May 2007 Archives

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"As I walked through Boston's Faneuil Hall Market Place today," said Greg West, "the gentleman who portrays Ben Franklin pulled a cell phone from his cloak and took a call. Whether it was Jefferson, Adams, or Hancock himself, the inopportune interruption was the Cingular costume flaw of this beloved character."

Greg grabbed this shot using a Nikon D200, Nikkor 18-70mm AF-S at f/4.5, 1/320.

If you have a candid you'd like to share, take a look at our Submissions page, then send us your Grab Shot. If we publish it, you'll receive an ultra cool custom carabineer keychain.

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You've got a HD monitor mounted on the wall with Apple TV feeding it your pictures and movies. After you've gone through your library a few times, now what? Hey, fire up YouTube and watch the circus around us that we fondly call real life.

According to a recent Apple press release, YouTube is coming to Apple TV. That's great in terms of variety of content, but do I really want to see those low resolution videos in unforgiving HD? Then again, it probably beats the heck out of late night television.

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In this week's podcast, I talk about the value of a polarizing filter for reducing reflection and deepening colors, especially in the sky. But the "world's handiest lens accessory" can also double as a neutral density filter.

Most circular polarizers have two f/stops of density. That means if the normal exposure is 1/15 at f/8, the with the polarizer attached, it will be 1/15 at f/4. Sometimes this works against you putting your shot in the clutches of camera shake. But there's one instance when a polarizer is invaluable -- when you want a long exposure, such as capturing water scenes.

This shot of Burney Falls in Northern California was recorded with a 4-second exposure. Because the lighting was good that day, I had a hard time getting an exposure long enough to produce the effect I wanted. By putting a polarizer over the lens, I was able to reduce the shutter speed and get that dreamy look I was hoping for.

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Polarizers are still the one accessory filter that every photographer needs. In this episode of The Digital Story, I discuss how to pick the right polarizer, how to use it, and the pitfalls to avoid. In the show I refer to it as "buffet line" because I have lots of other goodies to cover too.

Monthly Photo Assignment

I also discuss this month's photo assignment, Slender. You can read more about how to submit on our Submissions page. Deadline for entry is May 31.

Listen to the Podcast

Now that I've piqued your curiosity, it's time to listen to today's audio show titled, "Polarizing Filters." You can download the podcast here (31 minutes). You can also subscribe to the podcast in iTunes

Want to share photos and talk with other members in our virtual camera club? Check out our new Flickr Public Group. It's a blast!

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Sponsor Notes...

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Three Primo Inkjets Compared

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Here's a trio of tempting inkjets compared: HP Photosmart Pro B9180, Canon PIXMA Pro 9500, and the Epson Stylus Photo R2400. I've previously reviewed the HP B9180 and the Epson R2400. The folks over at photo-i have put together a little side by side comparison of the Epson, Canon, and HP offerings. It's an interesting approach that concludes with the HP B9180 getting a slight nod. If you're in the market for a serious, but affordable large format printer, you might want to take a look.

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I was recently looking at the specs for the Fui FinePix S6500 fd, a tempting advanced amateur camera that sports 6.3 megapixels, 28mm-300mm lens, Raw file capability, and face detection technology. In fact, that's what the "fd" stands for in its name.

Face detection was certainly the buzzword at the recent PMA show in Las Vegas. Fuji, Canon, Nikon, Pentax, and Samsung all had cameras available that could automatically identify faces in a composition, then adjust focus and exposure for them. No more misfocused shots. No more overexposed flash portraits.

I dug around a bit and found a pretty good article by Jason Schneider titled, Does Face Detection Technology Really Work?. In the piece, he walks you through the theory and practice of this latest hot feature, and comes to the conclusion that yes, it indeed works.

Is face detection a feature that we absolutely need right now? Not necessarily. But odds are good that it will be available next time you go camera shopping. And it is useful when you're shooting candids and don't have time use the "lock focus and recompose" technique.

Face detection probably isn't the breakthrough technology that image stabilization is, but it's darn handy and will probably save thousands of candids all across the land.

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Right on the heels of my podcast discussing iPhoto2Gmail and Aperture2Gmail, the Google folks double the attachment size for Gmail from 10 MBs to 20. Very nice for photographers wanting to send large images to clients and friends.

