This is The Digital Story Podcast #719, Dec. 31, 2019. Today's theme is "Managing the Art/Life Balance." I'm Derrick Story.

Opening Monologue

My hope is that the lessons that I've learned over the past decade will provide a strong start to the next. One area of particular importance is deciding how to use the resources that are available to me. Whether it's my business, my craft, or my personal life, learning how to skillfully reinvest in those areas is a top priority for 2020. Today, we'll take a closer look at the unique challenges that artists face with this balancing act.

Managing the Art/Life Balance

Before we get to the Art Part of the equation, let's talk about life in general, and the options available to us. Is the goal to make as much money as possible? How do they balance the acquisition of possessions vs experiences? And how much risk can they live with along the way?

I've always found that it's easiest to take a big challenge and break it into parts to make it feel more manageable. The biggest challenge of all, day-to-day happiness, falls into these five categories for me.

• Time - Managing sleep vs waking hours, labor vs creativity, work vs personal life.
• Energy - Health is a key factor and plays an important role in the amount of time that's available to us. Good health equals more energy.
• Money - Short term capital that's liquid and available to spend.
• Assets - Longer term capital that provides relative security as we navigate the ups and downs of daily life.
• Well Being - The result of finding the right balance of the above factors.

Why Artists are Unique

Now let's get to the Art Part.

Artists have an additional layer to contend with. If you're not an artist, you may be satisfied with a good job, happy relationship, and reasonable health. An artist, on top of those things, needs to create. This activity often requires both tools and time. Adding this layer to an already challenging life is an art in itself.

Here are five things to keep in mind along the way.

• Do make time for your craft. Life will pull you in different directions. And others might not value your creative pursuits as much as you do. As long as you keep things in balance, learn to ignore statements such as, "Derrick loves to play with his cameras." and things like that.
• Don't over-emphasize tools. Cameras and lenses are necessary in the right amount. But experiences using those tools are just as valuable, if not more so.
• Don't be weird. Overly inward, non-communicative, odd behavior is off-putting to others. And you never really know where your next opportunity lies. Take interest in other peoples' lives, even if it's not your cup of tea.
• You don't need to be rich, but you do need to pay your bills. Beware of over-extending your assets in the name of art. Make sure you focus on generating enough money to meet your budget, even if it requires some mundane activities.
• Nourish your friends and family. As much as we would love to immerse in our passions in our free time, sometimes you need to help the kids with their homework, accompany your partner to the grocery store, and call your mom.

As you've probably figured out by now, reinvesting in your craft is really managing your resources in life overall. By maintaining our health, paying attention to those around us, and by responsibly allocating assets to our artistic endeavors extends our ability to enjoy the rewards of creativity.

May your New Year be fueled by the lessons you've learned from the past. Happy 2020 my friends!

We Now Have a Secure Server for TDS

Even though we don't handle transactions on thedigitalstory, we moved the site to a secure server that now uses https instead of http. In large part, we undertook this project because of the mail I received from concerned visitors who saw "Not Secure" in the URL bar of certain browsers.

All along, I've assured folks that nothing bad was going to happen as a result. But, things got to the point where it was better to make the change.

You can thank our Inner Circle Members for this upgrade. Their contributions paid for the project.

The TDS 2020 Photography Workshop Season

What makes these events so special? It's the magic blend of fellowship, location, inspiration, and focus. You can actually be single-minded about your craft. I'll take care of everything else.

When I was discussing this on our Patreon site, one Inner Circle member raised a concern about the class presentation on the final day. I'm going to tell you what I say at every workshop. This is not a competition. It is the most supportive creative environment that you will ever share your work with. And no matter your skill level, the floor is yours to discuss your experience and share a few images. I promise you, you will love it.

When you decide which event is best for your, jump over to our 2020 Workshops Signup Page and place a $100 deposit to secure your place. Only participants on the Reserve List who have placed a deposit will be eligible to register for a workshop. If you have questions or need more information, fill out the "Send Me Info!" request form. I'll get back to you asap.

• LA Street Photography Experience - March 13-15, 2020 - This hands-on workshop guides you on an exploration of classic Los Angeles locations and architecture. Our excursions will take us as far west as Venice Beach, as well as famous movie spots and the back streets of this fascinating Southern California area. Limited to 9 participants and featuring two instructors (Derrick Story and Mike Boening), you will enjoy great photography, food, and friendship with our fellow enthusiasts. Three days, $749. You can place your deposit here.
• Humboldt Redwoods and Coast Workshop - May 12-14, 2020 - Our home base for this experience is in the hospitable town of Fortuna that's on the banks of the Eel River. From there we explore the magnificent redwood groves of Humboldt County and the rugged coastline of Northern California. This workshop explores three distinct ecosystems in a satisfying 3-day event. Limited to just 9 participants, you can reserve your spot and learn more about this event here.
• Lassen Volcanic Park Photo Workshop - July 16-18, 2020 - We'll convene at a spacious cabin at Lake Almanor that serves as our HQ. From there we explore the stunning Lassen landscape, peaceful shores of Lake Almanor, and the magnificent mountain night skies. This hands-on photo workshop is limited to 8 participants and is a wonderful blending of experience, camaraderie, and artistry. Limited to just 8 participants, you can reserve your spot and learn more about this event here.
• The Eastern Sierra Photography Workshop - Autumn 2020 - Our event is headquartered at the Silver Maple Inn in Bridgeport, CA - gateway to Bodie, Mono Lake, and June Lake. We'll take advantage of the magical morning light to photograph some of the most unique landscape in North America. We'll photograph the sparkling night skies of the Sierra and explore rustic urban environments. Limited to just 9 participants, you can reserve your spot and learn more about this event here.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

How to Watch Photos for macOS Catalina and iPadOS - Learn everything you need to know about Photos for the Mac and iPad by checking out my latest course on LinkedIn Learning and on lynda.com. This course is perfect for Mac and iPad based photographers who shoot with iPhone, Mirrorless, and DSLR cameras. It covers both photography and movies. And if I say so myself, it's a lot of fun.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. (The Digital Story is supported by its audience. When you purchase through links on our site, we may earn an affiliate commission.) And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Skillshare is an online learning community with thousands of classes for creators, entrepreneurs, and curious people everywhere. Get two months of learning for free by visiting www.skillshare.com/tds.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

If it's time to relocate your Aperture images to Lightroom, this new app might be just the solution that you've been waiting for.

