March 2023 Archives

This is The Digital Story Podcast #888, March 28, 2023. Today's theme is "The Distraction That Is Color." I'm Derrick Story.

Opening Monologue

The bulk of my photography is captured in color. But there are those moments, when I look at the preview on the back of the camera and think to myself, "this just isn't right!" And the majority of the time the problem is the color itself. Sounds crazy? Well, I'll explain myself on today's TDS Photography Podcast. I hope you enjoy the show.

Digital Photography Podcast 888

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The Distraction That Is Color

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Here's what happened the other day. It was about noon, and the sun was high and bright. I had made a stop in Morro Bay and wanted to photograph my cool campsite.

The sky was blue with plenty of clouds. There were tall trees in the background, and there was the campsite itself with my VW ID.4 sporting a patio cover on the passenger side with a comfy Coleman camp chair and table in the shade. Sounds perfect, right?

I pulled out the Fujifilm X100V and mounted the 28mm lens to give me a bit more elbow room. Took the picture, reviewed it on the LCD, and recoiled. How could such a lovely scene photograph so poorly?

Well, the bright midday sun was definitely part of the problem. It added a nasty contrast to the scene. But the real culprit was the over-abundance of color. There was just too much. My ingenious campsite was lost in a cacophony of blues and greens. The protagonist of my visual story was being consumed by the supporting cast.

When I shoot with the X100V, I carry two filters with me: a circular polarizer and a Hoya R72 Infrared. The polarizer was definitely the wrong direction. But the R72 could solve my problem.

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I screwed it into the front of my lens, set the aperture to f/2.0, switched film simulation to Monochrome+R, and recomposed the shot. Jackpot! My protagonist had returned to center stage, and the sky and trees were now a lovely supporting background.

I had eliminated the distraction that is color.

Here are 5 tips to keep in mind if you ever encounter a similar situation.

  • Know how to quickly find the B&W setting on your camera.
  • Shoot RAW+Jpeg to leave all of your options open.
  • Test your camera for IR sensitivity. If it passes, carry and R72 IR filter with you.
  • Don't be afraid to shoot midday, but know that IR and B&W do much better at this time than color.
  • Practice seeing in IR to understand how it doesn't affect manmade objects - the pavement, cars, bikes, benches, etc. - the same was that it does the living, especially plants and the sky.

Like I said at the top of this segment, I normally shoot in color. But I'm not hesitant in the least to switch to B&W if the situation calls for it. And I'm generally quite please with the outcome when I do.

Chris Niccolls and Jordan Drake Join PetaPixel to Lead its YouTube Channel

You can read the entire article on PetaPixel.com.

Chris Niccolls and Jordan Drake are joining PetaPixel and will lead its new YouTube Channel. The two have been a mainstay in the photography industry for more than a decade as hosts for first The Camera Store and then DPReview.

Their current home at DPReview is shutting down, but the two have no intention of stopping their excellent video reviews and photography-based content as they will be joining PetaPixel as the faces of its new YouTube channel launching in May, providing a nearly seamless transition from their previous home to their new one.

"I'm thrilled that PetaPixel is not only giving us the opportunity to keep our photography YouTube show going, but also the chance to make some fun changes to our format in upcoming episodes," Drake says.

"Sure, we'll still be releasing reviews for the latest photo/video gear shot in the frozen lands of Canada, but we're already working on field tests, documentaries, and episodes that are bigger than anything we've done before."

"This is a big move, but one that I'm very excited about. Working with PetaPixel brings me back to the reason why I got into this industry in the first place: a deep love for photography," Niccolls adds.

"I can't wait to work with a team that is as passionate about the craft as I am. Our show will still continue the high standard of technical knowledge that we are known for, and our dedication to testing gear in the field," Niccolls continues.

PetaPixel is ecstatic to be able to provide the two with a place to continue to share their professional insight and recommendations with a community that has appreciated them for the better part of 15 years.

How to Choose Binoculars: We Review the OM System Olympus 10 x 42 PRO

You can read the entire article FStoppers.com.

A good pair of binoculars are often invaluable to photographers. There are many important things to learn about buying them. Here's what led me to the OM System Olympus PRO binoculars, why they are my perfect choice, and why my old ones were a mistake.

