Many of our most convenient cameras capture in Jpeg mode only. They don't offer RAW. Typically this isn't a problem for snapshots and vacation candids. But what happens when we want to recover highlight and shadow information from these Jpegs? Is it possible?

Edited in Aperture - Both highlight and shadow information was recovered using tools in Aperture. Image captured at the University of Redlands by Derrick Story.

The short answer is, yes, you can recover detail in the light and dark areas... just not as much or as elegantly as with Raw files.

The top image was recorded as a Jpeg, then edited in Aperture. I used the Highlights and Shadows sliders, and a few other tools to balance out the tones. Compare it to the original shot below.

Original photo from Canon PowerShot N - Original version prior to editing.

You'll see that, even though the original file is a Jpeg, I was able to open up the shadow areas in the top image quite a bit. Then using highlight recovery, show a bit more detail in the building.

I could probably enhance the picture even further if the original was a Raw file. But the point is, don't be afraid to shoot Jpegs when needed. With great tools such as Aperture, iPhoto, Adobe Camera Raw, and Lightroom, you can still refine these images and make them quite presentable.

More Aperture Tips and Techniques

To learn more about image editing in Aperture, take a look at Portrait Retouching with Aperture. You may want to check out my other Aperture titles, including Aperture 3.3 Essential Training (2012), Using iPhoto and Aperture Together, and the latest, Enhancing Product Photography with Aperture. Also, take a look at our Aperture 3 Learning Center. Tons of free content about how to get the most out of Aperture.

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One of the notable enhancements for the Olympus OM-D E-M1 is the addition of built-in WiFi. When coupled with Olympus Image Share, you can transfer images, enable geotag logging, and even control the camera remotely.

But I've discovered that not all WiFi is implemented equally. So I was curious about the ease of pairing the E-M1 with my iPad mini. In short, the good news is that Olympus has done a good job of making this a painless experience.

The initial pairing is handled via a QR code displayed on the E-M1's LCD. I scanned it with the iPad mini, and boom, the configuration was handled for me. Nice touch.

After that, I could enable a private connection by tapping the WiFi icon on the camera's LCD. On the iPad, I then go to Settings and choose the network generated by the camera. Last step is launching the Olympus Image Share app so the two devices can communicate.

Import Photos

On the iPad, I tap on Import Photos, and I'm quickly presented with thumbnails from the camera's memory card. The large versions load fairly fast too. When I saw something I liked, I tapped the share button and copied the picture to my Camera Roll.

The process was seamless. It's just as easy to move images from the E-M1 to my iPad as it is with the Canon PowerShot N, which is my benchmark for this type of task.

Other Functions in Olympus Image Share

The Remote Control feature is also quite good, providing a variety of camera controls. I like using it more with the iPhone than the iPad so I can enable functions with just one hand.

You can start a geotag log and apply the data to the images captured with the E-M1. Keep in mind that you'll use more battery power on your iOS device when this is turned on.

And finally, the Edit Photo function provides you with a complete set of Art Filters, that are well implemented, and a text tool that you can use to add a watermark to any image on your Camera Roll. That's a slick hidden feature that's actually quite useful.

Bottom Line

Built-in WiFi on the OM-D E-M1 coupled with Olympus Image Share is a powerful tandem. If you're looking for a reason to upgrade from an OM-D E-M5, I would say this could push some photographers just a bit closer toward the new body.

I know I'm wishing that my E-M5 had this capability.

This product has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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This week on The Digital Story photography podcast: Special Edition Nimble Holiday Gift Guide for Photographers. I'll discuss 10 affordable items that are sure to please the photo hound in your life. All of this and more on today's show with Derrick Story.

The Eye-Fi Mobi 16GB SDHC Wireless Memory Card ($67) - Even though we wish every one of our cameras had built-in WiFi, the fact is many don't. The Mobi is the best accessory solution I've used so far.

Purchase: Eye-Fi Mobi 16GB SDHC Wireless Memory Card

Background article: Eye-Fi Mobi Review.

Lowepro S&F Lens Exchange Case 100 AW $35

The nifty lens case is designed for rapid exchange so you can take out your lens with one hand, replace it on your camera, and store the removed lens. The interior of the case has a dual compartment design that holds two lenses while the case is open but will not close with both lenses inside. Comes with belt attachment and a very nice strap.

