The members of The Digital Story virtual camera club who are heading to San Francisco for the Street Shooting Workshop have packed their rain gear and are ready for a true urban adventure.

Gritty streets, wet pavement, colorful umbrellas... we might work harder over the next few days, but the payoff is going to be excellent. All of our Think Tank Mirrorless Movers have an excellent weather-resistant design and rain covers as well (every workshop participant gets their own bag).

My Olympus OM-D E-M5 Mark II is weather resistant as well, as are the lenses that I'm packing with it. I've added a protection filter to the front of each optic so I can wipe it off easily in the rain.

Plus, I'm bringing my red Olympus TG-4 that not only is totally weather resistant, it will geotag all of my images. The TG-4 captures in RAW, and its image quality is excellent.

We're also going to add some inspiration to our week by visiting the Diane Arbus exhibit at the newly renovated San Francisco Museum or Modern Art. Each workshop participant receives a full general admission pass to SFMOMA as part of their tuition. And we have our reservation there for first thing Friday morning. That will get the creative juices flowing.

I'll let you know how we fare in the rainy weather. And we'll be sharing images as well. So stay tuned.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #578, April 4, 2017. Today's theme is "Becoming Part of the Story" I'm Derrick Story.

Opening Monologue

I find it interesting that photographers often are absent from the stories they tell. Whether it be a family vacation, a gathering with friends, or a somber occasion, we tend to record everyone but ourselves. But as the storyteller, we are most likely part of the narrative too. And exploring how we can better integrate ourselves is the subject of today's show.

Becoming Part of the Story

It would be easy to blame this on selfies. And what I mean by that, is that most serious photographers don't want to be caught photographing themselves with their iPhones.

But when you think about it, why not? If we capture an image of us interacting with others in the story, or on location, why is that a bad thing? It doesn't mean that we're a narcissist.

This came to mind again this weekend when I was testing the Roadtrip Air, which I'll talk about in the next segment. I had joined a group of hikers learning about the San Andreas Fault. And if I hadn't taken a shot of me, I would have had everything relating to the activity except for the storyteller himself.

So, here are a few reasons to force yourself to turn the camera in your direction.

• The artist is often as interesting as the art he creates.
• So often in movies and TV shows, the storyteller narrates the tale, even if he or she isn't shown on camera. Why? Because it's interesting.
• If you're the photographer in the family, and you never include yourself in the images, then you haven't done a good job of recording history.
• There's an art to self-portraiture that is worth learning. Who better to capture a portrait of you, than you?
• And finally, if you use your smartphone to capture a self-portrait, you're also recording the location data, which can be applied to the other images from the event.

The MeFOTO Roadtrip Air on Assignment

This week's three-legged adventure with the MeFOTO Roadtrip Air focuses on removing the center column and using it as a bluetooth-controlled selfie stick.

Just to give you a bit of background about this super nimble tripod, it's distinguishing features include:

• Super Fast Setup with the new HyperLock Leg System. Setup is as easy as 1,2,3: 1 - Hold tripod leg and twist counterclockwise until it stops (4 clicks), 2 - Pull the leg to the desired length, 3 -Twist leg clockwise until it stops. (How easy is that?)
• Perfect for Selfies - removable telescoping center column converts to a Selfie Stick with included smartphone holder and Bluetooth remote!
• Ultra lightweight - 30 percent lighter than classic MeFOTO models
• Available in Backpacker, RoadTrip, GlobeTrotter models and 7 colors.

If you want to learn more about the MeFOTO line of tripods, look for the colorful tile on all the pages of the thedigitalstory.com. And if you decide that you want one for yourself, use coupon code THEDIGITALSTORY to save 10 percent and receive free shipping.

The Sigma 135mm F1.8 Art Sample Gallery

In this article posted on DP Review, they wrote, "Recently the new Sigma 135mm F1.8 Art landed in the office, prompting us to get out there and shoot some portraits... from a distance. While one of their heavier primes, performance is exceptional wide-open with very quick focusing. What about that background blur? Take a look at our samples to find out."

The sample images are quite good, and very interesting. I talk about them in this segment of the show.

