It's probably no coincidence that the impressive Alpha a7 II mirrorless full frame camera features 5-axis sensor-based image stabilization, which arrives not too long after Sony's substantial investment in Olympus (who developed the technology for their Micro Four Thirds bodies). And like any good marriage that produces beautiful offspring, everyone just counts their blessings.

Unlike the earlier a7 that uses optical stabilization only, the a7 II can, according to DP Review, "When shooting with Sony FE lenses that are already stabilized, denoted by 'OSS' on the lens, the a7 II will use both the sensor-based and lens-based IS together, to get the optimal image stabilized performance. The affects of image stabilization can be seen in a live preview when looking through the EVF or LCD." Talk about the best of both worlds, at least when it comes to IS.

This also opens the door for using practically any optic that can be mounted to the camera, while still enjoying top-notch stabilization. That's one way to fill out your lens roadmap in a hurry.

For me personally, the 1.3 pound, 5" x 3.78" x 2.36″ body is a bit heftier than I like to carry for my mirrorless shooting. But then again, if I didn't already have a full frame camera, this $1,700 beauty might just turn my head.

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This week on The Digital Story Photography Podcast: Nifty Street Shooting Trick, Hands On with the Olympus SH-2 compact zoom, Color Calibration - All of this and more on today's show with Derrick Story.

Weekly Update - Uploader for Instagram in Mac App Store - Now you can send images to your Instagram account from a Mac. (Source: The Digital Story)

In other news... "X-Transformed? Fuji film X30 Review" The lovely X30 didn't fare as well as its predecessors, largely because its 2/3" sensor seems to be falling behind the competition. Other cons included:

• Vigorous noise reduction at higher ISO settings destroys detail
• Colors can be a little odd especially in overcast conditions
• Takes too long to wake from sleep mode
• Control ring could be made more use of for menu navigation and play back
• Limited exposure compensation because of physical dial design

(Source: DP Review)

Story #1 - Double Your Street Shooting Pleasure - Unless you're in the state of Arkansas operating under the potential dark cloud of the Personal Rights Protection Act (not law yet, thankfully), I have a few techniques for you to consider during your next street shoot.

Assuming that you'll be using a mirrorless or other non-DSLR camera, dust off your favorite fast aperture prime lens, and tune in to the first feature story of today's show. Cameras that I've tested these techniques on include the Fujifilm X-20, Olympus OM-D E-M10, and the Samsung NX3000.

Story #2 - "First Look at the Olympus SH-2 RAW Shooting Compact" - This pants-pocketable compact features an impressive 25-600mm zoom, one-touch WiFi, and RAW format. Other goodies include:

• 16MP 1/2.3" BSI CMOS Sensor
• TruePic VII Image Processor
• 3.0" 460k-Dot Touchscreen LCD Monitor
• 5-Axis Sensor-Shift Image Stabilization
• Full HD 1920 x 1080p Video at 60 fps
• Live Composite, Filters, and Photo Story

I've been carrying one around for about a week, and I have a hands-on report for you in today's second feature.

Story #3 - From the Screening Room - Advanced Color Workflows for Photographers with Joe Brady. Do you want to demystify color calibration for your monitors and mobile devices. Joe explains it all in this informative lynda.com title.

You can watch Joe in action by visiting the TDS Screening Room at lynda.com. While you're there, you can start your 7 day free trial to watch all of Joe's movies, plus every other title in the library (including over 20 by yours truly).

Virtual Camera Club News

News from Red River Paper: Have you made your archive 6 prints yet for 2015? The best backup system in the world is high quality prints properly stored. I recommend that photographers do a print run of their best twice a year. Here's why.

Thanks to everyone who recently reviewed the TDS Podcast in iTunes!

BTW: If you're ordering through B&H or Amazon, please click on the respective ad tile under the Products header in the box half way down the 2nd column on thedigitalstory.com. That helps support the site.

In addition to subscribing in iTunes, you can also download the podcast file here (38 minutes). You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

lynda.com - Learn lighting, portraiture, Photoshop skills, and more from expert-taught videos at lynda.com/thedigitalstory.

Red River Paper -- Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

SizzlPix! - High resolution output for your photography. You've never seen your imagery look so good. SizzlPix.com. SizzlPix! now is qualified for PayPal "Bill Me Later," No payments, No interest for up to 6 months, which means, have your SizzlPix! now, and pay nothing until May!

