Building movies in Aperture 3 that combine still images and video snippets is a great way to improve your presentations. There are two simple ways to add a title slide to the video.

The first is the default method where you simply check the box next to "Show title" in the Default tab. Aperture will use the name you've given to the slideshow project and overlay it on the first image. If you want to adjust the font or color, click on the buttons to the right of the check box.

A second method, and the one I prefer, is to go to the gear menu and choose, "Insert Blank Slide With Text." Again you have font and color options, but now you're making your adjustments in the Selected Slides tab.

You can create as many title slides as you want, and drag them to any point in the presentation. They're a handy tool for adding that professional touch to your work.

More Aperture Tips and Techniques

My next Aperture Workshop is May 23, 2011 in Santa Rosa, CA. write me if you're interested in attending.

To learn more about Aperture 3, check out my Aperture 3 Essential Training on Lynda.com. Also, take a look at our Aperture 3 Learning Center. Tons of free content about how to get the most out of Aperture.

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Smart folders are intelligent ways to pull together virtual collections of your images. The great thing is that smart folders are living creatures that continue to populate automatically as the images you add to your library meet the conditions you've set up.

Here's a short video on how to set up smart folders in your iPhoto library.

More Training Available

There are now two ways to learn and have more fun with iPhoto '11: my iPhoto '11 Essential Training ONLINE at Lynda.com, and the new iPhoto '11 Essential Training DVD that you can purchase from the Lynda.com Store for $49.95 US.

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The iPad is great for viewing pictures, but it can help you take them too. I've been playing with an app called SoftBox Pro ($1.99) that makes it easy to use your iPad as a light source for small product photography.

iPad "softbox" was used to illuminate this image of an Audi key. Click on image for larger version.

I captured this shot of an Audi key by positioning the iPad as the sole light source. I set the ISO to 800 on a Canon S90 with auto white balance. The shutter speed was 1/30th with an aperture of f/2. Exposure compensation was -1/3.

SoftBox Pro also has a variety of grids and patterns allowing you to use it as an illuminated surface to put objects on as well as a light source. It could come in handy in a pinch!

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One of the most creative tools I use in Aperture isn't in the Adjustments panel. It's Versions. I make virtual copies of a selected image, then I play with the different looks until I end up with something I like.

Original image on far left, then using versions to work toward final image on far right. Click on image for larger view.

The process is simple. Click on an image, then go to Photos > Duplicate Version. Even though the new image looks and behaves like a full copy of the original, it's only bits of metadata. You're adding virtually no file space to your hard drive.

At this point, I like to put my versions in a Stack by selecting them and choosing Stack > Stacks or CMD-K. I think they are easier to manage this way. Then after some image play, I might create another version and do something else with it.

Final version of the photo using the Black and White adjustment brick in Aperture 3. Click on image for larger view.

Once you have a version the way you like, you can move it to the top of the Stack (Stacks > Pick), then close the Stack by clicking on the little number icon in the upper right corner. You can open the Stack at any time for more play by clicking on the number icon again.

More Aperture Tips and Techniques

My next Aperture Workshop is May 23, 2011 in Santa Rosa, CA. write me if you're interested in attending.

To learn more about Aperture 3, check out my Aperture 3 Essential Training on Lynda.com. Also, take a look at our Aperture 3 Learning Center. Tons of free content about how to get the most out of Aperture.

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I love traveling light, yet still having all the tools I need to capture, process, and upload images. It's what I call "The Nimble Photographer."

DP Review has just published an excellent group test of the Canon S95, Panasonic LX5, and the Nikon P7000 -- three excellent choices for the shooter on the go.

Along with the micro four/thirds options, such as the new Olympus E-PL2, any of these capture devices can round out your travel kit nicely. But how do they stack up against each other?

Well DP Review has done a lot of leg work for us on the compact side. Their S95 - LX5 - P7000 roundup is excellent. My favorite of the bunch is the Canon S95, followed by the LX5.

If you want interchangeable lenses, I'm really liking the Olympus E-PL2 because of its ergonomic body, great lens options, and cool variety of accessories. I'm working on a full review of the E-PL2 now, and should have more published about it soon.

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There are now two ways to learn and have more fun with iPhoto '11: my iPhoto '11 Essential Training ONLINE at Lynda.com, and the new iPhoto '11 Essential Training DVD that you can purchase from the Lynda.com Store for $49.95 US.

Either way, you'll have at your fingertips more than 4 hours of tips, techniques, and pure, unadulterated iPhoto pleasure. I show you how to organize, edit, share, and do amazing things with your digital camera pictures. That means that you can finally take control of every image you capture.