The Nikon version will be available on April 25, 2017 for $1.399. And the Canon version should be ready by April 6 for the same price.

Updates and Such

Big thanks to all of our Patreon members! I was able to pay for the podcast server and the backup system from last month's pledges. Your contributions are making a positive impact.

We still have one seat open for our Road Trip workshop. (The SF workshop and Rail Adventure have sold out.) If you'd like an invitation to either event, visit the TDS Workshops Page and use the Send Me Info form.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

MeFOTO Air Tripods - MeFOTO Air Tripods are a nimble photographer's dream.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

If you shoot RAW+Jpeg, as many of us do these days, then you should know about Global Filters in Capture One Pro.

They allow us to quickly hide various file types - RAW, Jpeg, PNG, Tiff, Video - so that we're only viewing the images we want. So if I have an upload that contains RAWs, Jpegs, and Video files, and I only want to see the movies, I can use Global Filters to temporarily hide the RAWs and Jpegs. Here's a short movie that shows you how this works.

One of the primary reasons I moved from Aperture to Capture One Pro was because of its robust and easy to use image catalog. Global Filters are just another example of how C1 improves my photography life.

Take Control of Your Capture One Library

My lynda.com title, Advanced Capture One Pro: Library Management, shows you how to organize like a pro, covering techniques for referenced and managed catalogs, plus integrating sessions, backing up masters, and configuring your Capture One environment specifically to your needs.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

As a working photographer who moved from Canon to Pentax for my DSLR work, expectations were high for the KP and its DA lenses. After month of working with the camera, I can easily say that I'm happy with the transition.

First, the Shortcomings

Let's get the nits out of the way. The battery is too small and runs out of juice earlier than most photographers would expect. I understand that Pentax was designing a DSLR to be as compact as possible. And they succeeded. But by also providing us with removable grips, they lost that space that could be used for a bigger battery. Was it a good tradeoff? That depends on the photographer. I love the removable grips, so I'm not complaining too much.

The Mode Dial lock button must be pressed every time to change exposure modes. A more clever design is to push it down to lock, then push again to let it pop up and unlock. There are times when I want to be able to change modes freely without fiddling with the button.

There's only a single SD Card slot. Again, I know that compactness was a top design priority. But I feel like this is a pro camera. And as such, dual SD card slots would be appropriate.

Other reviewers have cited cons such as "heavy weight" and disappointing continuous AF. I don't know about that. I never hear anyone complain about the weight of a Leica. And I wouldn't have selected the KP for sports photography anyway. This is a camera designed for the outdoor photographer on the go who wants high quality in a compact, weather resistant package. As such, I've been fine with the AF.

What I Like

This list is much longer. For starters, I love have the option for DNG or PEF RAW files. It's wonderful not having my RAWs held captive by processing software. With the DNGs, I've been able to use any app for post production.

The top deck is beautiful. Having the guts to not include a top LCD panel resulted in a clean, classic design. I haven't missed the top LCD for a second. I don't have one on my mirrorless bodies, and I don't need it on my DSLR either.

The interchangeable grips are great. I'm opting for the larger one most of the time because it feels so good. But if I want to slim down with the 21mm prime, for example, I can do so with the medium grip as well. Cool idea that's also quite functional.

I came to love sensor-based image stabilization with my Olympus cameras. And it's just as wonderful on the Pentax KP. Their 5-axis Shake Reduction system works for both my state of the art DA limited optics, as well as my vintage Pentax-A and Pentax-F lenses. I like not having to pay more for an optical stabilized lens. I can use any type of glass that will mount to the camera, and have it stabilized.

The popup flash is well designed and works great. It stands up taller and is handy for fill flash portraits on the go. I don't use flash often, but like everyone else, when I need it, I need it. And not having to carry a separate unit is a blessing.

These is plenty of customization via the programmable buttons and dials. Pentax spent a lot of time figuring out the user experience for this camera, and it's paid off handsomely. The KP is a true pleasure to shoot with.

I've used the articulated LCD in Live View mode many times, and it's such a nice feature to have on a DSLR. There are a variety of focusing modes you can access in Live View. I like the selectable point for product work, and face detection for portraits. And with face detection, you have access so special features such as Skin Tone, which reads the subject's skin and provides some lovely softening and color adjustment.