My binoculars were showing their age. I bought them around 20 years ago, shortly before I moved to Tanzania. They were small, light, and easy to carry around, which I needed back then. But they had shortcomings. I know now I made the wrong decision when I bought them.

Those old Steiners were 10 x 26. That first number refers to the magnification and the second to the diameter of the objective lens. Back then, I found the 10x magnification was more than I needed for the large animals I saw in Africa, and I could often not fit the entire creature in the frame.

The second number refers to the objective lens' size. 26 mm is small, so the light transmission through them was not great; think of a camera lens with a small aperture. In the bright light of the savannah, that smaller objective lens was less of an issue. However, here in the often cloudy and dull North of England where I live now, it is. Furthermore, I am no spring chicken. Their low light-gathering capacity meant that, although I see things 10 times bigger, the image was dull and lacking detail, and I gained little from using them. Everyone's vision gradually deteriorates with age, and a dark image isn't what I need.

Consequently, although they fit in my pocket, I rarely take them anywhere. If only I knew then what I know now, I would have invested in something better.

I know that my OM System camera lenses are known for being hypodermic needle-sharp. A search of many different review websites also rated that brand's binoculars as exceptionally good. Furthermore, I know it is a brand I can trust. But, even so, I wanted to put them to the test to be sure.

OM System produces three grades of binoculars - Compact, Standard, and PRO - still sold with the Olympus branding. I went for the PRO version mainly for its increased clarity of image, durability, and because they are waterproof. So, before buying, I trialed a pair of mid-sized OM System Olympus 10 X 42 PRO binoculars.

On unpacking them, I found the binoculars were pleasant to hold. The rubberized grip was warm to the touch. The focusing ring was large and easy to reach with my forefinger and thumb.

Importantly, its focusing action was smooth, with just the right amount of resistance to focus quickly and accurately. Many pairs I tried over the years are too tight and jerk when you start to turn them, and others are too loose. But not these. They fit in the Goldilocks zone.

The hinge between the two barrels is tighter, which is excellent. Once set to the correct distance between my eyes, they stayed there.

These are high-quality, professional instruments. The huge difference I noticed using these binoculars compared to anything else I had used before is their brightness. I tried this pair and my old binoculars side-by-side and watched the eider and cormorants on the water and flying. With the Olympus binoculars, I could see details in the shadows that were not visible with the smaller, older ones. Furthermore, those old Steiners seemed to put a slightly muddy cast, whereas the Olympus ones were crystal clear.

They sell for $499.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

My Writing on Medium.com: I now have 51 published articles on Medium.com. And if you haven't visited the site, and enjoy good writing on a variety of topics, I suggest that you may want to take a look. You can just go to the home page and enter "Derrick Story" in the search field. And if you like what you read, then follow me!

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #887, March 21, 2023. Today's theme is "Gearing Up for Spring." I'm Derrick Story.

Opening Monologue

For those of us north of the equator, spring is just around the corner. Even though some folks may still have a month of slush and snow before the flowers grow. Either way, it's time to get in shape for one of the best photography seasons of the year. Tips on how do that, and much more, on today's TDS Photography Podcast. I hope you enjoy the show.

Digital Photography Podcast 887

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Gearing Up for Spring

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I look at spring activities through two lenses. The first is physical. Bad winter weather tends to take its toll on my fitness. And if I really want to enjoy outdoor life again, I have to be in decent shape.

The second lens is my camera gear. What do I need, if anything, to have the right tools for my adventures? And once I capture those images, is my workflow ready to accept them without strain?

Let's start with lens #1 - the physical aspect of our craft. I've long held the opinion that the greater our energy, the better our creativity. Now I'm certainly no triathlete, but I do strive to be able to enjoy a full day of activity without cutting corners on my photography.

I've already started working my way back in to shape. Every non-rain day here in Northern California, I get out by bike and go for a 20-30 minute ride. I have a few different routes that I alternate with to keep things interesting. And after just a couple weeks I'm already feeling stronger.

On bad weather days, I have a 20-minute workout indoors that incorporates a variety of stretches, weights, and tension using a surgical tube. Many of these exercises were learned as part of my physical rehab from injuries. Others were learned from magazine articles and advice from friends.

