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Close Up Photography at Twilight

We tend to think of sunsets and big landscapes at twilight, but it's also my favorite time to shoot close-ups. Subjects that are unremarkable in midday light take on a surreal glow at day's edge.

Lichen on Rock Pextax K-5 Derrick Story Lichen on Rock by Derrick Story. Click on image for larger version.

This image of lichen on rock was captured at 7:40 pm with a Pentax K-5 at ISO 800 using a Pentax 18-55mm zoom set to f/4.5.

The next time you're out photographing a sunset, maybe look down at your feet too. There might be another world there waiting to be captured.

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Panoramas are a great way to document an area that you're visiting. But it's interesting how different the same place can look, depending on how you make the image. I have have two panoramas here, one captured with a Canon S90 and stitched together in Photoshop CS6. And the other recorded with an iPhone 4S in panorama mode.

Canon S90 Panorama

Marin County Panorama Canon S90 Photoshop CS6

With the S90, I was able to zoom in a bit to better show the body of water below. I captured 3 frames and used Photomerge in Photoshop to assemble the final image. Click on image for larger version.

iPhone 4S Panorama

Marin County Panorama iPhone

The iPhone version is much wider and has less magnification. They almost look like two different locations.

So a panorama is not just a panorama. Like all types of photography, the decisions you make at capture have a tremendous impact on the final outcome.

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Leica 25mm on OM-D

The amazing Olympus OM-D can do just about anything. Figuring out how to program it is another matter all together.

Fortunately, seasoned Micro Four Thirds veteran, Rohith Thumati, has written an excellent "set-up" guide to help you get started. In his post, Setting Up an Olympus OM-D E-M5, he takes you inside the menu system and explains how to activate the Super Control Panel, take control of autofocus, program the buttons, configure the Electronic Viewfinder, and a whole lot more. OM-D owners are going to want to bookmark his post.

A Few Additional Tips

In the year that I've been loving the OM-D, I have a few additional thoughts to share with prospective owners.

Protect the LCD - The touch LCD on the back of the OM-D is beautiful. I recommend that when you first get the camera, buy a quality protector for the LCD. That way you won't have to worry about surface scratches during use. I've used a crystal clear overlay without any problems at all.

Invest in the Power Grip - It's hard to pony up the additional $299 for the Power Battery Holder HLD-6, but it makes such a big difference in performance (two batteries now instead of one) and comfort. When traveling light, you can leave the grip at home. But the rest of the time I leave the grip on and love it. Also, there's an option to tell the OM-D to use the battery in the grip first. That makes changing batteries much easier.

Explore Lens Adapters - It's easy and fun to manual focus via the EVF, and I've had a blast repurposing my Zeiss prime lenses from the old Contax SLR. There are a ton of adapters available. I'm sure there's one that will allow you to repurpose some quality glass that you have stashed in the closet.


Take a look at the Olympus Micro Four Thirds Gear Guide for an overview of cameras, lenses, and accessories.

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This week on The Digital Story: Are off-brands worth the risk? Backpacking is different for photographers. DIY Home Portrait Studio, Part 2. All of this... and more!

Story #1 - Are off-brands worth the risk? As I'm getting ready for an important assignment, it dawned on me that I'm packing a Pentax K-5 instead of a Canon or Nikon DSLR. Next week I'll be testing a Fujifilm X20. I regularly use Olympus and Panasonic cameras and lenses.

When I say "off-brand," I'm not referring to knock-offs, which should definitely be avoided. I'm talking about investing in brands other than the traditional photography titans: Canon and Nikon.

Is it wise to invest your assets in a Sony system, Pentax, Samsung, Olympus, Panasonic? Will you regret your decision later?

Story #2 - Backpacking photographer - I'm testing a new outdoor pack from Lowepro that's designed for overnight trips. It's my belief that backpacking photographers need to carry even less camping gear than other hikers because we have photography equipment too. In this segment, I share 5 tips for lightening your load on overnight excursions into the backcountry.

Story #3 - DIY Home Portrait Studio, Part 2.This week I'm focusing on lighting. For continuous lights, I recommend the Lowel Ego Digital Imaging Fluorescent 2 Light Kit (108 watts) for $215. Then add 3 light stands, such as the Manfrotto 1004BAC-3 QSS Air Cushioned Light Stand 3-Pack for $260. You'll need 3 Manfrotto 026 Swivel Umbrella Adapters ($28 each) to go with those light stands. With these basic tools that don't take up much room, you can use your electronic flashes with umbrellas, or the Lowel Ego lights, for your portrait and product work.

