I've been testing recent releases from Fujifilm searching for that perfect combination of functionality and nimbleosity. You've probably read about my disappointment with the X-E4. Nice camera, but missing too many features for my taste. I did like, however, the XF 27mm f/2.8 pancake lens that you can bundle with it.

Captured with a Fujifilm X-S10 and X-Mount 27mm f/2.8 lens.

When I paired the XF 27mm f/2.8 R WR lens ($399) with the Fujifilm X-S10 ($999), I found a wonderful pairing for on-the-go photography. There are a few key reasons why I preferred the X-S10 to the X-E4.

• 5-axis image stabilization built into the camera.
• Built-in popup flash that can also serve as an off-camera flash controller.
• Excellent handgrip that doesn't really add bulk to the camera. It's about the same depth as the 27mm pancake lens when mounted on the body.
• Battery charger included in the box.

All of this comes at a price, however. Combining the separately purchased XF 27mm lens with the X-S10 body tallies to $1,398 compared to the $1,049 for the X-E4 bundle. The problem is that Fujifilm isn't provided a bundle for the X-S10 and 27mm, so you have to buy them separately at regular price. When the same lens is purchased with the X-E4, you save $200 off the price of the lens.

I would love it if Fujifilm would offer us the same deal with the X-S10. That would be bring the price down to $1,198. Fujifilm: I would buy that bundle in a heartbeat.

Bottom line here is that if you're debating between the X-E4 and X-S10, I recommend the latter. The X-S10 doesn't realistically take more room in your jacket pocket, but packs many more features. It's a great camera.

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #785, April 6, 2021. Today's theme is "If I Were to Buy a Photo Printer." I'm Derrick Story.

Opening Monologue

Quite possibly a barrier to making more visual art is your printer. Do you have an aging behemoth that gives you unpredictable results at best? Has your All-in-One become an All-In-None? Would you like something that's just a bit smarter, smaller, and better looking? Well, then keep listening. Today's TDS Podcast will get you up and running again.

Tune-In Via Your Favorite Podcast App!

---

Apple Podcasts -- Spotify Podcasts -- Stitcher

Podbean Podcasts -- Podbay FM -- Tune In

If I Were to Buy a Photo Printer

Printers have come a long way in the last few years. You can buy units that take up less space and are more fun to use. Here are five of my favorites.

Pigment vs Dye-Based Printers

Very broadly, pigment inks last longer without fading, but dye inks tend to give richer, denser colors and sink deeper into the paper surface. They're both 'inks', but they have different pros and cons and printer makers will choose one or the other (or combine them) according to what the printer's designed for. The best photo printer doesn't necessarily use one or the other - it's up to you how you want to balance immediate print quality against long-term stability.

5 Favorite Inkjet Printers

• Epson SureColor P700 13" Photo Printer ($799) - Max Print Size: 13"x19"; Number of Ink Cartridges: 10 (pigment based); Connectivity: RJ45, USB Type-B, WiFi; Platform Compatibility: Win/Mac; AirPrint Compatible: Yes; LCD: Yes; Accepts Roll Paper: Yes; Front or Rear Feed: Yes.
• Canon imagePROGRAF PRO-300 13" Professional Photographic Inkjet Printer ($899) - Max Print Size: 13"x19"; Number of Ink Cartridges: 10 (pigment based); Connectivity: RJ45, USB Type-B, WiFi; Platform Compatibility: Win/Mac; AirPrint Compatible: Yes; LCD: Yes; Accepts Roll Paper: No.
• Canon PIXMA PRO-200 Wireless Professional Inkjet Photo Printer ($599) - Max Print Size: 13"x19"; Number of Ink Cartridges: 8 (dye based); Connectivity: USB Type-B, WiFi; Platform Compatibility: Win/Mac; AirPrint Compatible: Yes; LCD: Yes; Accepts Roll Paper: No.

If you are doing B&W printing on gallery quality fine art fiber basedmatte papers this may not be your printer. While it certainly does a good job, a pigment based printer with a flat black ink cartridge will give better results.

• Epson Expression Photo XP-970 Small-In-One Inkjet Printer ($299) - Max Print Size: 11"x17"; Number of Ink Cartridges: 6 (dye based); Connectivity: USB Type-B, WiFi; Platform Compatibility: Win/Mac; AirPrint Compatible: Yes; LCD: Yes; Accepts Roll Paper: No.