Regardless of which routine I'm able to do on a give day, I plan for early afternoon. This provides the added benefit of propelling me through the remainder of the day with much more energy than I would have otherwise. Honestly, there are no downsides here.

DxO PhotoLab 6 Now has Full FUJIFILM X-Trans Support

You can read the entire article on Dan Bailey Photo Blog.

Instagram Co-Founder Doesn't Like What the App Has Become

You can read the entire article PetaPixel.com.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

My Writing on Medium.com: I now have 51 published articles on Medium.com. And if you haven't visited the site, and enjoy good writing on a variety of topics, I suggest that you may want to take a look. You can just go to the home page and enter "Derrick Story" in the search field. And if you like what you read, then follow me!

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Do You Really Know Your Camera?

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Most photographers have a relationship with their camera - some more serious than others. Just look at their behavior. They always want to bring it along, they spend lots of money on it, and they definitely want others to keep their hands off.

See what I'm saying?

But like any couple, how well do you really know each other? Sure, you've got the basics down. You know how to find program mode, set the ISO, and even adjust the white balance now and then. That's pretty good. And many partnerships don't need much more.

But what happens when circumstances change, such as when you're taking a trip together? Now you want to do new things like capture birds in flight, experience the night life, and maybe even buy some exotic accessories. Suddenly you're looking at one another and thinking, "I don't really know you at all."

Like any relationship, this one is worth investing time in. Who knows what you'll learn about each another?

Here are two examples.

The Ricoh GR III can automatically correct a slightly tilted horizon when you take the picture. The Fujifilm X100V has digital 50mm and 70mm options built right into the camera that augment the 35mm equivalent lens, and those alternatives are very good.

The OM System OM-1 has a one-touch custom white balance button on the front of the camera that enables you to instantly adjust for any lighting situation. And iPhones have a hidden set of camera adjustments right there under your nose, all you have to do is tap the upward angle bracket at the top of the screen to reveal those settings.

As your friend and fellow photographer, I'm urging you to spend more time getting to know your camera. It doesn't always have to be fireworks and parties, although those are fun. But also make time for the quiet moments on the couch with your owner's manual in hand, exploring the many wonders of your partner in image capture.

You won't regret it. And your pictures will get better.

This is The Digital Story Podcast #886, March 14, 2023. Today's theme is "Crazy Retro Weekend." I'm Derrick Story.

Opening Monologue

So I did the craziest things this weekend, at least photography-wise. I was off on a road trip with some good photo possibilities, and the only camera I brought was a 10-year-old compact. Why would I do such a thing with the wonderful capture devices I have at my disposal? I'll explain myself on this week's TDS Photography Podcast. I hope you enjoy the show.

Digital Photography Podcast 886

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Crazy Retro Weekend

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As you probably know, we still have an atmospheric river flowing through California. On one hand, these things can be really destructive. On the other, there are countless photo opportunities if you can navigate the water.

I had to hit the road on Saturday for family activities, and since I didn't have to drive, I could use this opportunity to take pictures during the excursions. Of all things, I decided to pack my Fujifilm X20, vintage 2013.

Why would I do that? Well, I've encountered article after article about the popularity of older digital compacts, and I wanted to fully immerse myself, pun intended, in this concept. The X20 had been one of my all time favorite cameras, as a sidekick, but this weekend it's going to be the only game in town.

Let's step back to 2013 when popular compacts such as the Canon PowerShot G15, Sony Cyber-shot RX100, and the X20 were turning our heads. All of these devices are amazing photographic tools. By comparison, the iPhone 5, which was the hot smartphone at the time, featured an 8-megapixel camera that was fine, but not in the same class as any of these compacts.

Of the trio, the Fujifilm X20 is my favorite. Here's why.

It starts with the 2/3"-type X-Trans CMOS II sensor. When I open a RAW file from the X20 in Capture One Pro, it's beautifully toned and elegantly editable. Highlight and shadow recovery are smooth and gradual, the colors are natural, and the sharpness is wonderful. The pictures look like photographs, not digital images.