And finally, there's the image quality. It's flat out terrific. The Pentax DA Limited optics are excellent, as is the sensor and image processing pipeline. And the fact that I can capture beautiful shots at ISO 1600, 3200, or even 6400, provides me with more opportunities than ever before.

Prior to purchasing the Pentax KP, my interest in DSLR photography had waned, opting for my mirrorless bodies most of the time. But now, I feel like I have a more complete photography toolset to draw from. And I can truly choose the right camera for the job, and enjoy doing so. I highly recommend the Pentax KP.

More Articles About the Pentax KP

Pentax KP Review - Part One - Top Deck - An overview of the Mode dial, Function dial, and other controls on the top panel of the camera.

Pentax KP Review - Part Two - The Back Panel - An overview of back panel controls and the menu system for the Pentax KP.

Pentax KP Review - Part Three - Image Quality - A hands-on look at how the camera performs with Pentax Limited Edition optics.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Without doubt, the Signature 13 is the best looking shoulder bag Think Tank has ever designed. And as you'd expect, it's as functional as it is handsome.

Significant Features

The soft shell feels like a fine woolen suit, but it's actually an advanced technology fabric that's both durable and weather resistant. The dual top flap system consists of a nylon lined zipped cover that can be closed in bad weather or for security reasons, and a fold over messenger flap that is latched with dual metal buckets.

The expandable front pocket is closed by a leather strap with a metal snap button that also contains a zipped pocket inside of it.

Inside the main compartment are two sleeves, one for a 13" laptop, and another behind it for a tablet, notepad, or book. The camera compartment is completely lined and includes fabric-covered dividers that can be configured in a variety of styles.

On the back of the bag is another zippered pocket and a trolly sleeve. The leather bottom protects the contents, and the bag, when set on a damp surface. The wide strap features a neoprene pad with leather trim and metal hardware.

Other niceties include leather top handle, dedicated smartphone pocket, detachable fitted rain cover, and a button to secure the inner top flap to the main flap to keep it out of the way when not in use.

Who is the Signature 13 for?

The Signature 13 is an ideal everyday work bag for mobile photographers who need their office and camera gear in a stylish carrying solution that's as comfortable in a business meeting and it is next to you in an Uber Black.

Personally, I wouldn't choose this bag for a day of street photography, opting instead for the Retrospective 7 or similar shoulder bag. But as an everyday bag that's both compact, yet holds plenty of gear, the Signature 13 is top shelf.

Currently, I have a MacBook Pro 13", iPad mini, Pentax KP DSLR with Pentax 20-40mm HD zoom, Olympus OM-D E-M5 Mark II with Panasonic 20mm f/1.7, Pentax ZX-5n with Pentax-F 35-70mm zoom, extra lenses, and plenty of accessories. All of this was in the bag when I photographed it for this review. So you can see that it can accommodate plenty of gear, and still maintain its svelte lines.

Final Thoughts

I like the way this bag sits squarely on the table without listing forward or backward. The dual top flap system provides exceptional protection and looks great doing so. The adjustable strap is very comfortable, and the top handle feels great when you need to grab the Signature 13 out of the trunk or from an overhead compartment. And I know that I've mentioned this a few times now, but this shoulder bag is very easy on the eyes.

The Signature 13 is my companion to work, meetings, Starbucks, and on the road. Personally, I like the buckles and snap buttons instead velcro. If you have similar tastes, you'll most likely love this bag.

The Signature 13 is available now for $279.

This is The Digital Story Podcast #577, March 28, 2017. Today's theme is "What Good is a System that Doesn't Work?" I'm Derrick Story.

Opening Monologue

One of my favorite Jerry Seinfeld routines polks fun at the system failure of car rental agencies. "Anyone can take a reservation," he says. "It's the holding of the reservation that's important." At work and at home we are constantly creating routines and systems to manage our lives. But if put to the test, do they really work? We'll explore in more detail on today's show.

What Good is a System that Doesn't Work?