And it includes a flatbed scanner!

• Canon Pixma TS9521C Wireless All-In-One Craft Printer ($249) - Max Print Size: 11"x17"; Number of Ink Cartridges: 5 (Pigment-Based-Black, Dye-Based-Cyan, Magenta, Yellow, Black); Connectivity: Bluetooth, USB Type-B, WiFi; Platform Compatibility: Win/Mac; AirPrint Compatible: Yes; LCD: Yes; Accepts Roll Paper: No.

And it includes a flatbed scanner!

A New Infrared Photography Online Workshop Begins May 2021

Back by popular demand!

If you want to learn the ins and outs of IR photography from the comfort of your home during this online event, then check out The Second Infrared Photography Workshop that begins in mid-May.

The workshop is already half sold-out via the pre-announcement to our Inner Circle Members (who also receive a discount for the event.) But we still have seats open. I wouldn't delay however if you want to attend.

You will learn how to:

• Choose best IR filter to start with.
• How to test your existing digital camera for infrared sensitivity.
• Learn about the different types of IR conversions for digital cameras.
• See how different IR filters produce wildly different results.
• Learn how to fine-tune your images with software you already own.
• Discover advanced techniques to take your images to the next level.

You can sign up now for $145. Inner Circle Members, visit out Patreon site for a discount coupon code.

LG Leaves a Trail of Photo Innovations Behind As It Exits Mobile

You can read the entire article on Petapixel.

It may not have come as a surprise for those with ears to the ground in the mobile phone industry, but LG is officially walking away. Despite that, it does leave something of an imaging legacy behind.

As of July 31, 2021, it will be the end of an era for the company, as the drawdown will be completed by that date. It will continue to sell the remaining inventory -- even after that date -- but nothing new will come from here on out.

LG's struggle to carve out a steady piece of the market and grow it proved daunting. With Chinese brands emerging as serious contenders to all established players, the market squeeze forced a rethink of what to do to stand out. That's where phones like the Dual Screen G8X and V60 ThinQ, and -- especially -- the Wing, came out looking totally unique.

To my mind, one of the reasons LG lost its way is because it stumbled on the photography side. There were certainly other, sometimes related, reasons, but the imaging part of the equation was a major factor.

The V40 pioneered the triple-camera array, albeit too late to stand out among the pack. The problem was that the software wasn't good enough to help produce better photos. Google had software computation, Samsung had decent output, Huawei had outstanding performance, and OnePlus had improving quality. Tighter competition and less of a differentiating hook continued to push LG to the side.

In an era where camera performance and image quality figured so prominently as a selling point for high-end and mid-range handsets, LG struggled to make its own case. It stopped being the first to do things and followed trends instead. Its attempt at artificial intelligence input for its camera array never amounted to much in the way of innovative prowess.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop - April 21 to May 15, 2021: The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But now I've posted a second session that begins April 21, 2021. If you're interested in attending, just go to catalog page.

My Writing on Medium.com: I now have more than 25 published articles on Medium.com. And if you haven't visited the site, and enjoy good writing on a variety of topics, I suggest that you may want to take a look. You can just go to the home page and enter "Derrick Story" in the search field. And if you like what you read, then follow me!

EV Explorers for Those Who Are Interested in Electric Cars: I've created a new group on DerrickStoryOnline titled EV Explorers. The tagline for this group is: "Bringing Curiosity and Nimbleosity to the World of Electric Vehicle Transportation." Here we can share information, tips, discoveries and more about using electric vehicles for our photography adventures. If you want to join this group, click on this link for an invite. We're going to keep this as a private group for now, but you are invited to join us.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

When you already own a Fujifilm X100V, it's hard not to compare it to the new Fujifilm X-E4. And unfortunately for the X-E4, the X100V is going to win that battle. It's just a better camera.

But there was one thing... I really like the bundled XF 27mm f/2.8 R WR lens that's been redesigned with a new aperture ring and weather resistance. It's a lovely optic that performed quite well.

The 27mm on the E-X4 make it easy to stash the tandem in your pocket for a bike ride, hike, or urban adventure.

