One of the pleasing aspects of iPhone photography is how easily you can creatively fine tune your images in the Photos ecosystem. A perfect example is a picture captured in Portrait Mode on the iPhone can be further refined in Photos for macOS, without losing the Portrait Mode magic. Here's an example.

"Jessica" - This image was captured with an iPhone X in Portrait Mode, then opened in Photos for macOS. All of my Portrait Mode options are available, as illustrated here. Photo by Derrick Story.

Once you capture the image, it is propagated to all of your iCloud devices. Here, it appears in Photos for macOS. I can stick with the original Portrait Mode if I wish, or I can switch to one of the other options, such as Stage Mono.

Same image, but now I've switched to Stage Mono Portrait Mode.

Once I've settled on the mode that I want to use, I can then further refine the image with Photos' adjustment tools. Any changes that I make here are also propagated back to all my iCloud connected devices.

This workflow is fast, easy, with results that your subjects are sure to like.

The Apple Photos Book for Photographers, 2nd Edition

Updated for macOS High Sierra, the The Apple Photos Book for Photographers, 2nd Ed. provides you with the latest tips, techniques, and workflows for Apple's photo management and editing application. Get your copy today!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #650, August 28, 2018. Today's theme is "The First Shoe Dropped - The Nikon Z7." I'm Derrick Story.

Opening Monologue

Since our last show, Nikon officially announced the Z6 and Z7 full frame mirrorless camera bodies with three new Z Mount lenses. This is the news that many Nikon users have been waiting for, not to mention thousands of other curious photographers, myself included. So how does the new camera stack up to the competition? We'll take a closer look at it in today's TDS photography podcast.

The First Shoe Dropped - The Nikon Z7

The Nikon Z7 ($3,546) and it's little brother, the Nikon Z6 ($2,146) have given us lots to think about over the last week. The bottom line for me is that they represent a bold, yet delayed move by Nikon. And as a mirrorless shooter, there are many things that I appreciate about this tandem. Let's take a closer look.

• 45.7 MP FX-Format BSI CMOS Sensor
• EXPEED 6 Image Processing Engine
• UHD 4K30 Video; N-Log & 10-Bit HDMI Out
• 493-Point Phase-Detect AF System
• Built-In 5-Axis Vibration Reduction
• 0.80x 3.6m-Dot EVF with NIKKOR Optics
• 3.2" 2.1m-Dot Tilting Touchscreen LCD
• 9 fps Continuous Shooting; ISO 64-25600
• Top-Panel Dot-Matrix OLED; XQD Card Slot
• FTZ Mount Adapter in the kit for $3,546

What I Like

At the top of the list is the built-in to the body is a 5-axis sensor-shift Vibration Reduction mechanism for up to 5 stops of stabilization regardless of the lens used. This system also works with adapted lenses when using the optional FTZ Adapter where 3-axis stabilization is used.

I'm also a big fan of the EN-EL15b rechargeable lithium-ion battery providing approximately 330 shots per charge with in-camera charging is supported. This camera is also compatible with EN-EL15 and EN-EL15a batteries, however do not support in-camera charging.

I'm impressed with the 3.6m-dot electronic finder for comfortable eye-level viewing. It has a high 0.80x magnification and uses NIKKOR optics to guarantee a sharp, clear image. The finder also has a Fluorine coating for easier cleaning. I'm also liking the 3.2" 2.1m-Dot Tilting Touchscreen LCD.

And finally, the overall Nikon quality factor for ruggedness and weather resistance makes this a camera that you can work with in the most demanding situations. The robust magnesium-alloy chassis is both dust- and weather-resistant to benefit working in harsh climates and inclement conditions.

What I Don't Like

The single XQD memory card slot that is compatible with CFexpress, enabling support for future media. I think there should be two slots, with the second one being SD. Just as the FTZ mount adapter helps photographers migrate to the new Z Mount system, an SD slot would allow the same thing for removable memory.

The overall size and weight with lenses mounted is substantial, and not that great savings over many DSLRs. Without lens, the dimensions are 5.3 x 4.0 x 2.7" / 134.0 x 100.5 x 67.5 mm with a weight of 1.29 lb / 585 g. Add the smallest lens available, the Nikon Z Mount 35mm f/1.8 ($846), and you add another 3.4" and 13 ounces. That's a lot of camera.

And finally, it is an expensive camera, costs $200 more than the Sony a7R III and $100 more than the Nikon D850. Its battery life is half of what Sony offers, and it is a larger camera as well.