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Sponsor Note...

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"I captured this shot a few months ago while taking my wife to work," said Lee Love. "I noticed it was very foggy, so I ran home, grabbed my camera, and went to the end of the street to capture this image."

We'll have to coax the image data out of Lee since it was stripped out of the shot, but you gotta admit, this is a handsome landscape image.

If you have a candid you'd like to share, take a look at our Submissions page, then send us your Grab Shot. If we publish it, you'll receive an ultra cool custom carabineer keychain.

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To Critique or Not to Critique

An interesting thread appeared recently on The Digital Story Public Group that posed the question, Are we going to make this a constructive critique site?. If you read the comments on the thread, many of our virtual camera club members are interested in having more meaningful conversations about their photos than "Wow, great shot!".

I think this is a valuable discussion. From my point of view, I think those who want to have critiques about their photos, and to critique others, should have a mechanism to do so within our group. At the same time, TDS members who are just getting their feet wet with showing their images to others, may not be ready for honest critiques. if you're wondering which side of the aisle best suits you, take a look at the comments posted to this photo of mine and see how you feel about them. I think this is the level of discussion we can expect for critiques on our site.

So here's the plan. If you'd like a critique on a photo you publish to The Digital Story Public Group, then simply add the tag "critique" to the image. You should already be adding the "tds" tag to our camera club photos, so adding "critique" is simple enough. Then others can find photos that are available for critique by searching within our TDS group pool, as shown below.

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Guidelines for Critique

Here's how I recommend we approach critique of one another's photos:

  1. State the things you like about the shot as specifically as possible. So instead of saying, "Nice shot!," try "I like the way you've balanced the colors."
  2. Offer suggestions to adjust the things you don't like in the photo. Comments such as, "if you moved a little to the left, you might have a better angle on that subject" can be quite helpful.
  3. It's OK to ask questions. "What lens did you use, how did you do that B&W conversion, etc. are all legit and help others understand the creative process.
  4. Share the love. If you have some time to critique, try not to focus just on one photographer, rather; pick a photo from a few photographers and comment.
  5. If you feel that someone is abusing this opportunity, please contact me directly and include the url that contains the offending material. I have no problem pulling comments that cross the line of decency.

And most importantly, if you're not ready to participate in critique, that's just fine. We want you submitting grab shots, working on photo assignments, submitting photos to the TDS pubic pool, and joining in the conversation. We welcome you at any level you're comfortable.

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I depend on 3rd party plug-ins to help me customize three of my favorite photo applications: iPhoto, Aperture, and Photoshop. In this podcast I talk about a handful of my favorite add-ons, then solicit your favorites for next week's show.

Here are some of the plug-ins I wax about in the show:

FlickrExport for iPhoto and Aperture by Connected Flow

Aperture2Gmail and iPhoto2Gmail by NotOptimal.net

Shutterfly Export Assistannt for iPhoto by Shutterfly

Exposure Plug-in for Photoshop (Mac and Windows) by Alien Skin Software

BetterHTMLExport for iPhoto by GeeksRUs

What's Your Favorite Plug-In?

I want to feature your favorite plug-ins for next week's show. You can contribute by posting a comment to these show notes (be sure to wait a minute or two after you hit the "Post" button for your comment to register on the TDS server) or by chiming in on our Public Group page on Flickr. List the name of your favorite plug-in, the URL where I can find it, and a sentence or two about why you like it. Please have your comments in by Saturday, May 26.

Monthly Photo Assignment

I also discuss this month's photo assignment, Slender. You can read more about how to submit on our Submissions page. Deadline for entry is May 31.

Listen to the Podcast

Now that I've piqued your curiosity, it's time to listen to today's audio show titled, "My Favorite Plug-Ins." You can download the podcast here (32 minutes). You can also subscribe to the podcast in iTunes

Want to share photos and talk with other members in our virtual camera club? Check out our new Flickr Public Group. It's a blast!

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Sponsor Notes...

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New Photoshop Action Pack for CS3

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Mac Photoshop users can automate many of the mundane processing functions using tools built right into the operating system. All you need are the scripts to make it happen.