If you buy the pancake lens with the camera, you essentially get it for half price ($200 in the bundle, $400 separately). And oddly enough, that actually tempted me to reconsider the X-E4.

Now don't get me wrong, the X-E4 is a good camera. And as I mentioned earlier, if I didn't have the X100V, I might buy it with that compact 27mm. But I'm going to try one other combination first. I have a Fujifilm X-S10 on the way, and I'm going to mount the 27mm on it and do a little exploring with that tandem. The X-S10 provides in-body image stabilization, integrated flash, and a nice grip for my large hands.

Stay tuned. More to come on this front.

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #784, March 30, 2021. Today's theme is "The Bag I Use 90 Percent of the Time (and why)" I'm Derrick Story.

Opening Monologue

The real point of this show isn't the particular bag that I use, but the features that it has and how they are useful for the modern Nimble Photographer. My hope is that this discussion will help find a compact carrying solution that you'll reach for every time you step out the door. All of this and more on today's TDS Photography Podcast. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

---

Apple Podcasts -- Spotify Podcasts -- Stitcher

Podbean Podcasts -- Podbay FM -- Tune In

The Bag I Use 90 Percent of the Time (and why)

When Lowepro released the StreamLine 150 in 2013, it was intended for lightweight vacation travel with a compact camera. Its multi-device design offered dedicated storage for a 7" tablet, smartphone, compact camera, and personal items.

Even though DSLRs still roamed the earth then, there were a number of mirrorless photographers who appreciated the stylish practically of the StreamLine 150 and embraced it for their shrinking camera kits. One of things I like about it is the abundance of small lined pockets that I can use without additional protection cases. Let's take a closer look.

Basic Specs and Features

• Measures 11"x10"x1" and weighs on 0.75 pounds.
• 2 padded and softly lined device front compartments protect against dust, scratches and abrasion.
• 2 additional front pockets for accessories.
• Largish main pocket.
• Two slim pockets for iPad mini or comparable tablet.
• Weather-resistant materials and design.
• Long shoulder strap.

The reason why it's been my go-to bag is because it's slim, stylish, and doesn't look like a camera bag. Some folks might say it looks like a man-purse :-)

I like the way it hugs my body when I'm biking or exploring urban environments. I can tuck it under my arm without attracting any attention. Yet, I have quick access to everything I need.

Inside, I typically carry an Olympus MFT body or the Fujifilm X100V. The iPhone 12 Pro Max fits perfectly in one of the front lined pockets. An extra pair of glasses fits in the other.

Lens cloths, memory cards, and other small items fit nicely in the accessory pockets. Generally, I keep my camera in the roomy main storage space. And there's still room for personal items.

The bags I carry have really become smaller over the years. And as such they are easier to protect from both the elements and prying eyes.

The Lowepro StreamLine 150 is hard to find these days. But I have a brand new one with its original packaging that I will raffle off to our Inner Circle Members. If you're part of our Inner Circle, or join us by April 5th, you can toss your hat in the ring to win the brand new Lowepro Streamline 150. The winner will be announced on next week's podcast.

A New Infrared Photography Online Workshop Begins May 2021

Back by popular demand!

If you want to learn the ins and outs of IR photography from the comfort of your home during this online event, then check out The Second Infrared Photography Workshop that begins in mid-May.

The workshop is already half sold-out via the pre-announcement to our Inner Circle Members (who also receive a discount for the event.) But we still have seats open. I wouldn't delay however if you want to attend.

You will learn how to:

• Choose best IR filter to start with.
• How to test your existing digital camera for infrared sensitivity.
• Learn about the different types of IR conversions for digital cameras.
• See how different IR filters produce wildly different results.
• Learn how to fine-tune your images with software you already own.
• Discover advanced techniques to take your images to the next level.

You can sign up now for $145. Inner Circle Members, visit out Patreon site for a discount coupon code.

Lens Hoods: Do You Actually Need Them?

You can read the entire article on F-Stoppers.

I was curious to hear Marc Newton, from The School of Photography, say that you absolutely must use lens hoods. In the artistic world I don't believe there are any musts really but this video breaks down the reasons he thinks lens hoods are essential pieces of equipment. He's absolute right in some of the things he says and this is a great introduction to beginner photographers, especially, who might be wondering whether to use lens hoods or not. Funnily enough, in some of the example images he provides, I prefer those without the use of a lens hood.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop - April 21 to May 15, 2021: The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But now I've posted a second session that begins April 21, 2021. If you're interested in attending, just go to catalog page.

