Lightroom 2.0 for the iPhone and iPad include the newish Dehaze feature that made a big splash on the desktop versions a while back. Adding Dehaze to an already set of excellent editing tools pushes Lightroom up near the top of mobile editing apps.

Dehaze has been added to the list of editing options.

I tested Lightroom 2.0 on my new iPhone 6S. I hadn't used this app often on an iPhone previously, opting for the iPad instead, but the additional real estate of the 6S made it a reasonable experience.

A key aspect is being able to take a quality image with the 6S, edit it in Lightroom mobile, then push it up to Instagram or other social sites in a fast, seamless workflow.

I captured this image at the Palace of Fine Arts in San Francisco with the iPhone 6S, refined in Lightroom 2.0 using the Dehaze tool (as shown here), then pushed up to Instagram via the Open In command. Photos by Derrick Story.

Even if you don't have a Creative Cloud account, you can tap your Camera Roll with Lightroom 2.0. There's a robust set of tools there, now including Dehaze.

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I've been watching Reuters TV for over a week now on my iPhone, and it is hands down the best news service I've followed to date.

Reuters builds a video news show for me based on the length I've specified (15 minutes in my case). I can see the story lineup, jump from topic to topic, or just let the show play as assembled, which is my preference. Reuters does a great job of adding segues, title screens, intros and outros.

Turn the phone sideways for full screen viewing. Leave it in portrait mode to see the story line up. Nifty. And when you first open the app in portrait mode, the sound is muted until you turn the phone sideways. Now that's thinking.

The free version includes a couple ads during the newscast. But even they are top notch and presented well. If you don't want the ads, you can subscribe for $1.99 a month. The entire production is tasteful and professional.

If you'd like to keep up on daily events, and don't have a lot of time to do so, Reuters TV may be just the solution. It's available for both iOS and Android. And it's terrific.

As we sift through all of the announcements from Apple's Sept. 9, 2015 event in San Francisco, a minor feature is actually one of the most interesting to me: Live Photos.

If you have it enabled, via the "Live" icon in the center of the top toolbar on the iPhone 6S camera app, every time you take a picture, the app will capture a second and a half of content on either side of the image. Then, when you view the snapshot, you can press and hold on it (thanks to the new 3D Touch feature), and the picture comes to life for a couple seconds.

It's a small thing, until you think about the type of pictures many of us are capturing with our smart phones. They're family moments, outings with friends, interactions with pets... in other words, the things that matter dearly to us. Imagine missing your wife while on a business trip and being able to see her come to life just for a few seconds. I can see the value in that.

It gets to the point where I sometimes wonder what else I need from my mobile devices. I don't need Live Photos. But I do want it. It's one of those little things that can help me stay connected to those I love. And in this busy, multitasking, world of ours, I can use as much of that connection as I can get.

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It's like Micro Four Thirds lenses were designed for this moment.

The Olympus Air A01 is a palm-sized cylinder with a 16MP M4/3 sensor and lens mount that allows photographers to attached any Micro Four Thirds lens and start shooting.

They can control the camera via their iOS or Android smartphone, not to mention view the images on those beautiful LCD screens.

What's different about this project compared to other competitors is that M4/3 optics are among the most compact in the interchangeable lens world. The pancake Oly 14-42mm EZ zoom, Panasonic 20mm f/1.7, Olympus 45mm f/1.8, (and on and on) are perfect for this device. Compact lenses plus compact body equals pocketable device.

If you're already shooting in this format, the admission price for the Air is $299. Smartphone not included.

So in addition to serving as a super nimble mobile device, the Olympus Air becomes the world's most compact, fully-featured backup camera.

That's pretty nice...

The Olympus Air has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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I stepped out the front door the other evening to witness a beautiful sunset. Like most other folks, I pulled a smartphone out of my pocket to record the event. Unlike most others, however, I then pulled a DxO ONE from my other pocket to capture a few more pictures. I thought you might be interested in how they compare.

Note: The DxO ONE images were captured with pre-release hardware and processed with beta software. Specs and performance may change with the final release in September.

