July 2011 Archives

True Grit - Derrick Story

For the June '11 Photo Assignment, TDS shooters got down and gritty on to create this gallery titled True Grit. You can almost feel the texture. And which one will be the SizzlPix Pick of the Month?

Recent SizzlPix Winners

For Photo Assignment #62 (April '11) "Broken," Kirk Marsh took the SizzlPix honors. And for Photo Assignment #63 (May '11) "Shades Of Green," David Gary Henry earned a SizzlPix of his wonderful image. Congratulations guys for your fine work!

Participate in This Month's Assignment

The August 2011 assignment is "Reflection." Start working on your contribution now. Details can be found on the Member Participation page. Submit your photo assignment picture 800 pixels in the widest direction. Deadline is August 30, 2011.

Please follow the instructions carefully for labeling the subject line of the email for your submission. It's easy to lose these in the pile of mail if not labeled correctly. For example, the subject line for this month's assignment should be: "Photo Assignment: August 2011." Also, if you can, please don't strip out the metadata. And feel free to add any IPTC data you wish (These fields in particular: Caption, Credit, Copyright, Byline), I use that for the caption info.


Photo by Derrick Story. (Click on it to see enlarged version.) You can read more about how Derrick captured this shot, plus see all of the other great images on the June 2011 Gallery page.


Good luck with your August assignment, and congratulations to all of the fine contributors for June.


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Now Available! The Digital Photography Companion. The official guide for The Digital Story Virtual Camera Club.

  • 25 handy and informative tables for quick reference.
  • Metadata listings for every photo in the book
  • Dedicated chapter on making printing easy.
  • Photo management software guide.
  • Many, many inside tips gleaned from years of experience.
  • Comprehensive (214 pages), yet fits easily in camera bag.

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Sharing a View

Sharing a View "Sharing a View" by Derrick Story. Click on image for larger version.

Who says that man and animal have different sensibilities? In this case, everyone seems to be enjoying a late morning view of the ocean waves.

Captured with a Canon 60D, 15-85mm E-FS zoom, polarizer, and processed in Aperture 3 with Silver Efex Pro.


The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!


Junior Lifeguards

Junior Lifeguards "Junior Lifeguards" at San Clemente Beach, CA. Photo by Derrick Story. Click on image for larger version.

These junior lifeguards are lining up for a run on the beach in San Clemente, CA. I love the kid with the shades near the front of the pack.


The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!


Olympus announced today that the Olympus E-PL3 will be available in September 2011 for $699.99 (with redesigned 14-42mm zoom lens).

They also add a new accessory to its PEN Micro Four Thirds system family today with the introduction of the compact VF-3 Electronic Viewfinder. Priced at $179.99, the VF-3 attaches to any Olympus PEN model with an accessory port, as well as the Olympus XZ-1, for eye-level convenience.

I have the VF-2 viewfinder, and I love it...

Also, News About the Olympus E-P3

New 14-42mm Kit Lens

Touchscreen Photography Moves Beyond iPhone with Olympus E-P3

Olympus PEN E-P3 with 12mm f/2.0 Prime Lens


The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!


Bee in Cactus Flower

Bee in Cactus Flower Bee in Cactus Flower: Mission San Juan Capistrano. Photo by Derrick Story. Click on image for larger version.

This bee climbed into the cactus flower and disappeared in a pool of pollen. After a few minutes, he emerged, seemingly intoxicated. I captured him in his euphoric state with a Canon 60D, 15-85mm E-FS zoom, and a polarizer filter.

Google+ has great appeal for many photographers, and causes concern with others. After a few weeks of testing, I give my first impression on this latest social networking effort from Google. I also talk about balancing photography with community when traveling. How do you get your shots while still maintaing harmony with family and friends? And finally, SizzlPix is looking for an Evangelist. Are you the right person for the job? All this and more in this week's podcast.

Listen to the Podcast

You can also download the podcast here (31 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

Smoke is the July 2011 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is July 31, 2011.