Purchase: Lowepro S&F Lens Exchange Case 100 AW.

Background article: Need a Spare Hand? Lowepro Lens Exchange Case 100 AW.

The Lollipod Multipurpose Ultralight Accessory Stand $55

I was skeptical until I actually started carrying one around. I've used the Lollipod as a light stand, microphone holder, and camera support. It looks cute, packs light, and would delight just about any light-footed photographer.

Purchase: Lollipod from its creators in the UK.

Background article: Is the Lollipod Really Useful?

The Nimble Photographer Gift Set $39

This will make your life easy. This Nimble Gift Set includes the black Walking Man Shoulder Bag with embroidered Nimble Photographer, a stainless steel Wenger 26-ounce water bottle (that fits in the bag), two artisan gift cards, and a holiday gift bag. All you have to do is sign the card and hand over the gift. Appreciated by travelers and photographers alike.

Purchase: The Nimble Photographer Gift Set

Background article: The Bag Within a Bag Concept

Joby Gorillapod Micro 800 Tripod $20

This little gem features a stainless steel micro positioning ball that allows for 36° of movement in any direction for precise control in photo or video composition for cameras weighing up to 1.76 lbs. I keep one with me at all times, and just love it.

Purchase: Joby Gorillapod Micro 800 Tripod

Background article: The Clever Joby Micro 800 GorillaPod

Flashpoint 24" One Handed Reflector and Calibration Target $19.95

I love working with disc reflectors, but I don't always have an assistant to hold them for me. I found the Flashpoint 24" Triangular Collapsible Disc that has a rigid design and can be held by one hand. It's silver on one side, providing lots of fill light. And on the other side it has black, white, and gray segments that can be used for establishing exposure and for color balance in post.

Purchase: Flashpoint 24" One Handed Reflector

Background article on Flashpoint reflector.

Olympus 15mm f/8 Body Lens Cap for M4/3 $59

If you like pancake lenses, you're going to love this. The just-announced Olympus BCL-15mm f8.0 Body Cap Lens is literally the size of a body cap, yet transforms to become a fixed focus snapshot lens that's a blast to shoot with. The lens is just 9mm thick, and when the cover is in place (to protect the glass), it looks like a body cap for your micro four thirds camera.

Purchase: Olympus BCL-15mm f8.0 Body Lens Cap for Olympus/Panasonic Micro 4/3 Cameras

Background article on Olympus 15mm f/8 Body Lens Cap

ExpoImaging Rogue FlashBender Small Positionable Reflector $35

Anyone who uses an external flash will appreciate this nifty diffusing accessory (that really works). I like that it fits just about anywhere in my camera bag. And it really improves portraits captured with flash.

Purchase: ExpoImaging Rogue FlashBender Small Positionable Reflector

Background article: Rogue FlashBender Large Positionable Light Modifier for Portraits

Canon 40mm Pancake Lens $149

After a year of shooting with the Canon 40mm EF f/2.8 STM lens,I have to say this is one enjoyable little prime. At half the size of the 50mm f/1.8, it focuses quieter, is built sturdier, and is ever bit as sharp. Plus it hardly takes up any room!

Purchase: Canon 40mm EF f/2.8 STM Lens

Background article on Canon 40mm pancake lens.

Photographer Parking Only Sign $8

This will bring a smile to any photographer's face: Their own "Parking Only" sign complete with Violators Will Be Shot warning.

Purchase: Photographer Parking Only Sign

Listen to the Podcast

In addition to subscribing in iTunes, you can also download the podcast file here (28 minutes). You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

Photo Assignment for November is Critters.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper -- Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

SizzlPix! - For The Digital Story Virtual Camera Club members ... if you'd like additional copies of for gifts, or SizzlPix! of any other of your images to make spectacular, amazing holiday gifts, order any two SizzlPix! to be shipped together, and we'll give you 25% off on the second one! Order any size up to a mind-boggling 48 by 72" Imagine -- six feet! and no sacrifice in resolution, luminance, and impact. Just put "TDS " in the comments space on the sizzlpix.com order page. Of course, you may apply the discount to any number of pairs. And free shipping to any US mainland address.

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I'm doing some preliminary testing with the Sigma DP2 Merrill Compact Digital Camera. Sigma claims "the DP2 can more accurately reproduce colors, and capture sharper resolution images, than any camera the same size." I wanted to put this claim to test.