In this first segment, I begin by telling a story of an actual event that happened to my mother. Then go on to explain how it illustrates, what I consider, a critical system failure.

The MeFOTO Roadtrip Air on Assignment

This week's three-legged adventure with the MeFOTO Roadtrip Air focuses on how its compact size allowed my to carry it all day in my svelte Retrospective 7 while working day and night at the Artisan Cheese Festival in Petaluma, CA.

Just to give you a bit of background about this super nimble tripod, it's distinguishing features include:

• Super Fast Setup with the new HyperLock Leg System. Setup is as easy as 1,2,3: 1 - Hold tripod leg and twist counterclockwise until it stops (4 clicks), 2 - Pull the leg to the desired length, 3 -Twist leg clockwise until it stops. (How easy is that?)
• Perfect for Selfies - removable telescoping center column converts to a Selfie Stick with included smartphone holder and Bluetooth remote!
• Ultra lightweight - 30 percent lighter than classic MeFOTO models
• Available in Backpacker, RoadTrip, GlobeTrotter models and 7 colors.

If you want to learn more about the MeFOTO line of tripods, look for the colorful tile on all the pages of the thedigitalstory.com. And if you decide that you want one for yourself, use coupon code THEDIGITALSTORY to save 10 percent and receive free shipping.

The Stylish Think Tank Signature 13 Luxury Bag

I've been carrying the Think Tank Signature 13, and I have to say, it is as beautiful as it is functional.

The fabric is soft, like a fine wool suit, but it's also durable and weather resistant. To complement the fabric, they've incorporated leather accents and metal hardware. The overall look is very professional. Other features include:

• Full-grain leather bottom and detailing, plus antique finished metal hardware
• Zippered flap provides full closure and security to the main compartment, or tucks away when not in use
• Dedicated laptop/tablet compartment that fits a 13" laptop
• Dedicated phone pocket fits up to an iPhone 6s+ or S7 Edge
• Dividers and bottom foam can be removed for a completely collapsible bag

Inside my Signature 13, I have my 13" MacBook Pro, iPad mini, Pentax KP with 20-40mm zoom, Olympus OM-D E-M5 Mark II, Pentax ZX-5n SLR, extra lenses, and plenty of accessories. The Think Tank Signature 13 sells for $279.

Updates and Such

Big thanks to all of our Patreon members! I was able to pay for the podcast server and the backup system from last month's pledges. Your contributions are making a positive impact.

We still have one seat open for our Road Trip workshop. (The SF workshop and Rail Adventure have sold out.) If you'd like an invitation to either event, visit the TDS Workshops Page and use the Send Me Info form.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

MeFOTO Air Tripods - MeFOTO Air Tripods are a nimble photographer's dream.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

If you're running a managed catalog in Capture One Pro, you have the option of customizing file names on import. I use this feature 99 percent of the time because having both the original image number and additional data makes it easier to keep track of my pictures once they leave the cosy confines of the C1 environment.

Capture One handles this task through the use of tokens. They are metadata building blocks that you can arrange in any order. My favorite combination is: Image Name-Job Name. The first token retains the original file number, while the second is an editable field that allows me to include a descriptive word or two in the file name itself. Here's a short video that shows how I do this.

Another way I use this functionality is to add my name to the file name itself when I deliver images to a client. Even though my copyright info is in the metadata, I've discovered that many PR folks don't dig very deeply when using my photographs. Having my name in the file name increases the odds of a photo credit in the caption.

If you're a Capture One Pro user, it's worth building a strategy for enhancing the file names of your images. We're in a bumper sticker society, and the more visible your vital info is, the better.

Take Control of Your Capture One Library

My lynda.com title, Advanced Capture One Pro: Library Management, shows you how to organize like a pro, covering techniques for referenced and managed catalogs, plus integrating sessions, backing up masters, and configuring your Capture One environment specifically to your needs.

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

One of the best advantages of full frame photography is the ability to create shallow depth of field. This isn't a feature that I need all of the time, but there certainly are situations where I crave it.

"Train Stop Bench" - Contax G1, Zeiss 45mm f/2 lens at f/2.8, Kodak ColorPlus 200 film. Photo by Derrick Story.