The Jpegs from both the iPhone 5S and DxO ONE are right out of the camera with no further processing. The DNG from the ONE was processed with automatic settings (no individual slider tweaking) in DxO OpticsPro 10 and saved out as a Jpeg.

iPhone 5S Jpeg

The iPhone does a good job of capturing the vibrancy of the sunset. Gradation with the brightest tones isn't quite as smooth as with the DxO, and the resolution is less at 3263 x 2448. But overall, a nice rendering of the scene.

DxO ONE Jpeg

The Jpeg from the DxO One is very good. Smoother gradation in the bright areas and more resolution at 5540 x 3688. Noise is very well controlled.

DxO ONE DNG

Where things get real interesting is the the DNG version of the twilight scene captured with the ONE and processed with automatic settings in DxO OpticsPro 10. The rendering is more dramatic with excellent tonality.

Even though the iPhone 5S is an excellent camera (with the 6 being even better), it's hard to compete against RAW files produced by a 1" sensor and matching software. I also like the wider proportions of the DxO One (3x5) compared to the iPhone (3x4).

Either way, how cool to have such excellent cameras comfortably stashed in the front pocket of my pants.

The DxO ONE has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

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At last night's Warriors vs Rockets game at Oracle Arena, I was literally the only guy in my section with a non-smartphone camera. I decided to document my observations and share how basketball fans were capturing the moment at a big time sporting event. Here are a few of the images.

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I've been testing the eyefi mobiPRO 32 GB SDHC card with a variety of WiFi-less cameras, and have settled on using it regularly with the Fujifilm X20 compact. (Jump here to see the full report on the eyefi mobiPRO.)

But through my testing I've discovered that the user experience is much better if I follow a specific set of steps when using the new mobiPRO. So I'm sharing that "magical" sequence with you now, because it most likely works for other cameras too.

• First, set the preferences for your eyefi mobiPRO card by using its bundled USB reader. (More on that here.) For mobile device usage, I recommend that Selective Transfer is on, and that RAW Transfer is off. Eject the card and put it in your camera.
• In the camera menu, Turn Eye-Fi Transfer to "off." This saves precious battery power while you're out shooting.
• When it's time to take a break and send your favorites to a mobile device, enable Eye-Fi Transfer on your camera (via the menu) and "Protect" the first photo you want to send to your device.
• On your device, go to the Wi-Fi settings and log in to the personal network that the eyefi mobiPRO card is transmitting. Then go to the iOS or Android Eyefi Mobi app and receive the first photo.
• With everything still connected, "Protect" the other images that you want uploaded to your mobile device. They should flow over instantly.
• Once all the images have been transferred, go to your camera's menu and turn off Eye-Fi Transfer.

At this point, you can play with your photos on the mobile device, upload them to social network sites, or display them for others. I recommend that when you return home, copy all of the pictures off the eyefi mobiPRO card to your computer, and organize them in your standard photo management application.

More Help on Managing Your Mobile Photos

In my lynda.com title, Managing Your Mobile Photos, I cover a variety of backup solutions for both iOS and Android users. These tutorials will help you build the perfect backup solution for you, so that you never lose a single memory.

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Now it's easier than ever to move images from your Mac to Instagram. A new app, Uploader for Instagram ($4.99), allows you to right-click on a photo and send it to your account.

The app isn't going to win any awards for design, but it does work. Once you control-click or right-click on the picture, choose Share to Instagram from the Services popup menu, then you're greeted with a spartan interface that lets you zoom and position the picture.

There are also filters available, but I wasn't impressed with them (especially compared to the native IG filters). You can add a caption and hashtags, however, and performance is snappy. Within a few seconds my photo was displaying happily in my Instagram feed.

Join me on my Instagram site as I explore the world of mobile photography. And now Instagram features 15-second movies too.

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Participating on social networks isn't for everyone. But for those who want more interaction around the images they create, choosing an online site or two can lead to rewarding experiences. Here's a quick guide to my favorites.

Instagram

Because it's so easy to post and comment via mobile devices, Instagram has become one of my favorite photographer communities.

The trick here is to develop your Instagram personality. In my case, I've chosen to share the life of a photographer/writer in my feed. So my posts are about daily shooting and travel. Plus, I very much enjoy the work of those I follow.