Jpeg from DP2 magnified to 100 percent on a Retina display MacBook Pro.

After just one afternoon of shooting, I can tell you that this compact camera with an APS-C, 46 MP Foveon X3 Direct Image sensor and Sigma fixed focal length 30mm f/2.8 lens, can capture outstanding images. The color is vibrant and accurate, sharpness is excellent, and shadow/highlight detail quite pleasing.

Examining this Jpeg from the Santa Monica pier at 100 percent on my MacBook Pro 15" with Retina display was a delight for my eyes. And I haven't even dug in to the Raw files yet. (You can download the Jpeg here.)

More to come from this intriguing compact camera. But we're off to an impressive start.

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I don't send out many holiday greetings. But I do like to celebrate the season with the important people in my life. And when I do, I make my own fine art cards.

Since I have a Christmas Cactus in my studio that blooms in November, it makes an excellent subject to feature on the cover. I make sure I get a good series while it's in full bloom.

Then I check that I have enough printing supplies on hand. I use Red River Paper Card Stock in my Epson R2000 to create my mailable masterpieces.

If this project sounds appealing to you, now is the time to get your plan and supplies together. If you use Aperture, I have a few tips to help you design your cards. And certainly you can use other applications too for making cards.

Fine art greeting cards make a satisfying gift. You took the pictures, processed the images, designed the cards, then printed the final product with your own hands. Slip a store certificate inside, and you've got a great present.

Aperture Tips and Techniques

To learn more about Aperture, check out my Aperture 3.3 Essential Training (2012) on lynda.com. Also, take a look at our Aperture 3 Learning Center. Tons of free content about how to get the most out of Aperture.

The Digital Story on Facebook -- discussion, outstanding images from the TDS community, and inside information. Join our celebration of great photography!

Adding a vignette to landscape and portrait images can help direct the viewer's eye to important areas. There are times, however, when you need more control than a single vignette can provide. That's when the double-vignette technique can prove helpful.

By using two vignette controls instead of one, you have more control over the gradation. Photo by Derrick Story.

Setting this up is easy. First make sure Vignette is active in your Adjustments pane. If not, go to the Add Adjustment popup menu and choose it. My first vignette usually has a radius just for the edges of the image. Adjust intensity to taste.

Then click on the gear icon in the Vignette brick, and choose Add New Vignette Adjustment. The radius for the second brick often covers more ground. By balancing the two Vignette adjustments, I have more control over the tones than with a single adjustment.

More Aperture Tips and Techniques

To learn about portrait retouching in Aperture, take a look at Portrait Retouching with Aperture. You may want to check out my other Aperture titles, including Aperture 3.3 Essential Training (2012), Using iPhoto and Aperture Together, and the latest, Enhancing Product Photography with Aperture. Also, take a look at our Aperture 3 Learning Center. Tons of free content about how to get the most out of Aperture.

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We see them everywhere. Digital filters for Instagram, Flickr, the iPhone, and even your compact and micro four thirds cameras. When applied during capture, we're able to instantly add an effect to our images - even if we're not completely certain on how that image will render.

And that's the issue, isn't it?

"Hegenberger Road, Oakland, CA" Captured with a Canon PowerShot N in Creative Mode.

If you leave part of the creative process up to the camera, is that real photography? Well, let's look at what you are doing when you take a photo:

• Finding the location
• Composing the image
• Timing the capture
• Deciding what's good
• Sharing your choice

So in other words, you've baked the cake. The creative frosting is the icing that sweetens it further.

In my photography workshops, I encourage participants to try new things on their cameras. Last weekend we played with Art Filters on the Olympus OM-D. I have shooters capture in RAW+Jpeg so they'll get both the original "untainted" RAW file and the filtered Jpeg. In all honesty, we got some amazing results.

My feeling is to first learn photography basics so you know what you're doing. Practice those basics to improve your skills. And when you feel like shaking things up a bit, play with filters. It's fun, it often spurs a new approach, and it doesn't hurt anyone.

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Join me on my Instagram site as I explore the world of mobile photography. And now Instagram features 15-second movies too.

You want to travel light. But at the same time, you probably don't want your gear bouncing around unprotected. The approach I use in these situations is called "bag within a bag." In fact, I'll be traveling with this setup tonight while attending an NBA game.