Full frame digital cameras come with a hefty price tag. But you can enjoy the creative benefits of shallow depth of field for about a tenth of the price... with a high quality, inexpensive 35mm film camera.

The average cost of a 35mm SLR with wide aperture prime in my TheFilmCameraShop is less than $100. I typically pay around $5 for a 36 exposure roll of film, and the lab charge for processing and scanning is $15. So even though the cost is low, the creative possibilities are very high.

This can be particularly appealing if you a smartphone photographer working with a tiny sensor. You can augment your digital work with some creative film images, then post those scans on your social sites.

You're viewers will be delighted (and curious) about the unique images.

Do You Like Film?

Take a look at theAnalogstory - Film Photography in the Digital Age. We cover great 35mm cameras, personal stories from film photographers, quick tips, and even a camera shop. Stop by, won't you?

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #576, March 21, 2017. Today's theme is "If Only One Lens." I'm Derrick Story.

Opening Monologue

Many of us have toyed with the hypothetical question: "If you could take only one lens to a desert island, what would it be?" My view on this has changed over the years, and now there's finally a clear answer... at least for today. And I will reveal my choice in the top story of today's TDS podcast.

Spontaneous Timelapse with the MeFOTO Roadtrip Air

This week's three-legged adventure with the MeFOTO Roadtrip Air focuses on perching the tripod atop my Audi at Oracle Arena for a spontaneous time lapse recording.

Just to give you a bit of background about this super nimble tripod, it's distinguishing features include:

• Super Fast Setup with the new HyperLock Leg System. Setup is as easy as 1,2,3: 1 - Hold tripod leg and twist counterclockwise until it stops (4 clicks), 2 - Pull the leg to the desired length, 3 -Twist leg clockwise until it stops. (How easy is that?)
• Perfect for Selfies - removable telescoping center column converts to a Selfie Stick with included smartphone holder and Bluetooth remote!
• Ultra lightweight - 30 percent lighter than classic MeFOTO models
• Available in Backpacker, RoadTrip, GlobeTrotter models and 7 colors.

If you want to learn more about the MeFOTO line of tripods, look for the colorful tile on all the pages of the thedigitalstory.com. And if you decide that you want one for yourself, use coupon code THEDIGITALSTORY to save 10 percent and receive free shipping.

My 5 Favorite New Features in Capture One Pro 10

Now that I've had a chance to really get to know the latest version of Capture One Pro, here's my list of favorite new features in version 10.

• Three Step Sharpening
• Output Proofing
• Filter by Orientation
• New Default Workspace
• Folder Management in the Folders Area

I just finished recording a new Capture One Pro Essential Training for version 10, and we should see the release in April from lynda.com. And remember, I have the in-depth Capture One Pro 9 Essential Training available now on lynda.com. More than 5 hours of tips, tricks, and techniques. Plus many free movies using advanced techniques.

Updates and Such

Big thanks to all of our Patreon members! I was able to pay for the podcast server and the backup system from last month's pledges. Your contributions are making a positive impact.

We still have one seat open for our Road Trip workshop. (The SF workshop and Rail Adventure have sold out.) If you'd like an invitation to either event, visit the TDS Workshops Page and use the Send Me Info form.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

MeFOTO Air Tripods - MeFOTO Air Tripods are a nimble photographer's dream.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

We didn't even have lens correction in Aperture. But thanks to the DxO Optics Pro editing extension, we can apply these adjustments to our images in Photos.

If you want to see how easy this is to use, take a look at this free movie on how to use the DxO Optics Pro extension.

This isn't round tripping. You get to work with the original RAW file, and you can revert to original right there in the Photos interface. Plus you get other goodies too, such as Smart Lighting, Noise Removal, and ClearView. These are terrific tools worth a look.

Photos for macOS as Your Digital Darkroom

You can learn more about using DxO Optics Pro as an editing extension in my lynda.com training, Photos for macOS: Advanced Editing Extensions.

And if you'd prefer to cozy up with a book, check out The Apple Photos Book for Photographers that features chapters on basic editing, advanced post processing, and editing extensions.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.