The announcements have been steady from PhotoPlus Expo, but no real blockbusters. This seems a bit odd considering this is a non-Photokina year. But what we do have is rather interesting.

Canon has done their part with the G5X (Oct. 13) and a new mirrorless model. They also had a solid printer announcement (Oct. 21). Sony dropped the RX1R II with 42MP sensor and EVF (Oct. 14), and then Leica's cool SL system with Type 601 full-frame mirrorless camera and lenses (Oct. 20) was a great surprise. Sigma piled on with the 20mm f/1.4 (Oct. 16), And I love Fujifilm's unveiling of the weather-sealed 35mm F2 lens and 1.4x teleconverter (Oct. 21).

So even though we haven't seen the screaming headlines like notable other years, there seems to be a little something for everyone. Wish I was there to see it in person.

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Our first podcast was in the Fall of 2005. Now over 680 episodes later, we're more dedicated to sharing news about gear and thoughts of artistic inspiration than ever. You can help support our independent online publishing in a few ways.

Pledge Through Patreon

Patreon is the easiest way to support The Digital Story and The Nimble Photographer - all with just one click of a button, and for as little as $5 a month. Visit our page at patreon.com/thedigitalstory and click on the Become a Patron button. It's that easy. As a thank you for your support, you will have access to the exclusive content and behind the scenes news. Plus I publish tutorials and tips exclusively for Inner Circle Members.

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No self-respecting shooter wants to be caught carrying a selfie stick. But the new Manfrotto Compact Xtreme 2-in-1 Monopod and Pole ($45) just might be the respectable solution that we've been waiting for.

The Compact Xtreme is a combination of a Manfrotto monopod and what the company calls a "pole." This dual personality adapts to a variety of situations, and works in both modes for mirrorless, compact, and action cameras.

Essentially, what they've done is create a lightweight, compact monopod that retracts to a minimum of 17.34", but can be extended to a maximum of 53.19". It weighs in at 0.62 pounds.

The real trick is that they put a universal 1/4" thread at both ends (with protective covers). So you can attach a camera to either end and extend the pole. Since it's lightweight, you can hold it with one arm when it's in "pole mode," or steady it with the ground when it's a monopod.

The kit includes a small aluminum ball head and GoPro adapter. And when collapsed, the Xtreme should fit in many camera bags or easily attach to the outside. The Manfrotto Compact Xtreme looks like a nifty solution for photographers on the go who disdain the traditional selfie stick.

The Manfrotto Compact Xtreme has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

Today on The Digital Story Photography Podcast - Interview with Sony Artisan Brian Matiash, Adjustable Color Temperature LED Lighting, and Drone Registration - all of this and more with Derrick Story.

Weekly Update - DP Review reports: FAA reportedly developing mandatory drone registration system: The U.S. government may soon require most drones to be registered, according to the Associated Press. Sources speaking on the matter state the FAA is working with unspecified industry and government officials to create a registration system. While the exact requirements aren't known, it is believed small and toy drones will not require registration.

The registration requirement would help officials track operators who do not follow the appropriate regulations. The FAA reportedly wants the registration requirement implemented before Christmas, as it is anticipated hundreds of thousands of drones will be sold. The FAA is less concerned with lightweight drones that can't fly above a few hundred feet, as they're not as risky as heavier and more powerful drones.

In other news, "Live GIF app easily turns your iPhone's Live Photos into GIFs and videos" Imaging-Resource reports: "Rather than relying on the support of a few social networks, Live GIF lets you easily turn your photo/video hybrid into an animated GIF or video to share with the world across social media.

Story #1 - "Adjustable Color Temperature LED Lighting"

I've been testing the Dracast LED500 Pro Bi-Color LED Light and have found it amazing for my location photo shoot assignments because of its variable color setting from 3200K to 5600K. Here's how it works.

Story #2 - Interview with Sony Artisan Brian Matiash

Brian is an accomplished photographer who now uses Sony mirrorless cameras for his work. In this discussion, we talk about the switch to mirrorless, Sony cameras, and the ever-changing photo industry.

