Your Apple ear buds with remote can also serve as a cable release for the iPhone. I've just tested this with my iPhone 4S, and it works great.
Your Apple ear buds can also be used as a cable release for the iPhone. Photo by Derrick Story. Click on image for larger version.
Plug your ear buds into the iPhone, launch the camera app, steady the shot using your favorite stand or tripod, then squeeze the remote button on the ear buds. Your iPhone will take shot, steady as a rock. And the best part is, the cable release comes included in the box.
This tip is great for long exposures, HDR, etc. Give it a try!
Thanks so much to TDS Member, William St. John, for alerting me to this ultra cool tip.
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In these early days of iCloud, the Photo Stream component is far from perfect. But the concept is good. So it's really a matter of fine tuning on Apple's part.
But I think Photo Stream can still be used in the meantime. In my Macworld Magazine article, Control Photo Stream with iPhoto and Aperture, I explain a workflow that uses iPhoto as a holding tank for your Photo Stream, then tapping the images you want via the iPhoto Photo Browser function in Aperture.
Using this method, you get the backup benefits of Photo Stream, but you don't have a bunch of crud flowing into your photo management environment. Take a look at the article and see what you think.
Beth Wald has fulfilled national and international assignments for editorial clients that include National Geographic, Smithsonian, The New York Times, National Geographic Adventure, Outside, Men's Journal,and many others. So you can imagine how pleased I was to meet her for lunch yesterday at Lowepro, then go for a hike in the Petaluma hills.
Beth Wald working in the field. Photo by Derrick Story. Click on image for larger version.
Imagine going on a hike with a woman who can scale a giant slab of granite, pull out a camera, then shoot down at her subject. I loved watching her work. One of the reminders that crossed my mind during the afternoon was the importance of knowing your equipment inside and out. Beth knew exactly where every lens and memory card was located in her bag. The fluid, natural way she would set her camera, compose a shot, then change angles made it clear that her equipment was an extension of her vision.
Since I was shooting both stills and video with Beth, I went with the Canon 100mm f/2.8L Macro IS because of its hybrid image stabilization system. That allowed me to work handheld the entire time, and keep up with Beth on the trail.
Beth is a Nikon shooter and worked with her 24-70mm and the 70-200mm zooms, both excellent lenses. She was carrying the Lowepro Outback 300 AW, a bag she's trusted her gear with all over the world (shown in the top image). I noticed that the Outback is on sale on the Lowepro site for $72.50 (half price). Actually, I should probably let Beth know about that too...
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Photography is a balancing act. You give a little here and get a bit there. One of the areas this comes in to play is with mobility vs quality. How much equipment do you want to carry, and how long do you want to spend setting up a shot? Do you want to travel light and work quickly? Or are you fine with the methodical approach? The trick is, the answer may not be the same for every situation. In this week's podcast, we explore the options you have, and how to apply them to your work.
I have a wonderful verbal typo in the opening monologue: "The Florida Birding Show in Texas." Sweet! Who's buried in Grant's Tomb, right?
Black & White is the Nov. 2011 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is Nov. 30, 2011.
If you want to improve your image editing skills in Adobe Camera Raw 6, download the free PDF guide (2.6 MB) authored by Francesco Marzoli.
The 36-page document contains some good tips on sharpening and color management. And Lightroom users should be interested in this offering also, since the Develop module essentially mirrors ACR in terms of functionality.
Even if you use ACR or Lightroom on a regular basis, you'll probably discover a new tip or two in this PDF.
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Is it possible to explore the world of macro photography without a tripod? And when it's time to make a movie, could you frame a tight shot by just holding the camera in your hands?
I've been field testing the Canon EF 100mm f/2.8L Macro IS USM Lens that is the first Canon lens to incorporate Hybrid Image Stabilization that compensates for both angular and shift camera shake during close-up shooting. It's like having a built-in gyro for your camera. Other features include silent focusing USM, maximum aperture f/2.8, wide manual focusing ring, lens hood, and soft carrying pouch. This is a lens you can use for 1:1 macro photography, portrait work, sports, and handheld movie making.
I began by going for an afternoon stroll with just camera and lens, no tripod, to shoot close-ups. It was a freeing experience. My success rate was about the same as when lugging sticks with me. I couldn't stop-down the aperture as far as when using a tripod, but I was truly impressed that by steadying myself and using good shooting technique, I could get artistic close-ups with this lens. And did I mention that I was not carrying a tripod?