As lovely as the output is, the process of taking pictures is just as pleasing. It starts with the advanced optical viewfinder that adjusts the field of view as you zoom from 28mm wide to 112mm telephoto. When you press halfway on the shutter button, a digital overlay appears with exposure settings and focus confirmation. And of course you can still compose using the 3", 460k dot LCD.

Fujifilm includes 10 of its film simulation modes, including four monochromes. I use Astia Soft for my color work, and Monochrome+Yellow filter for black and white. Owners of the X100 series of cameras will understand just how important these are. And it's this shared DNA that adds to the X20's allure.

The Advanced modes provide panorama, a variety of filters, multiple exposure, and my favorite, Pro Focus that's a forerunner to Portrait mode on our iPhones - sharp subject with soft background.

And finally, the Fujinon Super EBC 28mm-112mm f/2.0 to f/2.8 zoom lens is the crown jewel. It's fast, colorful, sharp, and covers a field of view that allows you to artistically compose in just about any situation. Plus, it's stabilized. That's something the X100V still doesn't have.

Comparing to today's cameras, the X20 doesn't have many of the X100V's bells and whistles, such as Bluetooth, WiFi, tilting LCD, and a 24-megapixel sensor. But it does have what we love about Fujifilm cameras: beautiful design, click-stop dials, Fujinon aspherical lens, X-Trans sensor, Fuji color science, gorgeous optical viewfinder, built-in flash, Q menu, and images that have a certain magic to them.

So how did it go? Well, because of the conditions, I was shooting RAW+Jpeg, using BW+Y mode. That gave me a lovely BW Jpeg and a full-color RAW file if I needed it.

In the rainy, stormy conditions of the Bay Area, the B&Ws look terrific. My 4000x3000px files are sharp and contrasty. If I need to resample any of them to make a large print, I can easily do that with today's AI software.

So did I capture anything with the X20 that I could not have created with my X100V or OM-1? No, probably not. But it was the adventure that got my creative juices going. And I may captured images that I otherwise would have bypassed because I was so engaged in the challenge of working with the camera.

It was truly fun. And I'm very pleased with the pictures.

Lenrentals' most rented-out point-and-shoot isn't a point-and-shoot at all

You can read the entire article on DPReview.com.

Camera and lens rental company Lensrentals has published a list of its most popular 'point-and-shoot' cameras but the thing we found most interesting is how few of the cameras on the list would sensibly be described as such.

We recognize that, for many people, the term 'point-and-shoot' is synonymous with the term 'compact camera,' but we've always felt that there are plenty of compact cameras that encourage or reward a more hands-on approach to their photography than simply pointing at a subject and pressing the shutter button.

Lensrentals' most rented 'point-and-shoot' cameras of the past year.

10. Olympus Tough TG-6
9. Canon PowerShot G7 X Mark III
8. Fujifilm X100F
7. Nikon Coolpix P1000
6. Leica Q2 Monochrom
5. Ricoh GR IIIx
4. Sony Cyber-Shot RX100 VII
3. Sony Cyber-Shot RX10 IV
2. Fujifilm X100V
1. Leica Q2

Of the list, it's only really the Olympus TG-6 or Nikon P1000 (whose appeal in both cases is about something other than just simplicity of operation) and, perhaps, the Sony RX100 VII that one might sensibly expect to be simply pointed and shot.

The Best Affordable UV Protection Filters

You can read the entire article PetaPixel.com.

Best Protection Filters Under $50

This isn't an exhaustive list of the best UV filter options under $50, but these are solid, alphabetically-ordered choices that include a robust design, multi-coating on both sides, and promise good light transmission.

Hoya HD Protector - The Hoya HD Protector filter, which has been replaced by the more expensive HD3 model, offers strong performance if you can track one down. It's still available through various retailers, and the 77mm and 82mm sizes cost just under $50.

K+F Concept UV filter - With sizes ranging from 37mm all the way to 127mm, which is extremely unusual (and more than $50), the K+F Concept MCUV filter is an affordable option that includes 28 multi-layer coatings and strong light transmission performance. The 82mm version is frequently available for around $35, which smaller versions costing even less.

