This is The Digital Story Podcast #714, Nov. 19, 2019. Today's theme is "Luminar 4 - One Redesign Too Many?" I'm Derrick Story.

Opening Monologue

This week launched with a bang as Luminar 4 hit the streets early Monday morning. And even thought it's too early to judge if it's going to be a runaway success or roadkill, the redesigned Edit module has many version 3 users steering for the exits. We'll take a closer look today and try to determine if this is just a mere fender-bender or will result in a total disaster. Hope you enjoy the show.

Luminar 4 - One Redesign Too Many?

The minute I opened my first picture to edit in Luminar 4, I knew that comments that would immediately surface after its public release.

To be perfectly honest, Skylum chose to fix something that wasn't broken (the Edit module) and ignore the thing that really needed work (the Library module). My prediction is that this will not be a popular release with Luminar 3 users, many of whom will be angry and disappointed all at the same time.

So, what potentially has gone wrong here. While ignoring the under-powered Library module all together, they chose to redesign the Edit module, and as part of that process eliminate the flexibility of Workspaces. What this means is that the adjustment filters must remain in their pre-assigned categories and can't be grouped to individual needs.

To potentially offset this misstep, Skylum did introduce new filters and improved a few existing ones. Here's an overview of those.

• New AI Sky Replacement filter
• New AI Skin Enhancer filter
• New Portrait Enhancer
• New Smart Contrast
• New AI Structure Filter
• Improved LUT Mapping/li>
• Improved Golden Hour Filter
• Improved Denoise Filter
• Improved Adjustable Gradient Filter

That's a lot of new stuff, and I was impressed by the AI filters. They're smart, and for the most part, work as advertised.

But I think existing users are going to start to run out of patience with Skylum's seemingly whimsical approach to UI design. In addition to the new AI filters, what Luminar 4 needed was a big step forward with the Library. And that just didn't happen.

And since Luminar 3 is Catalina compatible on the Mac platform, there's really no compelling reason to upgrade unless you feel the need for the new AI filters.

It appears that Skylum needs to recalculate their direction with future updates of Luminar if they want to hold on to their existing audience.

Luminar 4 is available now for $89 for new users and as a $69 upgrade for those who already own a license.

New Details for Our Upcoming LA Street Photography Experience

This 3-day event on March 13-15 explores classic Los Angeles locations and architecture. Our excursions will take us as far west as Venice Beach, as well as famous movie spots and the back streets of this fascinating Southern California area.

Our HQ will be in a cozy Santa Monica neighborhood, not far from the iconic Santa Monica Pier and the Metro Rail station. From there we'll ride the rail into the heart of LA urban culture, making stops along the way to explore. We will also spend a day photographing Venice Beach with all of its So Cal charm and charisma. What a dream for urban explorers!

You will learn new techniques for safe and effective street photography, how to capture the vibe of great architecture, and enjoy some classic California cuisine along the way.

Olympus Educator, Mike Boening, is our co-instructor. Those of you who have worked with Mike at our SF Street Photography events know how much he brings to the table. Not only is he an official Olympus Educator, he's an accomplished street photographer, and he's going to bring gear for you to test and learn about.

If you want to join Mike and me this coming March, just visit the information and registration page, or go to www.thenimblephotographer.com and click on the Workshops link, or go to the Olympus site - no matter how you get there, Mike and I are looking forward to working with you this coming Spring.

Souping Up My Olympus E-M5 Mark II to Feel More Like an E-M1X

I wanted to do some extended shooting with my Olympus OM-D E-M5 Mark II, so I dug out the HLD-8 Power Battery Holder, which adds a second battery. After getting both parts attached, I experienced a noticeable Deja Vu moment. The rig felt a lot like the OM-D E-M1X that I had recently tested.

Since I hadn't used this older kit for a while, I had forgotten how wonderful the Power Battery Holder felt and operated. It provides shutter buttons with rotating collars in both horizontal and vertical positions, plus two additional function buttons for the vertical grip. There's even a second dial in the vertical position, so you have twin dials regardless of the orientation. The additional BLN-1 battery holder is much more accessible than the port on the bottom of the camera. And you gain a headphone jack as well. It's very comfortable and balanced in both positions. Why didn't come back to this long time ago?

Do You Have a Film Camera that Needs a Good Home?

Over the last year, I've received donations from TDS members who have film cameras that need a good home. What I do is inspect the items, repair and clean as I can, then list them in TheFilmCameraShop where I can find a good home for them. If you're interested in donating, please use the Contact Form on TheNimblePhotographer site. And thanks for you consideration!

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. (The Digital Story is supported by its audience. When you purchase through links on our site, we may earn an affiliate commission.) And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Skillshare is an online learning community with thousands of classes for creators, entrepreneurs, and curious people everywhere. Get two months of learning for free by visiting www.skillshare.com/tds.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #713, Nov. 12, 2019. Today's theme is "Which Photo Software Should You Use?" I'm Derrick Story.

Opening Monologue

For many photographers, the quest for the right photo management software continues. You would think, now that we're two decades into the digital age, that the dust would have settle. But if anything, the landscape is more cloudy than ever. On today's podcast I share insights from our photography community on what they're using and why. I hope you enjoy the show.

Which Photo Software Should You Use?

As part of my job, I have to be somewhat software agnostic. That doesn't mean that I don't have my favorites. But I try to discuss as many viable applications as possible. Because, quite honestly, one of them might be best for you.

For a while there, it looked like things had settled in to Lightroom, Aperture, and iPhoto. But then Apple turned over the cart, and we seemed to be right back where we started.

This did, however, open the door for new software to make the scene that might have otherwise received no attention. And now we have many choices.

I polled our Inner Circle members, they shared what apps they're using now. Here's the list in defending order.