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Now it's easier than ever to move images from your Mac to Instagram. A new app, Uploader for Instagram ($4.99), allows you to right-click on a photo and send it to your account.

The app isn't going to win any awards for design, but it does work. Once you control-click or right-click on the picture, choose Share to Instagram from the Services popup menu, then you're greeted with a spartan interface that lets you zoom and position the picture.

There are also filters available, but I wasn't impressed with them (especially compared to the native IG filters). You can add a caption and hashtags, however, and performance is snappy. Within a few seconds my photo was displaying happily in my Instagram feed.

Join me on my Instagram site as I explore the world of mobile photography. And now Instagram features 15-second movies too.

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Regardless if you use natural light or strobes for your portraits, you'll probably like the Westcott Omega Reflector Kit.

Indoor window light portrait with the Omega reflector providing the fill light. Photos by Derrick Story.

For this portrait of Sophie, I used the Olympus OM-D E-M5 Mark II with the Panasonic 12-35mm f/2.8 zoom lens, f/2.8, 1/250th, ISO 1600, -2.0 EV. Main light (on the photographer's right) is from the north window at my studio, and the fill light is provided by the Omega reflector.

Omega reflector suspended from a DIY frame made of PVC pipe.

When fully expanded, the Omega measures a substantial 38″ x 45″, which is a versatile size for most portrait shoots. It has multiple surfaces to help you control both color and intensity. And what's really unique, the center "window" can be opened, allowing you to shoot through the reflector if you wish.

The collapsable Westcott Omega Reflector Kit is available for $119 at B&H Photo.

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Back button focus - reprogramming a function button to handle focusing duties instead of a partial press on the shutter button - is particularly helpful for portrait shoots. I can set the focus on the eyes, then recompose and shoot without losing my focus point. I don't have to focus again until either I or the subject move.

It's easy to set up on an Olympus OM-D once you know where to go. The steps here are for the Olympus OM-D E-M5 Mark II, but they also can be used for other models.

• Press the Menu button and navigate to Gear-A (AF/MF)
• Go to AF Mode and select S-AF - Press OK
• Check that Full-time AF is Off
• Go to AEL/AFL, click on S-AF, and select mode3, Click OK, Click Menu (See illustration to find S-AF)
• Navigate to Gear-B (Button/Dial/Lever), Press OK
• Click on Button Function
• Click on Fn1 and select AEL/AFL, Click OK, Click Menu, Click Menu

Now, when you press Fn1, the camera focuses. Pressing the shutter button half way locks in the exposure. If you're using the Olympus vertical grip, also Program B-Fn1 to AEL/AFL. That gives you back button focus in the vertical position too.

Once my portrait shoot is over, I go back to AEL/AFL in Gear-A, click on S-AF, and select mode1. This is my normal way of shooting, using a half press on the shutter button to focus the camera. The Fn1 button then becomes exposure lock.

If you use back button focus often, you may want to program the 1/2 Lever on the E-M5 Mark II or the EM-1 (see illustration, the lever is right next to the Fn1 button). Position 1 could be normal half-press of the shutter button for focusing, and position 2 can be programmed for back button focus. That way you could change focusing modes quickly.

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I've started using the 2X digital zoom function on all of my Olympus OM-D cameras. By doing so, I am able to use a fast prime lens, such as the fabulous Olympus M. Zuiko Digital ED 45mm f1.8 at wide apertures, then double its magnification without losing any light gathering power.

In the field, this means that I can work at an effective focal length of 90mms or 180mms at f/1.8. The question is, how much am I giving up by using the 2X digital zoom?

Side by side comparison of the RAW file at 45mm (left) and the Jpeg at 90mm (2X digital zoom) on the right. Images opened in ACR 8.8 with no adjustments.

For my real world test, I shot in RAW+Jpeg with the Jpeg mode set to Super Fine on an Olympus OM-D E-M5 Mark II with the 45mm lens set to f/2.2. I was able to keep the ISO at a reasonable 800, and I used +1 exposure compensation, giving me a shutter speed of 1/100th.

The RAW file dimensions are 3456 x 4608 with a file size of 15.31 MBs. The Jpeg has the same 3456 x 4608 measurements, and weighs in at 5.16 MBs. I opened both images in ACR 8.8 on a 15" MacBook Pro with Retina Display and captured these screen shots.