TDS Nov. Aperture Workshop

I'm considering adding an Aperture Workshop on Nov. 12th and 13th. If you want your name on the reserve list, or just more information, drop me a line.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper -- The $7.99 Sample Kit is back! And with free shipping.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

Need a New Photo Bag? Check out the Lowepro Specialty Store on The Digital Story and use discount code LP20 to saven 20% at check out.




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Kite on Doheny State Beach, CA

Doheny State Beach "Kite on Doheny State Beach" by Derrick Story. Click on image for higher quality version. Canon 60D, EF-S 15-85mm zoom, and polarizer.

When I first saw this kite dancing above the beach, I zoomed in and tried to capture a close-up with the clouds. After a few frames, I decided to zoom out for a longer view. It was by far the more interesting shot.

Just goes to show that what you initially think is going to be the best shot, isn't always.


The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!


aperture_network_vault.jpg

I've always used external hard drives to store my Aperture 3 Vaults. And even though I work with a referenced library these days instead of a managed library, I still use the vault to back up my image adjustments, ratings, and metadata. If my computer ever fails, I want to be able to restore my work as well as my master files.

But as I experimented more with personal cloud computing, I started thinking that it would be nice to have a copy of my vault on one of those network drives that has RAID1 mirroring. So I tried it.

On my local area network, I selected the Iomega ix2 storage drive that contained two 2TB hard drives that were set up to mirror one another. I opened Aperture and selected "Add Vault" from the gear menu at the bottom of the Library pane. In the dialog box that followed, I was able to choose the Iomega ix2 from the "Shared" drives. I initiated the process for creating a new Vault... and Aperture began backing up to it.

Even though my master Raw files are not contained in the Aperture library, the back up of my previews and work is still about 50 GBs. The building of the Vault for this went slowly, taking overnight to complete the job.

Subsequent updates to the Vault have gone much faster since Aperture uses incremental archiving -- it only backs up new data or data that has changed. It's still not as fast as a connected hard drive. But, I usually just work on other things during the few minutes it takes to refresh the Vault.

With this new set-up, I find that I'm running the Vault more often because it's more convenient. I doubt that I'll ever try this over the Cloud, but over my local area network, all seems well.

More Aperture Tips and Techniques

My next Aperture Workshop is Nov, 12-13, 2011 in Santa Rosa, CA. Write me if you're interested in attending.

To learn more about Aperture 3, check out my Aperture 3 Essential Training on Lynda.com. Also, take a look at our Aperture 3 Learning Center. Tons of free content about how to get the most out of Aperture.


The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!


An exercise in persistence

The third gallery of TDS Member Photo of the Day images is now complete and ready for viewing. Each photo includes commentary by me discussing why I think the image is inspiring.

Each day, a new shot is featured at our community that gathers around the TDS Facebook Fan page. If you want to learn more about being a part of this terrific photography endeavor, check out the article, Why You'll Like TDS on Facebook.

Something new too... Flickr has added a Lightbox feature for viewing galleries. I highly recommend trying it for this one. You can let it autoplay, or click forward and backward manually. It's a stylish way to present these beautiful images.

Featured photo, "An exercise in persistence" by TDS Member Lynn D. Rosentrater. Click on the image to learn more about Lynn and her work.


The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!


Apple's latest version of the MacBook Air combines good specification and excellent portability, making it an ideal machine for mobile photographers.

MacBook Air 13

One of the key new features is the Intel HD Graphics 3000 processor with 384MB of DDR3 SDRAM that's shared with main memory. Combined with the 1.7GHz dual-core Intel Core i5 and 4 GBS of RAM, these laptops can run Photoshop, Lightroom, Aperture, and Final Cut X. I've been using all of those apps on my existing MacBook Air that's a year old, and performance has been terrific. It will be even better on the 2011 models.

Another improvement over last year's release is the backlit keyboard. I do miss having it on my existing model, and am happy that the latest version brings back that popular feature. Up the road, I'm sure Thunderbolt will be highly useful for photographers and video pros as high speed storage using this technology comes down in price. In the meantime, you still have two USB 2.0 connectors, one on each side. The MacBook Air plays friendly with external displays, so it's easy to plug into a large monitor when you return home.