My Writing on Medium.com: I now have more than 25 published articles on Medium.com. And if you haven't visited the site, and enjoy good writing on a variety of topics, I suggest that you may want to take a look. You can just go to the home page and enter "Derrick Story" in the search field. And if you like what you read, then follow me!

EV Explorers for Those Who Are Interested in Electric Cars: I've created a new group on DerrickStoryOnline titled EV Explorers. The tagline for this group is: "Bringing Curiosity and Nimbleosity to the World of Electric Vehicle Transportation." Here we can share information, tips, discoveries and more about using electric vehicles for our photography adventures. If you want to join this group, click on this link for an invite. We're going to keep this as a private group for now, but you are invited to join us.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Often referred to as the Ultra Color filter because it lets more visible light in, the 590NM filter on a converted camera is one of my favorites. It produces vibrant colors where leaves glow golden yellow and skies are bright blue.

Bike trail photographed with a converted Olympus E-M10 III, 14-42mm Olympus EZ zoom, Kolari 590NM filter, processed in RAW Power. Photos and illustrations by Derrick Story.

There are a couple scenarios where you can work with this slice of the light spectrum. The easiest is to buy a starter kit, such as the Kolari Pocket Full-Spectrum Camera with Infrared Filter Starter Kit for $229. The 590NM is included in the kit. You can also have one of your existing digital cameras converted, or you can buy a converted camera in the lens mount of your choice.

Once you have your camera, and a 590NM filter mounted on it, then make a custom WB setting on a gray card, sidewalk, or similar toned surface. Now you're ready to shoot.

When you first look at the images, they will have a color scheme that looks something like this.

Original file before processing. The Channel Mixer is the key adjustment required for conversion.

This is not the final product. The image is completed in post production using an editor that has a Channel Mixer. You can use Photoshop, RAW Power, or Pixelmator Pro to name a few. This is where you do what we call the "Red/Blue Swap".

Editing the IR image in RAW Power using the Channel Mixer.

The starting point is to go to the Red Channel and set the Red Slider to 0 and the Blue Slider to 100. Then you go to the Blue Channel and set the Red Slider to 100 and the Blue Channel to 0. Then you do a second pass where you further adjust the sliders to taste. Notice in the illustration above that I have in the Red Channel Red set to -0.14 and Blue to 1.7. That's how I got the effect that I wanted.

I worked with with B&W IR photography for years before trying my hand at color. In a previous article titled, B&W Infrared Photography with an R72 Filter, I talk about that process with a regular digital camera. But now that I've ventured into color work, I love having the option to shoot with either look, with 590 being my favorite.

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #783, March 23, 2021. Today's theme is "Hands On Review of the Fujifilm X-E4 Mirrorless Camera" I'm Derrick Story.

Opening Monologue

The FUJIFILM X-E4 is a camera that I've fallen in and out of love a dozen times since I've had it. On one hand it's compact, handsome, and powerful. On the other it lacks image stabilization and the desired number of customizable buttons. So where do I land with the X-E4? I'll reveal my verdict and more on today's TDS Photography Podcast. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

---

Apple Podcasts -- Spotify Podcasts -- Stitcher

Podbean Podcasts -- Podbay FM -- Tune In

Hands On Review of the Fujifilm X-E4 Mirrorless Camera

When Fujifilm announced the X-E4, I thought for sure that I was going to buy it after my review period expired. It's so compact, its controls are familiar, and the image quality could for sure be counted on. Plus, I really like the 27mm f/2.8 lens that's bundled with it.

But it isn't perfect. So before I get into my personal pros and cons, let's review its basic specs and features.