RAW file at 400 percent.

Super Fine Jpeg with 2X digital zoom at 200 percent.

Bottom Line

The 2X digital zoom fares well against its RAW file companion. The RAW file has not been processed, so it has more to offer in post production. The Jpeg can be published as is without further work.

I've set a function button on all of my OM-D cameras to toggle the digital zoom on and off. By doing so, I can shoot more with my prime lenses, knowing that I can zoom in without having to change the glass.

For critical work, I'll probably stick with RAW only. But for my street shooting, photojournalism, and event photography, I'm loving the 2X option. In fact, in these shots, I like the Jpegs better.

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This week on The Digital Story Photography Podcast: Essential Tools for Event Photography, 5 Additional Things to Do with a 50MP Camera, ACR 8.8 New Camera Support (but not Lightroom) - All of this and more on today's show with Derrick Story.

Weekly Update - Ten New Cameras Supported by ACR 8.8 -

• Casio EX-ZR3500
• Canon EOS 750D (Rebel T6i, Kiss X8i)
• Canon EOS 760D (Rebel T6s, Kiss 8000D)
• Fujifilm X-A2
• Fujifilm XQ2
• Hasselblad Stellar II
• Nikon D5500
• Olympus OM-D E-M5 II
• Panasonic Lumix DMC-GF7
• Panasonic Lumix DMC-ZS50 (DMC-TZ70, DMC-TZ71)

In other news... "Ricoh reveals pixel-shifting high-resolution mode: Coming soon to a camera near you?" Unlike Olympus' approach, which grabs 8 frames and uses a half-pixel shift between two groups of four to interpolate additional pixels, Ricoh's method uses just four shots, to bring the four pixels of each Bayer color filter array cell into alignment with each other. The resulting file has the same number of pixels as conventional shots, but each pixel contains full, uninterpolated RGB data. (Source: Imaging-Resource)

Story #1 - Essential Tools for Event Photography - Whether you're getting ready to shoot a wedding, trade show, or birthday party, these tools will help you capture better images while increasing your enjoyment. I'll explain each of these in the second feature of today's show.

• A professional wide to moderate zoom. The constant aperture f/2.8 zoom that covers roughly from 24-70mms is a workhorse for the event photographer.
• A fast portrait lens. I prefer a f/1.8 or f/2.0 85, 90, or 100mm prime lens to complement my zoom.
• A lightweight flash modifier. I always carry at least one Rouge FlashBender to help me tame the light coming off my strobe.
• Battery grip. Even when I shoot mirrorless, I keep a battery grip on the camera. This allows me to shoot the entire day without changing batteries, which usually occurs at the worst time possible.
• A skilled assistant. Have an extra set of hands to manage the shot list, set up group shots, keep an eye on an activity not yet ready to photograph, and serve as a second shooter when needed is a blessing beyond description.

Story #2 - 5 Additional Things to Do with a 50 MP Camera - Yes, there are the obvious choices such as landscape and product photography with a new Canon 5DS R. But what about...

• Start a business shooting life size portraits.
• Become the first indoor sports photographer that only uses a 50mm lens.
• Advertise yourself as a billboard photographer by shooting the first 50 MP selfie, then putting it on a billboard.
• After the next holiday, send a 50MP RAW file attachment to a family member with a 5-year-old Dell with the caption, "Can you believe what Aunt Jenny revealed at the party?"
• Rent your 50MP camera to other photographers who can't afford one, then use the money to buy stock in 4TB drives.

Story #3 - From the Screening Room - Black-and-White Project: Creating a Dramatic Landscape with Lightroom and Photoshop with Chris Orwig

You can watch Chris in action by visiting the TDS Screening Room at lynda.com. While you're there, you can start your 7 day free trial to watch all of Chris' movies, plus every other title in the library (including over 20 by yours truly).

Virtual Camera Club News

News from Red River Paper: Have you made your archive 6 prints yet for 2015? The best backup system in the world is high quality prints properly stored. I recommend that photographers do a print run of their best twice a year. Here's why.

Thanks to everyone who recently reviewed the TDS Podcast in iTunes!

BTW: If you're ordering through B&H or Amazon, please click on the respective ad tile under the Products header in the box half way down the 2nd column on thedigitalstory.com. That helps support the site.

