Often referred to as the Ultra Color filter because it lets more visible light in, the 590NM filter on a converted camera is one of my favorites. It produces vibrant colors where leaves glow golden yellow and skies are bright blue.
There are a couple scenarios where you can work with this slice of the light spectrum. The easiest is to buy a starter kit, such as the Kolari Pocket Full-Spectrum Camera with Infrared Filter Starter Kit for $229. The 590NM is included in the kit. You can also have one of your existing digital cameras converted, or you can buy a converted camera in the lens mount of your choice.
Once you have your camera, and a 590NM filter mounted on it, then make a custom WB setting on a gray card, sidewalk, or similar toned surface. Now you're ready to shoot.
When you first look at the images, they will have a color scheme that looks something like this.
This is not the final product. The image is completed in post production using an editor that has a Channel Mixer. You can use Photoshop, RAW Power, or Pixelmator Pro to name a few. This is where you do what we call the "Red/Blue Swap".
The starting point is to go to the Red Channel and set the Red Slider to 0 and the Blue Slider to 100. Then you go to the Blue Channel and set the Red Slider to 100 and the Blue Channel to 0. Then you do a second pass where you further adjust the sliders to taste. Notice in the illustration above that I have in the Red Channel Red set to -0.14 and Blue to 1.7. That's how I got the effect that I wanted.
I worked with with B&W IR photography for years before trying my hand at color. In a previous article titled, B&W Infrared Photography with an R72 Filter, I talk about that process with a regular digital camera. But now that I've ventured into color work, I love having the option to shoot with either look, with 590 being my favorite.
If you want to learn more about Infrared Photography, we have an online course on the schedule for this May. You can learn more and sign up by visiting workshop catalog page.
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