many options! Fear not. After today's TDS Photography Podcast, you will know exactly what to look for. I hope you enjoy the show.

Digital Photography Podcast 953

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How to Buy an Infrared Camera

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This week we have class presentations for our Infrared Photography Workshop. More than 20 participants will share their favorite IR images. We will see everything from some of the most stunning B&W that you can imagine, to other-worldly colors and compositions. And the cameras used to create this art are as varied as the photographers themselves.

Choosing the right camera for infrared photography can seem overwhelming at first. Can you use your existing camera? Should you get one converted? And if you do get a converted camera, which options should you select?

Basic Understanding of Infrared Photography

Let's start with a basic understanding of what infrared photography is. Here's what our friends at Kolari Vision say.

"Infrared photography is a look into the invisible world. The human eye can see wavelengths from about 400nm-700nm (from purple to red). Infrared light exists in the wavelengths beyond 700nm.

An infrared photography camera is specially designed to capture images in the infrared spectrum, revealing unique and often ethereal details that are invisible to the naked eye.

IR photography can be done with either infrared film or a digital camera and typically involves near-infrared light, typically in the 590nm-850nm range. This is different than thermal infrared, which images far into the infrared spectrum.

Infrared photography produces some very distinct effects, which make it aesthetically pleasing. The most striking difference is the "Wood Effect," where leaves reflect infrared light, giving them a bright white hue in IR photos. This effect is named after photographer Robert W. Wood, who is considered the father of infrared photography.

This effect is utilized in landscape photography to produce surreal color landscapes or high-contrast black and white photographs."

Which Cameras Work Best?

Photographers can begin experimenting with infrared photography with their existing cameras and a 720nm filter. Some cameras perform better than others, but all visible light cameras will struggle with very long exposures and high ISO settings because the 720 filter is very dense. An unconverted digital camera can only shoot IR in 720nm or 850nm.

But, you can get a taste of IR, and that often leads to wanted to get a converted camera that is far easier to use. What is a converted camera and where can you get one?

We recommend Kolari Vision for converted IR cameras. They can work on one you already have, or you can buy a camera that's already been converted. But what does that mean?

"With an infrared conversion, the camera's internal hot mirror is removed and replaced with a filter that only lets infrared light through. This allows for handheld infrared shots with normal exposure times and low ISO. A converted digital camera is the only way to take good digital infrared portraits, as the subject no longer has to stay perfectly still for a long exposure."

With a full-spectrum conversion, the camera's internal hot mirror is removed and replaced with a clear glass filter. This makes the camera sensitive to UV, visible, and IR light. This is an excellent option for someone who doesn't want a camera devoted to only IR. Using various external filters, the camera can take pictures in regular, infrared, or UV light.

I highly recommend a full-spectrum conversion of a mirrorless camera. This gives you access to a wide variety of infrared wavelengths via filters, allow you to see the effect in real-time in the electronic viewfinder, and provides for regular visible light photography via an external hot mirror filter.

If you opt for a full-spectrum conversion, the next thing to consider is whether you will shoot color or not.

If you plan to shoot only B&W, then the 720nm and 850nm filters are the best choices. If you plan to shoot color even occasionally, consider a 590nm or 665nm filter.

When choosing between 590nm, 665nm, and even 720nm, the first consideration is your aesthetic preference. If you like the yellow leaf effect, you should choose the 590nm or 665nm option. If you want to shoot regular color shots with white leaves and blue skies, then the 720nm ir filter is probably right for you.

The Right Lens Makes a Big Difference

Another thing to consider is the lens that you will use with the filter. Some lenses perform better than others for infrared. Some lenses are prone to hotspots that require touchup in post production. Kolari maintains a lens hotspot database to help you decide with optic will work best for you.

The other thing to consider is filter diameter. The cost of IR filters can really add up, and a smaller diameter filter, such as 37mm, is far more affordable than a larger diameter option such as 72mm. Choosing a lens with a smaller filter diameter will save you lots of money.

Additional Filters to Consider

Most photographers fall in love with a specific wavelength such as 590nm or 720nm. But if you have a full-spectrum conversions, there are other options to explore as well.

The IR Chrome filter achieves the look of Kodak Aerochrome IR film, straight out of camera without the need to channel swap. There are no special settings nor post production requirements.

The IR Cut Hot Mirror II filter provides for visible light photography with a full-spectrum conversion. The beauty of this is that you only need to carry one camera body for both your IR and visible light work.