• Photos for macOS - 30 votes
• Adobe Lightroom Desktop Version - 26 votes
• Other - 20 votes
• Adobe Lightroom, Creative Cloud Version - 19 votes
• Adobe Photoshop, with or without Bridge - 15 votes
• Capture One Pro - 15 votes
• OnOne Suite - 9 votes
• DxO PhotoLab - 6 votes
• Exposure X5 - 1 vote

I think Charles sums up the position of many photographers these days: "I primarily us Lightroom Classic to manage and edit my images. I use Photoshop if and when the image requires PS's advanced editing capabilities. Apple's Photos app is used primarily to share images with my Apple centric family. While Lightroom (formerly Lightroom CC) gets used mostly so I can check what's going on in the Creative Cloud. I also use Lightroom Mobile, Luminar and Aurora HDR. Since I've been a Lightroom user since its first beta, I don't think I'll ever change as long as Adobe keeps up its current rate of advancing the platform."

Andrew adds: "Lightroom Classic is my go to now but I use Capture Pro for my my Fuji pictures. I still miss the organisational abilities of Aperture. My workflow is built around Lightroom now and that is my biggest barrier to change. I think things like Luminar are interesting from a processing perspective but it's difficult to find a time to experiment. Lightroom CC and Photos I mainly use to support mobile devices."

Andrew, a former Aperture user, writes: "Nothing has quite replaced Aperture. However, Capture One meets most of my needs although the catalogue isn't quite there. I think Photos is better than many people think and good enough for most. Plugins cover the gap in process. Luminar's catalogue features are pretty basic at the moment, but it's a great plugin."

And finally, Rob chimes in: "I am sticking with LR /PS. A lot of images are in it and I know them well enough for what I do. I do use Luminar and photolab ( they do the best noise reduction ). Luminar I use but via the flex plugin. I find it too slow for culling.
Not mentioned but I do like LR mobile on my iPad and it's ability to synchronize with LR desktop. I can do edits and share easily enough that way.
I just tried PS for the iPad. Very disappointed. How can you release a product without refine edge ? For now on the iPad I am sticking with affinity on the iPad.

I then went over to our TDS Facebook page where I asked the question: ""Which Photo Software Should You Use?" - And I want your input. What do you love/hate about the photo software that you're using now."

Lawrence wrote: "My current software suite is Lightroom for catalog management along with light editing (can't say I love it, but I've stuck with it because of the tagging/collections/rating I've done there over the years. I also use Luminar for heavier editing but I am VERY disappointed that they made a big deal out of Libraries, but then quietly dumped supporting import of Lightroom Libraries). I'm also not thrilled with their move into compositing with sky removal. And lastly, I use a series of other tools as plugins to Lightroom (Excire visual search, ON1 B&W conversion, TopazLabs DeNoise AI)"

Jim added a very interesting comment: "I use Lightroom Classic. I did switch fully to Lightroom CC because I love the idea of having my images in the cloud (backed up locally of course) because I want to move to a mobile only workflow doing all my editing and management on the iPad. It's so much more convenient for travel! I was very pleased with Lightroom Cc but then I discovered a big issue. The mobile applications (phone and iPad) actually store a smart preview of EVERY image and there is no limit on how much space it will use on your mobile device. I confirmed with Adobe that it will consume 100% of device capacity if needed. That was a show stopper that caused me to switch back. None of the other Adobe competitors will work for me because none of them offer desktop, mobile and cloud support. Only Adobe offers all three. I hope one of the others like Skylum one day hits all three!"

I think Peter's comment is interesting: "After many years I've been looking for alternatives to LR. Currently using ON1 as my default and like it. Started to develop a rhythm with it. I like that it doesn't rearrange my file structure. The raw processing works fine for me. HDR module is pretty useless IMO, but that's not a deal breaker. Lots of options to fine tune images to get to my vision. I really wanted to like Luminar, but haven't been able to zero in on a workflow I can get my head around. Did get Aurora, their stand alone HDR software to try out. We'll see. Will go back and try brackets that failed in ON1 and see what Aurora gives me. Retraining my brain to new software is a painful process. Actually have to think about what I'm doing."

And finally, Bob adds:" I currently use LR, with Aurora, Luminar, PS, NIK and a few others when LR falls short. I have a lot invested in LR as a DAM, that getting me to switch off of it would require a huge jump in capabilities to go through the effort. Overall, I feel Adobe is abandoning the LR+PS photographers in favor of pursuing their cloud strategy that does NOT work for me."

So where does that leave us? If you prefer the Adobe ecosystem, there are advantages to using Lightroom + Lightroom Mobile + Photoshop as needed. iPhone photographers and Apple fans should definitely revisit Photos and its substantial bullpen of Editing Extensions. Tethered shooters, RAW aficionados, and those who don't care about having a companion mobile app might want to consider Capture One Pro. And if not of these work for you, there's still the OnOne suite, DxO PhotoLab, Luminar with Libraries, and a handful of others.

Skillshare for Photographers

Skillshare is an online learning community with thousands of classes for creators, entrepreneurs, and curious people everywhere. You can take courses in photography, videography, audio production - you name it, they've got it. So whether you're picking up a new skill for your day job, figuring out your next side project, or pursuing a long-time passion, Skillshare has classes for you.

The photography courses are amazing. One that I recommend is "Documentary Photography: Capturing Places and People" by National Geo photographer Ami Vitale. She is both a great photographer and a compelling personality. And this is just one of many top notch titles on Skillshare.

Join the millions of students already learning on Skillshare today with this special offer for TDS listeners: Get 2 months free. That's right, Skillshare is offering The Digital Story community 2 months of unlimited access to thousands of classes for free. To sign up, go to skillshare.com/tds.

And a big thanks to Skillshare for sponsoring this show!