Avalanche is designed to convert catalogs of photographs from one application to another while keeping the organizational structures intact, ensuring all metadata flows without losses, and that image adjustments are replicated with the best possible results.

Avalanche for Lightroom, the first version of Avalanche, focuses on providing a solution for photographers with photos stuck in Apple Aperture that isn't supported anymore by Apple. Since the release of Catalina, Aperture users can't rely on launching Aperture anymore to access their photo libraries. Avalanche allows a smooth transfer of the libraries towards other applications - today toward Lightroom or folders, and soon including other apps like Luminar and Capture One Pro.

"We designed Avalanche because we were not satisfied by the existing solutions to migrate our many photo catalogs out of Aperture." said Matthieu Kopp, CYME co-founder and CTO. "We realized that being able to switch our preferred cataloging/app was important as many great photo edition apps exist in this space. Being able to move all our images with metadata, organisation structure, and some edits was opening new perspectives and giving us a much wanted freedom of choice."

But Avalanche does not stop here. "We wanted to ensure that everything that was present in the source catalog was converted, even if it looked hard or impossible. Therefore Avalanche converts Faces and recreates them, not as keywords like other solutions do, but as real face detections in the destination catalog."

"Avalanche not only does a great job at opening and converting those catalogs, but we added some unique Machine Learning capabilities to transfer a number of adjustments. And when Avalanche estimates that a picture has adjustments that are too complex to migrate, it places the image in a dedicated album for the user to review after conversion."

Avalanche Features

• Browser interface to easily find all catalogs on all connected volumes.
• User friendly conversion screen with detailed information about the content to be converted and detailed progress monitoring.
• Detailed reporting screen and a conversion log in the form of a CSV file to easily find out what errors were encountered (missing files, corrupted database situations...
• Aperture Masters and Versions copies are fully converted into masters and virtual copies in Lightroom.
• Videos and video versions are fully converted into master videos and virtual copies in Lightroom.
• Albums: simple albums are recreated in the target catalog. Smart albums are not converted.
• Face definitions and face detections are fully converted in Lightroom.
• All customs annotations, flags, ratings, color labels are converted.
• Keywords are converted with full support for hierarchies.
• All IPTC and EXIF metadata is supported. Avalanche even harvests EXIF data from the master files to enrich the target catalog.
• Projects, Folders, Stacks are recreated in Lightroom.
• AI powered adjustments: WB temperature and tint, exposure, contrast, vibrancy, saturation, black and white levels, highlights and shadows are converted using Machine Learning (ML).
• Curves are converted.
• Images converted to black and white are properly migrated and ML is used to infer the proper color mix from color space to black and white.
• Conversion options letting you decide how to handle referenced files, videos, etc...
• The choice of folder hierarchy for the copied master files.

System Requirements

Avalanche for Lightroom requires macOS 10.14 or later and runs fine on Catalina. You'll need around 145 MB of free space, 4 GB of memory (8 GB is recommended) and enough space to accommodate the converted libraries. A working copy of Apple Aperture is NOT required to migrate Aperture libraries as Avalanche opens those libraries natively.

Visit the Avalanche home page for more information, trial version, or to purchase for $59.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

The latest update to Pixelmator Pro (v. 1.5.4 Avalon) includes ML Super Resolution. And it's fantastic.

Image already enhanced using ML Super Resolution.

I took this feature for a test spin with a product shot of a Nikon F that measured 2400 x 1733 pixels. I opened the image in Pixelmator Pro and applied ML Super Resolution, then exported the shot as a Jpeg. The resampled image measured 7200 x 5199 pixels, and it looked better than the original. Here are the comparison shots.

Original image at 2400 x 1733 pixels.

Super Resolution version at 7200 x 5199 pixels.

Instead of using just "nearest neighbor" upscaling, Pixelmator uses machine learning to take into account additional elements in the image such as textures and patterns.

The speed of the process varies depending on your hardware. If you have a current Mac that can tap Core ML 3 and multi-GPU support, then the resampling takes just seconds. But if you have an older machine, such as my mid-2014 MBP, it still works, but takes much longer. There was a big time difference between my current iMac and aging laptop.

Regardless of processing time, it's worth the wait. The results were truly impressive. Suddenly, I'm thinking about additional opportunities for my 12 MP Nikon D700...

Pixelmator Pro is available in the Mac App Store for $39.99. It was a great value prior to ML Super Resolution.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #718, Dec. 17, 2019. Today's theme is "Is Capture One Pro 20 the Logical Alternative to Lightroom?" I'm Derrick Story.

Opening Monologue

Among all the camera discounts and holiday hub-bub this December, there was some software news as well. Phase One released a major update to its photo management app, Capture One Pro 20. What's interesting about this latest version is that it's aimed squarely at disenchanted Lightroom photographers. Is it truly to logical alternative to Adobe products? I'll explore the possibilities on today's TDS podcast.

Is Capture One Pro 20 the Logical Alternative to Lightroom?

When I look at some of the refinements in Capture One Pro 20, no doubt they are hoping to lure a few Lightroom users their way. Things like the simplified color panel, more friendly crop tool, and even a keyboard shortcut change that matches Lightroom for switching from a single photo to thumbnails (G).

But is Capture One Pro the logical alternative? Let's take a look at five strengths of each application, then resume this discussion.