Story #3 - Uploading Directly from Lightroom to Zenfolio

There are two plug-ins available to connect your Lightroom workflow to Zenfolio. The first is ZExport-to-Zenfolio by Jeffrey Friedl and the other is Photo Upload Zenfolio by New P Products, which allows you to upload your photos from either Lightroom's publish services or from the Export window.

There are also connectors for Eye-Fi, Photo Mechanic, and Windows Live Photo Gallery. You can find out more at the Uploading Photos page on zenfolio.com.

Virtual Camera Club News

TDS Workshops 2016

The Reserve List is off to a great start, with the Pt. Reyes National Seashore event garnering the most entries the first week. The August 2016 workshop will be our first visit to this location. If you're looking for a satisfying summer adventure, take a look at the TDS Workshops Page for more information.

Holiday Note from SizzlPix

5k Ultra High Definition SizzlPix orders received over the next few weeks can be guaranteed to beat the rush and be delivered for the holidays. (a surprise for that person who "has everything.")

For The Digital Story Virtual Camera Club members ... if you'd like additional copies of for gifts, or 5k Ultra High Definition SizzlPix of any other of your images to make spectacular, amazing holiday gifts, order any two SizzlPix to be shipped together, and we'll give you 20% off on the second one! Order any sizes from 18-inches up to a mind-boggling 48 by 72". Imagine -- six feet! and no sacrifice in resolution, luminance, and impact. You can walk up to even the biggest 5k Ultra High Definition SizzlPix as close as you can focus your eyes, and every detail will be there, without grain, noise nor distortion, just as you see it on your phone or pad! Yes, it is like retina display for your wall.

Note from Red River Paper - Red River Paper will be exhibiting at the PDN PhotoPlus International Conference + Expo, October 22-24, at the Javits Center in New York City, and we want to see you there! Stop by booth 1158 to be the first to see their two new paper additions for 2016!

New Title Coming from lynda.com

I'm in the middle of recording Photos for Mac OS X Essential Training, and I think you're going to really like this title. It will be out before the end of 2015. Apple's latest photo management app has more than initially meets the eye. In the meantime, I have Up and Running with Photos for OS X to get you going while I finish the essential training title.

Thanks to everyone who recently reviewed the TDS Podcast in iTunes!

BTW: If you're ordering through B&H or Amazon, please click on the respective ad tile under the Products header in the box half way down the 2nd column on thedigitalstory.com. That helps support the site.

Download the Show

In addition to subscribing in iTunes, you can also download the podcast file here (49 minutes). You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

lynda.com - Learn lighting, portraiture, Photoshop skills, and more from expert-taught videos at lynda.com/thedigitalstory.

Red River Paper -- Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

SizzlPix! - New 5k Ultra High Definition SizzlPix output for your photography. You've never seen your imagery look so good. SizzlPix.com.

Zenfolio If you want your site to look as good as your photos, visit www.zenfolio.com today.

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I'm getting ready to head out the door for a "day into evening" trip to Oakland, CA. As I'm doing so, I'm reminded once again why I'm so dedicated to nimble photography: I hate leaving stuff in the car.

This kit comes with me and has everything I need for the day. Photo by Derrick Story.

As far as I'm concerned, nothing good can come from leaving electronics in a parked automobile. First, there's the heat. In California, that's an issue. We're still "enjoying" weather that tops 80 degrees, which means considerably higher temps in a locked-up car - not really ideal conditions for your electronics.

Even more importantly, possible theft is an issue. I have a sizable investment in my Apple and camera hardware that's stuffed into my daily Lowepro backpack. Leaving it unprotected in an automobile is not good for my business nor peace of mind. Traveling with a much lighter kit just makes more sense.

And finally, I enjoy traveling light. Having everything I need for the day packed neatly in a small, nondescript bag that doesn't attract attention and gives me a real sense of freedom.

Take today as an example. I have a meeting in Oakland this afternoon. Then I'll probably enjoy a little street shooting, finished off by attending the Warriors game at Oracle Arena. In between those events, I'll find a Starbucks for a caffeine pick-me-up and the opportunity to answer email and check what's going on with my sites.