Don't Stop with Portrait Mode - Make Your iPhone Shots Even Better

You can read the entire TDS article here complete with step-by-step illustrations.

Portrait mode on current iPhones is incredible. Just open the Camera app, slide the options to Portrait, and shoot away. And as impressive as the results initially look, you can make them even better with just a few clicks. Here's how.

• Choose the best lighting scheme.
• Improve skin color.
• Add a soft vignette.
• Don't forget a dash of sharpening.

Now, thanks to iOS 13 and iPadOS, all of these techniques can be applied on the iPhone and iPad as well, with the exception of White Balance. When in Photos for mobile devices, use the Warmth and Tint adjustments instead.

Our LA Street Photography Experience is Coming this March

This 3-day event on March 13-15 explores classic Los Angeles locations and architecture. Our excursions will take us as far west as Venice Beach, as well as famous movie spots and the back streets of this fascinating Southern California area.

You will learn new techniques for safe and effective street photography, how to capture the vibe of great architecture, and enjoy some classic California cuisine along the way.

Olympus Educator, Mike Boening, is our co-instructor. Those of you who have worked with Mike at our SF Street Photography events know how much he brings to the table. Not only is he an official Olympus Educator, he's an accomplished street photographer, and he's going to bring gear for you to test and learn about.

If you want to join Mike and me this coming March, just visit the information and registration page, or go to www.thenimblephotographer.com and click on the Workshops link, or go to the Olympus site - no matter how you get there, Mike and I are looking forward to working with you this coming Spring.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Podcasting Skills Course - Big thanks to everyone who attended our Podcasting Skills Course this past Saturday. I really enjoyed sharing all of those gems with you.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. (The Digital Story is supported by its audience. When you purchase through links on our site, we may earn an affiliate commission.) And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Skillshare is an online learning community with thousands of classes for creators, entrepreneurs, and curious people everywhere. Get two months of learning for free by visiting www.skillshare.com/tds.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #712, Nov. 5, 2019. Today's theme is "5 Gear Recommendations for Peace of Mind While Traveling" I'm Derrick Story.

Opening Monologue

After nearly two weeks away from home, and sometimes under truly bizarre conditions, I leaned heavily on my gear to keep me productive and sane while on the road. On today's show, I discuss five important items that helped me accomplish that goal. You may find some of them surprising. But these are all battle tested and ready for action.

5 Gear Recommendations for Peace of Mind While Traveling

When you're packing for a trip, you may think that everything is going to go perfectly, and you don't need to worry about getting stuff done on the road.

But if you've spent any amount of time traveling, you know that things rarely go perfectly, and in fact, they can go horribly wrong. The good news is, that being prepared for such situations isn't such a painful exercise. And to do so while keeping it light is even better! Take a look at these gear suggestions for the prepared, happy, nimble photographer.

• A High Quality Compact Camera - It's ironic to me that compacts have been suffering at the hands of smartphone cameras. But for serious photographers, a versatile, dependable compact allows us to capture a wider variety of shots, yet keep it light, while on the road. Depending on your shooting style, I recommend Olympus TG-6, Canon G5X Mark II, and the Sony RX100 Mark IIV. One footnote about your nimble compact, USB charging is a big plus!
• Modern Tablet - Laptops are fine when everything is normal and you're sitting comfortably at the dining room table with home WiFi. But when you're dealing with the unexpected challenges of the road, a tablet is where it's at. My iPad mini 5 running iPadOS and with 4G LTE cellular connectivity was a beast on the road. Everything from true web browsing, to article publishing, to text messaging, to image editing, to watching movies on Netflix was handled effortlessly by this compact powerhouse. If I'm going to stay productive on the road, an iPad is required equipment.
• Ring Doorbell - The $99 Ring Video Doorbell with HD Video was critical for peace of mind when I'm thousands of miles away from home. Not only does it keep track of simple things such as when the pet sitter arrives and leaves, but it notifies me of unexpected package delivery, suspicious activity outside, and in my most recent case, the physical safety of my neighborhood. Fire maps and news reports are one thing, but actually looking at your front porch in real time is a magnitude better.

WakaWaka Power+ Light and Charger - I have tried many, many portable chargers over the years, and my favorite remains: the WakaWaka Power+. I like it because it is so incredibly light and compact, yet it provides a 3000 mAh rechargeable battery, 1050 mWatt 22% Sunpower cell, and 2 LEDs (110 lumen/Watt), yet weighs less than 200 grams. I always have one of these in my backpack. It will charge my iPhone, AirPods, and Apple Watch regardless of where I am. PS: don't forget your cords!

• Vanguard Havana 48-Backpack - I have tested more backpacks over the years than I care to count. Many of them I liked. But the Vanguard Havana 48-Backpack has become my trusty companion on the road. It's affordable at $103, non-photo looking, roomy, and protects my cameras, tablet, and laptop with ease. And most importantly, it has extra room that I invariably need when on the road.

One of the cornerstones of nimble photography is traveling light enough to have your gear with you when moving from Point A to Point B. If you have too much stuff, it becomes burdensome. Yet you want to be prepared for the unexpected.

Every minute that I spent preparing for the last trip paid me back with interest. Technology plus planning can be a powerful combination.

Welcome Skillshare to the TDS Podcast Community

Skillshare is an online learning community with thousands of classes for creators, entrepreneurs, and curious people everywhere. You can take courses in photography, videography, audio production - you name it, they've got it. So whether you're picking up a new skill for your day job, figuring out your next side project, or pursuing a long-time passion, Skillshare has classes for you.

I'm looking at a course right now about removing background noise from audio recordings, since that's a situation that I run into every now and then. And there's plenty of other topics to help me stay on top of my game. And that's the goal isn't it? Keep getting better.