You can see a video introduction to this title here. Oh, and one more thing: I'll have a handful of these DVDs to give away at my upcoming talks at Macworld 2011, Jan. 26-29 in San Francisco, CA.

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There are a lot of nifty tools stashed away in Adobe Photoshop Elements 9 (Win/Mac)that can help you improve your final output. I've been playing with Photomerge Exposure to draw the best tonal values from a set of bracketed images. It's so easy to use, and the results have been quite good.

Choosing Photomerge Exposure in Photoshop Elements 9. Click on image for full screen version.

I usually start with a set of Raw files at varying exposures. I then use the Open command in Photoshop Elements 9. This first takes me to Adobe Camera Raw for initial processing. After that, the images move into the Project Bin in Elements. I select all three in the Project Bin, then go to File > New > Photomerge Exposure.

Using Smart Blending in Photoshop Elements 9. Click on image for full screen version.

I use Smart Blending in the Automatic tab to adjust highlights, shadows, and saturation. Then click Done, and the application does all of the exposure merging for me. The result is a Photoshop file that I can further play with if I want.

Final output from using Photomerge Exposure in Photoshop Elements 9. Click on image for full screen version.

There are a total of six photomerging technologies in Photoshop Elements 9. All of this, plus standard image editing tools and Adobe Camera Raw support, in a package that sells for $79on Amazon. Not bad!

Image captured with a Canon 60D with a 24-105mm f/4 L zoom. ISO 1600 and custom white balance using an ExpoDisc.

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We started conducting photography workshops in 2010, but last week we had our first Aperture Intensive Workshop at TDS Headquarters in Santa Rosa, CA. The next Aperture event is scheduled for May 21, 2011.

I can sum up the event (from my perspective) in one sentence: "It was a blast!"

TDS photographer, Ed Shields working at Schulz Museum during the Winter TDS Aperture Workshop. After all, we needed some new source material to work with.

The difference, as one attendee put it (Ed Shields, pictured above), was that he didn't want someone just telling him about Aperture, instead, he wanted to have a discussion about technique while he learned more about the program. And I think this is a big difference between this workshop and other events that I do. It's a conversation as well as teaching.

Because the groups are so small (limited to 8), we have time over the two days to really talk about different approaches, share ideas, and explore ways to customize the workflow to each attendee's particular needs. The TDS studio is very comfortable, as any visitor will attest, and we can settle in and get our work done. It's like graduate school for software.

If you're interested in attending the next event that begins on May 21, 2011 in Santa Rosa, CA, just drop me a line. The tuition is $495 per person for the two days, and that includes lunches and goodies.

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I've had my Epson R2400 since 2006, and it's still doing the job. But there are features on the latest model, the R3000, that are very desirable. Can I justify spending $850 on a new fine art photo printer when my old axe still works fine? I wrestle with this issue during today's podcast. Plus I provide a first look at the Epson R3000 inkjet printer.

Listen to the Podcast

You can also download the podcast here (28 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App for only $2.99 from the Apple App Store.

Monthly Photo Assignment

Ground Level is the January 2011 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is Jan. 31, 2010. Our SizzlPix Pick of the month for the "High ISO" assignment is Curtis Johnson for "Chester Cathedral." Congrats Curtis!

TDS Summer 2011 Photography Workshop

We're making plans now for the Summer 2011 TDS Photography Workshop. If you want your name on the reserve list, just drop me a line.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. It's a blast!

Podcast Sponsors

Red River Paper -- Try the $7.99 Sample Kit.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

I want the R3000 to be my next photo printer. I've been using my trusty Epson R2400 since 2006, and it's still churning out great prints. But it does have a few annoyances that have been addressed by the new Stylus Photo R3000, Epson's latest generation professional 13" photo printer.

First improvement is auto switching between black cartridges for matte and glossy paper. Ink technology has also improved, and the R3000 uses "UltraChrome K3® with Vivid Magenta pigment ink, combined with Epson's innovative MicroPiezo® AMC™ print head, enables the R3000 to produce gallery-quality black-and-white output, plus vivid color prints with breathtaking blues and violets.". I'm not sure about the superlatives, but I have seen prints from the latest generation of Epson photo printers, and they do look terrific.

The R3000 holds nine 25.9 ml individual ink cartridges. So that large capacity should minimize frequent cartridge replacement. I can also easily put the R3000 on my network since its connectivity options include Hi-Speed USB 2.0, wireless 802.11n, and100 Mbit Ethernet support. And like the R2400, I should be able expect excellent black and white prints with the R3000's "advanced Black-and-White photo mode that creates neutral or toned black-and-white prints from color or monochrome images." Of all the printers I've tested, I prefer B&W from Epsons.

List price at B&H Photo for the R3000 is $849.99. Its estimated availability is March 2011. I'm seriously considering it.

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