Capture One Pro 20 Strengths

• RAW Processing. The hands down winner IMHO.
• Layers and luminosity masks, so easy, so powerful.
• Fully configurable workspaces - very customizable
• Outstanding color tools, especially for portrait work.
• Almost magical exposure controls, especially Contrast, Highlights, and Shadows.

Lightroom Strengths

• HDR and panorama processing.
• Cloud integration with outstanding mobile apps.
• More training, 3rd party plugins, bigger ecosystem.
• Price. Yes, believe it or not, I think Lightroom is more affordable.
• Better integration with Photoshop and the entire Adobe ecosystem.

So if you're dissatisfied with Lightroom, the place to start is why are you looking to change?

If it's price, then you might want to stick with Lightroom. Capture One Perpetual license is $299. And let's say that I upgrade every other version. So to upgrade from version 11 is $199. So this investment should last me 48 month, provided that I only upgrade every other year. And the price still works out to $10.35 a month.

If I go with the subscription plan for C1P, which keeps me current through all the version, that will cost me $20 a month if I pay monthly, or $180 a year if I pay all at once. Again more costly than the $10 a month I'm currently paying for Lightroom, Photoshop, and LR Mobile.

If speed is your issue, I don't think you'll really be any happier with Capture One Pro. I never really notice a difference working on one app or the other.

So which one you use will most likely come down to features. In my case, I like the library management better in Capture One, not to mention the RAW processing.

But, I also have Lightroom for my panoramas, cloud connectivity, and HDR processing.

If I had to choose just one, I would pick Capture One Pro. But I'm glad that I don't have to do that. Because there are a lot of things that I like about Lightroom as well.

Adobe Photoshop for iPad gets AI-powered Select Subject feature

You can read the entire article here on DP Review.

At launch, Adobe said more powerful features would be added over time and back in November the company Adobe provided more detail on timelines and features that are to come.

As promised, the AI-powered Select Subject feature which lets you isolate objects in the scene from the background has now been made available. In most cases, a selection can be made just with one tap, even if the subject has a complex outline. In a second step filters or other edits can be applied to either the isolated subject or the background.

Adobe says the function works and performs on the same level as for the desktop version, despite the iPad's processing limitations. Machine learning was used to train the tool's algorithms using a wide range of objects and scenes but the company says it is still working on optimization for difficult subjects like hair or fur.

Additionally, the app has been updated with faster cloud upload and download some user interface tweaks. More information is available on the Adobe website.

Do You Have a Film Camera that Needs a Good Home?

Over the last year, I've received donations from TDS members who have film cameras that need a good home. What I do is inspect the items, repair and clean as I can, then list them in TheFilmCameraShop where I can find a good home for them. If you're interested in donating, please use the Contact Form on TheNimblePhotographer site. And thanks for you consideration!

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

LA Street Photography Experience - This 3-day event on March 13-15 is going to be exciting. If you want to join Mike and me this coming March, just visit the information and registration page, or go to www.thenimblephotographer.com and click on the Workshops link, or go to the Olympus site - no matter how you get there, Mike and I are looking forward to working with you this coming Spring.

How to Watch Photos for macOS Catalina and iPadOS - Learn everything you need to know about Photos for the Mac and iPad by checking out my latest course on LinkedIn Learning and on lynda.com. This course is perfect for Mac and iPad based photographers who shoot with iPhone, Mirrorless, and DSLR cameras. It covers both photography and movies. And if I say so myself, it's a lot of fun.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. (The Digital Story is supported by its audience. When you purchase through links on our site, we may earn an affiliate commission.) And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Skillshare is an online learning community with thousands of classes for creators, entrepreneurs, and curious people everywhere. Get two months of learning for free by visiting www.skillshare.com/tds.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

iPadOS has changed a lot of things for photographers who use Apple tools. Now we have a robust Photos app on the iPad, including tools for editing videos that we don't have on the Mac. I'm serious. Take a look at this short movie to see what I'm talking about.

Why it's better to edit video on an iPad than your Mac from Photos for macOS Catalina Essential Training by Derrick Story

Sure we have lots of video editing options for both platforms. But in this case, that's not the point. If you're an iPhone-toting photographer connected to iCloud, then when you record video with your smartphone, it's right there in the ecosystem waiting for you.

You don't have to transfer it to another app or platform; just open Photos for iPadOS, click on your movie, then adjust exposure, white balance, crop, straighten, and even apply filters. The adjustments are non-destructive and the completed work is available on all your devices via iCloud. It's really slick.

How to Watch Photos for macOS Catalina and iPadOS

This is just one of the many cool topics that I cover in my latest course on LinkedIn Learning and on lynda.com. Photos for macOS Catalina and iPadOS is perfect for Mac and iPad based photographers who shoot with iPhone, Mirrorless, and DSLR cameras. It covers both photography and movies. And if I say so myself, it's a lot of fun.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

One of my favorite compact cameras, the Fujifilm XF10 doesn't have an optical or electronic viewfinder. I compose off the LCD screen. Most of the time this is just fine. But how about those times (can you say bright, sunny day?) when life would be better with a viewfinder? Take a look at this.

Optical viewfinder attached to the bottom of the camera using the tripod socket.

Since the XF10 doesn't have a hot shoe (because it does have a built-in flash), the tripod socket becomes the best non-destructive way to attach a viewfinder. At this point you're probably saying, "But Derrick, it's on the bottom of the camera!" Indeed it is, and it hasn't made a lick of difference to me while shooting.

The parts needed for my DIY viewfinder assembly.

In real life, I shoot with the LCD when I can. If I need more, I just attach the optical viewfinder and look through it when needed. Because the top of the XF10 is flat, I can just set it on the table upside down.

For this project, I've repurposed an Olympus VF-1 optical finder that has frame lines for a 34mm lens. But you can use any viewfinder that you can find, as long as it fits in a hot shoe or has a tripod socket. In my case, I attached a cold shoe to the camera's tripod socket, then I just slide the viewfinder in as needed.