Basic Specs and Features

• 26.1MP APS-C X-Trans BSI CMOS 4 Sensor (6240 x 4160)
• X-Processor 4 Image Processor
• DCI/UHD 4K at 30 fps, Full HD at 240 fps
• 2.36m-Dot 0.62x OLED EVF
• 3.0" 1.62m-Dot 180 Degree Tilting Touchscreen
• 425-Point Hybrid AF System
• ISO 160-12800, up to 30-fps Shooting
• Bluetooth and Wi-Fi Connectivity
• Film Simulation Modes
• XF 27mm f/2.8 R WR Lens
• Same battery as the X100V

The Things that I Like

• Handsome, compact body
• Excellent resolution from the APS-C sensor
• Cool 27mm lens bundled, good sharpness and color
• Tilting LCD is very nice
• Lots of creative controls such as film simulations, manual focusing aids, vintage lens profile ability, and more
• On the fly geotagging works great with my iPhone
• Love having the same battery as my X100V
• Headphone adapter included in the box.
• USB-C port and charging is nice.

Things I Don't Like as Much

• No in-body image stabilization, and OIS lenses hard to come by
• No grips on the camera, and grip accessories add to overall cost
• Jpegs feel over processed with mushy bokeh
• RAWs are noticeably darker than image on LCD and Jpegs
• Would much prefer an f/2.0 prime
• UHS-1 card slot seems like a miss
• Lack of programmable buttons is disappointing
• Why a weather-proofed lens on a non weather-proofed body?
• No battery charger in the box
• No built-in flash nor accessory flash included
• No M-C-S switch
• Play button moved to an awkward location

I've really enjoyed shooting with the camera and the 27mm lens. And I've adapted my favorite compact Pentax HD optics as well, and the images look fantastic.

I was hoping for an interchangeable lens version of the X100V. But the X-E4 falls short of those expectations. The X100V is weatherproof, has a faster lens, more physical controls, built-in flash, hybrid viewfinder, and more rugged build. The lack of IS in the X100V isn't as big an issue because it only has the 35mm equivalent lens. And I think that the Jpegs and RAWs look better from the X100V as well.

So here's what I've decided to do. I have a review model of the Fujifilm X-S10 coming that includes 5-axis IS and a built-in flash, but for only $100 more. I'm going to test it against my X-E4 experience. But for now, I'm holding off on purchasing the X-E4. It's fun, but I think I need more for a $1,000.

If you're interested in the camera, The FUJIFILM X-E4 with 27mm lens is available now for $1,049.

How I Adapted My Pentax HD Lenses to a Fujifilm Camera

Two of my prized compact primes include the Pentax HD Pentax DA 21mm f/3.2 AL Limited and the Pentax HD Pentax DA 70mm f/2.4 Limited. Both are magnificent, and each costs about $450.

The trick was finding the right adapter. The Pentax lenses don't have an aperture ring, and their default state is stopped down. A standard Pentax-K adapter wouldn't work. I needed something specifically for DA lenses.

Fortunately, I found the wonderful Gobe Lens Adapter that not only allows me to adapt the Pentax optics to the Fujifilm camera, but it provides aperture control as well. And it's a beauty, both in design and function.

After testing the adapter, I broadened my lens kit to include the Pentax HD Pentax DA 40mm f/2.8 Limited as well. I have now quadrupled my optics kit for the X-E4 for only the price of the Gobe adapter ($26.50). And the resulting images are wonderful.

1.6 million ISO! Here's a guided tour of the upcoming Pentax K-3 Mark III

You can read the entire article on Digital Camera World.

UPDATE: Ricoh Imaging has given users a guided tour of the Pentax K-3 Mark III, its long-gestating APS-C flagship camera.

Despite confirming in February that the body has been delayed, Ricoh is keeping the Pentax K-3 Mark III flame alive with this 20-minute deep dive into the new camera's capabilities - including its top sensitivity of 1.6 million ISO.

Ricoh product planner Shigeru Wakashiro gives a top-to-bottom overview of the Mark III, taking in everything from the new image sensor to the improved optical viewfinder. If you ever wanted reassurance that the DSLR isn't dead despite the mirrorless revolution, Wakashiro might make a believer out of you.

Check out the full video below - and don't forget to hit the subtitles / closed caption (unless you understand Japanese!).

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop - April 21 to May 15, 2021: The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But now I've posted a second session that begins April 21, 2021. If you're interested in attending, just go to catalog page.

PS: Looks like a second session of the Infrared Photography Workshop is coming as well. Tune in next week for more details.