Bottom Line

I'm thrilled that Nikon finally has a serious entry into the mirrorless space. Both the Z7 and the Z6 look like top shelf cameras that should appeal to existing Nikon DSLR photographers. I could see the Z6 making a excellent second camera for D850 photographers.

But I don't see Sony shooters jumping ship over these cameras, and I doubt many Olympus, Panasonic, or Fujifilm photographers will either unless they have a compelling need for full frame. And even then, it's going to be hard to choose the Nikon over the Sony offerings.

Panasonic Unveils the Lumix LX100 II with a 17MP Sensor and Touchscreen

Via Petapixel - Panasonic has announced the new Panasonic Lumix LX100 II, a new high-end compact camera (the seventh in the LX series) that succeeds the 12.8MP LX100 with a 17-megapixel Four Thirds sensor.

The built-in Live View Finder (LVF) has a 2.76-million-dot resolution, a roughly 100% color reproduction, a 16:9 Wide Screen aspect ratio, a 1.39x/0.7x (35mm equiv.) magnification, and a 100% field of view. Eye Sensor AF makes the camera start focusing as soon as you start looking into the LVF.

This looks like a solid upgrade. I'm disappointed, however, that there isn't a tilting LCD as part of the improvements.

Free Webinar! Building a Powerful Digital Darkroom in Apple Photos

My publisher, Rocky Nook, is sponsoring a free webinar so that I can show you how to leverage the amazing editing extensions created by companies such as Skylum, DxO, and others to build your own custom digital darkroom right inside Photos for macOS.

It's an impressive workflow, really. Your iPhone images are automatically added to the app via iCloud, and it's so easy to include images from your mirrorless and DSLR cameras as well. You can process RAWs or Jpegs, it makes no difference. And once you perfect the image using extensions such as Luminar, DxO OpticsPro, RAW Power and others, the changes are automatically saved to your other devices and computers.

It's powerful and easy. But the part that I really like is that it's fun. Join me on Wednesday, August 29 at 11am PDT to see for yourself. You can Register Here. See you then!

Updates and Such

A big thanks to Marshall Lew, Bill Armon, Bob McCarney, and Ed Spenser for contacting me about film camera donations. I've already received some of the gear, and I'm working on those pieces to prepare for the store.

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Create the site that your best images deserve by visiting Portfoliobox. And get a 20 percent discount by using our landing page!

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

As much as I would love to fly my Spark in New York, it wasn't practical (or even allowed) at many of the locations that I visited. But there's still the old-fashioned way of leveraging observation decks and upper-story windows to get those great views from above.

City of New York form the One World Trade Center observation deck. Olympus OM-D E-M5 Mark II with 9mm body cap lens. Photo by Derrick Story.

One of my favorite views was from the observation deck of the One World Trade Center. It's a 360 degree stroll around New York City. The windows are very clean (amazingly, don't know how they do it), and if you use good technique, you can come away with some dynamic views of the city below.

For this shot, I used the Olympus OM-D E-M5 Mark II with the Olympus 9mm body cap lens up against the glass.

I uploaded the RAW file to Photos for macOS, then used the Luminar 2018 editing extension to process the RAW file. After output, I opened the sampled-down image in Photoshop for just a touch of Smart Sharpen.

I've always love views from above. Drones have certainly expanded that work that I do. But I'm still very attracted to an excellent observation deck in a great location.

The Apple Photos Book for Photographers, 2nd Edition

Updated for macOS High Sierra, the The Apple Photos Book for Photographers, 2nd Ed. provides you with the latest tips, techniques, and workflows for Apple's photo management and editing application. Get your copy today!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

My publisher, Rocky Nook, is sponsoring a free webinar so that I can show you how to leverage the amazing editing extensions created by companies such as Skylum, DxO, and others to build your own custom digital darkroom right inside Photos for macOS.

It's an impressive workflow, really. Your iPhone images are automatically added to the app via iCloud, and it's so easy to include images from your mirrorless and DSLR cameras as well. You can process RAWs or Jpegs, it makes no difference. And once you perfect the image using extensions such as Luminar, DxO OpticsPro, RAW Power and others, the changes are automatically saved to your other devices and computers.

It's powerful and easy. But the part that I really like is that it's fun. Join me on Wednesday, August 29 at 11am PDT to see for yourself. You can Register Here. See you then!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Once again, I'm amazed that one of my most-reached-for optics on the New York trip was the $98 Olympus Fisheye Body Cap 9mm f/8 lens.