Join the millions of students already learning on Skillshare today with this special offer for TDS listeners: Get 2 months free. That's right, Skillshare is offering The Digital Story community 2 months of unlimited access to thousands of classes for free. To sign up, go to skillshare.com/tds.

And a big thanks to Skillshare for sponsoring this show!

Adobe fulfills its promise: Photoshop on iPad is officially here

You can read the entire DP Review article here.

Photoshop on iPad relies largely on the same underlying code, but tweaks a few things to account for the more touch-based input method the iPad offers. Like the desktop version of Photoshop, Photoshop on iPad offers full PSD support so working on projects between multiple devices shouldn't be a problem and new projects created on Photoshop on iPad will automatically be saved to Adobe Creative Cloud so you can pick back up on your computer if need be.

As previous reports from beta testers noted, not all of Photoshop's features are present in the current version of Photoshop on iPad. In Adobe's own words, it focused on bringing 'common tasks and workflows that we know will be useful for most Photoshop users.' Specifically, Adobe has included basic adjustments, brushes, cloning, spot healing, cropping, eyedropper, masking, layers and a few other features.

I downloaded it on to my iPad mini 5, and it ran fine. The app recognized my Creative Cloud subscription (Lightroom/Photoshop $9.99 a month), and logged me right in.

I did some work with the healing brush, and the results were good.

Our LA Street Photography Experience is Coming this March

This 3-day event on March 13-15 explores classic Los Angeles locations and architecture. Our excursions will take us as far west as Venice Beach, as well as famous movie spots and the back streets of this fascinating Southern California area.

You will learn new techniques for safe and effective street photography, how to capture the vibe of great architecture, and enjoy some classic California cuisine along the way.

Olympus Educator, Mike Boening, is our co-instructor. Those of you who have worked with Mike at our SF Street Photography events know how much he brings to the table. Not only is he an official Olympus Educator, he's an accomplished street photographer, and he's going to bring gear for you to test and learn about.

If you want to join Mike and me this coming March, just visit the information and registration page, or go to www.thenimblephotographer.com and click on the Workshops link, or go to the Olympus site - no matter how you get there, Mike and I are looking forward to working with you this coming Spring.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Podcasting Skills Course - The course date is scheduled for November 9, 2019. Registration is open now at www.thenimblephotographer.com.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. (The Digital Story is supported by its audience. When you purchase through links on our site, we may earn an affiliate commission.) And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Skillshare is an online learning community with thousands of classes for creators, entrepreneurs, and curious people everywhere. Get two months of learning for free by visiting www.skillshare.com/tds.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #711, Oct. 29, 2019. Today's theme is "Fire in Sonoma County, Again." I'm Derrick Story.

The Kincade Fire, which began on Wednesday, Oct. 23, 2019 in Geyserville, CA has spread south to Windsor, and yes, close to the northern part of Santa Rosa. Because of the danger that it presents to my home, studio, and two cats, Theresa and I are flying out of Maui right away to deal with the situation. This podcast shares some insight to the challenges at hand.

This is The Digital Story Podcast #710, Oct. 22, 2019. Today's theme is "The Evolution of the Olympus OM-D E-M5 Mark III." I'm Derrick Story.

Opening Monologue

I first learned about the original E-M5 in a closed door meeting at CES 2012. Olympus broke the news to the public the next month, and we started a whole new era of mirrorless photography. Now with the Mark III ready to hit the streets, I thought we'd take a look at this latest model, and the 8-year journey it took to get here. I hope you enjoy the show.

The Evolution of the Olympus OM-D E-M5 Mark III

The Olympus OM-D E-M5 Mark III is once again a substantial improvement over its two previous generations. Before I get to the evolution of this camera, let's review the basic specs for the just-announced model.

The Olympus OM-D E-M5 Mark III

• 20.4 Megapixel Live MOS sensor
• TruePic VIII Quad Core Processor
• Dual F.A.S.T. AF (Contrast & Phase Detection AF) 121 Point (All Cross Type) On-Chip Phase Detection)
• 5-Axis Image Stabilization with up to 6.5 Shutter Speed Steps Compensation with Sync-IS
• 2.36M dot OLED Electronic Viewfinder
• 3.0" Vari-Angle Touch LCD
• Dust, Splash and Freezeproof
• 10fps [H] mode 6fps [L] mode mechanical shutter 30fps [H] mode 10fps [L] mode silent electronic shutter
• 4k Video Capture (30/25/24 fps) with Flat Picture Mode
• USB In-camera Charging
• 30fps Silent Electronic Shutter
• PRO Capture Lag-Free Electronic Shutter Mode

Some people have referred to the Mark III as a mini-EM-1, and I think there's good reason for that nickname.

But its evolution really took a different path, and I think its worth going back to 2012 to understand the real significance of this camera.

Top decks of the E-M5 (left) and the E-M5 Mark II

The first E-M5 was actually a fairly simple camera to operate. It had a mode dial on the left top panel with PASM, i-Auto, movie, Scene, and Art Filter options. On the right side were unmarked twin control dials with function and movie buttons. That was it.

But its functionality was fantastic. You could program the function buttons and the dials to suit your shooting style. The body was weather resistant, and the handling was very comfortable. I still shoot with one today in the studio. I use it for my product shots.

Some people complained that the buttons were too "spongy" due to their weather sealing. I know what they mean, but they never really bothered me that much. The camera is quite durable, and it's performing as well today as when I first bought it.



Then, in February 2015, the Mark II was released. This was a very different camera, and one of my all time favorites.

First of all, it was a wonderful HD video camera. Olympus replaced the up and down tilting LCD with a fully articulated model. The sensor-based image stabilization was further refined. And with the optional grip, you had jacks for both mic and headphones. The video it rendered was truly beautiful. Again, I still use this camera today. It's really good for live streaming.