It works like this. You start with a lightweight shoulder bag that's comfortable, not too big, and looks good. In my case, I'm using the Walking Man Shoulder Bag. One of the reasons why I like this carrying solution is that it's so versatile. I can pack an iPad mini and a camera in it tonight, then switch to a water bottle and lunch tomorrow for an afternoon picnic.

The key to protecting my gear when I'm carrying photo equipment is to use protective pouches for the individual items. For example, my Olympus OM-D E-M5 with a 17mm f/1.8 lens will fit nicely in a Lowepro Dashpoint 30 pouch (shown on the right in gray).

Not only will the Dashpoint protect the OM-D in the shoulder bag, but it has its own strap and attachment system. So I can use it in a variety of configurations outside of this scenario. I'll also put an extra lens or two in a pouch, drop in my iPad mini, and I'm ready to have a great time.

By using "bag within a bag," I can travel light, look discreet, and have what I need for the moment. For instance, I'll have the Walking Man Shoulder Bag on my person all night tonight because it's so light. That means that it won't be stolen, spilled on, or crushed.

If I'm on assignment, then I have to take more serious gear and carrying solutions. But when my goal is to have a good time, yet be able to capture great images, I like to use this type of rig.

This approach has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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If you're curious about how the new Olympus Stylus 1 performs with in-studio testing, then you might want to take a look at a recent post from Imaging-Resource.com, Olympus Stylus 1 First Shots posted: How do images taken with this high-end, long-zoom camera stack up?

Test images range from ISO 100 to ISO 12800, with both Jpegs and RAWs available. All of the metadata is intact, so you can get a very good idea of how this camera captures with a variety of settings.

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Join me on my Instagram site as I explore the world of mobile photography. And now Instagram features 15-second movies too.

This week on The Digital Story photography podcast: Is the iPad mini Retina worthy for photographers? On the Nimbleosity Report - A week with the Lollipod ultralight accessory stand.; From the Photo Help Desk - Are soft backgrounds possible with micro four thirds cameras? All of this and more on today's show with Derrick Story.

Story #1 - Is the new iPad mini worthy for photographers? The much anticipated Retina display mini is now available. It sports a brand new display weighing in at 2048x1536 resolution at 326ppi. But it seems to generating its share doubts from the photography community. Starting with reports of possible burn-in on some models, to criticism about its more narrow color gamut.

I've tested a brand new iPad mini with Retina display against the original iPad mini, an iPad 3, and iPhone 5S. Here's the way things stack up.

• The new iPad mini screen is brighter, sharper, and has better contrast than the original iPad mini.
• Compared to the iPad 3 and the iPhone 5S, the new mini has less saturated colors, especially the reds and purples.
• The color temperature for the new iPad mini is more pleasing to my eye than the original iPad mini, and to a small degree, the iPad 3.

I haven't been able to test the new iPad mini against the iPad Air. Reports are that the color gamut displayed by the Air is better than the new iPad mini. I would tend to believe this because the iPad 3 has a broader gamut too.

Upper Left: iPad mini with Retina Display; Upper Right: iPad mini; Lower Left: iPad 3 with Retina Display; Lower Right: iPhone 5S with Retina Display.

So, is the iPad mini with Retina Display a worthwhile investment for photographers? I delve into the details in the first segment of today's show.

Story #2 - The Nimbleosity Report: A week with the Lollipod ultralight accessory stand. In short, I really like this little guy. I've used it for a variety of tasks including camera stabilization, wireless flash, and even as a microphone stand. And, it only weighs 320 grams total weight and is 320 mm long when folded (12.5")

Story #3 - Are soft backgrounds possible with micro four thirds cameras? In short, yes . And I explain how in the third segment of today's show.

Photo Assignment for November is Critters.

SizzlPix! Holiday Special!

For The Digital Story Virtual Camera Club members ... If you'd like additional copies of for gifts, or SizzlPix! of any other of your images to make spectacular, amazing holiday gifts, order any two SizzlPix! to be shipped together, and we'll give you 25 percent off on the second one! Order any size up to a mind-boggling 48 by 72" Imagine -- six feet! and no sacrifice in resolution, luminance, and impact. Just put "TDS" in the comments space on the sizzlpix.com order page. Of course, you may apply the discount to any number of pairs. And free shipping to any US mainland address.