For 28mm shots I compose outside of the frame lines. When I have the XF10 set to 35mm focal length, the frame lines are a perfect match. And I to have the LCD right there if I need it for reference.

I wouldn't use this rig for close up work because of parallax, but for general portrait and travel photography, it works great.

Who ever said that the viewfinder had to be on top? And if it does, then just turn the camera upside down and shoot that way.

Or, just turn it upside down.

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

It's something that practically all photographers have... somewhere. Yes, the "easy to lose" but really useful remote controller device. And now is the time to find it.

The holiday season is perfect for long exposures of interior decorations (hopefully with a little bokeh for flavor), group shots that you are actually a part of, and weird camera positions where you're on your tiptoes to see what's on the LCD screen. And these all are easier with a remote release.

There are two basic ways to go here. First, dig through the sock drawer and find the IR release designed for your camera, check the battery, then put it in your backpack or wherever you keep your gear. While you're at it, you might want to take a minute to refresh on how to use it and where the settings are. People hate waiting for fumbling photographers.

The second option is to use the mobile app for your camera that always has a remote control feature. Again, now is the time to set it up and practice before you gather a room full of people.

Either way, you want to be ready to go for when the moment strikes. Self-timers are nice, but remote control is a much better look.

Happy Holidays!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #717, Dec. 10, 2019. Today's theme is "It's Time to Stop Worrying About the Photo Industry." I'm Derrick Story.

Opening Monologue

Those who really care about the art of photography and its future have been inundated with doom and gloom in 2019. Rumors about brands going out of business, how smartphones have destroyed our culture, and the lack of innovation that's to blame for our problems. Today, I'm going to look at some of the changes that we've seen in 2019, and try to put this whole thing in perspective. I hope you enjoy the show.

It's Time to Stop Worrying About the Photo Industry

Let's start out by taking a look at some of the photography broad brush strokes from this year.

• AI Image Editing - Luminar 4, OnOne, Topaz. It's kind of appealing at first. But if you're not careful, it's like eating raw cookie dough.
• Mirrorless cameras go full frame - New Canons, Nikons, Panasonic, Sigma. On one level, I'm excited by this because we have new gear to contemplate and discuss. But at the end of the day, I really like what I already have. Personally, my big thrills this year were the Voigtlander Ultron 40mm f/2 SL IIS Aspherical Lens and the Kamlan 50mm f/1.1 Mark II for Micro Four Thirds.
• Smartphones get smarter - Google Pixel 4, iPhone 11 are incredible. But, I'm still doing well with my iPhone X.
• Film Photography hangs tough - The comeback maybe a bit overblown, but there's still traction there. And I really like my LabBox that enables me to develop a roll of BW film in daylight at the kitchen counter.

So where do we go from here? In all honesty, just keep doing what you're doing and let the marketplace figure it out. There will always be plenty of cameras and lenses for those who enjoy serious photography. It's really not our problem.

Websites and podcasts are hungry for news to report. But that doesn't mean that we have to be distracted by it. I don't think, for example, the Olympus rumor should have ever been published. A news story would have been if Olympus had taken steps to close down its imaging operation. Not the rumor that they may do so some day.

Who really cares if Nikon is #2 or #3? What's important are the products they are creating. And if companies like Skylum want to place all of their bets on AI imaging enhancement, then that's fine. But if their product doesn't meet my needs, then I'm not buying it.

We are so inundated with meaningless information that we sometimes forget that it doesn't have to affect our lives. As we approach 2020, I'm going to enjoy the new products that are released, and the new techniques that are revealed. But I'm not going to worry about the photography industry. It will be just fine.

Skillshare for Photographers

Skillshare is an online learning community with thousands of classes for creators, entrepreneurs, and curious people everywhere. You can take courses in photography, videography, audio production - you name it, they've got it. So whether you're picking up a new skill for your day job, figuring out your next side project, or pursuing a long-time passion, Skillshare has classes for you.

The photography courses are amazing. One that I recommend is "Portrait Photography on the Street: Connecting with Strangers" by Zun Lee, who explores Harlem in New York City and shares his secrets for capturing the essence of a place and its people. His techniques for getting your best shot make this a perfect, quick class to inspire both the novice photographer and the expert to get out and shoot. And this is just one of many top notch titles on Skillshare.

Join the millions of students already learning on Skillshare today with this special offer for TDS listeners: Get 2 months free. That's right, Skillshare is offering The Digital Story community 2 months of unlimited access to thousands of classes for free. To sign up, go to skillshare.com/tds.

And a big thanks to Skillshare for sponsoring this show!

Why I Prefer Micro Four Thirds for Product Photography

The Olympus OM-D E-M5 Mark II combined with the Panasonic Leica DG Summilux 25mm f/1.4 II ASPH. lens is an ideal combination for the product photography I do daily for TheFilmCameraShop. I've tried many different setups over the years, and this one has just the right amount of everything.

That being said, my Micro Four Thirds camera saves me a lot of time. First of all, I don't have to use a tripod. This is huge, time wise. Before, when we were shooting full frame (or medium format!), we had to stop down the aperture and focus very precisely because of the shallow depth of field that results from larger sensors and wide apertures. As a result, I had to break out the 3-legged beast.

What's so beautiful about my mirrorless rig is that I can shoot at f/4.5 or so (thanks to the depth of field), raise the ISO to 1600, and lean a bit on the sensor-based image stabilization. This allows me to handhold the camera, saving lots of time while still providing excellent results. The MFT sensor gives me that little bit of extra depth of field that's so important in product photography. I love it. And this is something that I also enjoy with certain types of portrait work as well.

Secondly, the realtime exposure compensation feedback makes it easy to nail the exposure during capture. (Very important for brightly-lit white backgrounds!) As a result, I have virtually no post production time. Again, this is a big deal on busy days. Thanks to the sharpness of the Leica lens and the accuracy or the E-M5 Mark II, the files virtually go from camera to product page.