Next stop, handheld movie making from the stands at Discovery Kingdom in Vallejo, CA. I was there more to enjoy the dolphins putting on a show, than to make a video, so I left the monopod at home. Even with constant panning to follow the action, the Hybrid IS system compensated for camera shake and provided steady shots for movie footage as well as stills.
I also learned that the manual focus override for filmmaking is the way to go with this lens. I could snap the image into a crisp composition much quicker manually than waiting for the autofocus to catch up. If you shoot movies with this lens, I recommend that you use the manual focusing as much as possible. It's easy and very effective.
This is also an excellent portrait lens. Notice the detail on the Giraffe eyes, and the soft, pleasing background. This image was shot at f/4, which is about as much as I stop down the 100mm for portrait work.
Bottom Line
The Canon 100mm L Hybrid IS Macro is a versatile, well-designed prime lens that's perfect for close-up photography, portraits, and movie making. It's very sharp, has a relatively fast 2.8 maximum aperture, and features an amazing image stabilization system. Its only weakness is ocassional slow auto focusing. You can partially compensate for this by using the 3-position "focusing distance range selection" switch on the side of the lens. I also discovered, however, that manual focusing is so easy with the 100mm, that I would use that to snap the composition into view, then finish off with auto-focus. After about an hour with the Canon 100mm IS Macro, I was working naturally with it. And quite honestly, I did not want to take it off the camera.
The lens is currently on special for $886 at B&H Photo until Jan. 7, 2012. That is the best price I've seen to date. And if you need a professional quality, technologically advanced 100mm macro, I would give this lens a very close look.
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When I've worked events with a Gary Fong Lightsphere mounted over my flash, I've had people ask me if that was Tupperware on my camera. Well, over at ImprovePhotography.com, they tested real tupperware against the $50 modifier in the article titled, Gary Fong Lightsphere vs Tupperware.
And the conclusion? "After my testing, I found that there was absolutely no difference in my opinion in the quality of the light produced by the tupperware in comparison to the quality of light produced by the Lightsphere."
If you go on to read the article comments, however, many readers say that the convenience of the Lightsphere compared to a DIY rig makes up for the price. I can see that.
I mention the Lightsphere in the free movie "Understanding light modifier types and their use" in my lynda.com title, Off Camera Flash. I think it's a convenient modifier in fast-paced situations such as wedding receptions. I look odd enough with the Lightsphere. Imagine if I showed up in my suit and tie with a hunk of Tupperware attached to my camera.
But I love the point that ImprovePhotography makes. It's a fun read if you have a moment.
There's a good list of 16 photography apps for the iPad on photography talk.com. I like many of these selections. Serious shooters should consider the upgrade to Filterstorm Pro that has better organization features and Raw processing, compared to the basic app included on the list.
Another app on the list, PhotoSync is really useful for moving pictures between devices, even in the age of Photo Stream.
One important omission, in my opinion, is Minimal Folio that is a terrific tool for organizing and displaying a portfolio of your best work.
The bottom line is, there are many good applications for photographers available these days. Peruse this list and see if something sings to you.
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There are good deals... and then there's free. Over on the Lowepro Facebook fan page they are conducting a special Free Bag Friday where the winner will get to choose one item from the Lowepro Gift Guide. To participate, all you have to do is post a comment on the Gift Guide about which bag you prefer and why. You have until midnight PST, Sunday Nov. 27 to participate. As with all give-aways, void where prohibited.
The new Olympus PEN E-PM1is a camera that I've been toting for the last couple months with good results. DP Review has now put it through a full test. Their conclusion is similar to mine: you get the same image quality as with flagship E-P3, but for a lot less money and only a few less features. They gave the PEN Mini a Silver Award, which I also agree with.
Olympus PEN Mini, 17mm f/2.8 lens, with Swiss Army Knife
Related, my satisfaction with the PEN Mini has helped me fight off the urge to invest in the Fujifilm X10 that's now available in the States for $600. It looks like a great camera with positive initial reviews. But the PEN Mini has interchangeable lenses, interchangeable viewfinders, a much larger image sensor, and... it costs less -- $450 with kit lens (PEN Mini)vs $600 with fixed mount lens (Fuji X10).