BTW: If you're ordering through B&H or Amazon, please click on the respective ad tile under the Products header in the box half way down the 2nd column on thedigitalstory.com. That helps support the site.

Listen to the Podcast

In addition to subscribing in iTunes, you can also download the podcast file here (31 minutes). You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

The November 2013 photo assignment is "Critters."

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

iPad for Digital Photographers

If you love mobile photography like I do, then you'll enjoy iPad for Digital Photographers-- now available in print, Kindle, and iBooks versions.

Podcast Sponsors

Red River Paper -- Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

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Among the early adopters for the latest iPad mini (now with Retina display), there have been a few reports of "screen burn in."

Essentially, this means that the screen will temporarily retain faint outlines of strong graphical elements even after you move on. In all honesty, the effect is very subtle and probably would not be noticed unless you were on the lookout for it (or had read about it online).

That being said, if you want to test your new iPad mini, here's a link to Marco Arment's image retention test. Interestingly enough, my excellent MacBook Pro 15" with Retina Display retained the squares for a good 20 seconds after I ran the test on my computer. Just saying...

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Crafted by Wenger, this handsome 26-ounce water Nimble Water Bottle is perfect for an afternoon hike, bike ride, or as a companion while running errands in the car.

It measures 11" tall by 2.75" in diameter. The rugged screw top cap features a soft gasket to prevent water leakage when tightened. Even though the bottle is very light, it's resistant to dings and dents. Kit includes D-Ring attachment.

The Walking Man logo is printed on the front in black, and Wenger is printed on the back. The matte finish for the bottle is charcoal gray.

This Stainless Steel Water Bottle has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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Accurate color is particularly important in product photography. And it's easier to achieve spot-on hues than you may think. I show you how using Aperture 3.

This tutorial is from my Enhancing Product Photography with Aperture training on lynda.com. I provide tips on creating your own white balance target, then using that tool in post production.

More Aperture Tips and Techniques

To learn more about Aperture, take a look at Aperture 3.3 Essential Training (2012), Using iPhoto and Aperture Together, and the latest, Portrait Retouching with Aperture. Also, visit our Aperture 3 Learning Center. Tons of free content about how to get the most out of Aperture.

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You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

When I saw the specs for the Lollipod portable stand -- 320 grams total weight and 320 mm folded (12.5"), I wondered if this 3-legged support would be useful in my everyday camera kit. So I ponied up the $56 to have one sent from the UK.

The big question with this nimble wonder hovers around its maximum load capacity: 420 grams, and its stability. Can it reasonably stabilize a camera, or is it just an accessory stand? After some testing, I have answers to that question.

Because of how the legs fold out, the Lollipod looks like a traditional light stand -- except lighter and far more colorful. Once you spread the legs, you can extend the device to its maximum height of 1130 mm (44") by pulling out its four telescoping sections. There are no locking levers. Everything stays in place using friction. It works very well, and the only question for me is how will the Lollipod fare after extended use.

These sections allow you to set the Lollipod in five measurable height positions. And I think understanding the five positions is the key to determining if this accessory is right for you.

Fully extended, in the 5th position, the Lollipod can be used as a light stand with a strobe or some other lighting accessory. I don't feel that its sturdy enough for photography, even with cameras weighing less than the recommended 420 grams. It's just not steady enough.

However, when moving the Lollipod down to the 4th position, the sway is reduced and it's stable enough for an iPhone (you'll need your own accessory iPhone mount). In the 3rd position, I felt comfortable using the Fujifilm X20 compact camera on the Lollipod. In the 2nd position (about 23" high), the OM-D E-M5 with a prime lens could be used. And in the 1st position, the lowest height (about 13.5" tall), I could stabilize the OM-D E-M1 with a small zoom lens.

The head rotates on one axis approximately 100 degrees. It's the flip design that we've seen on other portable tripods. If you want to switch from landscape to portrait position, you attach the camera facing one way. And if you want to angle up and down, mount the camera accordingly. It's quite simple, but it works. And I like it because it's light.

So Is the Lollipod Useful?

In the 1st position with a working height of 13.5", you can mount most mirrorless cameras, compact cameras, and smart phones. The Lollipod is very stable in the 1st position, and it's far lighter than my Joby Gorillapod Focus.