Our LA Street Photography Experience is Coming this March

This 3-day event on March 13-15 explores classic Los Angeles locations and architecture. Our excursions will take us as far west as Venice Beach, as well as famous movie spots and the back streets of this fascinating Southern California area.

You will learn new techniques for safe and effective street photography, how to capture the vibe of great architecture, and enjoy some classic California cuisine along the way.

Olympus Educator, Mike Boening, is our co-instructor. Those of you who have worked with Mike at our SF Street Photography events know how much he brings to the table. Not only is he an official Olympus Educator, he's an accomplished street photographer, and he's going to bring gear for you to test and learn about.

If you want to join Mike and me this coming March, just visit the information and registration page, or go to www.thenimblephotographer.com and click on the Workshops link, or go to the Olympus site - no matter how you get there, Mike and I are looking forward to working with you this coming Spring.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. (The Digital Story is supported by its audience. When you purchase through links on our site, we may earn an affiliate commission.) And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

How to Watch Photos for macOS Catalina and iPadOS

Learn everything you need to know about Photos for the Mac and iPad by checking out my latest course on LinkedIn Learning and on lynda.com. This course is perfect for Mac and iPad based photographers who shoot with iPhone, Mirrorless, and DSLR cameras. It covers both photography and movies. And if I say so myself, it's a lot of fun.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Skillshare is an online learning community with thousands of classes for creators, entrepreneurs, and curious people everywhere. Get two months of learning for free by visiting www.skillshare.com/tds.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

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You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Each camera manufacturer has their particular WiFi app, and some definitely work better than others. But if you really want tap the potential of camera to mobile communication, I would take a look at Cascable 4 as well.

Copying images from an Olympus EM-5 Mark II to an iPad mini using Cascable 4.

With Cascable 4, I can use one app with many different cameras to transfer Jpegs and RAW files, use remote release, remote live view, remote settings adjustment, and more. Currently, it supports 181 cameras including models from Canon, Fujifilm, Nikon, Olympus, Panasonic, and Sony. I use it for my PEN-F, OM-D EM-5 Mark II, and EM-1 Mark II.

Live View photography with the Olympus PEN-F. I can adjust camera settings and choose focusing areas via my iPad mini.

I use Cascable 4 with both the iPhone X and the iPad mini5, but prefer it on the iPad where I can go right into image editing and sharing via the other tools I have on the tablet. Plus, having the bigger screen is more fun to work with.

Performance depends on the camera and its wireless capabilities. For example, with the Olympus PEN-F, RAW files transfer quickly and Live View is snappy. But with older cameras, such as the Nikon D610 with the WU-1b WiFi adapter, RAW files are out of the question because of the dodgy transfer speed.

This does bring up an interesting option, however. The only thing as bad as the WU-1 WiFi adapter is the Nikon WMU app that limits file download size to 1618 x 1080. That's barely good enough for Instagram. Cascable can improve that.

Using the second card slot on a Nikon D610 for lower resolution Jpegs that can be transferred wirelessly.

Since the app can read both card slots on many cameras that have them, you could designate Card Slot 2 for Jpegs only, shoot RAW+Jpeg (with RAWs going to Slot 1), then have Cascable read Card Slot 2 for the Jpegs. If I shoot Small/Basic on the Nikon for the Jpegs, then Cascable can actually transfer those (it can't handle the RAWs; the pipe just isn't big enough from the WU-1.) That gives me a much bigger file to work with: 3008 x 2008.

The process is still slow, and I'd be better off just taking the card out of the camera and using Apple's SD card reader. But if you need to go wireless, at least there's an option.

The Bottom Line

Cascable 4 is like having a Swiss Army Knife for wireless communication between camera and mobile device. It has a bounty of tools, great interface, and works with many cameras.

Detail view of images on an Olympus PEN-F.

It's not perfect, of course. Even though it's compatible with many FujiFilm cameras, it doesn't connect with my XF-10, a camera that I love to walk around with. It can't talk to my Pentax KP either. So I can use for my Olympus and Nikon bodies, but not the others. You'll definitely want to check the compatibility list before purchasing. It also gets a little over zealous with the disconnect notices, forcing me to turn them off in Settings.

And even though the basic version is free for the downloading, which I highly recommend, if you want to unlock all of the features with the Pro bundle, it will cost you $29. That's a bit higher than we're used to paying for a mobile app.

That being said, I paid it. And I have no regrets doing so. There are so many cool features that at first go unnoticed, such as automated recipes, neutral density calculator, sharp stars calculator, and geotagging, that it becomes a trusty companion when integrating your camera and mobile device on the road. And compared to the alternatives supplied by the manufacturers, Cascable 4 is a breath of fresh air.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

We're only a few months away from our LA Street Photography Experience in Southern California. Here's an overview of registration and lodging.

Workshop Registration

The workshop price is $725. If you're on the Reserve List, you've already made a $100 deposit, leaving a balance of $625. Workshop tuition is due by January 31, 2020 for Reserve List members.

If you decide to join us and you're ready to pay your tuition, use the Buy Now button below. You can use your credit card or PayPal balance with this option. If you prefer to pay by check, please send your payment to: Derrick Story, 2189 Sunleaf Lane, Santa Rosa, CA, 95403.

Tuition for the TDS LA Street Photography Experience

Accommodations, Breakfast, and Lunch

Our headquarters will be at Rest Haven Motel and Cottage in Santa Monica, CA. This is a terrific location for us, and it's far more affordable than most other options in the area.

Our workshop headquarters will be in the cottage. I have a couple rooms available there, or you'll be able to reserve a single accommodation room on the same premises. Take a look at their web page, and let me know what you're interested in.

I will provide light breakfast every morning in the cottage, and am coordinating our group lunch on Sunday in Santa Monica. Both of those are included in your workshop fees. When we're out and about on Friday and Saturday, I will have lunch recommendations for you, as well as your evening meals.