Fellow photographer and all-around good guy Ben Long has just released version 3.5 of his Photoshop Action Pack. This set of more than 80 actions includes handy tasks such as change resolution, invert, resize image, and on and on. You can use Automator to combine these actions into time-saving workflows. It's actually quite fun.

Version 3.5 is fully compatible with PowerPC and Intel-based Macs. In addition to the action bundle, an assortment of sample workflows is provided. The included 71-page manual gives you a reference for all of the included actions, as well as an introduction to using Automator, and strategies for building Photoshop workflows.

Scripting doesn't get any easier, or more fun, than working with Automator and these actions. The entire set is available as a donationware download. Get yours today.

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Digital Photography Review has just published an excellent report titled, Compact Camera High ISO modes: Separating the facts from the hype by Simon Joinson. Simon states early in the report:

"Perhaps unsurprisingly there's a lot more to high ISO performance than mere numbers, and - particularly with the latest 6-10MP compacts - we believe consumers are being misled by the manufacturers when it comes to the actual performance of most cameras at higher ISO settings and in low light. So we decided to put together a short article on the truth behind those headline high ISO modes."

Reading this article is time well spent. You'll learn about the relationship of noise to sensor size, high ISO modes compared, and more. It's a very comprehensive piece.

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"While walking through one of the universities in Hanoi (Vietnam), this women with incredibly long hair walked by," said David-Emil Wickstrom. "My vietnamese friends urged me to take a picture, so I did."

David used a Nikon D70s in Aperture Priority mode, f/2.8 @ 1/1000th of a second.

If you have a candid you'd like to share, take a look at our Submissions page, then send us your Grab Shot. If we publish it, you'll receive an ultra cool custom carabineer keychain.

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In this week's podcast, I discuss the new version of the Bridge (2.0) and Adobe Camera Raw (4.0). Both come bundled with Photoshop CS3. My question is: Are you upgrading to CS3, and if so when?

Some compelling reasons for me personally are that CS3 is Universal Binary, so it runs faster on my Intel Mac. I also like many of the new tools such as the B&W conversion function, the rewritten Brightness/Contrast control, and of course, ACR 4.

The standard upgrade price in the US is $199. That's a substantial investment. Are the new tools good enough to entice you to shell out nearly $200? If you're a member of our Flickr Public Group, you can add your opinion here, or you can state your case in the Comments area of this post.

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I've been a big fan of Canon's S series compact cameras. Great optics, good performance, and lots of features in a compact body. Canon Europe has announced the latest version of this popular super zoom, the PowerShot S5 IS.

Basic specs include a 12X optically stabilized zoom lens, 8 megapixel CCD image sensor, DIGIC III processor, 2.5" vari-angle LCD monitor, flash hotshoe, ISO range of 80-1600, red eye correction in playback, long play movies with stereo sound, and a good software bundle. You can capture in burst mode at 1.5 fps until the card fills up. And road warriors will appreciate that the S5 uses AA batteries.

This camera presents lots of options for flash photography. You can mount Canon EX flashes in the hot shoe, apply flash exposure compensation, and even use second curtain sync.

The 12X USM optical zoom is a 36-432mm equivalent with one aspherical and one UD element with f/2.7 - f/3.5 maximum aperture. Shutter speed range was 15-1/3200 of a second.

This is a lot of camera squeezed into a handsome, compact body. I love the large rotating LCD screen and the hot shoe. Very nice. Canon's optical stabilization is very effective. And to have 8 megapixels with a 12X optical zoom is quite a luxury indeed. My only complaint, as you might guess, is that there's no Raw format option, which I don't think is unreasonable for a camera of this caliber.

But that nit aside, this is an impressive, versatile, and powerful picture taker for those who need the extra reach of a 12X zoom lens. Definitely worth a closer look.

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The two new killer features in the Photoshop CS3 package are Adobe Camera Raw 4.0 (ACR) and the Bridge 2.0. With the Bridge, you can browse all of your images, review their metadata, rate, organize, and even add keywords. The Bridge works closely with ACR for processing your RAW, Jpeg, and Tiff files. That's right, ACR 4 can also nondestructively edit Jpegs and Tiffs now too.