To ensure that nothing gets left behind in the car, I have to pack to the lowest dominator, which is bag size allowed into Oracle Arena (14" x 14" x 6"). At first this may seem daunting, but my city kit is actually smaller than the arena requirements. Here's what I pack:

• Vanguard Havana 21 shoulder bag - 11" x 7" x 5" (I also use the Nimble Shoulder Bag about half the time, depending on the gear inside).
• Olympus OM-D E-M10 camera with 14-42mm compact zoom and 45mm f/1.8 telephoto
• iPad mini with Bluetooth keyboard
• DxO ONE camera (that connects to my iPhone 6S or iPad mini)
• Accessories including earbuds, spare battery, SD card, mini tripod, microfiber cloth, nimble stylus pen, business cards, and an USB cable.

I keep a power adapter in the car if I need to charge anything during transit. I get a ton of work done with this kit, and never have a problem with venue access. And the only time it's in the car is when I'm there too.

This kit has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

I don't understand why anyone would build a $600, 18-megapixel APS-C CMOS sensor camera, and market it for selfies. We have a selfie camera. It's called our smartphone.

Unlike the co-announced Canon G5X, which looks like a truly interesting and capable camera, the M10 is a watered-down mirrorless body aimed at consumers who seem quite happy with their iPhones.

The Canon EOS M10 in selfie mode.

If you're going to compete in the mirrorless space that's dominated by Sony, Olympus, Panasonic, and Samsung, you have to come in stronger than, "puts imaging power and convenience in the hands of the social media generation." Then go on to make it worse, "...sharp images that are sure to draw 'Likes'." This would be like me saying "that's dope" to my 18-year-old son. You just don't do it.

I own many Canon cameras that I like and am truly tempted by the G5X. But I can tell you that the EOS M10 will not be embraced by the social media generation.

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This week on The Digital Story Photography Podcast: Mac OS X El Capitan for Photographers, TDS 2016 Photography Workshop Lineup, Revisiting the DxO ONE with the iPhone 6S - all of this and more on today's show with Derrick Story.

Weekly Update - DP Review reports: Adobe issues Lightroom 6.2 apology and update: Adobe has issued an apology over the 'significant crashing bug' introduced in Lightroom 6.2. The latest version of the software was released last Monday, and brought with it a redesigned import experience. That new experience, unfortunately, also introduced instability into Lightroom and removed some import functions; users reported issues with the software crashing and running poorly.

Adobe's Tom Hogarty issued the apology on Friday, revealing that Adobe was aware of the issues but due to 'the scope of the bug' being unclear, the company decided to ship the software regardless while continuing to 'search for a reproducible case.' Adobe issued a new update on Friday, version 6.2.1, that corrects the problem. It appears what Adobe called, "very low usage features" indeed were not.

In other news, "Light announces the L16, a 52-megapixel 'DSLR-killer' that fits in your pocket" Imaging-Resource reports: "The L16 packs in sixteen 13-megapixel camera modules at three different focal lengths - 35mm (5), 70mm (5) and 150mm (6) - for a total of 52-megapixels. Each of these modules captures an individual image, which is then stitched together via software to yield a photo that Light claims is equal to the quality of a DSLR with a large lens attached."

Light has officially opened up pre-orders for the L16, which will set you back $200 for an immediate deposit and a remaining $1,100 (and applicable taxes) when it ships in 'late summer 2016'. Snagging one after November 6th will bump the price up by $400.

Story #1 - "Mac OS X El Capitan for Photographers"

In general, the update to Mac OS X 10.11 has been a smooth one. Aperture still works well, Photos for OS X receives some nifty new tools, and overall speed seems better. I cover the good and the not so good in today's top feature story.

Story #2 - The 2016 TDS Photo Workshop Season

I've added two new workshops this year: Pt. Reyes National Seashore in August and Reinvent the Wedding in February. Plus, in 2016 we're going to the Eastern Sierra for Fall Color and exploring Bodie. In April, we'll return to San Francisco for the very popular Street Shooting workshop. I cover all of these in today's second feature. You can reserve your spot now on the TDS Workshops page.