Listen to the Podcast

You can also download the podcast here (32 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

The April 2013 photo assignment is Architecture.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper -- Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography. SizzlPix Spring Sale - 25% Discount! Offer good on orders placed by April 30. Again, "TDS" or "The Digital Story" in the comments space. Of course, they will honor the discount for all TDS listeners and readers, including those who've received SizzlPix samples.

Need a New Photo Bag? Check out the Lowepro Specialty Store on The Digital Story and use discount code LP20 to save 20% at check out.

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Our eyes have this wonderful ability to render sky and foreground at the same time. Our cameras need a little help. If you like sunrise and sunset photos, and are tired of having the foreground go to black, here are three options that should improve your composition.

Bridgeport at Twilight Bridgeport at Twilight by Derrick Story

The Graduated Filter

The Bridgeport at Twilight image was captured using a Cokin Grad Density filter. Yes, it's the old fashioned way to balance sky and foreground. But it has the advantage of getting the image right in-camera, saving you computer time once you return home.

You can get set up fairly affordably with kits such as the Cokin H250 P-Series ND Grad Kitfor $82 that includes the holder that mounts on the front of your lens and the filters that go in it. Just slide the graduated filter up and down until you get the effect you want, then take the picture.

Pentax K-5 Pentax K-5 with Cokin Graduated Filter. Photo by Derrick Story. Click on image for larger size.

Merge Two Exposures in Photoshop

Another approach is to mount your camera on a tripod and take two pictures: one exposed for the sky, and the second exposed for the foreground. Then you can merge the best areas of the two exposures in Photoshop.

Photographer Steve Berardi has posted a helpful tutorial explaining this technique on his site. Take a look at How To Merge Two Exposures. You'll need to have some familiarity with Photoshop to apply these steps. But if you do, the process is straightforward.

I think it's a good idea to shoot a bracketed series of important landscape shots anyway, regardless of the technique you're planning on using. Those bracketed exposures can come in handy once your return home. Who knows, you might want to try an HDR composite...

High Dynamic Range (HDR)

While your camera is still on the tripod, take 3 or 5 bracketed exposures. You can set this up in the menu of your camera. I usually make the exposures 1 f/stop apart. Something like -1, 0, +1 or -2, -1, 0, +1, +2. But you may find that 2/3 of a stop works better. It depends on your gear and aesthetics, and it's worth playing with.

Once you have your sequence, then you can create an HDR merge in Photoshop or a specialized HDR application. Photographer Colin Smith has published a helpful tutorial titled What is HDR and why do we need it?. It will help you get started with this technique.

Bottom Line

Sunrise and sunset pictures are favorites, for sure. And you can take your twilight shots to the next level by trying one of these techniques. A little bit of foreground can make the sky all that much better.

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You can control which application opens when you double-click a shared Aperture/iPhoto library. (All current Aperture and iPhoto libraries are "shared" by default.) This is a handy trick because many photographers open libraries from the Finder instead of from within the application. Here's how to control whether iPhoto or Aperture opens when you double-click on the shared library icon.

Specifying which application opens the library by default

More Aperture/iPhoto Tips and Techniques

To learn more about using Aperture and iPhoto together, visit my Using iPhoto and Aperture Together on lynda.com. Also, take a look at our Aperture 3 Learning Center. Tons of free content about how to get the most out of Aperture.

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LED Flashlight DIY Lightwand Ice Light

On a tip from our friends at Imaging Resource, we learned about Simon Ellingworth's DIY Ice Light project.

In about 20 minutes, you can build your own light wand that's handy for portraiture and general photo projects. Simon uses a compact, but powerful LED flashlight and a length of white PVC pipe as the basic components for his homemade Ice Light.

It's a clever, easy to assemble project that could prove to be very useful in the home studio. Take a look.

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We'll be covering the Sonoma County Hot Air Balloon Classic as our project for the Movie Making for Photographers workshop on June 15 and 16, 2013.

Final Cut Pro X Balloon Festival

Joined by two professional filmmakers, Louis Ekrem of Laughing Cat Films and Eric Michael Perez of Clicker Video, you will learn how to tap the movie making functionality of your DSLR. This workshop is for photographers who want to learn how to use their existing gear to create short, impactful video for publishing.