As with last year's model, I still recommend the 13" model that includes the SD card slot. I find that feature extremely handy. Plus the additional screen real estate is a plus in Aperture and Final Cut Pro X. Battery life is estimated at 7 hours for the 13" vs 5 hours for the 11".

You can get the 13" with 256 GBs of Flash storage for $1,599 at the Apple Store. You'll be pleased with how well it fits in many of your camera backpacks, and the performance is solid.


The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!


PhotoToaster for iPad

phototoaster.jpg

I've been impressed with image editing on the iPad. For some reason, it seems more fun than on a regular computer. This is definitely the case with my latest favorite, PhotoToaster by East Coast Pixels.

Even on my first generation iPad, the performance is snappy. You have the option of working with presets, as shown in the image below, or using adjustment sliders. I've been doing both.

You have all of the expected adjustments, plus a handful of effects, and other goodies including vignettes, blur, and even borders. There's a shuffle button that randomly chooses a preset. Maybe I'm easily entertained, but sometimes I just hit the shuffle for a while to watch all the different versions of my image. All changes are reversable, and if you want to see your original image, just tap and hold.

phototoaster_editing.png

Once you've finished, you can save your image to Tumblr, Facebook, email, or your photo library.

PhotoToaster is on sale for $1.99 right now. Lots of fun, and quite powerful.

Epson R2000 Printer

The Epson Stylus Photo R2000 is a sophisticated photo printer that accommodates sheets up to 13" x 19", accepts roll paper, and even has a DVD print adapter. The 8-cartridge unit uses Epson UltraChrome Hi-Gloss 2 pigment ink and includes a Gloss Optimizer that produces a lovely finishing touch on luster and gloss papers. WiFi connectivity is included, and it's very easy to add this printer to your local network. And the best part is, that you can get the R2000 for $399. In this podcast, I take you on a hands-on tour of the Epson.

Our friends at Red River Paper have also published an excellent review of the R2000 that I recommend reading if you're interested in this unit.

Listen to the Podcast

You can also download the podcast here (24 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

Smoke is the July 2011 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is July 31, 2011.

TDS Nov. Aperture Workshop

I'm considering adding an Aperture Workshop on Nov. 12th and 13th. If you want your name on the reserve list, or just more information, drop me a line.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper -- The $7.99 Sample Kit is back! And with free shipping.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

Need a New Photo Bag? Check out the Lowepro Specialty Store on The Digital Story and use discount code LP20 to saven 20% at check out.




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This short video shows how two DSLRs are wired up to be controlled with a single remote. I'm not sure where the author got the stereo mini jack adapters, but it's intriguing nonetheless.

Controlling 2 Canon Cameras with one shutter release from PRD3000 on Vimeo.


The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!


One of the joys of taking photos with an iPhone is the ability to tap the touchscreen to choose the focus, then take the photo. We're starting to see this technology migrate to more sophisticated cameras, with the latest incarnation on the Olympus E-P3.

ep3_touchscreen.jpg The 614,000 dot, 3" LCD on the Olympus E-P3 is beautiful, and it's a touchscreen to boot.

The E-P3 is a sophisticated micro four thirds interchangeable lens camera. I've enjoyed testing it with the new 12mm f/2.0 prime lens. The first day I was touring with it hanging off my neck, it began taking pictures by itself as it bounced against my chest. I thought, "What the heck?" That was my introduction to touchscreen photography on the E-P3. My next lesson was learning how to turn this control on and off via the icon on the left side of the LCD.

Touchscreen for Shooting

There are three basic controls for the touchscreen: off (which I didn't use at first), shoot, and focus control.

touch_shooting_mode.jpg

In shoot mode, the camera will focus on the area of the LCD that you touch, then immediately fire. This makes it easy to have the E-P3 focus precisely where you want. In rapid sequence you can select 3 or 4 different areas to focus on, then choose you favorite later.