Workshop Meeting Room

Our workshop meeting room is in the cottage. We can bring in our own food and drinks. I will supply light refreshments during our lab and presentations. But if you have special items that you would like to have on hand, we have a refrigerator and sink that you can use while your work.

Transportation

If you're flying in to LAX, you won't need to rent a car unless you want one. We will have transportation options for you to choose from for getting back and forth from the airport to Rest Haven. During the workshop itself, transportation will be provided for you as part of your workshop fees.

Other Preparations

Once we have tuition and rooming list squared away, we'll then focus on final preparations for the event. You will receive emails with packing tips, equipment suggestions, and optional activities.

You can always contact me at: dstory@gmail.com - for any questions about the registration process or the workshop itself. I can't wait to see you in Southern California!

Preliminary Itinerary

Friday, March 13

• 7:30 AM - Continental Breakfast at the Rest Haven Cottage
• 8:00 AM - Prep Lecture for Venice Beach Photo Shoot
• 9:00 AM - Depart for Venice Beach
• 9:30 AM - Photo Shoot at Venice Beach
• 11:00 AM - Lunch on Your Own at Venice Beach
• 12:00 PM - Depart for Abbot Kinney Blvd.
• 12:30 PM - Street Photography on Abbot Kinney
• 1:30 PM - Depart for Rest Haven
• 2:00 PM - Personal Time/Rest
• 4:00 PM - Lab in the Cottage
• 5:30 PM - End of Lab - Personal Time/Dinner
• 7:30 PM - Night Photography at the Santa Monica Pier
• 9:00 PM - End of Day 1

Saturday, March 14

• 7:30 AM - Continental Breakfast at the Rest Haven Cottage
• 8:00 AM - Prep Lecture for Downtown LA Photo Shoot
• 9:00 AM - Depart for Metro Rail Station
• 9:31 AM - Board Metro Rail to Downtown LA
• 10:00 AM - Photo Shoots in Various Downtown Locations
• 2:00 PM - Depart for Rest Haven
• 3:00 PM - Personal Time/Rest
• 4:00 PM - Lab in the Classroom
• 5:30 PM - End of Lab - Personal Time/Dinner

Sunday, March 15

• 8:00 AM - Continental Breakfast at the Rest Haven Cottage
• 9:30 AM - Depart for Downtown Santa Monica
• 10:00 AM - Farmers Market Photo Shoot
• 10:30 AM - Street Photography Photo Shoot
• 11:30 AM - Group Lunch Downtown (Included in Workshop Fees)
• 1:00 PM - Return to Rest Haven for Final Lab
• 3:30 PM - Class Presentation
• 5:00 PM - Workshop Concludes

Refund Policy

If an unexpected event occurs that prevents you from attending a paid-for TDS Workshop, please contact Derrick at dstory@gmail.com. Refunds for paid tuition are issued based on this schedule.

• Request submitted between Dec. 7, 2019 and Jan. 1, 2020 will remit $550 for full $725 tuition paid.
• Request submitted between Jan 2, 2020 and Jan. 31, 2020 will remit $350 for full $725 tuition paid.
• Request submitted after Feb. 1, 2020 will remit $150 for full $725 tuition paid.

The Olympus OM-D E-M5 Mark II combined with the Panasonic Leica DG Summilux 25mm f/1.4 II ASPH. lens is an ideal combination for the product photography I do daily for TheFilmCameraShop. I've tried many different setups over the years, and this one has just the right amount of everything.

A Nikon FG Analog Clock for desk or bookshelf. Photographed with my MFT rig and listed in TheFilmCameraShop.

Before I go any further, let me take a couple steps back. When I was a photography apprentice for a professional who graduated from Brooks, we used to spend hours setting up product shots. He taught me about softboxes, reflectors, and the tricks of the trade to create images that clients liked. That was great for then, but it's a luxury that I don't have today.

Now, I run an online shop and must work quickly. I leave a mini-studio permanently set up in the shooting room. Once I finish restoring a product for the shop, I photograph it and list for sale. As quickly as I currently work, it still feels like this phase takes too long. Such is life these days, right?

A Nikon FG Analog Clock for desk or bookshelf. Photographed with my MFT rig and listed in TheFilmCameraShop.

That being said, my Micro Four Thirds camera saves me a lot of time. First of all, I don't have to use a tripod. This is huge, time wise. Before, when we were shooting full frame (or medium format!), we had to stop down the aperture and focus very precisely because of the shallow depth of field that results from larger sensors and wide apertures. As a result, I had to break out the 3-legged beast.

What's so beautiful about my mirrorless rig is that I can shoot at f/4.5 or so (thanks to the depth of field), raise the ISO to 1600, and lean a bit on the sensor-based image stabilization. This allows me to handhold the camera, saving lots of time while still providing excellent results. The MFT sensor gives me that little bit of extra depth of field that's so important in product photography. I love it. And this is something that I also enjoy with certain types of portrait work as well.

Secondly, the realtime exposure compensation feedback makes it easy to nail the exposure during capture. (Very important for brightly-lit white backgrounds!) As a result, I have virtually no post production time. Again, this is a big deal on busy days. Thanks to the sharpness of the Leica lens and the accuracy or the E-M5 Mark II, the files virtually go from camera to product page.

When I'm not in the studio, and am wearing my Nimble Photographer hat, I often depend on Micro Four Thirds photography for traveling light. The real savings is realized with the lenses that are so compact and sharp.

But over the last few years, I've come to appreciate this format for online product photography as well. And in this case, it's the bottom line that's enhanced because efficiency is improved.

No doubt Micro Four Thirds photography is awesome for travel. But I've learned that it's darn good for business as well.

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

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With Photos for macOS, you can easily manage, enhance, and share a large library of images. And thanks to macOS Catalina and iPadOS, the latest version offers a new level of compatibility across devices, aligning the user experience as well the editing and AI-powered organization tools.