The top deck of the Mark II was more sophisticated than its earlier sibling. A convenient on/off switch was moved to the mode dial, and there were now four buttons and two dials on top. I really liked the program lever on the back that allowed me to switch from my still photography settings to movie settings in one easy motion.

This camera was equally capable for both stills and movies. Plus Olympus added the 40MP High Res Shot feature. And they continued to refine its features and performance through multiple firmware upgrades.

One thing that held back both the Mark I and the Mark II was computer processing power. In particular, burst modes in RAW were limited and the camera often had to pause to write to the card. And the second limitation was the 16MP sensor. And this brings us to the Mark III.

Not only does it look more like an E-M1 Mark II on the top deck, it features a more robust TruePic VIII Quad Core Processor inside. The overall appearance is sleeker than the chunky Mark II, plus we now have 4K video (which many wanted in the Mark II), Pro Capture, 30fps silent electronic shutter, and a 20MP sensor. Horsepower is no longer an issue.

In a sense, we've returned to the cleaner look of the Mark I, but with the firepower of the E-M1. I think this is going to be a winning combination for Olympus. It was worth the 4-year wait.

Our LA Street Photography Experience is Coming this March

This 3-day event on March 13-15 explores classic Los Angeles locations and architecture. Our excursions will take us as far west as Venice Beach, as well as famous movie spots and the back streets of this fascinating Southern California area.

You will learn new techniques for safe and effective street photography, how to capture the vibe of great architecture, and enjoy some classic California cuisine along the way.

Olympus Educator, Mike Boening, is our co-instructor. Those of you who have worked with Mike at our SF Street Photography events know how much he brings to the table. Not only is he an official Olympus Educator, he's an accomplished street photographer, and he's going to bring gear for you to test and learn about.

If you want to join Mike and me this coming March, just visit the information and registration page, or go to www.thenimblephotographer.com and click on the Workshops link, or go to the Olympus site - no matter how you get there, Mike and I are looking forward to working with you this coming Spring.

Amateur Photographer Magazine Celebrates 100 Years of Olympus

You can visit their site here.

I downloaded a copy to my iPad for $3.99 using their app, which is free in the App Store. It's a terrific article with lots of pictures of Olympus gear over the years, including the Olympus Flex twin lens, Olympus 35 rangefinder, the original PEN f, and of course, the amazing OM series.

They also show selected Olympus print ads from over the years, a cool article, What Olympus Means to Me, a discussion on the Micro Four Thirds Era, and an article on OM to OM-D. There is a lot of great stuff here for those who appreciate the innovation of this brand.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Podcasting Skills Course - The course date is scheduled for November 9, 2019. Registration is open now at www.thenimblephotographer.com.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. (The Digital Story is supported by its audience. When you purchase through links on our site, we may earn an affiliate commission.) And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

Affiliate Links - The link to the Olympus OM-D E-M5 Mark III contains an affiliate code that credits The Digital Story for any purchases made from B&H Photo via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #709, Oct. 15, 2019. Today's theme is "The Sony a7R Mark IV Field Test." I'm Derrick Story.

Opening Monologue

It's big, it's beautiful, and it captures 61 MP files: the Sony Alpha a7R IV mirrorless digital camera with 24-70mm f/2.8 lens is a technology marvel. I wrapped my hands around one and spent a month using it on photo assignment, from darkened haunted houses to mid-day festivals on the green. And today I'm going to share what I learned during those shoots.

The Sony a7R Mark IV Field Test

The kit that I've been using for the last few weeks is the Sony a7R IV with G-Master 24-70mm f/2.8 zoom. What a tandem! I basically felt like I could walk into any assignment with just that camera and lens and come away with the shots I needed. It is a confidence-inspiring rig for sure.

In case you haven't been online for the last month, here are the basic specs.

• 61MP full-frame back-illuminated sensor
• 15-stop dynamic range, 14-bit uncompressed RAW, ISO 50 to 102,4005
• Up to 10 fps continuous shooting at 61MP with AE/AF
• Autofocus: 567 phase-detection / 425 contrast AF points
• Real-time Tracking and Real-time Eye AF for human, animal and movie
• APS-C crop mode delivers 26.2MP high resolution images
• 5.76 million dot UXGA OLED Tru-Finder electronic viewfinder
• High-speed 2.4 and 5GHz Wi-Fi / FTP transfer and wireless PC remote
• In-Body Stabilization: 5-Axis Optical
• Max Video Quality: 4K 30fps
• Twin SD card slots
• Weather sealed.

After shooting with this camera for a month, here are my real world observations.

• It's true, low light performance is fantastic. I shot regularly at ISO 6,400 with acceptable results. ISO 3200 is a piece of cake. ISO 64,000 is acceptable for certain situations.
• Full frame sensor with Sony G-Master 24-70mm zoom is a pro rig. Optics and camera complement each other well. The results are impressive. File dimensions is a crazy 9504x6336 pixels. RAW files were around 123 MBs per shot. Extra Fine Jpegs were 34 MBs per shot.
• The Jpegs are good, but the RAWs are better. I did my testing with Capture One Pro 12.1.3. The out of the camera RAWs with C1P looked better, especially colorwise, than the Jpegs. This probably had as much to to with C1P as it did Sony. Editing the RAWs, however, provided less headroom for highlights and shadows compared to some of my other cameras. You do, however, get built-in lens corrections with the Jpegs.
• Autofocusing, tracking, Eye-AF, animal-AF, and everything else AF is impressive.
• This is also a movie-making beast. Videographers should be very interested in this camera.
• You have to spend some time to learn the menus and customize the camera. If you don't, it will frustrate you.
• If I were a portrait photographer only, I'm not sure I would choose this camera. Skin appears more ruddy that with some of my other rigs. I would probably seek out a lens that was better for portraits.
• The 24-70mm GM produces lovely background and bokeh, however. Its image detail is incredible.
• Viewfinder, ergonomics, and shooting experience is excellent. This camera is a pleasure to use.