I also like focus control mode. In this case, you tap the screen area to move the focus box, then fire the camera with the shutter button. You can zoom the area where the focus box is selected by pressing the magnify button. I found this mode extremely useful when using the silky manual focus ring on the 12mm f/2 lens.

I placed the focus indicator on the area I wanted in focus, pressed the magnify button to enlarge, manually focused, pressed the magnify button again to back out, recomposed, then shoot. This all happens in seconds, and it yields very good results.

Touchscreen for Playback

iPhone users will feel very comfortable using the E-P3's touchscreen to view images. Simply swipe to move from frame to frame. If you want to zoom in on a shot, tap the screen once to display the zoom bar, then adjust to taste. Double tap to return to full view.

You can view all of the images on the memory card by tapping the thumbnail icon in the lower right corner. Tap on the frame you want to view as an enlarged version. There's even a calendar that shows an attractive monthly view with a thumbnail on the days you have captured photos. It's not a bad calendar either.

Truly Useful Functionality

At first, you may wonder if a serious interchangeable lens camera really needs a 3" touchscreen LCD. I like using it in playback mode. It has that iPhone comfortableness to it. But for manual focusing with the new Olympus prime lenses, the touch focus control with zoom is fantastic. I get to enjoy the tactile experience to manually turning the well-damped focusing ring on the 12mm prime, yet have the confidence that my sharpness will be spot on.

Bottom line: I very much like this touchscreen.

More About the Olympus E-P3

Olympus PEN E-P3 with 12mm f/2.0 Prime Lens


The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!


Make Time for Google+

google+.jpg

"So, what do you think of Google+?" That's been the question over the last couple weeks that we've been asking each other. Unless you absolutely love social network sites, it probably feels like another thing to do in a day already packed to the gills.

In my online world, I have the blog to run, tweets to post, Facebook to update, Flickr to populate, and now circles to grow in Google+. The thing about it is, that I think that this new opportunity will be worth the time we invest in it. Google+ is well thought out, beautiful, and I'm anticipating that it will be a thriving photo community.

This article by Thomas Hawk, Top 10 Tips on Google+ for Photographers will help you get oriented. It's quite good, and I appreciated Google+ more after reading it.

It's worth making time for.

Find Me on Google+

One of the challenges in the studio when using off camera flash is getting the right balance between light on the background and your subject. I use the "Group" control on my Canon flash system to get the look I want.

Michaela Looking Back

"Michaela Looking Back" by Derrick Story. Click on image for larger size.

For this shot, I used four Canon flashes: two on the backdrop and two for the subject. I set the backdrop flashes to "Group B" and the subject flashes to "Group A". I then used the flash control menu on the Canon 60D to play with the ratios between the two groups. When I want a bright background, the ratio can be as extreme as 8:1. Usually I'm set around 4:1 or 2:1.

By simply changing the settings in the menu on the 60D, I can adjust my lighting scheme without ever moving from the shooting position. If you haven't experimented using Groups this way, give it a try.

More Off Camera Flash Tutorials

If you want to learn more about getting pro results from simple flash units, be sure to check out my Off Camera Flash title on Lynda.com. I show you all sorts of helpful lighting techniques that are especially good for portraits.

Off Camera Flash - Basic Techniques for Pro Results

Light Modifiers for Off Camera Flash

Off Camera Flash - The Single Light Portrait

"More Off Camera Flash" - Digital Photography Podcast 233

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High ISO: I Never Get Tired of It

Jiffy Pop!

We were heating up Jiffy Pop popcorn (as much fun to make as it is to eat) over a camp fire the other night, and I grabbed my Canon 60D, composed a shot, and captured the moment. It was already dark in camp, and our only real illumination were the coals and occasional flame from the fire.

I love the shot, as much for sentimental reasons, because it captures the feeling of friends and family sitting around a fire, talking about random subjects, and of course eating popcorn. I didn't even have to think about how I was going to make the photograph because I knew my camera can record excellent images up to ISO 3200, and decent ones beyond that.

So I was free to just pick up the 60D, compose, shoot, then put it down and grab a handful of hot popcorn. I never fell out of the moment. High ISO capability makes this easy.