Wrapping Up

For the best experience with the most options available to you, I recommend a full-spectrum converted mirrorless camera with one or two small diameter filter lenses. The number one filter I recommend is the 720nm because it's great for both B&W and soft color photography. My second favorite filter is the IR Chrome. And I suggest a Hot Mirror II as well.

All of this information, plus cameras and filters for sale, can be found at the Kolari Vision website.

Alice Camera, the AI-enhanced Micro Four Thirds camera, ready to ship

You can read the entire story on DPReview.com.

SOLD OUT! The Pentax 17 is already out of stock in Japan

You can read the entire story on DigitalCameraWorld.com.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #952, June 18, 2024. Today's theme is "Pentax Actually Did It - The Pentax 17 Film Camera." I'm Derrick Story.

Opening Monologue

Talk about having some serious moxie... Not only did Pentax debut the their first film camera in decades, they did it on the same day Nikon announced the highly anticipated Z6 Mark III. And guess which camera we're going to talk about first? All of this and more, much more, on today's TDS Photography Podcast. I hope you enjoy the show.

Digital Photography Podcast 952

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Pentax Actually Did It - The Pentax 17 Film Camera

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The Pentax 17 is a half-frame 35mm film camera with auto exposure, manual film advance, manual rewind, ISO selection dial, exposure compensation, built-in flash, and a whole lot of style.

Along with its magnesium top and bottom plates, the 17 borrows many legacy details from past cameras to inform its distinct design: the film rewind knob is taken from the Pentax LX, the ISO dial from the SP, the flash and shutter release from the KP, the lens housing from the Espio Mini, the front logo text from the 67, the knurled battery cover from the DA WR series of lenses, the film advance lever from the Auto 110, and the top plate from a special edition LX.

The viewfinder includes Pentax's own classic logo along with the Asahi AOCo logo and a film plane indicator taken from their line of DSLRs.

And it looks great. The protruding grip houses the CR2 lithium battery, the viewfinder housing is absolutely beautiful, the textured wrap and back memo holder contrast the silver top plate, and the lug straps are arranged so you can wear the camera horizontally or vertically.

Distinct from 35mm "full-frame" cameras with a 36 x 24mm format, the Pentax 17 is a half-frame format camera with a recording area of 17 x 24mm. This smaller, more unique format has a few added benefits.

Let's review the key specs and features.

  • 35mm Half-Frame Film Camera (72 exposures on roll of 36)
  • HD PENTAX HF 25mm f/3.5 Traditional Lens (37mm equivalent) f/3.5-f/16
  • Manual Zone Focus with Macro Setting
  • Window-style optical viewfinder (non TTL) with brightline frame lines for composition accuracy; these lines also include two notches to help compensate for parallax when using the close-up focus setting.
  • Autoexposure, Program, and Bokeh Modes - 1/350th to 4 seconds
  • Built-In Flash, Flash AE Modes - sync at 1/125th
  • Exposure Compensation (-2.0/+2.0) and ISO Dials (50, 100, 200, 400, 800, 1600, 3200)
  • Manual Film Advance Lever & Film Rewind
  • Takes 1x CR2 Battery
  • 2.5mm Remote Cable Switch Terminal
  • 40.5mm filter ring with light meter sensor in the lens housing behind the filter.

Focusing is accomplished with what I call intelligent zones. You choose a basic zone, but the camera will fine-tune the focusing by adding more or less depth of field depending on your exposure setting. The zones are:

  • Macro/Flower: 0.82' / 0.25 m
  • Close-Up/Knife & Fork: 1.7' / 0.5 m
  • Single Person: 4' / 1.2 m
  • Two People: 5.6' / 1.7 m
  • Group of People: 10' / 3 m
  • Mountain/Infinity

The fixed prime lens is an HD PENTAX HF 25mm f/3.5 Traditional; it's a slightly wide-angle lens offering excellent sharpness and color rendering. It features Pentax's contemporary HD anti-reflective coating, helping to boost contrast and clarity.

The exposure dial is also unique. Your basic choices are programmed exposure or full auto, but with a twist.

The mode dial is divided into two sections: flash off or flash on. Within the flash on section, there is a choice between a Program auto with flash and a slow-sync with flash settings. With the flash off, Program auto, bulb, and slow shutter speed settings can be used, as well as a unique Bokeh mode that prioritizes use of the f/3.5 maximum aperture for the shallowest depth of field. Also, there is an in-between Auto mode that choose whether or not to use flash depending on the lighting conditions.

There is also a built-in flash on the front of the body. This flash has a guide number of 20' at ISO 100 and a recycle time of about 9 seconds. LEDs near the viewfinder display when the flash is recharging and when it is ready for use.