In addition to subscribing in iTunes, you can also download the podcast file here (35 minutes). You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

lynda.com - Learn lighting, portraiture, Photoshop skills, and more from expert-taught videos at lynda.com/thedigitalstory.

Red River Paper -- Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

SizzlPix! - High resolution output for your photography. You've never seen your imagery look so good. SizzlPix.com. SizzlPix! now is qualified for PayPal "Bill Me Later," No payments, No interest for up to 6 months, which means, have your SizzlPix! now, and pay nothing until May!

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I just completed a 3-day assignment covering the Artisan Cheese Festival in Petaluma, CA. Instead of shooting with my DSLR and RAW files, I opted this year to use my Olympus OM-D E-M5 Mark II and shoot in Super Fine Jpeg mode. (You can read more about this setup in the article, Daring to Shoot Jpeg).

My Aperture library now has 1,500 new images of cheese making, classroom instruction, ballroom festivities, marketplace sales, and more. The images look fantastic, and my turnaround time for the PR agency has been the fastest ever.

The bottom line is this: if you're careful with your shooting technique and use quality gear, Jpegs from today's cameras are sharp, colorful, and professional. Event photographers don't need to be a slave to the RAW workflow. Use the best format for the situation, and dazzle your clients with the results.

This workflow has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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New owners of the Olympus OM-D E-M5 Mark II should be happy to know that Adobe has released ACR 8.8 with RAW support for the latest Olympus mirrorless camera.

Current Bridge/ACR owners simply need to go to Help > Updates to download the new version of the software.

After a bit of testing, I'm happy to report that the RAW interpretation seems good. The software read the embedded lens profile for my Olympus 75mm f1.8 portrait lens, allowed me to apply a Camera Portrait profile, and did a nice job with all of the basic adjustments.

My guess is that Lightroom users will have to wait a bit longer for E-M5 Mark II support as Adobe is working hard to put the finishing touches on Lightroom 6.

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I began the photo shoot with the boys using the Olympus 75mm f/1.8 prime, a spectacular lens. But then we started moving around, and I needed something more versatile if I was going to keep up with these guys. So I reached for the Panasonic 35-100mm f/4.0-5.6 ASPH. MEGA O.I.S. zoom. That was a good call.

To be honest with you, this optic defies logic. It is incredibly compact, measuring 2.19" x 1.97" and weighs less than 5 ounces. Yet it covers the equivalent of 70-200mm, and it does so with fantastic sharpness, contrast, and color.

Once we found an intriguing urban alley to work, I mounted it on the Olympus E-M5 Mark II. And that Olympus/Panasonic tandem allowed me to keep up with a pair of teenagers.

I originally bought the Panasonic 35-100mm as a travel companion for my assignment in Cuba. And it performed so well there, that I've kept it in my daily camera bag. Now it's an optic that I seem to reach for daily.

Since this zoom includes optical image stabilization, it's a great choice for both Olympus (with sensor based IS) and Panasonic (optical IS only). In other words, if you have a Micro Four Thirds body, this lens will serve you well.

And at $379, it's not going to break the bank.

For more on this excellent lens, see my Field Test from Dec. 2014.

The Panasonic 35-100mm f/4.0-5.6 ASPH. MEGA O.I.S. zoom has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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This week on The Digital Story Photography Podcast: Eye-Fi Rubbed RAW, Expensive Filters, Lowepro Reboot, Planning and Staging an Exhibition - All of this and more on today's show with Derrick Story.

Weekly Update - Lowepro launches weather-proof Fastpack backpacks for traveling photographers - "Both bags include Lowepro's All Weather AW Cover, which is basically a built-in raincoat that can be untucked and pulled over the bag in a rain shower. The tablet sections feature what Lowepro calls CradleFit padding that grips and suspends the tablet so that it remains protected in the event of a drop. Using compression straps the bags are designed to also attach to the handles of rolling luggage, and both can support a tripod via straps and a mesh pocket."  (Source: DP Review)

In other news... Eyefi's newest Mobi Pro SD card lets you sync RAW photos - "Self-proclaimed as 'the most powerful wireless SD card ever', the Mobi Pro sets itself apart from Eyefi's lower-level Mobi cards by now allowing you to transfer RAW files to your desktop or mobile device, straight from your camera." (Source: Imaging-Resource)

Story #1 - Think of Your Filters as Very Thin Lenses - I just spent $48 for a Hoya 46mm EVO Antistatic UV(0) Filter. Why would I do such a crazy thing? Here are a few reasons:

• Absorbs Ultraviolet Light (helping to reduce bluish cast)
• 16-Layer Super Multi-Coating (99.8 percent light transmission )
• EVO Antistatic Coating Repels Dust
• Water, Stain, and Scratch-Resistant
• Optical Glass Construction
• One-Piece Low-Profile Filter Ring (lessens the likelihood of vignetting)
• Front Threads for Filter Stacking

And then I add a few more...