In this course, Derrick Story takes you on a detailed exploration of this powerful app. Learn how to manage thousands of pictures quickly and easily, and edit and enhance the color, contrast, and compositions of images and video with the built-in editing tools. Derrick also explains how to export images, create slideshows, and prepare photos for printing. Along the way, he highlights the new features that make Photos for macOS Catalina such an important upgrade.

Here are some of the topics covered:

• What's new in Photos for macOS and iPadOS
• Creating new Photos libraries
• The latest Editing Extensions for Photos
• Importing images
• Enabling iCloud syncing
• Backing up a Photos library
• Organizing images
• Deleting, removing, and hiding images
• Editing videos
• Editing images
• Working with pictures
• Exporting images
• Creating slideshows
• Printing at home

The thing that I really like about this course, is that I show you the best of both worlds. Some techniques are better on the Mac, while other things, such as editing your videos, are actually better suited for the iPad version of Photos.

And regardless of which way you go, all of your work is automatically backed up to iCloud and shared across all devices. It's really a wonderful workflow. Check out the course intro video.

Get the most from Photos for macOS Catalina and iPadOS from Photos for macOS Catalina Essential Training by Derrick Story

If you haven't looked at photos for a while, then I think it's time to revisit. And if you are a Photos user, then I think you're really going to like this update.

How to Watch Photos for macOS Catalina and iPadOS

Learn everything you need to know about Photos for the Mac and iPad by checking out my latest course on LinkedIn Learning and on lynda.com. This course is perfect for Mac and iPad based photographers who shoot with iPhone, Mirrorless, and DSLR cameras. It covers both photography and movies. And if I say so myself, it's a lot of fun.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #716, Dec. 3, 2019. Today's theme is "Why Full Frame Photography Doesn't Have to Be Expensive." I'm Derrick Story.

Opening Monologue

2019 was certainly the year for the resurgence of full frame photography. Sony, Panasonic, Sigma, Canon, and Nikon all released new big sensor cameras with the latest technology and hefty price tags. But a little further back on the shelf are some very interesting, highly capable cameras at a fraction of the cost. What about them? Are they worth our attention? What if we already own one? Should we keep it or upgrade? I grapple with all of those questions on today's TDS Podcast.

Why Full Frame Photography Doesn't Have to Be Expensive

Ansel Adams had his 4x5 for fine art work and our modern version is the full frame digital camera. The larger sensor helps capture more dynamic range and gives us better control over depth of field.

And if indeed we are using these cameras for our creative endeavors, they don't necessarily have to have the fastest frame rate or feature incredible autofocus. What we do need is excellent image quality. And if possible, at a price we can afford.

I'm going to start by listing the minimum specifications that I think a previous generation full frame camera should have. If you own one already, you can compare these numbers to yours. If one is on your wish list, then I'll share a couple of excellent bargains that not only have those specs, but have proven their value over time.

• Image Resolution - 20 MP+
• High ISO Performance - 6400+
• Continuous Shooting Speed at Full Resolution - 5 fps+
• Movie Recording - Full HD 1,920x1,080 / 30/25/24 fps+
• Rear LCD - 3" with 900,000 pixel resolution+

Now, obviously, if you can get more spec for the dollar, then do it. But this configuration will allow you to do serious work in a variety of situations. Unfortunately, my Nikon D700 doesn't make the cut at 12 MP. I love using it for vintage lens testing, but I would hesitate to tap it for a fine art project. Which leads me to a post about the camera you may already have.

What If You Already Own an Aging Gem?

I read an interesting article by David Dowe titled, Ode to my DSLR: Why I Love the Nikon D610 where he writes:

"I want to write this review to share with others what I love about this camera - or, more universally, any older DSLR - and show it's possible to learn and grow with "older" cameras. As well, I want to solidify in my own mind the things I love about the camera. I have also come, through this experience with the D610, to appreciate having and growing with a single, durable, and capable camera body through years of daily use. I've learned to see cameras, rightly or wrongly, as medium-to-long term tools -- a creative partner with whom you grow. Where the more you get to know your camera and it's limitations, the more you get out of it, accomplishing your creative vision with as little resistance as possible. And whatever resistance is there, it becomes a means to push your own creative capabilities to flow like water around a rock in a stream."

The entire piece is excellent, accompanied by exquisite images of his girls growing up with him and their mom. He does flirt with Fuji mirrorless and is tempted by the new Nikons. But in the end he continues to work with his D610, and builds a compelling argument for doing so.

That's great that David has a Nikon D610. But what about a guy like me with an older D700?

Maybe I too should look at these following incredible values that fulfill my basic requirements. Both considerations are new cameras that are still in their original boxes. You can get even better deals on the used market.

Nikon D610

Here's a deal that really caught my eye: A brand new Nikon D610 DSLR with Nikkor 50mm f/1.8 G lens for $897. Then, toss in at no extra charge, a MB-D14 Multi Battery Power Pack, WU-1b Wireless Mobile Adapter, SanDisk 64GB Extreme PRO UHS-I SDXC Memory Card, Nikon Deluxe DSLR Digital SLR Camera Case (Black), and a downloadable licensed version of Skylum's Luminar 4. Yes, all of that for $897

Specs: 24 MP, 6 fps, base ISO 100-6400 (up to 25,600), HD movie recording, 3.2" 921K dot TFT LCD .

Sony Alpha a7 II

Sony has been updating the Alpha a7 line frequently, and that's good news for early gen bargain hunters. Currently, you can get the Sony Alpha a7 II Mirrorless Digital Camera for $898.

Specs: 24 MP, Continuous shooting up to 5 fps at 24 MP to 50 exposures, ISO: 100 to 25600, HD movie recording, and 3" 1,228,800 dot tilting LCD

So, where does this leave us? The point that I want to make here is that the rate of change with enthusiast cameras has slowed to the point where cameras from 2012 onward are serious tools in the hands of an artist.

And if you currently have access to lenses that you would have to buy all over again in a different mount, then the savings can be tremendous, leaving you with more budget for experiences to capture with these cameras.