The pictures I've seen from independent reviewers are quite good and would stand up to the images that I currently get with many of my legacy film cameras. Yes, it's half frame, so you won't be making 16x20 prints from the Pentax 17, but that's not its goal.

What it aims to do is provide a modern analog experience that is fun and rewarding. And on both of those counts, it appears to succeed.

You can order the Pentax 17 right now for $499. It should begin shipping later this week.

Apple's iOS 18 Lets You Open Third-Party Camera Apps From Lock Screen

You can read the entire story on Petapixel.com.

U.S. Sues Adobe for Hidden Fees and A Confusing Cancellation Process

You can read the entire story on FStoppers.com.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #951, June 11, 2024. Today's theme is "Apple Intelligence - Nonthreatening to Photographers, for Now." I'm Derrick Story.

Opening Monologue

Unlike our friends at Adobe, Apple isn't targeting the photo shoot with their AI integration into the upcoming versions of its OS and photo apps. There are lots of new goodies in the toy box, and many of them will be useful for photo enthusiasts. In today's show, I'll provide an overview from a photographer's perspective and also discuss Adobe's latest controversy. I hope you enjoy the show.

Digital Photography Podcast 951

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Apple Intelligence - Nonthreatening to Photographers, for Now

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Apple Intelligence is Apple's branding of Artificial intelligence into its operating system and apps. They are aiming to apply this technology in ways that make your life easier and more creative while at the same time keeping your privacy intact. They're calling it AI for the rest of us.

To some degree, based on the keynote presentation at WWDC, I think the marketing is lining up with real-world application. Apple Intelligence powers new writing tools to put your written communications in the best light, you can create new Pixar-like images with Genmoji, you can generate illustrations from scratch with Image Playground, and you can create professional-looking movies easily that are based on the pictures you have captured and stored in your Photos library.

Most of the generated images in the keynote were illustrative rather than photographic. I didn't see anything that resembled the output from my digital camera. But, according to the documentation, Image Playground does have the ability to transform sketches into polished photographs. And I can't see this happening on-device, so the user would have to venture out into the Cloud for this capability.

But generally speaking, if you want to create a custom emoji for a text message or an illustration for a school paper, Apple Intelligence will do a nice job.

When applied to the Photos app, this technology will further improve search capabilities, provide better organizing options, and even give us a nifty Clean Up tool for removing unwanted items from a composition.

To tap this tech you will need an iPhone 15 Pro or Pro Max, a Mac with Apple Silicon, or a M-powered iPad. The hardware requirements are steep because Apple's approach is to do as much AI processing on the device as possible, with options for venturing out into the Cloud as needed. Users will have control over where the processing occurs, which is a good option for most of us.

The unknown is, however, what will developers want to do with this technology, and what will Apple allow them to put on its platform? Apple is providing an SDK with App Intents, APIs, and frameworks to make it easy for developers to integrate system-level features like Writing Tools and Image Playground into their apps.

Of particular interest to our community is the SDK for Image Playground. Here's what Apple is saying to developers:

"Image Playground delivers an easy-to-use experience to create fun, playful images in apps like Messages, Notes, Keynote, Pages and more. Using the Image Playground API, you can add the same experience to your app and enable your users to quickly create delightful images using context from within your app. And because images are created entirely on device, you don't have to develop or host your own models for your users to enjoy creating new images in your app."

Again, sounds fun and lighthearted. And it very well may stay that way. And it's going to be very interesting to see what savvy software companies like Pixelmator do with all of this new capability.

macOS Sequoia and iOS 18 will be released this Fall. Betas will be available to the general Mac community soon. I'm really looking forward to see how this all plays out.

Adobe Revising Terms of Use to Clarify Content Licensing, AI, and Privacy

You can read the entire story on Petapixel.com.

Finally, the Nikon Z6 III is coming soon!

You can read the entire story on AmateurPhotographer.com.

NextGen Styles - Adjust the White Balance automatically and apply AI color gradings in Capture One.

You can read the entire story on AlexOnRAW.com.

Note: The code THEDIGITALSTORY gives 10 percent OFF all products, and for products on sale it will give an additional 10 percent OFF on top of the existing discount.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #950, June 4, 2024. Today's theme is "A Yay Lens, a Nay Lens, and an It Depends Lens." I'm Derrick Story.

Opening Monologue

There's been lots to talk about regarding photography gear lately. Sigma has been on an impressive roll, Panasonic released the full-frame S9 with a companion pancake lens, and Viltrox continues its steady march to fame and fortune. And as you can imagine, all lenses are not created the same, and there are definitely yays and nays with these latest announcements. In today's TDS Photography Podcast, we will separate the cheers from the jeers. I hope you enjoy the show.