In this podcast, I discuss the new features in Adobe Camera Raw 4.0, provide some tips for using it, and even touch on building a photo management workflow with these new applications. Do you really need Lightroom or Aperture? Listen to the show and find out.

Monthly Photo Assignment

I also discuss this month's photo assignment, Slender. You can read more about how to submit on our Submissions page. Deadline for entry is May 31.

Listen to the Podcast

Now that I've piqued your curiosity, it's time to listen to today's audio show titled, "Photoshop CS3 for Photographers." You can download the podcast here (32 minutes). You can also subscribe to the podcast in iTunes

Want to talk with other members in our virtual camera club? Check out our new Flickr Public Group. It's a blast!

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Sponsor Notes...

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Three Point Lighting Setup

Have you ever played around with the lighting equipment you can get at a regular hardware store? You can create some decent (though low-powered) schemes that are useful for shooting objects and even people... if they promise to hold still.

Here's a free downloadable PDF titled, DIY Studio Lighting Set Up (100 kb). It's fun; it has some useful info, and you can share it with your friends.

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The April 2007 Photo Assignment was "Window to the Soul," and we have quite the introspective gallery -- 25 images submitted by These Digital Story members that demonstrate skills of observation and craftsmanship... and sometimes provide a glimpse into the photographer as well as the subject.

To produce the gallery, the pictures were first loaded into Aperture. I then added the accompanying stories to the IPTC caption field and combined it with the EXIF data from the photograph. The final step was to create a web gallery in Aperture and upload it to the Digial Story server. You can view this month's photo assignment here.

The May assignment is "Slender." Start working on your contribution now. Details can be found on the Submissions page. Because of our new gallery format, you can now submit photo assignment pictures up to 600 pixels wide for horzontal shots, 400 pixels wide for verticals. Please follow the instructions carefully for labeling the subject line of the email for your submission. It's easy to lose these in the pile of mail if not labeled correctly. For example, the subject line for this month's assignment should have been: "Photo Assignment: April 2007." Also, if you can, please don't strip out the metadata. I use that for the caption info.

Good luck with your May assignment, and congratulations to all of the fine contributors for April. It's a revealing collection of images.

Photo by Nigel Lewington

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"I found out about the fire in Griffith Park, California after it was well underway," said Joshua Targownik. "I grabbed all of my gear, which is always packed and charged, and went to the roof of my apartment building. I spend five hours, until well past sunset, shooting and simply looking at the fire, just a few miles away."

"I wanted to capture the color, ferocity, and the size of it all. I waited like a hunter for moments when planes or helicopters flew near the flames. I specifically snapped this one in the middle of a sequence of about five rapid shots."

Joshua captured this compelling image with a Nikon D200, Action Grip head on tripod (allowed him to track aircraft well), 80-400mmVR @ 250mm, 1/60th @ f/5.6, -1ev, ISO 1600.

If you have a candid you'd like to share, take a look at our Submissions page, then send us your Grab Shot. If we publish it, you'll receive an ultra cool custom carabineer keychain.

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Al Gore spoke at the CRE8 Conference on Wednesday, essentially giving a live performance of his compelling Inconvenient Truth movie. If you haven't seen the film, I recommend it. The presentation is both scientifically gripping as it is humanly compassionate. And yes, there is a sense of urgency.

Tipper Gore is an accomplished photographer who contributed images to Al's presentation. I was once again reminded of the power of photography when photos resonate with head and heart simultaneously. From Al's opening picture of the earth from space, to Tipper's devastation shots from New Orleans, to the beautiful glaciers in Greenland, photography was a vital ingredient in Gore's argument.

Who knows... you may someday have the opportunity to impact the world with one of your pictures.

Photo of Al Gore speaking at the CRE8 Conference in Orlando, FL on May 9, 2007 by Derrick Story. Canon 5D, 70-200mm L f/4 lens, ISO 1600, 1/45 @ f/4

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Wanna Talk Shop?

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One of the fun side benefits to establishing The Digital Story Flickr Group is that we now have a discussion forum too. Here we can ask photo questions, suggest podcast topics, point out interesting things to shoot, and get to know each other better.

So even if you're not ready yet to share your images on the Member Photo Gallery page, you can still participate in the discussion. All you have to do is sign up for a free Flickr account, then join our public group. You'll see "Discuss" right there in the middle of the page. Jump in and join the conversation.