As you extend the sections, the Lollipod becomes more of an accessory stand for portable strobes, LED lights, microphones, and other ancillary devices. Personally, I wouldn't use a camera on the stand beyond the 3rd position, about 31" tall.

Since I haven't found a versatile stand for my everyday camera kit that includes the OM-D E-M5, Fujifilm X20, off-camera flash, and microphone, I'm adopting my mint green Lollipod. It's super light (seriously), quite versatile, has an attractive design, and is reasonably priced.

As long as you don't push it beyond its design limits, I think most light-footed shooters will like the Lollipod and use it often. Recommended for nimble photographers.

This product has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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This week on The Digital Story photography podcast: Camera battle: iPad Air vs. iPhone 5S; On the Nimbleosity Report - New Goodies to delight you; From the Photo Help Desk - Taking control of exposure. All of this and more on today's show with Derrick Story.

Story #1 - Camera Battle: The iPad Air vs iPhone 5S - Apple's latest full sized tablet is a technological marvel. Among its many features, it includes a built-in iSight camera. How does it compare to the iPhone 5S? Before answering that, let's take a look at its feature highlights:

• Weighs in at just one pound (28 percent lighter)
• Super thin - Can apparently hide behind a pencil
• 9.7 inch display with 2048-by-1536 resolution and over 3.1 million pixels
• A7 chip featuring 64-bit architecture with an M7 coprocessor (M standing for motion)
• 10-hour battery life
• Improved WiFi with two antennas and MIMO (multiple-input multiple-output) technology
• Dual microphones
• 5-megapixel iSight camera

So, now, what about that 5 MP camera? How does it compare to the 8 MP version in the iPhone 5S. I cover that in the first story. (Thanks to Allyson Kazmucha at iMore for publishing the article, iPad Air vs iPhone 5s: iSight and FaceTime camera shootout!. It helped me with my research for this post.)

Story #2 - The Nimbleosity Report: Have you been enjoying the daily Journal entries?

Plus, I've added a new hat to the store featuring beautiful Port and Beigh colors. But the real gems are the new Gift Sets: The Gift Set in Port features the new cap, Walking Man Shoulder Bag, two fine art Holiday greeting cards, and gift bag. All you have to do is sign one of the holiday cards, and you have an excellent gift for the Nimble Photographer or traveler in your life. And the best part is... the price is only $49.95. (We also have a Navy Gift Set with the original Walking Man cap.)

Story #3 - From the Photo Help Desk: what tips to you have to help me take more control over exposure?

• Exposure lock
• Exposure compensation
• Manual exposure

I cover all three in today's third story.

Listen to the Podcast

In addition to subscribing in iTunes, you can also download the podcast file here (33 minutes). You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

The November 2013 photo assignment is "Critters."

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

iPad for Digital Photographers

If you love mobile photography like I do, then you'll enjoy iPad for Digital Photographers-- now available in print, Kindle, and iBooks versions.

Podcast Sponsors

Red River Paper -- Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

One of the best jobs in the photo business is the second shooter. You don't have the "shot list pressure" that the primary photographer has, you can roam more freely, and the odds of capturing the big shot are much greater. I used to watch my second shooters with envy when I was a wedding photographer.

Now, I shoot alone mostly. But I've learned to be my own second shooter. Here's what I mean.

"Catching Up to Dad," photo by Derrick Story.

I recorded this image after a paid assignment was completed. I was hired to photograph a family portrait for their holiday greeting card. We got the shot we needed, then let the kids run around for a bit in the park.

That's when I went into second shooter mode. I stayed down on the ground (actually on my belly in the wet grass) and photographed the boys as they burned off some excess energy. When it was time to go, I saw this image of the oldest trying to catch up to his dad.

I could have packed away my gear after the group shot. But instead, I went into second shooter mode. And by doing so, I often get shots that I would have otherwise missed.

Join me on my Instagram site as I explore the world of mobile photography. And now Instagram features 15-second movies too.

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If you were one of the 6,800 paid subscribers, or even just had a free account, you probably know by now that Everpix is shutting down its cloud photo service on Dec. 15, 2013.

I liked this service (and its founders) a lot. I've posted a piece on the Nimble Journal titled, This One Hurt: The Closing of Everpix. If you were a fan, you might want to take a look.

Everpix updating in the background while being used on an iPad mini.