The bottom line is, I have no problem recommending the Sony a7R IV with G-Master 24-70mm f/2.8 zoom $5,696. If I were to buy a full frame camera right now, this would probably be at the top of my list. And I much preferred shooting with it compared to the Panasonic S1.

Our LA Street Photography Experience is Coming this March

This 3-day event on March 13-15 explores classic Los Angeles locations and architecture. Our excursions will take us as far west as Venice Beach, as well as famous movie spots and the back streets of this fascinating Southern California area.

You will learn new techniques for safe and effective street photography, how to capture the vibe of great architecture, and enjoy some classic California cuisine along the way.

Olympus Educator, Mike Boening, is our co-instructor. Those of you who have worked with Mike at our SF Street Photography events know how much he brings to the table. Not only is he an official Olympus Educator, he's an accomplished street photographer, and he's going to bring gear for you to test and learn about.

If you want to join Mike and me this coming March, just visit the information and registration page, or go to www.thenimblephotographer.com and click on the Workshops link, or go to the Olympus site - no matter how you get there, Mike and I are looking forward to working with you this coming Spring.

The 5 fastest lenses in 2019

You can read the entire article here from Digital Camera World.

All of these are faster than f/1.0...

• Handevision / Kipon Ibelux 40mm f/0.85 Mark II - Canon EF-M, Fujifilm X, Micro Four Thirds, Sony E, Leica L - $1,480.
• Zhongyi Mitakon Speedmaster 50mm f/0.95 - Canon RF, Nikon Z, Sony FE, Micro Four Thirds - Full frame version is $799.
• Voigtländer Nokton 10.5/17.5/25/42.5mm f/0.95 - MFT - $799
• Leica Noctilux-M 50mm f/0.95 ASPH - Leica M - $11,295
• Nikkor Z 58mm f/0.95 S Noct - Nikon Z - $8,000

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Podcasting Skills Course - The course date is scheduled for November 9, 2019. Registration is open now at www.thenimblephotographer.com.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #708, Oct. 8, 2019. Today's theme is "What Bicycle Repair Taught Me about Photography." I'm Derrick Story.

Opening Monologue

If you've listened to any of my Nimble Photographer podcasts, you know that I believe we can improve our pictures by learning lessons from musicians, illustrators, and writers. But from mechanics too? Oh yeah. This week's photography podcast features a 1982 Peugeot racing bike, a perennial flat tire, and a lesson well learned. I hope you enjoy the show.

What Bicycle Repair Taught Me about Photography

A while back, I bought a 1982 Peugeot Course bike on Craigslist. I knew that was going to be a good match when I called the seller, and the first thing he asked me was how tall I was.

"I'm 6'7"," I replied.

"Great, come on over," he said.

This particular Peugeot had a wonderfully large frame that was still light as a feather. It needed some work, but the price was right and the fit was perfect. So I bought it.

The repairs went smoothly: new brake pads and adjustment, replaced the gear cassette, new front rim, new super cool gum-walled tires, and I was ready for a quick dash downtown.

I absolutely love the ride on this bike. The frame geometry is a bit more upright which made acceleration easy as I pumped directly down. The frame had just the right amount of "give" for imperfect roads and bike paths. I was a very happy rider.

That is, until the next morning when I discovered that the back tire was flat. It's always the back tire. I didn't have time to change it that day, so it had to wait until the weekend.

I couldn't find the offending intruder that punctured the tube, so I just replaced it with a brand new one. Life was good again, that is, until the next morning.

On today's show, I tell the rest of this story and how it connected me to my photography.

Our LA Street Photography Experience is Featured on the Olympus Workshops Page

Olympus has taken an interest in our March Street Photography workshop, and they have listed it on the Learn and Support section of their web site. You can see for yourself by clicking here.

This 3-day event on March 13-15 explores classic Los Angeles locations and architecture. Our excursions will take us as far west as Venice Beach, as well as famous movie spots and the back streets of this fascinating Southern California area.

You will learn new techniques for safe and effective street photography, how to capture the vibe of great architecture, and enjoy some classic California cuisine along the way.

Olympus Educator, Mike Boening, is our co-instructor. Those of you who have worked with Mike at our SF Street Photography events know how much he brings to the table. Not only is he an official Olympus Educator, he's an accomplished street photographer, and he's going to bring gear for you to test and learn about.

If you want to join Mike and me this coming March, just visit the information and registration page, or go to www.thenimblephotographer.com and click on the Workshops link, or go to the Olympus site - no matter how you get there, Mike and I are looking forward to working with you this coming Spring.

Bargain! SanDisk 500GB Extreme Portable USB 3.1 Type-C External SSD

You can get the excellent SanDisk 500GB Extreme Portable SSD Drive for just $89.99 - that's $50 instant savings.

I've been using the Extreme SSD for a year now, and I absolutely love it. It is so light and portable that it fits anywhere. And it's really fast.

I can use this drive to store my Capture One Pro libraries, and the performance is equal to what I experience with my Mac's internal SSD. These little guys are really sweet, and you can get a deal on it right now.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Podcasting Skills Course - The course date is scheduled for November 9, 2019. Registration is open now at www.thenimblephotographer.com.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #707, Oct. 1, 2019. Today's theme is "The TDS 2020 Photography Workshop Season." I'm Derrick Story.

Opening Monologue

Maybe it's because I'm still riding a high from our recent Humboldt Redwoods workshop, but I am so excited to be sharing our 2020 event lineup with you today. We have 4 physical events, and everyone of them could be a flagship workshop any other year. In other words, we have four all stars on the same team. Get your calendars out and join me for a very special podcast.