My Writing on Medium.com: I now have more than 25 published articles on Medium.com. And if you haven't visited the site, and enjoy good writing on a variety of topics, I suggest that you may want to take a look. You can just go to the home page and enter "Derrick Story" in the search field. And if you like what you read, then follow me!

EV Explorers for Those Who Are Interested in Electric Cars: I've created a new group on DerrickStoryOnline titled EV Explorers. The tagline for this group is: "Bringing Curiosity and Nimbleosity to the World of Electric Vehicle Transportation." Here we can share information, tips, discoveries and more about using electric vehicles for our photography adventures. If you want to join this group, click on this link for an invite. We're going to keep this as a private group for now, but you are invited to join us.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Two of my prized compact primes include the Pentax HD Pentax DA 21mm f/3.2 AL Limited and the Pentax HD Pentax DA 70mm f/2.4 Limited. Both are magnificent, and each costs about $450.

Pentax HD 21mm mounted on a Fujifilm X-E4 using a Gobe adapter with aperture control.

But since I have fewer photo assignments these days because of COVID, I'm not using my Pentax DSLRs as much. And it seemed a shame to let these great optics languish in the storage cabinet.

So I decided to explore using them on the new FUJIFILM X-E4 Mirrorless Digital Camera. If they worked as I hoped, they would be a wonderful complement to the Fuji 27mm that comes with the camera.

The Pentax 21mm would equal to 31.5mm on the cropped-frame Fuji, and the Pentax 70mm works out to 105mm. With the Fujifilm 27mm providing a 40mm field of view, that's an excellent trio. I would have to manually focus the two Pentax lenses. But that's not a problem for me. You can read about that in my article titled, The Joy of Manual Focus Lenses on Mirrorless Cameras.

The trick was finding the right adapter. The Pentax lenses don't have an aperture ring, and their default state is stopped down. A standard Pentax-K adapter wouldn't work. I needed something specifically for DA lenses.

Fortunately, I found the wonderful Gobe Lens Adapter that not only allows me to adapt the Pentax optics to the Fujifilm camera, but it provides aperture control as well. And it's a beauty, both in design and function.

After testing the adapter, I broadened my lens kit to include the Pentax HD Pentax DA 40mm f/2.8 Limited as well. I have now quadrupled my optics kit for the X-E4 for only the price of the Gobe adapter ($26.50). And the resulting images are wonderful.

"Backyard Relaxing" - Fujifilm X-E4 with Pentax HD 40mm lens using the Gobe Adapter. ISO 320, 1/140th, f/4.0. Raw file processed in Capture One Pro 21. Photo by Derrick Story.

It's a joy to use adapted lenses on the X-E4 because its outstanding EVF also supports 4 different styles of manual focusing aids. The camera also supports creating lens profiles for the non-Fuji optics. So my metadata correctly reads Pentax 40mm for the optic. The only thing I don't get is the f/stop data. But I'm usually shooting wide open or at f/4 anyway.

I'm really having a blast with the Pentax trio and the X-E4. Mirrorless cameras in general, and the Fujifilm models in particular, allow for so much flexibility. And it really helps to keep the gear costs in check.

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #782, March 16, 2021. Today's theme is "Do I Really Need All Those Photo Subscriptions?" I'm Derrick Story.

Opening Monologue

A reminder for my upcoming SmugMug subscription renewal arrived yesterday saying that I could lock-in the low rate of $85 if I pay for an entire year. Since the pandemic, I haven't used SmugMug once because I'm not doing client shoots. And it got me thinking about the rest of my annual charges. I think it's time to take stock of all my photo sharing subscriptions. And that's the focus of today's TDS Photography Podcast. I hope you enjoy the show.

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Do I Really Need All Those Photo Subscriptions?

I think part of what I had to deal with concerning this project was acknowledging that I'm not the same photographer I was at the beginning of 2020. Most of my assignments are created by me for my blog posts, LinkedIn Learning trainings, Medium articles, and workshops.

I really don't need models anymore because I still can't interact with them, and I don't need sites to manage online galleries for those models and clients. Things have really changed. And the SmugMug renewal notice brought all of this home.

So here's what I've been working on. The subscriptions I've decided to discontinue, I've been downloading all of my content off them in preparation to end the service. I had to start this ahead of time to allow the days required to ensure I got everything.