Story #3 - Looking at Presets and Customizing in Zenfolio

To help you get started, Zenfolio provides designer presets. They are site design and layout settings that have already been adjusted and optimized to make your various Zenfolio pages have a well coordinated presentation. A preset can be applied to your entire site or individual pages. They are comprehensive, affecting your site settings, theme, layouts, and page options.

As you spend more time with your site, you may want to customize particular areas. There are many ways to do this, today I want to mention that you can import and export the custom themes created through the Zenfolio Theme Designer. So you can share your custom themes with other Zenfolio users and also use themes created by other Zenfolio users. You can also purchase themes from third party sites like Zenjoyable.

The bottom line is this: with Zenfolio, you can combine the design expertise of others with your own personal tastes to create a look that suits your photography perfectly. Find out more at zenfolio.com.

Story #4 - Revisiting the DxO ONE with the iPhone 6S

When I first started shooting with the DxO ONE, I was using my iPhone 5S. Now that I've upgraded to the 6S, I want to update my notes on this interesting high resolution camera.

I'm currently using the Apple leather case with the 6S, and happily, I can connect the DXO ONE to the phone with the case still on. This is a major usability improvement.

Also, the ONE seems to lock-in better with the 6S than with the older model. To me, it felt very secure in use.

And finally, the larger screen and beefed up processing power of the 6S further enhanced operation. There's a real advantage to having direct connection instead of using WiFi for camera communication. Overall, I like the DxO ONE even better with the new iPhone.

Story #5 - From the Screening Room

The DIY Photographer with Joseph Linaschke. In the world of photography, even the simplest accessories can cost a few days' salary. The answer? Don't buy it. Build it! That's the idea behind The Do-It-Yourself Photographer. Every other week, photographer and educator Joseph Linaschke shows how you can fashion ordinary items--from plastic cups to clamps to parchment paper--into accessories that will improve lighting, stabilize your camera, and much more.

You can watch Joseph in action by visiting lynda.com. And you can sign up for your 7-day free trial by visiting the TDS Screening Room.

Virtual Camera Club News

A Word from SizzlPix

The 5k Ultra High Definition SizzlPix is the upgrade now in general release on all orders, so you can display your best photography in sizes from 18-inches to 6-feet with resolution and realism one expects only from the small screens on handheld phones and pads. SizzlPix clients say, contrary to expectation, resolution seems to increase as their photos grow larger!

SizzlPix invites photographers to order a print from the assembly-line plants, and a 5k Ultra High Definition SizzlPix from the same image. Compare them side by side. They've never ONCE had a client declare they liked the mass-produced print better. If yours is the first, you may return your SizzlPix for a full refund!

Note from Red River Paper - "Choosing the Right Paper for Portraits and Weddings Images" - The de facto standard for wedding and portrait prints over the past four decades has been luster paper. Photo labs refer to this lightly textured media as the "photo e-surface." The terms satin, luster, and sometimes pearl can be used interchangeably. It strikes a good balance between the glossy and matte surfaces, offering the benefits of excellent color reproduction, a non-distracting surface, and fingerprint protection.

Thanks to everyone who recently reviewed the TDS Podcast in iTunes!

BTW: If you're ordering through B&H or Amazon, please click on the respective ad tile under the Products header in the box half way down the 2nd column on thedigitalstory.com. That helps support the site.

Download the Show

In addition to subscribing in iTunes, you can also download the podcast file here (32 minutes). You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

lynda.com - Learn lighting, portraiture, Photoshop skills, and more from expert-taught videos at lynda.com/thedigitalstory.

Red River Paper -- Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

SizzlPix! - New 5k Ultra High Definition SizzlPix output for your photography. You've never seen your imagery look so good. SizzlPix.com.

Zenfolio If you want your site to look as good as your photos, visit www.zenfolio.com today.

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Version 5.4.7 of EyeFi Mobi is also compatible with more than 50 WiFi enabled cameras. This means that you can integrate image transfer from older models (without WiFi using the Mobi card) and newer models (with built-in WiFi) using just one app.