The TDS 2020 Photography Workshop Season

What makes these events so special? It's the magic blend of fellowship, location, inspiration, and focus. You can actually be single-minded about your craft. I'll take care of everything else.

When I was discussing this on our Patreon site, one Inner Circle member raised a concern about the class presentation on the final day. I'm going to tell you what I say at every workshop. This is not a competition. It is the most supportive creative environment that you will ever share your work with. And no matter your skill level, the floor is yours to discuss your experience and share a few images. I promise you, you will love it.

When you decide which event is best for your, jump over to our 2020 Workshops Signup Page and place a $100 deposit to secure your place. Only participants on the Reserve List who have placed a deposit will be eligible to register for a workshop. If you have questions or need more information, fill out the "Send Me Info!" request form. I'll get back to you asap.

Photo from the Humboldt Redwoods Workshop by participant Harry Telegadas.

• LA Street Photography Experience - March 13-15, 2020 - This hands-on workshop guides you on an exploration of classic Los Angeles locations and architecture. Our excursions will take us as far west as Venice Beach, as well as famous movie spots and the back streets of this fascinating Southern California area. Limited to 9 participants and featuring two instructors (Derrick Story and Mike Boening), you will enjoy great photography, food, and friendship with our fellow enthusiasts. Three days, $749. You can place your deposit here.
• Humboldt Redwoods and Coast Workshop - May 12-14, 2020 - Our home base for this experience is in the hospitable town of Fortuna that's on the banks of the Eel River. From there we explore the magnificent redwood groves of Humboldt County and the rugged coastline of Northern California. This workshop explores three distinct ecosystems in a satisfying 3-day event. Limited to just 9 participants, you can reserve your spot and learn more about this event here.
• Lassen Volcanic Park Photo Workshop - July 16-18, 2020 - We'll convene at a spacious cabin at Lake Almanor that serves as our HQ. From there we explore the stunning Lassen landscape, peaceful shores of Lake Almanor, and the magnificent mountain night skies. This hands-on photo workshop is limited to 8 participants and is a wonderful blending of experience, camaraderie, and artistry. Limited to just 8 participants, you can reserve your spot and learn more about this event here.
• The Eastern Sierra Photography Workshop - Autumn 2020 - Our event is headquartered at the Silver Maple Inn in Bridgeport, CA - gateway to Bodie, Mono Lake, and June Lake. We'll take advantage of the magical morning light to photograph some of the most unique landscape in North America. We'll photograph the sparkling night skies of the Sierra and explore rustic urban environments. Limited to just 9 participants, you can reserve your spot and learn more about this event here.

New Course Offering: Podcast Skills

A course on podcasting has been the number 1 request for new workshop topics. And after some time thinking about the best way to make this happen, I've come up with a one day skills course that you can attend from home, or wherever you have an Internet connection.

This one day event will cover the following topics:

• Recording Hardware
• Editing Software
• Concept and Creation
• Essential Storytelling Techniques
• Show Notes
• Syndication and RSS Feeds
• Getting Your Show on Apple Podcasts, Google Play Music, Stitcher, and More
• Adding Music to Your Show (and Where to Get It)
• Editing Workflow
• Promoting Your Podcast
• The Ins and Outs of Advertising and Sponsorships

The topics will be divided into modules and presented live, and they will be recorded as movies as well. Each participant will receive the catalog of HD movies from the day as part of their tuition.

The course will include insider tips, best practice techniques, and multiple Q&A sessions. Each participant is also entitled to one follow up one-on-one session after the workshop to address questions unique to his or her goals.

The live course, set of recorded videos, and the follow up one-on-one session costs only $249. Inner Circle Members get a 10 percent discount on tuition.

The Podcasting Skills Course is scheduled for November 9, 2019. Participation is limited to 10 people per course, first come, first served. Registration is open now at www.thenimblephotographer.com.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Podcasting Skills Course - The course date is scheduled for November 9, 2019. Registration is open now at www.thenimblephotographer.com.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #706, Sept. 24, 2019. Today's theme is "The Good Shot, Plus the Olympus OM-D E-M5 Mark III." I'm Derrick Story.

Opening Monologue

New York Times photographer Lynsey Addario once said, "With photography, I always think that it's not good enough." And she's not alone in this belief. But there's a wide chasm between good and good enough. And understanding the difference between the two is the top story of today's TDS Photography Podcast. Plus, we've finally got a date for the release of the Olympus OM-D E-M5 Mark III. I hope you enjoy the show.

The Good Shot

Last week, our workshop crew push the limits of their creativity in the redwood groves of Humboldt County. Their challenge was to produce eight images for our class presentation on the final day. And I'm sure that each of them was wondering, "How do I distinguish my work from the efforts of others?"

To help them with this challenge, one of the things that I talked about was the virtue of the good shot. These images tend to be simple in composition, technically solid, and understandable by a broad audience that includes non-photographers as well.

The good shot may at first appear to be basic in design, but it strikes an emotional chord with its viewer. Photographers may think that, "I could have made that picture," yet, they don't have it in their library.

As an example of what I was talking about, I posted a good shot on Instagram. It had twice as many likes as anything else I published that week.

I go into greater depth about this type of photograph in the first segment of today's show.

E-M5III will be announced on October 17 and feature the "same" 20 MP sensor

You can read the entire post on 4/3 Rumors. They report:

I now have learned that the E-M5 III will be announced on October 17 and feature the "same" 20 MP sensor of the predecessor. Of course there will be a new processor that will improve the IQ. But it definitely sounds like this camera is going to be an incremental evolution of the current E-M5 II model.