The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!


When you go on a hike to take pictures, you might be thinking photography, but you're also an outdoorsman, whether you want to be or not. You still need to deal with sun exposure, dehydration, and cuts and bruises. And what about being as comfortable as possible while you work?

In this episode, I cover the "10 Essentials" that you should have in your daypack, along with your camera gear. Not only will you be prepared for mishaps, you will have a more enjoyable experience.

The 10 Essentials

  • Water (1 liter or more)
  • Food (I like Builder's Bars and nuts)
  • First Aid Kit (include large gauze pads)
  • Sunglasses
  • Hat
  • Sunscreen
  • Matches/Bic Lighter
  • Knife
  • Map/Compass
  • 1/4 roll of TP
  • (Solar Blanket)
  • Extra Layer (usually wind breaker with hood)
  • Lip Balm
  • Flashlight (LED's are compact and bright)
  • Bandana
  • Whistle

Listen to the Podcast

You can also download the podcast here (30 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

Smoke is the July 2011 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is July 31, 2011.

TDS Nov. Aperture Workshop

I'm considering adding an Aperture Workshop on Nov. 12th and 13th. If you want your name on the reserve list, or just more information, drop me a line.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper -- The $7.99 Sample Kit is back! And with free shipping.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

Need a New Photo Bag? Check out the Lowepro Specialty Store on The Digital Story and use discount code LP20 to saven 20% at check out.




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Sometimes You Do Need a Tripod

Waterfall, 4 sec exposure

High ISO performance, sophisticated noise reduction, fast lenses... who needs a tripod for outdoor photography? Well, we all do -- at least some of the time. This waterfall shot at Sugar Loaf State Park required a 4-second exposure at ISO 100. Plus, I had to work from a slightly precarious spot. The only way to steady the camera in that particular location was with a tripod.

I'm the first to admit that this isn't my favorite photo accessory. But when I suspect there might be an opportunity for a dramatic depth-of-field composition, or a long exposure water shot, I'll buckle up a set of sticks.

Having a rig that won't break your back makes this decision a bit easier. For this shot, I used a Giottos VGR9255 that weighs only 3 lbs and a Photo Sport 200 AW that's very comfortable, even with a tripod attached.

Derrick_Photo_Sport_200.jpg

For the shot itself, I used a Canon 60D with a EF-S 15-85mm f/3.5-5.6 IS zoom. I added a polarizer to allow me more flexibility when stopping down the shutter (because of its 2-stop density), and relied on the self-timer to trip the shutter (so I wouldn't jar the camera). I work in Aperture Priority mode for these types of shots, but Shutter Priority is great too. What you really need to do is get out of Program mode.The shot was processed in Aperture 3.

There were only a handful of other photos recorded with a tripod on this trip. But, I wouldn't have been able to create the images I wanted in those instances otherwise.

Top Photo: Sugar Loaf Waterfall by Derrick Story. Bottom Photo: Lowepro Photo Sport 200 AW by Pat Scheetz. Click on images for larger versions. More images are published on the TDS Flickr site.


The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!


One of the first questions I fielded when I published the article, Personal Cloud Storage for Photographers, was, "Can I access the contents of the Buffalo Cloudstor from my iPad?" Thanks to Buffalo's partnership with Pogoplug, you can. They have free iOS apps for the iPad, iPhone, and iPod Touch.

Pogoplug for the iPad The Pogoplug iPad and iPhone app makes it easy to see the contents on my Buffalo Cloudstor personal server that's back at the studio. Click on image to enlarge.

There is good news and bad with this app. The good is that it provides easy access via my iPad to the Cloudstor data. I could be anywhere in the world, and as long as I have an Internet connection, I can see my stuff. The interface is well organized and clean. And for document viewing, such as this PDF of my model release, it looks great.