Digital Photography Podcast 950

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A Yay Lens, a Nay Lens, and an It Depends Lens

viltrox-16mm.jpg The It Depends Lens

The Yay: The Sigma 28-45mm f/1.8 DG DN Art Lens (Sony E)

The 28-45mm f/1.8 DG DN Art Lens, the world's first zoom lens for full-frame mirrorless cameras with an f/1.8 aperture throughout the entire zoom range. Featuring prime-like optical performance and video-friendly design and functionality, its wide-to-normal focal range means a lighter kit bag without surrendering image quality.

Things to like about the Sigma 28-45mm

  • Two AFL buttons
  • Focus mode switch
  • Super multilayer and nanoporous coatings
  • Water- and oil-repellent coating on the front element
  • Dust- and splash-resistant design
  • Durable brass bayonet mount

The lens features a total of 18 elements in 15 groups, with three aspherical and five Special Low Dispersion elements to minimize flare and ghosting and suppress various aberrations. This results in an optical performance that meets or exceeds that of other Sigma Art lenses, including the primes. Along with its 11-blade, rounded diaphragm, the design promotes sharpness and a large, smooth bokeh when used wide open.

In addition to the f/1.8 maximum aperture, the lens also maintains an 11.9" minimum focusing distance across the entire zoom range. It achieves a maximum magnification ratio of 1:4 at its longest focal length, increasing depth of field and versatility in tight spaces.

On the downside, there is size and weight. Dimensions are 3.5 x 6", weight is 2.1 lb, and the front filter size is 82mm.

You can preorder the Sigma 28-45mm f/1.8 DG DN Art Lens (Sony E) for $1,349. It will also be available in the Leica L mount.

The Nay: The Panasonic 26mm f/8

This little pancake lens was designed to go with the new full frame Panasonic S9 camera. In terms of aesthetics, it accomplishes that goal. In order to convey the compactness of the S9 body, you want a small optic. That makes sense.

But, in terms of usefulness, this little guy really falls short. Here are a few examples why.

  • Manual focus with no AF
  • No focusing scale to help you estimate
  • Locked f/8 aperture
  • No filter ring
  • Plastic lens mount
  • $198 price tag

Yes, we've seen lenses like this in the past, but they weren't intended to be the primary shooters, and they cost half the amount. Up the road, this would be a fun addition. But as the introductory optic with a debut camera, not a great choice.

All that being said, if you want one of these, you can preorder the Panasonic Lumix S 26mm f/8 Lens (Leica L) for $198.

The It Depends Lens: The Viltrox AF 16mm f/1.8 FE Lens (Nikon Z)

Featuring an ultra-wide angle of view for Nikon Z-mount full-frame cameras, the Viltrox AF 16mm f/1.8 FE Lens is an ideal choice for a wide variety of photographic pursuits, including landscape and architecture photography, astrophotography, and creative videography requiring close-up capabilities with expansive backgrounds.

Things to like about the Viltrox 16mm

  • Easy-to-access aperture switch enabling clicked and de-clicked operation. When switched to OFF, the stepless aperture mode quietly facilitates smooth depth-of-field transitions during video shooting.
  • Built-in AF/MF switch for quickly alternating between autofocus and manual focus modes.
  • Fn1 and Fn2 custom buttons allow for rapid access to key functions with select Sony cameras.
  • Sophisticated LCD screen displays important shooting information including object distance, Fn icons, and aperture identification.
  • An all-metal body and brass bayonet mount for a professional and reliable connection.
  • Dust-proof and water-resistant design for use in adverse weather conditions.
  • USB-C interface for firmware upgrades.
  • Compatible with 77mm filters for optional widely available landscape filters.
  • That's a lot of lens for $549. But the "It Depends," at least for me, is can I justify buying a fixed focal length ultrawide optic? I'm not a night sky photographer, I don't shoot architecture professionally, and I already have the Viltrox 20mm that I really like.

    You can preorder the Viltrox AF 16mm f/1.8 FE Lens (Nikon Z) for $549. It will also be available in the Sony E mount.

    Panasonic Explains Stock Photos on S9 Website: A Mindset From 'Over 20 Years Ago'

    You can read the entire story on Petapixel.com.

    Movie Director Christopher Nolan Has Some Great Advice for Photographers

    You can read the entire story on Fstoppers.com.

    Virtual Camera Club News

    The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

    Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

    Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view.

    If you're interested in writing for Live View, drop me a line at dstory@gmail.com.

    The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

    Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

    Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

    See you next week!

    You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.