Story #2 - You Can't Beat the Price for the Fotor Image Editor - I've been playing with a lovely, smart and free image editor called Fotor. Will it replace Aperture? No way. But it does leverage Mac OS X technologies in an elegant, fun package. I discuss in this segment of the show.

Story #3 - From the Screening Room - Planning and Staging an Exhibition with Konrad Eek.

You can watch Konrad in action by visiting the TDS Screening Room at lynda.com. While you're there, you can start your 7 day free trial to watch all of Konrad's movies, plus every other title in the library (including over 20 by yours truly).

Virtual Camera Club News

The TDS Bodie/Eastern Sierra Photography Workshop is Sold Out.

News from Red River Paper: Have you made your archive 6 prints yet for 2015? The best backup system in the world is high quality prints properly stored. I recommend that photographers do a print run of their best twice a year. Here's why.

Thanks to everyone who recently reviewed the TDS Podcast in iTunes!

BTW: If you're ordering through B&H or Amazon, please click on the respective ad tile under the Products header in the box half way down the 2nd column on thedigitalstory.com. That helps support the site.

In addition to subscribing in iTunes, you can also download the podcast file here (35 minutes). You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

lynda.com - Learn lighting, portraiture, Photoshop skills, and more from expert-taught videos at lynda.com/thedigitalstory.

Red River Paper -- Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

SizzlPix! - High resolution output for your photography. You've never seen your imagery look so good. SizzlPix.com. SizzlPix! now is qualified for PayPal "Bill Me Later," No payments, No interest for up to 6 months, which means, have your SizzlPix! now, and pay nothing until May!

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If you don't mind having a small ad parked in the lower right corner of your screen, Fotor for Mac is a clean, easy to use, powerful, and a fun image editor.

The combination of adjustment sliders, effects, borders, tilt shift control, and text tool gives most photographers to power they need to spice up a photo and send it on its way. I also like the built-in collage maker and batch processor, unexpected bonuses for free software.

Fotor draws upon Mac OS X for its RAW processing (as it does in other areas too). So if your Mac provides RAW support for a camera, so does this app.

Bottom line is this: Mac photographers looking for a free editor with lots of punch should take a look at Fotor for Mac (It's also available as a sweet iOS app).

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The good news is that the Olympus OM-D E-M5 Mark II includes a stereo microphone jack that can be used for an audio input device of your choice. And you can use the External Grip HLD-8G to monitor the input during recording. The bad news is that the interface is somewhat noisy and you may not want to bother.

I've done some informal testing using a non-powered Sony stereo mic, a powered Audio Technica clip-on device, and the built-in stereo pickups in the E-M5 Mark II itself. And after running through all of the settings, the built-in mics performed about as well as the external devices. Listen for yourself.

Audio Technica Clip-On Mic vs Built-In Pickups

I start out this video using a powered clip-on recording in mono, then switch to the onboard pickups in the E-M5 Mark II. They definitely sound different, but the amount of background hiss was about the same.

Sony Non-Powered Stereo Mic

This time around I recorded some music and just myself talking. No surprisingly, when capturing the music, background hiss wasn't really a factor. But once again, when it was just me, the hiss was noticeable.

Bottom Line

Since the video with the E-M5 Mark II is outstanding, it's worth figuring out the audio. For casual recording, I thought the onboard stereo mics worked nearly as well as low-end external units plugged in to the camera. So I can't think of a compelling reason to bring a separate mic for on-the-go video capture.

The next option is a mic with a 10db boost. These devices often have a narrow recording pattern, so they're not perfect for every situation. But they're well-designed for quick interviews and news reporting. The 10db boost helps compensate for the weak preamps in the camera.