Not So Good for Photographers

But photos suffer a different fate. For some reason, Jpegs that I upload to the Cloudstor are sampled-down when served-up through the iOS apps. For example, a 2048x1362 Jpeg appears as a 640x425 image on my iPad, and it doesn't look good at all. The original photo is intact on the Cloudstor at its higher resolution. This sampling down seems to be the function of the iOS app. For the life of me, I could not find a setting to fix that problem.

Raw files weren't easy to deal with either. Again, they are there on my Cloudstor server and listed in the Pogoplug app. I can download the files to the iPad, but once they are there, Pogoplug gives me an option of opening the file in a different application. The handoff did not work with Photogene. But I was successful with Filterstorm. I could edit the Raw file I downloaded from the Buffalo Cloudstor, then save it to my photo library on the iPad. The problem is, you don't have any previews in Photoplug. So you have to download the entire Raw file and open it in Filterstorm before you can see the image. The bright spot here is that I then had a 3121x2081 file to work with on the iPad.

Bottom Line

The free Pogoplug app for iOS devices allows you to see all of the content on your Buffalo Cloudstor personal network server (or any computer that has the Pogoplug app loaded). It seems to handle documents well, such as PDFs, but isn't really calibrated for photographers. If your main goal is to use this combination as a remote photo server/viewer, then you'll probably be more frustrated than it's worth.

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The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!


With our August Sonoma Coast Workshop just around the corner, I'm thrilled that Alicia Miller will be there too, posing for our attendees. Alicia joins our existing group of excellent models (just ask anyone who has attended a TDS workshop.)

Alicia Miller - Model

Alicia Miller photographed by Derrick Story in Petaluma, CA.
Click on image for larger size.

Our approach to model shoots is different in that, not only do you get to work with attractive subjects, you learn how to manage these projects from first contact all the way through to the final shot. There's much more to working with models than figuring out lighting, and our attendees experience this process from the inside out.

You'll be seeing more of Alicia in the coming months, in addition to Morgan, Michaela, and Stephanie.

To learn more about the TDS Photography Workshop Series, just send me an email. I'll get back to you asap.


The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!


There are a variety of cloud services available these days, including Apple's new iCloud. But what if you wanted to create your own cloud? I've been testing the Iomega Personal Cloud, the Segate BlackArmor network drive, and the Buffalo Cloudstor (which I didn't have working when I recorded the podcast, but I do now and like it a lot). In this week's episode, I explore the idea of creating your own storage cloud online, and share some of my initial experiences doing so.

I also have published a follow up article about the Buffalo Cloudstor. When I recorded the podcast, the Cloudstor wasn't online yet, in part because of a change I made to the drive configuration. Now that I have it working, I like it the best of the three drives I cover in this episode. So after you listen the the podcast, you may want to read Personal Cloud Storage for Photographers.

Listen to the Podcast

You can also download the podcast here (29 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

Smoke is the July 2011 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is July 31, 2011.

TDS Oct. Photography Workshop and Nov. Aperture Workshop

I'm considering adding an Aperture Workshop in Nov. or Dec. If you want your name on the reserve list, or just more information, drop me a line.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper -- The $7.99 Sample Kit is back! And with free shipping.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

Need a New Photo Bag? Check out the Lowepro Specialty Store on The Digital Story and use discount code LP20 to saven 20% at check out.




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Buffalo Cloudstor

I've been testing the Buffalo Cloudstor with an eye toward it helping me better manage my photography content, both in the studio and while on the road. I have good news and bad in this regard. We'll start with a brief overview of the Buffalo network drive and the good.

What Is the Buffalo Cloudstor?

For testing, I purchased a Buffalo Technology CloudStor 2-Bay (1 x 1 TB) Gigabit Ethernet Network Storage CS-WX1.0 for $129. I thought was a great price for a unit that provides Raid 1 mirroring between the drives, network connectivity, and software to make cloud access a snap. To get set up, all I had to do was connect the drive to my Airport base station via the supplied Ethernet cable and turn on the drive. I then registered with PogoPlug (Buffalo's online partner), downloaded the desktop app for my Mac, and spent about a half an hour configuring the set up.