I also have an interview with Wayne Fan and Pierre-Olivier Latour (two of the founders) recorded in San Francisco on June 26, 2013. It's interesting to me to listen to their comments, only 5 months ago, in light of the December shut down.

It's tough to see a good idea get cut down before reaching its potential. Maybe something new, with better backing, will rise out of the ashes.

You can comment on Everpix via my Nimble Journal post This One Hurt: The Closing of Everpix

One of the advantages of working within the Adobe ecosystem is how well Lightroom and Photoshop play together. Panorama shooters can organize the individual images in Lightroom, send them to Photoshop for merging and correction, then have the finished product reside back in the Lightroom catalog.

Your panoramas can live alongside your other images in the Lightroom library.

Digital Photography School has published a handy tutorial, Sending Panorama Sequences from Lightroom to Photoshop, that shows you how to take advantage of this compatibility. If you use these two apps, shoot a panorama sequence on your next assignment and give it a try.

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I guess that's why we research our cameras before we buy them...

I was intrigued and a bit excited about the Panasonic GX7 micro four thirds camera. The spec sheet checked-off the functionality I wanted, and the body design is terrific.

And then I read the DP Review of the GX7, and discovered that it has a few bumps in the road. I hate it when that happens.

Essentially, Panasonic (of all companies) designed a high-end camera that has crippled movie recording. The in-body stabilization is disabled during video capture, there are no in-audio or out-audio ports, and the EVF struggles outdoors.

Like I said, I guess that's why we do our research before buying.

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The inventors at Lollipod have created what they call a "Tripod / Monopod / Boom / Lighting & Selfie Stand" that is quite compact. It will stabilize a device up to 420 grams and pack neatly in a shoulder bag or hang from your belt.

Here are the basic specifications:

• Super Light at only 320 grams (11.3 ounces).
• Maximum Load Capacity 420 grams.
• Closed Length - 320 mm (12.6") It should fit longways in the Walking Man Shoulder Bag.
• Maximum Height - 1130 mm (44").
• Locking Ball Head with Camera Mounting Screw.
• Multi Device Compatible (adaptor required).

So I'm going to try one for the team here. I ordered a Minty Green Lollipod that cost me $64.74 US (price includes $14.62 for shipping) after British Pound conversion. Once I have it in hand, I'll let you know how it fares in testing. More to come.

This product has a tentatively high Nimbleosity Rating (untested at this point). What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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This week on The Digital Story photography podcast: Nikon Df mechanical/digital DSLR; on The Nimbleosity Report - Olympus Stylus 1; From the Photo Help Desk - Do I need expensive filters? All of this and more on today's show with Derrick Story.

Story #1 - Nikon Df DSLR - What started in the Scottish Highlands with an excellent teaser video has now become a reality. And it has a lot of photographers excited.

Basic features include:

• Full frame 16MP sensor
• Dedicated mechanical dials for shutter speed, ISO, exposure compensation, exposure mode, and release mode
• Mechanical cable release compatible
• 39-point AF with 9 cross sensors
• Compatible with AF-S, AF-D, and AD Nikkor lenses

The Df will be available in silver and black, probably around the end of this month. It looks awesome. The Df has that throwback styling that made the original OM-D so alluring. It even has the "slide over" eyecup shade for long exposures. If you want one for yourself, it will cost you $2,996.95 with 50mm lens. I talk about the possible impact of this camera in today's top story.

Story #2 - In today's Nimbleosity Report, I take a closer look at the Olympus Stylus 1 . It looks like a baby OM-D E-M5, but with a powerful and bright zoom lens. Here are the highlight features:

• 12MP 1/1.7" sensor (similar in size to the XZ-2)
• 1.44M dot electronic viewfinder
• 1 million dot 3" tilting touchscreen LCD
• 28-300mm equivalent (10.7x) optically-stabilized f/2.8 lens (constant aperture through entire zooming range)
• Built-in Wi-Fi with smartphone control
• RAW capture as well as Jpeg
• Magnesium alloy body structure
• Built-in pop-up flash
• Same battery as the Olympus OM-D
• Should sell for around $699

This looks like a heck of an all-in-one camera to me. Love the constant aperture and zooming range. Lots of enthusiast features in a very nimble package (14 ounces). This little gem will set you back $699 US. Is it worth it? I'll talk about that.

Story #3 - From the Photo Help Desk - Should you pay the extra dollars for high-end multi-coated filters when others are available at a fraction of the price?