Something to think about as we head out of the year of full frame and into whatever is next.

Skillshare for Photographers

Skillshare is an online learning community with thousands of classes for creators, entrepreneurs, and curious people everywhere. You can take courses in photography, videography, audio production - you name it, they've got it. So whether you're picking up a new skill for your day job, figuring out your next side project, or pursuing a long-time passion, Skillshare has classes for you.

The photography courses are amazing. One that I recommend is "Fundamentals of Portrait Photography: Using Natural Light to Create Drama" by Justin Bridges, a fashion and portrait photographer based in New York City. And this is just one of many top notch titles on Skillshare.

Join the millions of students already learning on Skillshare today with this special offer for TDS listeners: Get 2 months free. That's right, Skillshare is offering The Digital Story community 2 months of unlimited access to thousands of classes for free. To sign up, go to skillshare.com/tds.

And a big thanks to Skillshare for sponsoring this show!

Capturing Moments with the Voigtlander Ultron 40mm f/2 SL IIS

In a true convergence of traditional meets modern, the Voigtlander Ultron 40mm f/2 SL IIS Aspherical Lens ($419) combines silky manual focusing with a beautiful optic also featuring a CPU chip for metadata and to assist with mode settings.

I have the Voigtlander mounted on my trusty Nikon D700, and because of the chip, I can shoot in Program, Aperture Priority, and Manual exposure modes, plus record the lens type and complete exposure metadata. And the images are beautiful!

There are variations of this lens, and some of those variations come in different mounts, but I prefer the most current SL IIS because of its luxurious scalloped focusing ring and outstanding optics.

You can easily adapt this optic to mirrorless cameras, although most likely without the benefit of the CPU chip. But on a Nikon DSLR, it is a joy for quiet candids and fine art work. And it's a wonderful value as well at $419.

Our LA Street Photography Experience is Coming this March

This 3-day event on March 13-15 explores classic Los Angeles locations and architecture. Our excursions will take us as far west as Venice Beach, as well as famous movie spots and the back streets of this fascinating Southern California area.

You will learn new techniques for safe and effective street photography, how to capture the vibe of great architecture, and enjoy some classic California cuisine along the way.

Olympus Educator, Mike Boening, is our co-instructor. Those of you who have worked with Mike at our SF Street Photography events know how much he brings to the table. Not only is he an official Olympus Educator, he's an accomplished street photographer, and he's going to bring gear for you to test and learn about.

If you want to join Mike and me this coming March, just visit the information and registration page, or go to www.thenimblephotographer.com and click on the Workshops link, or go to the Olympus site - no matter how you get there, Mike and I are looking forward to working with you this coming Spring.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. (The Digital Story is supported by its audience. When you purchase through links on our site, we may earn an affiliate commission.) And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Skillshare is an online learning community with thousands of classes for creators, entrepreneurs, and curious people everywhere. Get two months of learning for free by visiting www.skillshare.com/tds.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

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Full frame photography has grabbed many headlines in 2019. And for good reason, it's exciting to mount a top quality prime lens and photograph the world in a completely different way than you can with smaller sensor devices. But the prices have soared to $2,400 and beyond for the privilege.

But what if you could snag a highly rated full-frame body for about a third of that, and it included a prime lens, battery grip, and 64GB memory card? That would be sweet, right?

Take a look at the the deal of the year: A brand new Nikon D610 DSLR with Nikkor 50mm f/1.8 G lens for $897. Then, toss in at no extra charge, a MB-D14 Multi Battery Power Pack, WU-1b Wireless Mobile Adapter, SanDisk 64GB Extreme PRO UHS-I SDXC Memory Card, Nikon Deluxe DSLR Digital SLR Camera Case (Black), and a downloadable licensed version of Skylum's Luminar 4. Yes, all of that for $897

DP Review concluded that, "The Nikon D610 brings full-frame capabilities to a larger audience while retaining most enthusiast-friendly features. Image quality at high ISO sensitivities is very good, and a wealth of customization options enables quick access to most shooting controls. The slight improvements and fixes over the D600 make it a strong competitor in this part of the market," and gave it a Gold Award. (March, 2014)

The Nikon D610 features:

• 24.3MP FX-Format Sensor and EXPEED 3 Image Processor
• Multi-CAM 4800 Autofocus Sensor
• Scene Recognition System and Exposure Metering
• Full HD 1080p Movie Recording
• Built-In Pop-Up Flash and i-TTL Support
• Dual SD card slots
• 100 percent viewfinder coverage with high magnification
• 3.5mm stereo mic and headphone inputs
• Outstanding high ISO performance in both JPEG and Raw files
• Excellent weather sealing
• Automated time-lapse function built in
• HDR capture built in
• Shutter mechanism has been tested for 150,000 cycles and incorporates a self-diagnostic shutter monitor
• Sold for $2,000 body only in 2014.

And all of this in a body that is relatively compact for a full frame camera.

The MB-D14 Multi Battery Power Pack sells for $259, the Nikon AF-S NIKKOR 50mm f/1.8G lens is $177 on sale, and the WU-1b Wireless Mobile Adapter sells for $55. Add those up, and they total $491. And that's not even counting the SanDisk 64 GB card. Subtract those from the $897 price tag, and that means you can get a new full frame camera for just a bit over $400. Use Payboo financing, and you won't even have to pay the sales tax.

If you have a cache of manual focusing Nikon lenses, you can use them as well on the D610. My favorites include the 105mm f/2.5 AI-s, 50mm f/1.4 AI-s, and the 35mm f/2.5 Series E. If you CPU register them on the camera, you will get basic lens metadata as well.

Bottom line is this: you don't have to pay $2,400, $3,000, or more for a top quality full frame digital camera. DSLRs are here to stay, as is the Nikon F mount. If you don't mind a top notch DSLR that was popular 5 years ago, this deal is worthy of your attention.

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

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