"Inside the Met" - I was able to set the Olympus OM-D E-M5 Mark II on a solid surface and capture this long exposure with the 9mm fisheye. ISO 1600, 1 second exposure, f/8. Photo by Derrick Story.

Sometimes the world is just too big, or spaces are just to cramped for a standard lens. And the key factor that the Olympus body cap has going for it is that it's just so darn compact. It will always fit in the bag. So, if I'm standing there inside the Met, outside in front of One World Trade Center, or at the pedestal of the Statue of Liberty, I can create the image that I see in my mind. And to tell you the truth, the image quality is surprisingly good.

If you're a Micro Four Thirds shooter, and you don't have the Olympus Fisheye Body Cap 9mm f/8 lens in your bag, you're missing out on some excellent artistic opportunities. I promise you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #649, August 21, 2018. Today's theme is "Inside Skylum - A Visit with Scott Bourne." I'm Derrick Story.

Opening Monologue

Skylum Software, creators of Luminar and Aurora HDR, has established its U.S. headquarters in Bellevue, WA. I stopped by on my way to New York for a visit with Scott Bourne, Alex Tsepko, and the rest of the Skylum team who were there for the grand opening of the new office. And I thought you might also enjoy a peek behind the curtain. That's the top story on today's TDS photography podcast.

Inside Skylum - A Visit with Scott Bourne

I've been a big fan of Luminar since day one. So much so, that I wanted to be a part of the Skylum team as they continue to evolve it and their other products.

Among my responsibilites, I'm the moderator for the Skylum Photography Public Group on Facebook, the redesign project for their marketplace, and developing new outreach initiatives for them.

To share with you some of the things that I've learned during my time of working with Skylum, I sat down with Scott Bourne, President, to talk about where we've come and where we're headed.

Bellevue, Washington. Photos by Derrick Story.

Skylum U.S. HQ Photo Studio.

Team work area with break room in the background.

Scott Bourne, President (center), Alex Tsepko, CEO (right), and Scott M. Smedresman, lawyer (left).

Lexar Memory Cards are Coming Back from the Dead

Via Petapixel - "Back in June 2017, Micron announced that it would be discontinuing its entire Lexar removable storage business that included memory cards, readers, flash drives, storage drives, and more. A few months later, the Chinese company Longsys swooped in and acquired the brand. Longsys now says that Lexar will be returning from the grave.

The product lineup will include memory cards, card readers, solid state drives (SSDs), and USB flash drives geared toward professional photographers and other creators.

You may recall a reference to this possibility back in June when I interviewed Wes Brewer, ProGrade CEO for the Fascinating ProGrade Digital Story.

Do You Have a Film Camera that Needs a Good Home?

Over the last year, I've received donations from TDS members who have film cameras that need a good home. What I do is inspect the items, repair and clean as I can, then list them in TheFilmCameraShop where I can find a good home for them. If you're interested in donating, please use the Contact Form on TheNimblePhotographer site. And thanks for you consideration!

Updates and Such

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Create the site that your best images deserve by visiting Portfoliobox. And get a 20 percent discount by using our landing page!

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Sony just announced it has sold more full-frame cameras than any other brand in the US over the past six months, measured both by units sold and by value. In part, this is because, as we all know, Sony cameras are top notch. But it's also because they have more recent releases in this category.

On August 23rd, Nikon will announce their full frame challenger, with possibly some very interesting lenses on the road map. Make no doubt about it, Nikon realizes the importance of the moment. My prediction is that their entry will be formidable.

And let's not forget about Canon. It is quiet at the moment, other than a few snorts from the sleeping giant. But once we work through the Nikon announcement, we will hear from them. And like Nikon, Canon realizes that there is little margin for error.

Why is all of this full frame thunder so important? Ultimately, it's bragging rights. The psychology of camera brands is that if you satisfy the pro, the enthusiasts will follow. If you see Canon lenses on the sidelines of the Super Bowl, that is a stamp of approval for thousands of amateur photographers who will follow in that wake. Pros shoot full frame. What they choose is of vital importance to all three brands.

Personally, I'm not a big sensor guy. It's not necessary for my work. I would rather have smaller, lighter lenses. And since I don't have a dog in this race, I'm really going to enjoy the show.

Photokina begins on September 26. PhotoPlus Expo follows the next month on October 25th. During that stretch, Sony will impress upon us of their current dominance, Nikon will remind us of their tradition of greatness, and Canon will take them both on.