Looking back over the last 10 years of work, I was amazed at how much content I had online. With SmugMug, for example, it was gallery after gallery that I downloaded. But I did so one at a time so I could organize the work on my backup hard drive. I just chip away at it while working on other projects.

So, what did I keep, and what did I let go? Let's take a look.

• SmugMug - Let Go $85 a year - I really like SmugMug, and it was my go-to service for client password-protected galleries. Their organization, features list, and rendering are terrific. But I just don't do that work anymore, and it doesn't make sense to pay them $85 a year to archive that content. I've moved it all offline on to my backup hard drives.
• Flicker Pro - Keep $59 a year - Fortunately, SmugMug bought Flickr, so they still get some of my money. I'm keeping Flickr because it's cheaper, more versatile, and I have a deeper history of images there. Plus, we have the TDS Online Community on Flickr that I love, and draw images from for the TDS Member Photo of the Day. Flickr stays. (You might want to check out The Digital Story Public Group on Flickr where we have more than 80,000 images by TDS members. It's great!)
• Adobe Photography Plan (20GB) - Keep $9.99 a month - I like Lightroom and love having access to the latest Adobe photography features with this plan. I don't keep it for the storage, rather for the apps. And I appreciate them keeping the price stable over the years.
• Model Mayhem - Let Go $35 every 6 months - I have met many terrific people via Model Mayhem and hundreds of wonderful photographs have resulted. But again, my life is different now. I ended my subscription.
• Dropbox Plus 2TB - Keep $119 a year - Even though Dropbox is more than a photography plan, I use it mainly for that. And because of its versatility and popularity, it has keep its relevance even in this new chapter of my career. My online clients use it, and I need it as much as ever.
• iCloud 2TB - Keep $9.99 a month - If I had to keep just one cloud storage service, it would be iCloud. Since I'm in the Apple ecosystem, this services manages all the work I do on my Mac, including my photos. I wish they had a level in-between 200 GB (which isn't enough) and 2 TB (which gives me lots of head room). Regardless, it's a keeper for me.

So, I've managed to trip 1/3 of my services in 2021. I'll review everything again in 2022 and go from there. Who knows what my world will be like by then?

The Vanagon is Gone!

I know this is a story near and dear to many hearts in our community, but I've sold the Vanagon that I used for workshops over the years, a vehicle filled with 20 years of fond memories.

I've been working on it since that one miserable hot summer day a few years back when I had to have it towed from SF to Santa Rosa. I had feared that she died that day. But like a Phoenix from the ashes, she came back to full functionality. Of course, this included hours of my sweat equity combined with a few trips to Hans in Sebastopol.

And on the day that I handed over the pink slip to a young German pre-med student and his girlfriend, she was running like a top. I honestly had a lump in my throat watching her drive away.

Fortunately, Vanagons retain an excellent resale value on the used market, and the cash payment for my 1990 will be a sizable part of the downpayment for my new all-electric VW ID.4 5 passenger SUV.

This begins a new chapter in my road trip adventures. I'll be using the ID.4 for upcoming workshops and my ongoing exploration of the world.

I placed my reservation back in February, and was able to place the order just last week. So the new car is currently being built, and I should be behind the wheel by late April. I'll keep you posted!

Adobe Photoshop's 'Super Resolution' Made My Jaw Hit the Floor

You can read the entire article on Petapixel.

Adobe just dropped its latest software updates via the Creative Cloud and among those updates is a new feature in Adobe Camera Raw (ACR) called "Super Resolution." You can mark this day down as a major shift in the photo industry.

I have seen a bit of reporting out there on this topic from the likes of PetaPixel and Fstoppers, but other than that the ramifications of this new feature in ACR have not been widely promoted from what I can see. The new Super Resolution feature in ACR essentially upsizes the image by a factor of four using machine learning, i.e. Artificial Intelligence (AI).

What does this mean practically? Well, I immediately tested this out and was pretty shocked by the results. Though it might be hard to make out in the screenshot below, I took the surfing image shown below, which was captured a decade ago with a Nikon D700 -- a 12MP camera -- and ran the Super Resolution tool on it and the end result is a 48.2MP image that looks to be every bit as sharp (if not sharper) than the original image file. This means that I can now print that old 12MP image at significantly larger sizes than I ever could before.