The best audio is going to be recorded with a separate device, such as a Zoom, then substituted for the native audio in post production. For critical use, this is still the preferred method. Not everyone, however, wants to spend the extra time in editing. Just like everything else in photography, you have to figure out your priorities and go from there.

After listening to the samples, what do your ears hear?

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The Olympus OM-D E-M5 Mark II has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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DxO Optics Pro is in the news today with their 10.3 release. Olympus also announces a handsome new travel camera with a 24X zoom and RAW support. And finally, Adobe released Photoshop Mix 1.5 with added support for Adobe Ink and the Cloud Clipboard.

DxO OpticsPro 10.3 Supports New Cameras, Adds Features

The latest update to DxO's image-processing software features support for the Nikon D5500, Canon PowerShot SX60 HS, and Olympus PEN E-PL7, as well as new correction tools and an improved user experience.

The Mac OS X version also offers a new drag-and-drop feature that allows photographers to directly open a folder by dragging it into the Image Browser, providing quicker access to images. The correction tools have been revisited, now adding greater finesse and ease to DxO OpticsPro. The Horizon slider now makes small rotations easier to perform, and the Dust tool is also easier to use.

DxO OpticsPro v10.3 is now available in the DxO online store at a special discount through March 31, 2015.

Olympus Announces the New Stylus SH-2

The Olympus Stylus SH-2 features a 24x wide-angle optical zoom lens, built-in Wi-Fi connectivity for remote shooting and sharing with a smart device, RAW capture capability, and 5-Axis Image Stabilization that supports both still image and video capture. The SH-2 also adds new Nightscape Modes for night scenes and portraits.

The Olympus Stylus SH-2 will be available in April at an estimated street price of $399.99 (available in Black and Silver). For a complete list of specifications, visit the Olympus site.

Adobe Updates Photoshop Mix 1.5 for iPad and iPhone

Adobe has released Photoshop Mix 1.5 with added support for Adobe Ink and the Cloud Clipboard, allowing users to browse an album of their creative assets that can be pasted into an image in Photoshop Mix with one touch of the stylus. Photoshop Mix also now supports Wacom and Pencil styluses.

Also new in this update is the ability to merge images. In Overview, drag one image on top of another to combine them into a single image. Also, when the app is launched, prior to signing-in, users will get a quick hands-on demo of how to cut out part of one photo and add it to another to create a combination image.

Photoshop Mix is a free app for the iPhone and iPad and is built with Adobe's Creative SDK to integrate a seamless mobile workflow with Creative Cloud.

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This week on The Digital Story Photography Podcast: E-M5 Mark II Hands On Review, Beta Testing Photos for OS X, Who Let the Air Out of the Latest MacBook? All of this and more on today's show with Derrick Story.

Weekly Update - Iridient Developer 3.0 Released - Some of the key new features introduced in Version 3 include multiple new demosaicing algorithms for both Bayer and X-Trans sensors, new Clarity adjustment for enhancing midtone contrast, new options for adjusting overall tonality including an adaptive "Fill Light" style exposure adjustment and pixel neighborhood adaptive highlight/shadow adjustments,several new monochrome mixer conversion methods, a greatly simplified colour management setup, two new monochrome toning methods including Split Toning and Mono Tone, and much more. This final 3.0 release also adds support for RAW images from the Olympus E-M5 Mark II shot in the 40 megapixel high resolution mode.  (Source: Photography Blog)

In other news... Apple's radical 12-inch MacBook is the slimmest, lightest MacBook ever - Apple reveals a new 12-inch MacBook, a radical revamp that shakes up the winning MBA design by dumping virtually every conventional port--Thunderbolt, the SD card slot, a power connector, everything--in favor of a pair a single USB Type-C connection and an audio jack. That, paired with numerous other advances, helped the 12-inch MacBook become the slimmest, lightest MacBook ever--and it's silent, too. (Source: Macworld)

Story #1 - Hands On Review of the Olympus OM-D E-M5 Mark II - Beautifully crafted, intelligent inside, the latest mirrorless offering from Olympus might be their best camera yet. I discuss why in this segment of the show. You can also read my article about High Res Shot, one of the standout features of the E-M5 Mark II, at c't DigiPhoto.

Story #2 - Beta Testing Photos for OS X - you can join the OS X beta program and test the latest version of Photos. I provide my first impressions.