What a fantastic way to close out 2018!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #648, August 14, 2018. Today's theme is "Is the Panasonic TS7 as Smart as it is Tough?." I'm Derrick Story.

Opening Monologue

When I first laid eyes on the Panasonic TS7 digital camera, I knew I had to get my hands on it. And once I did, it felt every bit as good as I imagined. But once you get past its rugged good looks, how does it perform? Does it have the brains to match the body? This is the question that I'll address in today's TDS Photography Podcast.

Is the Panasonic TS7 as Smart as it is Tough?

The Panasonic Lumix DC-TS7 is no lightweight, that's for sure. It feels like a crush-proof camera that can be submerged 100' below the surface of the ocean. And it packs some pretty powerful specs as well. But in the field, does it live up to its promise?

Here are some of the features of the Panasonic TS7 that got me excited:

• 20.4MP High-Sensitivity MOS Sensor
• 4.6x Zoom Lens, 28-128mm (35mm Equiv.)
• UHD 4K 30p and 24p Video Recording
• 1.17m-Dot Electronic Live View Finder
• 3.0" 1.04m-Dot LCD Monitor
• 4K Photo Modes and Post Focus

Now, let's talk about how those features actually worked. And if you're an Inner Circle Member via Patreon, I have a fun video waiting for you that shows you more of what I've discussed here. Jump over there and take a look.

Photographer Typecasting

I was reading a Steve Huff article titled, Amazon 1dX II Scam Update where he was following up to an earlier article about being scammed via Amazon for a Canon 1DX order. But a funny thing happened along the way that caught my ear.

How the Original Canon 5D Stacks Up Against the 5D Mark IV

Via Petapixel, they write:

Photographer Pablo Strong recently did a shootout to see how the original Canon 5D from 2005 stacks up against the latest Canon 5D Mark IV from 2016. The 7.5-minute video above is a report of his findings.

The camera is 13-years-old now and can be purchased used for about $350 these days. Pair it with the 50mm f/1.8 II (which costs about $75 used) and you have yourself a full-frame DSLR kit for around $400.

Do You Have a Film Camera that Needs a Good Home?

Over the last year, I've received donations from TDS members who have film cameras that need a good home. What I do is inspect the items, repair and clean as I can, then list them in TheFilmCameraShop where I can find a good home for them. If you're interested in donating, please use the Contact Form on TheNimblePhotographer site. And thanks for you consideration!

Updates and Such

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Create the site that your best images deserve by visiting Portfoliobox. And get a 20 percent discount by using our landing page!

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

When the Panasonic Lumix DC-TS7 was released, it reopened the debate for which rugged compact I would pack for my outdoor adventures. Would the TS7 dethrone my current favorite, the Olympus Tough TG-5?

Side by Side - Panasonic TS7 on the left with the Olympus Tough on the right.

Here's what tempted me with the Panasonic TS7:

• 20.4MP High-Sensitivity MOS Sensor
• 4.6x Zoom Lens, 28-128mm (35mm Equiv.)
• UHD 4K 30p and 24p Video Recording
• 1.17m-Dot Electronic Live View Finder
• 3.0" 1.04m-Dot LCD Monitor
• 4K Photo Modes and Post Focus

With the Panasonic, I would get more resolution (20MP vs 12MP), greater zooming range (28-128mm vs 28-100mm), an electronic viewfinder, and a higher resolution LCD back screen. Both cameras have 4K video recording, but the Panasonic has the 4K Photo mode.

So I carried the TS7 around with me for a couple weeks of summer activity. The Jpegs still images were very good. (But, I was surprised that I did not have a RAW option like I do on the Olympus Tough.) I particularly liked the the burst mode in 4K Photo. In this mode I could capture at 30fps, then choose the frame that I wanted for the still image at 8MP resolution. This was my favorite feature on the Panasonic. It's fun and effective.

"Little Girl Watching Ride" - Captured in 4K Photo mode with Panasonic TS7

I was also looking forward to the 4K video capture. But I had a difficult time focusing. Once I started the video recording, the camera seemed to have a mind of its own in terms of choosing focus point. This could be due to my lack of experience with the device. But even when I sat down and tried to figure it out, I still walked away with clips that were not sharp. This was my most disappointing feature with the TS7.

The electronic viewfinder is visible on the black TS7. The Olympus doesn't have that feature. Instead, the GPS module sits atop the camera.