If you'd like more information about posting a photo to TDS, read how to submit. So, whether you're sharing your photos or your thoughts, we're happy to have you as part of our virtual camera club.

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Sponsor Note...

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You can now post your favorite pictures to our Member Photo Gallery on The Digital Story. We've added this capability so members of our virtual camera club can share and discuss photography directly.

You can read the step by step guide for getting started right here on the site. But if you want to know why we did this, then you should listen to this week's podcast.

Monthly Photo Assignment

I also discuss this month's photo assignment, Slender. You can read more about how to submit on our Submissions page. Deadline for entry is May 31.

Listen to the Podcast

Now that I've piqued your curiosity, it's time to listen to today's audio show titled, "New Member Photo Gallery." You can download the podcast here (28 minutes). You can also subscribe to the podcast in iTunes

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Sponsor Notes...

Add Magic to Your Slideshows -- FotoMagico presentations are so amazing that your audience will be asking how you did it.

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The Digital Story now has a Member Photo Gallery where you can post up to 5 pictures a week to share and discuss with other virtual camera club members. Participation is simple. We've established a Flickr Public Group to manage the submissions. Once you post an image to the Public Group, it appears on the TDS Member Photo Gallery within 24 hours. It's that easy. Here are the detailed steps.

  1. Establish a free Flickr account (if you don't have one already).
  2. Join The Digital Story Public Group. Look for the "join" link on the Public Group page.
  3. Go back to your flicker home page (by clicking on the "Home" link in the upper left corner).
  4. Click on "Upload Photos" link and add your images.
  5. Choose one of the pictures that you've just uploaded that you want to add to The Digital Story Member Gallery, and click on it. This will open it up on a new page where you can add tags and a caption. You can even change the title if you want.
  6. Once you have everything in order, click on the "Send to Group" link right above the photo. You will see the link to The Digital Story in the popup menu. Select it and you're done!

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Within 24 hours, your picture will appear on the Member Photo Gallery page. We'll also use the Flickr Public Group to communicate with each other, such as sending out special notices and alerts.

Visit the TDS Member Photo Gallery to see what your peers are publishing. Feel free to comment on any of the photos by clicking on them (you need to be a Flickr member to comment on these photos).

I'll continue to evolve this page and its functionality. So stay tuned... and start sharing your photos today!

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If you have a photo collection on your iPod that you'd like to move to a different computer (Mac or PC), iPod Access Photo puts you back in control.

You've probably realized that the iPod stores photos in ithmb files. These files contain all the photo data for your iPod to display but can not be read by regular photo programs. iPod Access Photo solves this problem by allowing you to select individual photos and albums to be moved back onto your computer or an external hard drive.

You can try iPod Access Photo, and if you like it, you can buy it for $12.99 US. Findley Designs, the maker of this software, also offers iPod Access for Mac OS X that enables you to copy your music and videos off your iPod.

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Grab Shot 102 - Toweling Off

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"We just got back from a day at the beach and Jacque was strolling around camp after her shower," said Buck Heim. "After a great day of taking purposeful pictures, my favorite shot of the day just sort of happened. This shot was also my runner-up for last month’s window to the soul photo assignment."

Buck caught this grab shot of Jacque with a Nikon D200 using the popular 18-200mm VR zoom. The focal length was 170mm. Exposure was 1/20th @ f/8; ISO 100. Good example of how image stabilization can save a grab shot. Normally 1/20 would be way to slow for a handheld telephoto shot.

If you have a candid you'd like to share, take a look at our Submissions page, then send us your Grab Shot. If we publish it, you'll receive an ultra cool custom carabineer keychain.

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Yesterday I talked about how sharp the Canon 70-200mm f/4 L zoom is. This is one of my favorite lenses for portrait work. The only problem is, sometimes I don't want razor sharp optics for certain subjects. A little diffusion can go a long way toward making a client happy.

There are lots of great softening filters out there, often with a hefty price tag. But you can make your own portrait filter for just a few dollars, or even less, if you can wrangle an old pair of pantyhose -- or better yet, knee-highs (you can use them just as is).