Flickr

This social network for photographers has been pronounced dead more than Apple in the 1990s. Yet, today it continues to thrive.

I've become more selective about what I post in my Flickr Photostream lately, using it more as a online gallery page for favorite images.

Unlike with Instagram, where I wouldn't hesitate to share a "behind the scenes" snapshot, Flickr is reserved for the finished product. It's the place that I send people to view my more serious efforts as a photographer.

We also have a wonderful TDS Public Group with more than 2,800 members and 46,000 photos. This feed appears in the Member Gallery page on thedigitalstory.com, and I select the "Member Photo of the Day" from this group to feature on our TDS Facebook page. The imagery here is fantastic.

The Flickr viewing experience has improved of late on both computers and mobile devices. So I'm also enjoying more work of those I follow. Plus, nothing beats the Flickr Explore page for daily inspiration.

Facebook

I have two Facebook pages. On the business side, the TDS Facebook Community is vital to my The Digital Story business. But I also maintain a personal page for friends and family.

Photographers who want to engage in shop talk should consider setting up a fan page. Here, you can focus the conversation on your passion, and relegate the family snapshots to your personal page.

Ello

I'm still learning about Ello, but so far, I've liked the experience.

This is the place where I can post images that quite honestly, just don't fit in other places. I can try new techniques, show off my creative experimentations, and view the visual explorations of others.

For me, Ello is very nonjudgmental. This community seems to welcome diversity. I think Ello is here to stay... at least I hope so. It's a special place.

Twitter

Tweets have certainly become more visual these days. And even though I don't feel compelled to always include an image in my Twitter feed, I love having the option.

Twitter is an excellent way to get the word out. And it's a fun place to hangout and see what's going on. Many photographers use Twitter for their stream of consciousness sharing. I like it too, and I appreciate its natural, flowing conversation.

Other Sites

There's plenty more going on including Google+, 500px, and others. Each has its strengths and audience characteristics. And if the sites I've mentioned don't do it for you, keep looking. There's an online home that will be just right.

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Join me on my Instagram site as I explore the world of mobile photography. And now Instagram features 15-second movies too.

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Now with eased rules about electronic devices during takeoff and landing, our opportunities for airplane window photography are better than ever. Here are a few points to consider before you lift off from the tarmac.

Seat Location

As logic would dictate, a window seat is required. There are obstacles that come with this position, especially on long trips when it's time for a bathroom run. But these are the sacrifices we make for our art.

I also prefer a seat that's not over the wing. This is easier said than done, especially if you're tall. The more roomy Exit Row seats are great for comfort, but not so good for picture taking... unless you're in to wings and jet engines.

Take these issues in to consideration when booking your reservation.

Up Against the Glass

I still see photographers position the front of their lenses too far away from the window. You need to get your lens as close as possible to the surface. (And try to find a clean spot while you're at it.) This helps eliminate reflections. Notice that I say, "helps"? That's because unlike most windows in the world, these are twin panes with lots of space in-between. So you still have to keep an eye on reflections. But a good start begins on your side of the window.

No Flash

Again, I shouldn't have to say this: no flash!

Exposure Compensation

High altitude photography is hell for camera meters. Once you compose your shot, use exposure compensation to adjust the lighting. Even with iPhones this is easy. If you have the current iOS 8, launch the Camera app, then tap on the phone screen to focus. When the sun icon appears, slide you finger along the yellow line. One direction makes the scene brighter, and the other darker. Do it!

Post Production

Generally speaking, the original images will look a little flat. I like to spice them up before posting.

Since I'm usually shooting window shots with my iPhone, it's easy to fire up Snapseed (or your favorite image editor) to adjust color and contrast. It only takes a minute or two, but makes a big difference. I usually have the image ready to go before the drink cart arrives.

When you touch down at your destination, cellular activity is allowed again, and you can post your prize-winning shot.

More Help on Managing Your Mobile Photos

In my lynda.com title, Managing Your Mobile Photos, I cover a variety of backup solutions for both iOS and Android users. These tutorials will help you build the perfect backup solution for you, so that you never lose a single memory (especially those cool shots from the air).

Join me on my Instagram site as I explore the world of mobile photography. And now Instagram features 15-second movies too.

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