Marumi Exus Lens Protect - The Marumi Exus Lens Protect filter is a bit tricky to find these days, but if you can, it's a great option for around $50. The Japanese-made filter uses high-quality optical glass with strong transmittance.

Best Protection Filers Under $100

B+W UV Haze MRC 010M or B+W MRC Master 007 - The B+W UV Haze MRC 010M and B+W MRC Master 007 UV filter lines push the limit of the price tier, coming right up against the $100 cutoff. B+W is a well-known, very well-respected player in the filter game. You can't go wrong with B+W filters.

Canon Protector - The Canon Protect series of lens filters cost around $70 and meets the Canon standard. It's a completely good choice.

Chiaro Pro 99-UVBTS - Chiaro's best UV filter, the 99-UVBTS, delivers 99% light transmission and features a side- and top-knurled design to make it easy to remove. It features Schott glass. The 77mm version is available for around $70, give or take $10 depending upon discount prices.

Hoya NXT Plus - The Hoya NXT Plus line is good choice at around $65, this multi-coated filter also uses Schott B270 optical glass and has nice knurled sides.

Nikon Neutral Clear - Simple, effective. Nikon's protection filter line is a fine choice for around $95.

PolarPro QuartzLine UV - For $100, the PolarPro QuartzLine UV series gives you a stylish, color-neutral UV filter that protects your lens.

Sony Multi-Coated (MC) Protector - Like Canon and Nikon, Sony has a line of filters that purely serve as clear protective filters. If you like Sony gear, you can't go wrong with this Sony-branded Zeiss T* filter. The 77mm version is $70. Sony's UV filter employs Zeiss T* technology

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

My Writing on Medium.com: I now have 51 published articles on Medium.com. And if you haven't visited the site, and enjoy good writing on a variety of topics, I suggest that you may want to take a look. You can just go to the home page and enter "Derrick Story" in the search field. And if you like what you read, then follow me!

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #885, March 7, 2023. Today's theme is "A Workflow You May Find Interesting." I'm Derrick Story.

Opening Monologue

With all of the great editing tools available, plus a myriad of backup options, how do we craft a photography workflow that maximizes our options while still providing the flexibility to enjoy and share our images on all of our devices? I've cobbled together one such workflow, and I'll share it in today's TDS Photography Podcast. I hope you enjoy the show.

Digital Photography Podcast 885

Tune-In Via Your Favorite Podcast App!


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A Workflow You May Find Interesting

creative-cloud.jpg

Last Saturday was a wild weather day in Sonoma County. We had off and on rainstorms, a glistening landscape, big crashing waves, and at times, magnificent skies above.

So my friend Oliver and I got in the car and spent the day outdoors. I took the OM-1 with the 12mm-40mm PRO II zoom and photographed everything from redwood trees to seashore cliffs. Given the lighting extremes, I stayed in RAW capture the entire time.

When I think about the objectives for the day, there was an interesting variety that didn't naturally mesh with one another.

  • Wanted to photograph with my "real camera" and not the smartphone.
  • Needed to use RAW to cope with the wild lighting conditions.
  • Wanted to squeeze the most out of the initial processing of those RAW files with Capture One Pro or Lightroom.
  • Wanted to play with some of those images with imgmi on my iPad.
  • Also wanted to share the pictures with Oliver in a timely manner.
  • Wanted to have my favorites backed up to iCloud or Creative Cloud and available on all of my devices.

What kind of workflow is that? A crazy one. Here's what I do today.

  • Capture with the OM-1 in RAW.
  • Copy to and cull in Capture One Pro (Lightroom Classic would be the alternative.) Mark my favorites with 3 stars.
  • Decode and process the favorite RAWs using the advanced tools in C1P (or LR) including optical corrections, tonal recovery, and color adjustment.
  • Export full-sized, high quality Jpegs out of C1P and import into Photos for macOS (or Lightroom CC).
  • Let iCloud (or Creative Cloud) backup those 3 star images and share them across all of my devices.
  • Play with some of the images using my AI editors such as imgmi.
  • Create a shared album of favs in Photos and provide access to Oliver and others to view and download.

My master RAW files are housed in Capture One Pro and backed up to my Synology RAID drive. I can always return to that library to revisit other shots or fine tune the images I've already worked on.