In my testing, the system works, but there are a few details you should be aware of. The options are not the same for WiFi cameras as they are for the latest Eyefi Mobi Pro card. The most notable changes are that with camera WiFi, you don't have the selective transfer option, and if you shoot RAW+Jpeg, both files are sent to your mobile device.

For my workflow, this is a big problem. I want to decide which images are transferred to my mobile device, as I can with the EyeFi Mobi Pro. Plus, I need to shoot RAW+Jpeg, but I only want the selected Jpegs to be delivered wirelessly.

So the bottom line is, yes there are over 50 cameras that can send images to the EyeFi Mobi app, but you don't really have any control over that process. Once you connect the two devices, pictures just start streaming to your smartphone or tablet.

There might be some situations where this isn't a problem, and you could take advantage of all your cameras transferring all their images to one location. But for me, I still need the selective transfer of Jpegs only, for the app to be useful with my WiFi cameras.

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You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Lightroom 2.0 for the iPhone and iPad include the newish Dehaze feature that made a big splash on the desktop versions a while back. Adding Dehaze to an already set of excellent editing tools pushes Lightroom up near the top of mobile editing apps.

Dehaze has been added to the list of editing options.

I tested Lightroom 2.0 on my new iPhone 6S. I hadn't used this app often on an iPhone previously, opting for the iPad instead, but the additional real estate of the 6S made it a reasonable experience.

A key aspect is being able to take a quality image with the 6S, edit it in Lightroom mobile, then push it up to Instagram or other social sites in a fast, seamless workflow.

I captured this image at the Palace of Fine Arts in San Francisco with the iPhone 6S, refined in Lightroom 2.0 using the Dehaze tool (as shown here), then pushed up to Instagram via the Open In command. Photos by Derrick Story.

Even if you don't have a Creative Cloud account, you can tap your Camera Roll with Lightroom 2.0. There's a robust set of tools there, now including Dehaze.

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You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Now that I've had a chance to spend a bit more time with Mac OS X 10.11, I thought I'd share my experience with it installed on a 2012 15" MacBook Pro with Retina Display.

In general, performance is very good. Windows open quickly, apps launch cleanly, and things feel healthy. One area that seems to move a bit slower than before is switching from one user to another. Not quite sure what's going on under the hood, but it's not a deal breaker.

Photo Apps

Photos for OS X is the snappy performer that you'd expect from an app recently written from the ground up. The new Photo Extensions are cool. And I like the addition of geotagging.

Aperture 3.6 seems to have a stay of execution on El Capitan. The only real bug I've found so far is that onscreen proofing no longer works. Other than that, all seems good. I even sent a print via WiFi to the Epson R2000 from Aperture. Beautiful!

Lightroom CC 2015.2 generally runs OK for me, but there seems to be a few lingering issues in the community. If you're noticing a performance hitch, turn off "Show 'Add Photos' Screen" via the General tab in Preferences. Some feedback from our TDS photography clan has been harsher, with reports of having to roll back to the previous version of the app. I've read online experts recommending holding off on the LR CC upgrade for the time being. You might want to research this if Lightroom is a mission critical app for you.

Audio Recording

Audio had been a far more challenging issue for me. None of my M-Audio USB interfaces are working with El Capitan. The MobilePre device just records static, and the FastTrack doesn't capture anything.

I finally found a device in my stash that would work: the MXL-TEMPO-KR Condenser Microphone with built-it USB audio interface records well with Mac OS X 10.11. This is a bit ironic for me. With all of my expensive audio recording gear, the device that saved me is a $69 condenser all-in-one device. And for some reason, it sounds better with El Capitan than it ever did before. Go figure. (I really like the snappy red and black design, however.)

Other Apps and Final Word

Everything else that I use daily: Pages, Audio Hijack Pro, Fission, Perfect Browse 9, Transmit, Moon Invoice, iA Writer... and more, all seem good

So my bottom line, after one week, is that El Capitan is a positive upgrade that appears to improve performance. The only current gotchas for me have been some audio interfaces and possible Lightroom hiccups. If either of these are important to you, you might want to wait a bit longer.

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You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.