The only problem I had during this process turned out to be my own fault. When I first got the Buffalo, I swapped out the 1 TB drives for a couple of 2 TB drives that I already had. The Cloudstor didn't like them for some reason. But I didn't know that at first. I thought I was having connectivity problems, but in reality, it was the swapped out drives. When I finally figured out to put the original 1 TB drives back in, every thing worked great. Go figure.

Access to My Master Raw Files While on the Road

Even though the Buffalo can perform a variety of cool tasks, such as serving up your iTunes library from afar, I was basically interested in two things. First, I wanted it to store my master Raw files so I would have access to them from anywhere in my studio, and while on the road.

My workflow is that I work with a referenced Aperture library on my MacBook Air while traveling. So I have a hefty library full of thousands of Jpeg previews with me. But every now and then I need the original Raw file, and having those available via the cloud would be handy. Since my Projects in the Aperture library are organized the same way as the referenced file folders on my external drives, finding a master image is a snap.

On average, it took the Buffalo Cloudstor about a minute and a half to download a 27 MB Raw file from a remote location. Not blazing fast, but workable for those times I need a couple masters while on the road. In the studio on the local area network, it was faster.

Using the Cloudstor as a Raw File Backup While on the Road

The second task I was interested in was using the Cloudstor as an image backup device while I'm working on location. Wouldn't it be nice to upload a day's shoot from the hotel and know that all of your Raw files are safe and sound back home? Unfortunately for Raw shooters, the technology just isn't there yet.

I tried a sample shoot of 79 Raw files that totaled about 2 GBs of storage, and uploaded them off the card via my MacBook Air to the Buffalo Couldstor about 6 miles away at my studio.

Copy Job to Cloudstor A 2 GB upload required 2 hours to complete via the cloud.

Even with really good cable Internet access on both ends, the upload took 2 hours. On a normal day's shoot, I rack up between 300 and 600 Raw files, and the Internet connection on the road often isn't nearly as good as what I tested at home. So it's conceivable that the upload would not be finished by the time I got up the next morning, or that the Internet connection would timeout before completion.

The Bottom Line

The Buffalo Cloudstor network drive is a terrific value considering that you get TBs of storage, easy to use software, and all of this capability at a great price. You can use it to share files on your local area network, and better yet, remotely via the Internet.

You can preload it with your master image files by connecting a separate hard drive via the Cloudstor's USB port on the back of the unit, then access those files from anywhere you have an Internet connection. It's not the fastest server on the planet, but it's fine for small batch downloads.

It can also serve as a back-up for traveling photographers, but it's not practical for large batches of big Raw files. If you shoot Jpegs, you'll most likely have a good experience as long as you have good bandwidth.


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David Gary Henry

For the May '11 Photo Assignment, TDS shooters got their Eco on to create this gallery titled Shades of Green. Monotoned? No way. A visual tour through one of our favorite colors? Yes! And which one will be the SizzlPix Pick of the Month?

The July 2011 assignment is "Smoke." Start working on your contribution now. Details can be found on the Member Participation page. Submit your photo assignment picture 800 pixels in the widest direction. Deadline is July 31, 2011.

Please follow the instructions carefully for labeling the subject line of the email for your submission. It's easy to lose these in the pile of mail if not labeled correctly. For example, the subject line for this month's assignment should be: "Photo Assignment: July 2011." Also, if you can, please don't strip out the metadata. And feel free to add any IPTC data you wish (These fields in particular: Caption, Credit, Copyright, Byline), I use that for the caption info.


Photo by David Gary Henry. (Click on it to see enlarged version.) You can read more about how David captured this shot, plus see all of the other great images on the May 2011 Gallery page.


Good luck with your July assignment, and congratulations to all of the fine contributors for May.


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Now Available! The Digital Photography Companion. The official guide for The Digital Story Virtual Camera Club.

  • 25 handy and informative tables for quick reference.
  • Metadata listings for every photo in the book
  • Dedicated chapter on making printing easy.
  • Photo management software guide.
  • Many, many inside tips gleaned from years of experience.
  • Comprehensive (214 pages), yet fits easily in camera bag.

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