Story #3 - From the Screening Room - Photoshop CC Essential Training with Julieanne Kost. For my money, Julieanne is the best Photoshop trainer in the business. And she shines in this tutorial.

You can watch Julieanne in action by visiting the TDS Screening Room at lynda.com. While you're there, you can start your 7 day free trial to watch all of Julieanne's movies, plus every other title in the library (including over 20 by yours truly).

Virtual Camera Club News

News from Red River Paper: Have you made your archive 6 prints yet for 2015? The best backup system in the world is high quality prints properly stored. I recommend that photographers do a print run of their best twice a year. Here's why.

Thanks to everyone who recently reviewed the TDS Podcast in iTunes!

BTW: If you're ordering through B&H or Amazon, please click on the respective ad tile under the Products header in the box half way down the 2nd column on thedigitalstory.com. That helps support the site.

In addition to subscribing in iTunes, you can also download the podcast file here (33 minutes). You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

lynda.com - Learn lighting, portraiture, Photoshop skills, and more from expert-taught videos at lynda.com/thedigitalstory.

Red River Paper -- Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

SizzlPix! - High resolution output for your photography. You've never seen your imagery look so good. SizzlPix.com. SizzlPix! now is qualified for PayPal "Bill Me Later," No payments, No interest for up to 6 months, which means, have your SizzlPix! now, and pay nothing until Sept!

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Even though the Apple Watch was the star of the show today, Apple's introduction of the new MacBook was a bonus that I was happy to see. And I think from a consumer perspective, it's an interesting machine.

Weighing in at just 2 pounds, the MacBook features a 12-inch LED-backlit display, 2304-by-1440 resolution at 226 pixels per inch (Retina display), Intel HD Graphics 5300, and a single USB-C port featuring USB 3.1 Gen 1.

It's that last feature that really shows the direction Apple is offering to its customers: a truly wireless world. Photographers who embrace the new Photos for OS X app don't need Thunderbolt and standard USB 3.0 ports. Your images live in iCloud and are available on all of your devices. No wires required.

The demise of Aperture fits perfectly into this scenario. My current libraries live on large hard drives connected to MacBook Pro 13 and 15 inch laptops via Thunderbolt. You could even say that I'm now officially old school.

But the fact of the matter is that the new iCloud/Photos/MacBook vision is for consumer photographers, not serious enthusiasts, and certainly not pros. A wireless world would not have worked for me when I was on assignment in Cuba. And there are many similar situations that I face every year.

I think 2015 is an exciting time for consumer snapshooters. It's going to be interesting to see how it shapes up for the rest of us.

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You can start testing the Photos app today by enrolling in the OS X Beta Program that lets you install the upcoming version of Yosemite.

The process is easy. Here are the basic steps:

• Designate a Mac for beta testing. I recommend that you do not use your primary work-Mac for this purpose.
• Enroll in the OS X Beta Program and download the Yosemite Beta Access Utility.
• Run the utility and install OS X 10.10.3 that includes Photos
• Start experimenting with the application.

If you're an iCloud user, Photos can tap your library online. I advocate this as a starting point for learning the application. You can convert Aperture or iPhoto libraries to Photos as well, but I would save that for later once you've made a decision about how you're going to proceed.

I recommend becoming familiar with Photos by using your iCloud library.

Plus, by using your iCloud library, you can witness one of Photos' most powerful features, automatic updating of edited images. For example, I converted an image to B&W in the Photos app on my laptop, then viewed it on my iPhone. The image appeared in monotone there too, just like on the Mac.

In the end, who knows how we'll integrate or not integrate Photos into our workflows. But we won't know where to begin unless we give it a good test drive.

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During my Southern California tour, I had a meeting in Los Angeles. I arrived a bit early, so I hopped on the hotel elevator to explore a bit. Sure enough, I discovered a great vantage point with a view of planes coming in to land at LAX.

As with most hotels, I had to shoot through a window. I know some photographers don't like to do this, but I don't mind. I selected my Olympus 45mm f/1.8 prime lens and positioned the camera squarely against the glass. I made sure the area that I was shooting through was clean. Then I used the camera's electronic levels for correct alignment.

Generally speaking, images captured through thick glass lose contrast. Airplane windows are another example of this. But that's easy to restore in post production. Shooting in RAW provides you with a deeper set of image adjustment options.