The built-in electronic viewfinder was a welcome addition. I didn't use it as much, however, as I thought I would. In part, that was because the high resolution LCD was quite good and convenient. Also, the EVF is a bit small and not that enjoyable for composing. So for me, the electronic viewfinder is in the category of nice to have when I need it, but not much beyond that.

So what's the bottom line here? Am I going to switch from the Olympus to the Panasonic for my adventure compact? No, I'm not. Here's why.

Both cameras are tough and waterproof. So I can take either anywhere. But with the Olympus, I get RAW format, realtime GPS geotagging, smaller form factor, and a faster maximum aperture. Plus, the TG-5 is $379, $60 less than the TS7.

There were definitely things that I liked about the Panasonic TS7. I like its handsome good looks, viewing options, and the wonderful 4K Photo mode. But I struggled with its video capture, and I do miss having RAW for hard-to-tame contrasty lighting - something that I seem to encounter often during summer adventures.

Also, the built-in geotagging that the Olympus provides is top notch. I don't have to do anything, and the location data is added to my shots. The Panasonic has a feature that lets you add tags via your smartphone. It's not the same by any means.

So, would I discourage someone from choosing the Panasonic Lumix DC-TS7? Absolutely not. It's a good camera that has a lot going for it. It's just not my favorite of the two.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

It's tempting, isn't it? The Canon Pro-100 13" photo printer released in 2012 for $499 is available now for just $119 after rebate. That's a pretty big savings for an output device with a 4.5 star user rating on B&H Photo's site.

As you may recall, I took the Canon Rebate Challenge, and they did indeed deliver my $250 Mastercard gift card. So, that leaves us with the investment itself.

In terms of actual prints, I think the Canon Pro-100 printer is worth every penny. When I send a job its way, the Pro-100 gets right to work and produces beautiful output.

I can connect with it via USB cable, WiFi, and AirPrint. It doesn't seem to care which method I use to send data. It just works.

When Canon releases their new 13" photo printer, which they are sure to do soon, I would expect certain upgrades. For example, there will be a nice LCD screen on the device to assist in setup and use. With my older Pro-100, communication requires a computer and the proper Canon software. An LCD would be a highly welcome feature.

They may be improvements in the dye technology. New ink formulas are possible, for sure. How will they impact what emerges from the printer, who knows? Chances are reasonable that it would be hard to tell the difference between actual output without knowing.

The latest Canon multifunction printers include goodies like Alexa commands. That, I couldn't care less about. Although, I would like more printing options via the existing AirPrint technology.

As much as I would enjoy some of these improvements, especially the LCD screen, I'm not sure they are worth the extra $300-$400 that they would cost me. So as long as I can get ink for the Pro-100, it's a better choice for my budget at the moment. (I say this now without seeing what Canon will actually release in the future :-)

But there is one thing that I know for sure. Thanks to the great Pro-100 deal, I'm making prints right now. And that's definitely worth a lot to me.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #647, August 7, 2018. Today's theme is "Digitizing, Printing, and More!." I'm Derrick Story.

Opening Monologue

I guess you could say that I'm a 2-way photographer. In one direction, I'm keenly interested in making prints from my digital images. Going the other way, I'm fascinated by methods for digitizing my analog shots. And in today's TDS podcast, I talk with Peter Krogh, author of "Digitizing Your Photos". Plus I share my first experiences with the Canon Pro-100 and Red River's Polar Luster Metallic paper. What a show!

Interview with Peter Krogh

Peter's book, Digitizing Your Photos with Your Camera and Lightroom is a cornucopia of helpful information for developing an efficient and high quality workflow for scanning analog content.

I sit down and talk with Peter during the first segment of today's show.

Use this link for a 10 percent discount. I also have a coupon code that you can use at checkout as well: AFFstory

Setting Up and Testing the Canon Pro-100 Printer

Now that I have my rebate, it's time to start printing with the Canon PIXMA PRO-100 Wireless Professional Inkjet Photo Printer . It's still on sale until the end of August with a $250 rebate, resulting in a final price of $119.99.

After my first day of printing with it, here are my pros and cons.

The Amazing Red River Polar Luster Metallic 255 Inkjet Printing Paper

I've never used inkjet stock like the Red River Polar Luster Metallic 255. The luster surface with the metallic base create a compelling look that is magical under direct lighting.

In fact, I'm adding a new light set up to my studio just for these prints. More on this during this segment of the show.

Updates and Such

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Create the site that your best images deserve by visiting Portfoliobox. And get a 20 percent discount by using our landing page!