Now is the time to order your SizzlPix for the holidays!

New Ad tiles on TDS. If you're going to purchase from Amazon of B%H Photo, please click on the respective ad tile for those suppliers, located in the second column on every page of TheDigitalStory.com.

And don't forget, I have an Aperture Workshop coming up on Nov. 16 and 17. Write me at derrick@thedigitalstory.com for more details.

Listen to the Podcast

In addition to subscribing in iTunes, you can also download the podcast file here (34 minutes). You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

The November 2013 photo assignment is "Critters."

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

iPad for Digital Photographers

If you love mobile photography like I do, then you'll enjoy iPad for Digital Photographers-- now available in print, Kindle, and iBooks versions.

Podcast Sponsors

Red River Paper -- Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

Need a New Photo Bag? Check out the Lowepro Specialty Store on The Digital Story and use discount code LP20 to save 20% at check out.

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How many times have you said to yourself, "If I could just lighten that one spot in the photo, I would be so happy."? Aperture users don't have to roundtrip out of the application to accomplish that task. Using the brushing tools, you can work on "just that one spot." And in 5 minutes, I show you how.

This tutorial is from my Enhancing Product Photography with Aperture training on lynda.com. I walk you through localized editing techniques step by step, so you can apply this to your photos right now.

More Aperture Tips and Techniques

To learn more about Aperture, take a look at Aperture 3.3 Essential Training (2012), Using iPhoto and Aperture Together, and the latest, Portrait Retouching with Aperture. Also, visit our Aperture 3 Learning Center. Tons of free content about how to get the most out of Aperture.

Aperture Workshop Coming on Nov. 16 and 17, 2013

Want to learn Aperture in a hands on environment? My next Aperture workshop will be Nov. 16 and 17 in Santa Rosa, CA. We'll review all of the basics, plus work on portraiture (including a live model shoot), product photography, and more. Write me at derrick@thedigitalstory.com for more information and a reservation form.

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I've finished testing and have now published two new Nimble Fit Kits (#10 and #11). Kit 10 is designed specifically for indoor events that typically include security checks. Kit 11 is handy for traveling light and covering outdoor actives.

Fit Kit 10 designed for indoor events such as basketball games.

Both kits use the just-released Walking Man Shoulder Bag (black model) with silver embroidery on the front flap. I've used these configurations for extended periods of time. Because they are so light and comfortable, I can keep my gear on my body and safe while taking pictures in crowded areas.

Fit Kit 11 is perfect for outdoor activities with friends and family.

On The Nimble Photographer, I list the contents of each item in the kit with a link to its catalog page. Both of these configurations take advantage of the "bag within a bag" concept. Chances are you already have many of the components required to build similar carrying solutions.

If you want the official Nimble Photographer Shoulder Bag made of 95 percent recycled material and handsomely embroidered, it's available for $29.95.

These kits have a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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For the September 2013 Photo Assignment, TDS shooters demonstrated their cat-like reflexes. See for yourself in our gallery, Grab Shot. And which one will be the SizzlPix Photo Assignment Pick of the Month?

Photo by Brian Buhowsky. "This is a grab shot of my daughter while our house was under construction. The colors and contrast, as well as the haze created by the tarp resulted in a dynamic effect." (Captured with an iPhone 5.) See all of the great images from this month's assignment by visiting the Grab Shot gallery page.

Participate in This Month's Assignment

The Nov. 2013 assignment is "Critters." Details can be found on the Member Participation page. Deadline is Nov. 30, 2013. No limit on image size submitted.

Please follow the instructions carefully for labeling the subject line of the email for your submission. It's easy to lose these in the pile of mail if not labeled correctly. For example, the subject line for this month's assignment should be: "Photo Assignment: Nov 2013." Also, if you can, please don't strip out the metadata. And feel free to add any IPTC data you wish (These fields in particular: Caption, Credit, Copyright, Byline), I use that for the caption info.

Gallery posting is one month behind the deadline. So I'm posting Oct. 2013 at the end of Nov., the Nov. gallery will be posted at the end of Dec., and on and on.

Good luck with your Nov. assignment, and congratulations to all of the fine contributors for Sept..

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iPad for Digital Photographers

If you love mobile photography like I do, then you'll enjoy iPad for Digital Photographers-- now available in print, Kindle, and iBooks versions.