And unlike what reported by some [that] the E-M5 III has not a "surprise" new feature. Don't trust those sites :)

E-M5 III rumor summary:

• Announcement on October 17 (99% certain)
• Same E-M1II sensor with 121 cross-type phase detection pixels. (80% certain)
• New processing engine (90% certain)
• Lighter, more plasticky but still weather sealed body (60% certain)
• Same BLS-50 battery of the PEN and E-M10 camera series (60% certain)

TDS 2020 Photography Workshop Season to be Announced on October 1

Next year's workshop lineup will include 4 physical events plus online classes as well. My goal is to make it hard to you to decide which workshop you want to attend.

On next week's podcast, I'll unveil the new schedule and share the locations that we will be exploring. You do not want to miss this podcast.

TDS listeners can reserve a spot on the event of their choice with only a $100 deposit that applies to workshop fees. Those on the reserve list are guaranteed the opportunity to register for their favorite event. Participation is limited to 9 for each physical event.

The ultra-wide camera in the iPhone 11 models is fixed-focus, doesn't support Raw capture

You can read the entire post on DP Review. They report:

Last week, Apple debuted its new iPhone 11 devices, all three of which feature an ultra-wide camera module. This marks the first time Apple has put an ultra-wide camera in an iOS device and with the new camera comes all-new capabilities and shooting modes.

Revealed by Halide developer Ben Sandofsky, the ultra-wide camera has a fixed-focus lens and doesn't offer any Raw photo output. The reasoning isn't yet known, but as noted by a number of responses to Sandofsky's tweet, it's possible the reason for not offering Raw output from the ultra-wide camera is due to the barrel distortion present in the uncorrected images from the ultra-wide camera. If not corrected, the distortion would be dramatic considering the 13mm (35mm equivalent) focal length, and without having iOS apps with that correction built-in it would result in rather distorted images.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Podcasting Skills Course - The course date is scheduled for November 9, 2019. Registration is open now at www.thenimblephotographer.com. Click on the Workshops tab.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #705, Sept. 17, 2019. Today's theme is "Time for a New Bag and Triple Cam Trippin'." I'm Derrick Story.

Opening Monologue

Sometimes you open up the closet, peruse your options, and mumble to yourself, "I just don't have anything to wear." In this case, I'm talking about camera bags. I have all of these great adventures lined up, and none of my existing carrying solutions feel right. So I did something about it. Also this week, I take a peek at the new triple camera trend in smartphones. Maybe we don't need a bag after all? Today, on the TDS Photography Podcast.

Time for a New Bag

Nobody wants to explore the magnificent Redwoods with a suitcase in hand. Now, I wasn't planning on doing that, but my existing urban gear just didn't feel appropriate, and my current backpacks look like they have thousands of dollars of gear inside.

I wanted something that was more like the Big Lebowski and less like Wall Street goes to the forest. So I made a checklist of features that I wanted, starting with "casual vibe," and began nosing around on the Internet. When I found the Vanguard Havana 48 ($103), my first impression was that I had hit pay dirt.

But how would the pack hold up during testing? Was it all looks and no brains? Here are the features that are important to me:

• Lots of room to serve as my Point-A to Point-B gear bag. (This is the bag that goes from the house to the hotel, with everything in it. I can then switch to a smaller bag for the field once I'm there.)
• Looks more like a regular backpack than a photo bag. (I have a couple nice backpacks already, but they scream: "Lots of expensive equipment in here!")
• Removable inserts allow me to convert it to a regular backpack. (Versatility is important. Maybe needs a change-up for a particular outing, and lunch and clothing are required instead of gear.)
• Comfortable harness system so I can wear it for extended periods of time if necessary. (You never know when suddenly you have to hoof it for a distance.)

Plus it has to have:

• Rain cover
• Trolly sleeve
• Fast laptop access
• Easy iPad access
• Dual water bottle pockets
• Affordable

The bottom line. I like the Vanguard Havana 48. I really do feel like the dude with just a regular backpack. It does a good job of helping me organize my gear. And the extra room is really handy. I have a feeling that I will be using the Havana 48 for some time to come.

If you want to learn more about it, and see my pictures of the backpack, check out my review on The Digital Story.

Thoughts on the New Triple Camera iPhone

Last week Apple announced the iPhone 11 Pro with a triple camera setup. This is part of a trend that we are seeing by other manufacturers as well. What exactly is the triple camera?

It is exactly what it sounds like - 3 separate cameras integrated into one device. The cameras themselves are interesting.

• The Ultra Wide - 13mm focal length with an f/2.4 aperture. It features a 5-element lens with a 120 degree field of view and a 12MP sensor.
• The Wide Camera - Most of us are already familiar with this 26mm focal length with a f/1.8 aperture. This is the workhorse camera on top tier smartphones. Apple's has a 6-element lens with optical stabilization and a 12MP sensor.
• The Telephoto Camera - This is a bit of a misnomer in that it's a 52mm lens at f/2.0. (My iPhone X is f/2.4.) It also has optical stabilization and a 12MP sensor.

The iPhone 11 Pro provides a 4X optical zoom range. This is different, and better, than digital zoom which is based on electronics and not actual lenses.

You start adding other features, such as Night Mode, Portrait Mode, Smart HDR, and you can see why many people consider Apple a camera company as well as computers and tablets. They've also brightened the flash by 36 percent, which is think is very important. And the display is improved as well.

Humboldt Redwoods Workshop This Week

I'm thrilled that our Humboldt Redwoods Workshop is finally here. There's a little rain in Northern CA right now, which is going to make the redwoods this wonderful, mystical, fragrant environment for our photography.

I'm working on next year's workshop schedule, and I'll be announcing the line up in October. Stay tuned for more information.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Podcasting Skills Course - The first two course dates are scheduled for October 12 and November 9, 2019. Registration is open now at www.thenimblephotographer.com. Click on the Workshops tab.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.