All you have to do is stretch a layer of hose over the lens and secure it with a strong rubber band. The more tightly you stretch the material, the milder the effect. The looser the material, the softer the portrait. It works terrific, and makes a good conversation piece to boot...

Featured here are Lenobis Elite SOFFIO DORATO Ultra Sheer TANNING Pantyhose. Tan pantyhose will produce a warming effect too, so experiment to get the color temperature you like best.

This tip adapted from Digital Photography Hacks by Derrick Story.

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Sponsor Note...

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There are very few lenses that I would label as "flawless," but the Canon 70-200mm f/4 L is one of them. For about $575 US, you can get a solidly built "L" zoom that is tack sharp at all focal lengths (center and edge sharpness), even on the most demanding sensors, such as the full-size Canon 5D.

I know many pros prefer the f/2.8 version of this lens because of its light gathering power, but that lens costs twice as much and is much heavier and larger. Photographers on the go who want the best image quality possible, and can live with f/4, will be thrilled with the lighter version.

Last year, Canon also released an Image Stabilized version of this lens for about twice as much. Not only do you get the same great optical performance as the original f/4, but you get up to 4-stops of stabilization. You can find out more by reading this review on SLRGear.com. This is really the only way to improve upon the original.

Either way, depending on your budget, the Canon 70-200mm f/4 is one of the most pleasurable lenses you'll every shoot with. And if that isn't good enough, the pictures it produces are outstanding. Keep your eye on the used market too. A lot of the non-stabilized lenses might be showing up as fans upgrade to the IS version.

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Thinking about getting a serious fine art printer? I've just posted an interview with Rick LePage on Inside Aperture where we discuss the latest offerings from Epson, Canon, and HP. Rick has been testing printers in his "editor at large" role for Macworld Magazine. He has some great insights about the Epson 3800, HP B9180, and Canon's elusive 9500. If you're in the market for a new printer, you should listen to this show.

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CRE8 Conference, Orlando FL
Join Derrick Story for a Digital Photography Field Trip in Orlando Florida on May 11. And don't miss his sessions on Camera Raw and Photoshop Lightroom. CRE8 Conference - May 9-11, 2007

Rick LePage

"I have a Polaroid back for my Holga," says Rick LePage. The back costs 3x more than the Holga itself, and I'm still perfecting exposure with it since the Polaroid film ISO is different than what the Holga is set up for. But the images this combination produces... well, they're something else."

Rick LePage is currently editor at large at Macworld Magazine. He is a knowledgeable photographer and has become an expert in inkjet printing. I have another interview with him about printing over on the Inside Aperture site. (Really worth a listen if you're in the market for a new printer.)

But today we're talking about one of Rick's favorite types of media: Polaroid film. Rick rediscovered Polaroid photography recently when he found an SX70 in good shape. It's one of the cameras he grabs on his way out the door everyday, and he's captured some great images with it. Then he discovered that you can mount a Polaroid back on a Holga, and his Polaroid experimentation broadened even further. In this podcast, Rick talks about his passion for instant photography and the process he uses to take images from camera to his flickr site. It's a terrific interview that I'm sure you'll enjoy.

Polaroid self-portrait at top of page by Rick LePage.

Links Mentioned in the Show

Rick LePage, on flickr:
www.flickr.com/photos/bigbuckaroo/
Also, Rick's Polaroid Collection on Flickr

Flickr's top 100 Polaroids:
www.flickr.com/groups/polaroid_instant_100/pool/

Great SX-70 photographer, Grant Hamilton:
http://sxseventy.com/

Lou O'Bedlam's slr680 portraits:
www.flickr.com/photos/louobedlam/sets/72157594554361877/

Land List (polaroid reference site):
www.rwhirled.com/landlist/landhome.htm

Monthly Photo Assignment

I also discuss this month's photo assignment, Slender. You can read more about how to submit on our Submissions page.

Listen to the Podcast

Now that I've piqued your curiosity, it's time to listen to today's audio show titled, "Instant Holga Photography and More." You can download the podcast here (21 minutes). You can also subscribe to the podcast in iTunes

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Sponsor Notes...

Add Magic to Your Slideshows -- FotoMagico presentations are so amazing that your audience will be asking how you did it.