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Mirrorless cameras in general, and Olympus Micro Four Thirds bodies specifically, are excellent hosts to vintage SLR optics. But just like everything else in life, some matches are better than others.

Olympus PEN-F with Nikon Series E 50mm f/1.8 "Pancake" lens. Photo by Derrick Story.

A particularly good combination are the Nikon Series E optics with, in my case, the Olympus PEN-F mirrorless camera. Not only does the styling of the PEN-F look good with these lenses, it also has specific settings to facilitate the use of these older optics.

Nikon Ahead of its Time with the Series E Optics

The Nikon Series E lens family has an interesting history. They were originally introduced the 1980s to accompany the new line of compact Nikon bodies, including my favorite, the Nikon FG. Both the Series E lens family, and the FG were designed to be light and versatile. But traditional Nikon shooters generally criticized the tandem as too lightweight and not deserving of the Nikon nameplate.

Turns out, at least in my opinion, Nikon was ahead of its time. The FG is intelligent, easy to use, and not much bigger than my MFT cameras. My favorite Series E optics include the 50mm f/1.8, 35mm f/2.5, and the 100mm f/2.8. They are sharp, light, and mount beautifully on mirrorless bodies.

Olympus PEN-F with Nikon Series E 100mm f/2.8 portrait lens. Photo by Derrick Story.

The Olympus PEN-F Perfectly Designed for These Lenses

For my Olympus PEN-F, I'm using an affordable K&F Concept Lens Mount Adapter ($22) that's well-machined and provides a snug fit.

The PEN-F even allows me to write lens metadata to the file at time of capture using its unique Lens Info Settings menu (Gear K > Utility > Lens Info Settings). I can create a profile for each non-digital lens that I use, and the PEN-F will include its metadata with the rest of the file info. It's so cool. I've programed a function button on the PEN-F to bring up that menu so I can quickly change the profile when I switch out lenses.

Because of the cropped sensor, I use the Series E 50mm as a 100mm optic, and the Series E 100mm as a 200mm telephoto. Their compactness makes it easy to include them in my carry-around kit. Here's a comparison of the Nikon Series E and Canon FD 100mm optics.

The Nikon Series E 100mm f/2.8 next to the Canon FD 100mm f/2.8.

And the weight difference is even more dramatic. The Canon tipped my scale at nearly 13 ounces, and the Nikon weighed in just over 7 ounces. When you're a Nimble Photographer, those differences really add up.

Images That Truly Look Different

At this point, it's time to talk about the images themselves. I really like the Series E 50mm for portraits. I shoot with it wide open at f/1.8. It provides a flattering sharpness at the point of focus, with softened tones in the foreground and background.

Here's a portrait of Theresa working on the back patio using this combination. I captured in RAW with the PEN-F and processed it in Capture One Pro 11. I didn't use any sharpening or softening adjustments - just let the image stand on its own so you could see the character of the lens/camera combination.

"Theresa Working in the Backyard" - Olympus PEN-F with Nikon Series E 50mm lens set to f/1.8. Photo by Derrick Story.

I focused on her glasses. Notice how the laptop and pants in the foreground have this delightful glow to them? Here hair, skin tones, and eyes are nicely in focus, but not edgy. And the background has a soft bokeh that looks far better than what my iPhone created for the reference shot in its computational photography Portrait mode ;-)

The Bottom Line

If I told you that this new portrait lens setup was available for less than $100, you probably would think that's a mistake. But it isn't. And that's the beauty of using vintage lenses with cameras that are truly designed to accommodate them. It's the creative gift that just keeps giving.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

For those times that you want 4K video, but don't want to part with your favorite camera that doesn't support it, Canon offers the PowerShot SX740 HS for $399.

This pocketable zoom includes:

• 20.3MP CMOS Sensor
• DIGIC 8 Image Processor
• 24-960mm (35mm Equivalent)
• 40x Optical Zoom with OIS
• 3" Tilting LCD Display
• ISO 100-3200 (Extended)
• 4K Video and 4K Time-Lapse Recording
• Wi-Fi and Bluetooth Connectivity
• 10-fps Continuous Shooting

The release of this camera is interesting to me. It seems designed to fill gaps in a traditional photographer's kit by offering 4K video and 4K time-lapse at a somewhat affordable price. And since it doesn't take up much room in the camera bag, the SX740 can quietly augment your existing toolset.

I have no idea if this strategy will be effective. But in the age of dying low-end consumer compacts, it seems worth a try.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.