What this also means is that anyone with a lower resolution camera, i.e. the current crop of 24MP cameras, can now output huge image files for prints or any other usage that requires a higher resolution image file. In the three or four images I have run through this new feature in Photoshop I have found the results to be astoundingly good.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop - April 21 to May 15, 2021: The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But now I've posted a second session that begins April 21, 2021. If you're interested in attending, just go to catalog page.

My Writing on Medium.com: I now have more than 25 published articles on Medium.com. And if you haven't visited the site, and enjoy good writing on a variety of topics, I suggest that you may want to take a look. You can just go to the home page and enter "Derrick Story" in the search field. And if you like what you read, then follow me!

EV Explorers for Those Who Are Interested in Electric Cars: I've created a new group on DerrickStoryOnline titled EV Explorers. The tagline for this group is: "Bringing Curiosity and Nimbleosity to the World of Electric Vehicle Transportation." Here we can share information, tips, discoveries and more about using electric vehicles for our photography adventures. If you want to join this group, click on this link for an invite. We're going to keep this as a private group for now, but you are invited to join us.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Infrared photography is a great way to see the world with new eyes. I've been having a lot of fun shooting with my Fujifilm X100V camera and the Hoya R72 Infrared Filter. The workflow is easy, and I'm going to share the steps here for an X100 or any other digital camera that passes the IR test.

"Palm Trees and Apartments" - Fujifilm X100V camera with Hoya R72 Infrared Filter, ISO 640 (via Auto ISO), f/2.0, 1/15th, Auto White Balance, Acros+R B&W film simulation, Jpeg mode. Photo by Derrick Story.

What Cameras Can Shoot Infrared?

One of the reasons I use the X100V is because it easily passed my IR test. Simply take your TV remote controller, point it at the camera in Live View mode, and press the power button to send an IR beam to the camera. If you digicam displays a bright dot on the LCD, then you're in business. The brighter the dot, the better.

Put the Hoya R72 on the Camera

You'll want a bright day for this photo shoot. If you have clouds in the sky with blue, all the better. Set the camera on Auto ISO and let it climb as high as ISO 6400. With the R72 filter, which is quite dense, your shutter speeds will be around 1/15th at f/2, or something in that neighborhood depending on your camera's sensitivity, ISO setting, and maximum aperture.

Set Custom White Balance

By setting your custom white balance to measure green grass or foliage as the target, you can capture a broader range of tones that will improve your tonal options. After you put the 720 filter on your camera (Hoya R72, etc.), then use the custom white balance setting to measure off a living green subject in sunlight.

I recommend that you save this Custom White Balance Setting for future use.

Variation: Set the Camera to B&W Mode

Yes, you can shoot color IR, and that's a whole different ballgame. To get started, I recommend choosing a B&W mode on your camera. For the X100V, I like Acros+Red. You'll be able to preview the infrared effect in live view on the LCD or in the EVF if you have one.

Shoot in RAW+Jpeg mode. The Jpeg will display the Film Simulation, and the RAW will leave you with all of your options open for a future editing date.

Additional Thoughts

One of the things that I like about the X100V for this assignment is that I can switch back and forth between the optical viewfinder and the EVF. It's easier to compose with the optical when the R72 filter is attached.

Look for scenes where infrared shines. Plant foliage against a blue sky with puffy clouds is great. But I also like buildings with landscapes, streets, paths, and anything that gives me the contrast that I want. It's a whole new world.

There is so much more to infrared photography, including working at different parts of the spectrum with cameras that have been modified. But you don't need that to get started. If you like what you get with the R72, then you can continue your journey with additional gear.

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Just this morning there's an update to Capture One Pro 21 (officially 14.1) that includes a new feature called the import browser. And I love it!

Instead of copying the contents from a memory card and thinning out the shoot afterwards, this new feature makes it easy to only choose the shots you want to bring into the application.

Just click on the Viewer icon in the upper left corner. The Import dialog screen now features a big, beautiful browser that provides a detailed look at the images on the memory card. Use the arrow keys to navigate from one image to the next, and keyboard shortcuts to mark the ones you want to bring into the app.

Importing pictures just became a lot more enjoyable (and efficient).

Capture One Pro 21.1 is a free upgrade for C1P 21 users. A free trail is available at the Capture One Pro home page.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.