The focus of our class project will be the beautiful Sonoma County Hot Air Balloon Classic. We'll be on site capturing footage, then learning how to maximize its impact using Final Cut X and iMovie applications.

Class size will be limited to six participants. Tuition is $495, that includes two full workshop days, breakfasts and lunches, comfortable working environment, and swag. Registration is open now. Use the "Send Me Info" form located on the TDS Workshops page. I will get you complete details about the event, including the registration form.

This is going to be an immersive, exciting weekend where you can focus solely on your photography.

About the Instructors

Louis Ekrem is the founder of Laughing Cat Films, based in Santa Rosa, California. His full service video production company provides high quality media services for business professionals, non-profit organizations, corporations, professional athletes and performing artists. Some of Northern California's finest businesses have put their faith in LCF to bring their timely and important messages to the world. Past LCF clients include: Bar Association of San Francisco, Center For Innovation and Resources, Creator's Art Productions, Ultramarathon Runner Dean Karnazes, FuzeMeeting.com, Kaiser Permanente, Leukemia & Lymphoma Society and Sonoma County Thunder to name a few.

Eric Michael Perez has been filming and creating still photos starting in the early 1970's when him and his friend would create skateboarding films shot on his dads 8mm movie camera. He was an early adopter using water housings to film water sports in the 1990's as both a top competitor and shooter of wake boarding, both for ESPN and his own productions. More recently Eric has been creating marketing pieces for wineries and small product manufacturers. Eric has been using DSLR cameras for his video productions since 2008. He currently uses a Canon 7D and a Lumix GH17

Derrick Story is a professional photographer, writer, teacher, and photography evangelist for Lowepro. He's authored several digital media books, including The Digital Photography Companion (O'Reilly Media) and iPad for Digital Photographers (Wiley & Sons). Derrick is a Senior Contributor for Macworld magazine where he writes a digital photography column, and he's a regular presenter on the popular training site, lynda.com featuring video titles on Aperture, iPhoto, Flickr, and photo technique.

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This week on The Digital Story: DIY home portrait studio, model releases, lens hood as an LCD shade, all of this... and more!

Story #1 - DIY Home Portrait Studio. We'll cover this over the course of a few installments. Today, I'm going to to discuss the space itself. Most enthusiast photographers don't have the luxury of setting up a dedicated room for a portrait studio. There might be multi-use space available. So quick set up and breakdown become important.

Attributes to look for include: natural lighting, at least 10' x 12' floor space, minimum 8' ceilings (higher is better), temperature control, closet space to store equipment when not in use, and nearby bathroom to serve as changing room.

Story #2 - Model Releases. For every set-up portrait you arrange, you want to secure a model release. This document includes text granting permission by the subject for you to use the photo in a variety of ways. I get model releases for hired subjects, friends, and even family.

Story #3 - Lens Hood as LCD Shade Trick - Reviewing your photos on the camera's LCD screen in bright sunlight can be very discouraging. You can help minimize glare by placing a lens hood over the LCD and looking through that.

Listen to the Podcast

You can also download the podcast here (29 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

The April 2013 photo assignment is Architecture.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper -- Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography. Take the SizzlPix Challenge - See how your photo will Sizzl by getting a free 5x7 section of an uploaded image. Just put TDS or The Digital Story in the comments to get your free SizzlPix section.

Need a New Photo Bag? Check out the Lowepro Specialty Store on The Digital Story and use discount code LP20 to save 20% at check out.

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

It's tough to view photos on camera LCD screens in bright outdoor conditions. You can help improve this situation by using an accessory that you probably already have in your camera bag: a lens hood.

Lens Hood LCD Shade Olympus OM-D Digital Camera photography

I carry a couple collapsable rubber lens hoods because their depth when mounted on the front of the lens helps prevent flare in contrasty conditions. They occupy about the same amount of space as a filter, yet can serve double duty. When not on the front of the lens, hoods are helpful on the back of the camera, improving the contrast of the LCD screen.

Another favorite of mine is the deep plastic lens hood that came with my Leica 25mm f/1.4 prime lens that I use on the OM-D. Its rectangular shape is a nice match for the LCD screen on the back of the camera.

I bet if you dig around a bit, you can find a double-duty lens hood that could justify its space in your camera bag. In bright sun, every little bit helps.

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Join me on my Instagram site as I explore the world of mobile photography.