I have my 3-star favorites on my iPhone, iPad, and all of my Macs via iCloud. I can show them off to anyone who will sit still, plus I can use my favorite editing extensions on them via Photos, such as Luminar and ON1 Effects.

And at the end of the day, I have the best images from the shoot in a variety of places, both online, in computers, and on RAID drives. Yes, I'm not overpaying for online storage because I'm not putting every RAW file I shoot in the Cloud.

It sounds like a lot of work when I say it here. But to tell you the truth, it feels effortless, maybe because I'm having so much fun.

Have You Ever Made a Series of Landscape Photos From One Location?

You can read the entire article on Fstoppers.com.

Visiting beautiful locations for landscape photography can be quite rewarding. Often these, are one-time occasions. If you want to visit the same location more than once, you have to look for something close. This article is about making a long-term series of photos of one location.

Back in the eighties, I visited a forest nearby almost daily. I remember how I made a series of four images from a nice forest path with trees lined up, one for every season. Although this is nothing new, it is kind of special to have such a series of photos of a place you visit a lot, especially when you look at it many years later.

With digital photography, it has become much easier to take photos of one specific place on a regular basis. You can take as many images as you like. At the same time, it's become much more difficult to do so. The world has become so much smaller, which means we can easily travel to the farthest reaches of the Earth to visit amazing locations, only to forget about the nice places nearby.

Often, these travels are a onetime experience. Although amazing in most situations, you never get a connection with those faraway locations. You're a passerby, and if you're lucky, the light and weather conditions are perfect for a beautiful one-time landscape photo.

The benefit of having a nice local patch is the ability to visit it as often as you like. It means you learn everything about it -- how the light is flowing at different moments of the day or how weather conditions influence its appearance. If you shoot that same place more than once, you end up with a series of photos that will become quite special as the years go by.

Paul McCartney on Linda McCartney: 'I was into photography, but she was better'

You can read the entire article DigitalCameraWorld.com.

As Linda McCartney's retrospective opens in Arizona, Paul McCartney opens up about his late wife's photography

Did you know that legendary Beatle Paul McCartney's first wife was a professional photographer? And a brilliant one at that! Linda McCartney (1941-1998), born Linda Eastman, was the first-ever female photographer to shoot a cover image for Rolling Stone magazine - with an image of Eric Clapton. She was a renowned music photographer in her own right covering the early New York doo-wop scene.

The Linda McCartney Retrospective is an exhibition opening this week at the University of Arizona's Center for Creative Photography, and has been curated by Paul McCartney and their daughter Mary McCartney, who is now also a photographer and documentary filmmaker, to showcase Linda's entire career from 1965 to 1997.

Students at Arizona's Center for Creative Photography had the chance to interview Paul McCartney (opens in new tab) about Linda, and his responses provide a great insight into her life and career, as well as her duties as a working professional photographer, wife, and mother of four. Paul is quoted saying, "Linda was a great photographer and loved it so much that she would always find a way."

The first person ever to have both photographed a Rolling Stone magazine cover, and appear on it herself in 1974, Linda McCartney was highly renowned for the work she put into her career as both a photographer and musician, founding the band Wings where she performed vocals and keyboard, alongside Paul.

She was voted as the US Female Photographer of the Year in 1967, and received the Distinguished Photographers Award from 'Women In Photography' in 1987, and even appeared on an episode of The Simpsons called 'Lisa the Vegetarian' with her husband Paul McCartney in 1995, the same year she was sadly diagnosed with breast cancer.

The Linda McCartney Retrospective (opens in new tab) exhibition will showcase 176 photos, running until August 05, 2023, and can be visited at the University of Arizona's Center for Creative Photography.

Virtual Camera Club News

The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear.

TDS Workshops! - You can sign up for available workshops by visiting The Nimble Photographer. Inner Circle Members receive a 10-percent discount on all events.

Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout.

My Writing on Medium.com: I now have 51 published articles on Medium.com. And if you haven't visited the site, and enjoy good writing on a variety of topics, I suggest that you may want to take a look. You can just go to the home page and enter "Derrick Story" in the search field. And if you like what you read, then follow me!

The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

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Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

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