Not long after I recorded this image, it was time for our meeting. I hadn't planned on taking pictures that afternoon. But thanks to hotel windows, I left the venue with something more than a firm handshake.

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This week on The Digital Story Photography Podcast: Tips for Seamless Panoramas, Behind the Scenes at the Havana Club Cafe set for my lynda.com movie, Canon and Nikon news. All of this and more on today's show with Derrick Story.

Weekly Update - Nikon D7200 boasts low-light AF improvements and increased buffer depth - With a 24.2MP APS-C CMOS sensor it offers a very slight resolution increase over its 24.1MP D7100 predecessor, and like that model it lacks an optical low-pass filter. Also, a next-generation 51-point AF module with increased low-light sensitivity, built-in Wi-Fi with NFC and an improved 100-shot buffer depth when shooting JPEGs at 6 fps (18 14-bit or 27 12-bit Raw files). Other notable features include 1080/60p video recording, improved battery life of 1100 shots per charge and a weather-sealed magnesium alloy body. The D7200 will be available in April as a kit with the 18-140mm f/3.5-5.6G ED VR for $1699.95, or body-only for $1199.95.  (Source: DP Review)

In other news... Review: The Canon 11-24mm f/4L is Pricey and Heavy but Unmatched Optically - The Canon EF 11-24mm f/4L USM officially holds the title of the widest rectilinear full-frame SLR lens with its 126º05' diagonal widest angle of view. And there's no mistaking the lens for anything less than an extreme wide-angle lens given its huge and gorgeous 108mm bulbous front element. Is it worth $3,000? This review helps answer. (Source: PetaPixel)

Story #1 - Tips for Seamless Panoramas - Yes, your iPhone works great for capturing panoramas. But if you want higher resolution and more tonal control, stitching together frames from your digital camera is the answer. Here a a few tips to ensure the best quality possible.

• Use a tripod... properly.
• It's easiest with the sun to your back.
• Why manual exposure just works better.
• Lock in your focus and keep it there.
• Don't forget to overlap!
• Mark first and last frame.
• Shoot RAW.

Story #2 - Behind the Scenes at the Havana Cafe Set - I'm at lynda.com this week recording the finishing bits for my "Photographer in Cuba" movie. They've designed a special set for our recording, and I thought it would be fun to chat with the producer, videographer, and lighting director about the preparations involved for this project. I hope you enjoy the conversation.

News from Red River Paper: Have you made your archive 6 prints yet for 2015? The best backup system in the world is high quality prints properly stored. I recommend that photographers do a print run of their best twice a year. Here's why.

Thanks to everyone who recently reviewed the TDS Podcast in iTunes!

BTW: If you're ordering through B&H or Amazon, please click on the respective ad tile under the Products header in the box half way down the 2nd column on thedigitalstory.com. That helps support the site.

In addition to subscribing in iTunes, you can also download the podcast file here (28 minutes). You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

lynda.com - Learn lighting, portraiture, Photoshop skills, and more from expert-taught videos at lynda.com/thedigitalstory.

Red River Paper -- Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

SizzlPix! - High resolution output for your photography. You've never seen your imagery look so good. SizzlPix.com. SizzlPix! now is qualified for PayPal "Bill Me Later," No payments, No interest for up to 6 months, which means, have your SizzlPix! now, and pay nothing until May!

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You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

I'm on the road again, this time to Southern California.

The drive south on I-5 was exciting on Saturday, with a series of rainstorms to entertain me.

I begin the week in Santa Barbara by meeting with the c't Digital Photography editorial team from Germany. I'm hoping to record a segment for Tuesday's podcast as we sit around the work table. I think you'll enjoy hearing how they run their operation in Europe, and why I'm such a strong supporter of c't Digital Photography Magazine.

After that, I'll drive down to Carpinteria and work with the lynda.com film crew to record the studio sessions for my movie about Cuba. They already have the content I recorded from the trip, and now I'll telling my stories on a set we've designed, complete with Cuban artwork that I've brought back.

I'm hoping to record a worktable chat with the film crew while I'm there. I'm thinking that will be a fun segment for next week's podcast.

I'll then head back to Northern California near the end of the week. The Golden State Warriors will be back in town from their road trip, so I'm going to watch the Splash Brothers take on the Mavericks Friday night at Oracle Arena.

I'll be sharing some "behind the scenes" here, so stay tuned.

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