This is The Digital Story Podcast #624, Feb. 27, 2018. Today's theme is "Canon, Fuji, and Pentax Make Big News" I'm Derrick Story.

Opening Monologue

The Canon EOS M50, Pentax K-1 Mark II, and Fujifilm X-H1 are all very different cameras. But the one thing they have in common is that they are all recent announcements. Can we speculate about where the camera industry is going by examining these? We take a closer look in today's TDS Podcast.

Canon EOS M50

The Canon EOS M50 will sell for $899 with kit lens and will be available on March 26, 2018.

The Canon EOS M50 is an entry-level mirrorless camera that features an electronic viewfinder, fully articulating touchscreen, single control dial and a 24MP APS-C sensor - the same used by its M-series siblings. It has Canon's latest DIGIC 8 processor and offers expanded Dual Pixel AF coverage, 4K/24p video capture (1.6x crop) as well as Wi-Fi, Bluetooth and NFC.

• 24MP APS-C CMOS sensor
• Dual Pixel autofocus for stills and video
• DIGIC 8 processor
• 2.36M-dot OLED EVF
• 1.04M-dot vari-angle LCD
• 7.4 fps burst in AF-C (10 fps in AF-S)
• 4K/24p UHD video (1.6 x crop)
• 1080/60p and 720/120p HD video
• Wi-Fi and NFC with Bluetooth
• 235 shot-per-charge battery live (via CIPA)

Source: DP Review.

I think the biggest appeal is for photographers already shooting Canon being able to use existing lenses with an adapter.

Pentax K-1 Mark II

The Pentax K-1 Mark II will sell for $1,996 is will be available on March 11, 2018.

The K-1 II's main addition is an 'accelerator unit,' which is a pre-processor that sits between the 36MP CMOS sensor and the PRIME IV image processor. Ricoh says that this pre-processor increases the signal-to-noise ratio, thus reducing noise, which implies it's a a noise reduction process. Ricoh told us that the accelerator unit, which was found on other Pentax models like the K-70, was not ready for the K-1 when it launched.

Thus, the company has increased the top ISO to 819,200 - a big jump from 209,400 on the original model. We'd be shocked if anything near that ISO is usable, seeing how the K-1 looked at 209,400 (hint: poor, like all cameras in its class), but we'll find out soon enough.

The K-1 Mark II can, of course, still use the Pentax DA lenses designed for the company's APS-C cameras. By default the camera will use a 15MP APS-C-sized crop of the sensor if a DA lens is mounted but can be made to use its full sensor region, if you'd prefer. Ricoh has published a list of those lenses that will produce relatively useable results in full frame mode, if the aperture is stopped down.

• 36.4MP Full-Frame CMOS Sensor
• PRIME IV Image Processor
• 3.2" Cross-Tilt LCD Monitor
• Full HD 1080p30 Video Recording
• SAFOX 12 33-Point AF Sensor
• Native ISO 819200; 4.4 fps Shooting
• Pixel Shift Resolution II
• 5-Axis In-Body Shake Reduction
• Built-In Wi-Fi & GPS; Dual SD Card Slots
• Weather-Sealed Magnesium-Alloy Body

For a limited time this summer, current Pentax K-1 owners will be able to send their cameras in for service, essentially upgrading them to a Mark II. The service will include a main circuit board swap, and the 'SR' logo on the front of the camera will be replaced with a Mark II logo. The upgraded circuit board will add all of the features introduced in the Mark II, such as shooting at up to ISO 819,200 and an updated Pixel Shift mode.

The K-1 upgrade service will cost $550 US / $690 CAD and will be offered from May 21, 2018 to September 30, 2018.

The upgrade will be available for the same period in Europe at a cost of £450 in the UK and €500 across the rest of Europe.

Source: DP Review.

The Fujifilm X-H1

The Fujifilm X-H1 will sell for $1,899 and will be available on March 1, 2018.

The X-T2 offers 4K video, but the X-H1 takes things to a different level. Virtually every aspect of the X-H1's video feature set is upgraded compared to the X-T2. Thanks to its larger internal volume it can shoot 4K for longer (15 mins compared to 10), and while the two cameras both impose a modest 1.17X crop, the X-H1 boasts a maximum bitrate of 200Mbps and the option to shoot F-Log internally.

The X-H1's new 'Eterna' film simulation preset is intended to provide a quick and easy way to shoot gradeable, wide dynamic range video footage. For the first time, you can apply dynamic range 'DR' expansion settings in video mode on the X-H1, too. When combined with the DR400%, setting, Fujifilm says that footage shot using the Eterna preset should deliver a total of 12EV of dynamic range.

While it uses the same 24MP APS-C X-Trans sensor as the X-T2, the X-H1's on-sensor phase-detection autofocus system has been seriously upgraded. The most obvious improvements are to low-light sensitivity and focus tracking. The X-H1 can now focus down to -1EV (compared to the X-T2's limit of 0.5EV) and phase-detection AF should work even at effective apertures as small as F11 - i.e. when shooting at the long end of the XF100-400mm F4.5-5.6 zoom, when combined with a 2X tele-converter

Source: DP Review.

• 24.3MP APS-C X-Trans CMOS III Sensor X-Processor Pro Engine
• 5-Axis In-Body Image Stabilization
• Internal DCI 4K Video and F-Log Gamma
• 0.75x 3.69m-Dot Electronic Viewfinder
• 3" 1.04m-Dot 3-Way Tilt LCD Touchscreen
• 325-Point Intelligent Hybrid AF System
• 1080p at 120 fps; Flicker Reduction Mode
• 1.28" Sub-LCD Top Screen
• Weather-Sealed Body; 2 UHS-II SD Slots/
• Same sized battery as the X-T2

I really like the top deck LCD. I think it looks great and is truly useful.

Coming Up: Build Your Digital Darkroom with Photos (And Get a Free Signed Copy of My New Book)

Our next Nimble Classroom is on March 10, Build Your Digital Darkroom with Photos. Here's why you might want to attend.

Come Join me at the Skylum Photography Public Group

I'm now moderating the Skylum Photography Public Group, and I would love to have interested members from our audience join me there.

The San Francisco Street Photography Workshop Update

I've published an informative article on the San Francisco Street Photography Workshop that you may want to take a look at.

San Francisco Street Photography - April 26-28, 2018 - We'll work entirely on location in San Francisco. Our hotel in picturesque Union Square will serve as our headquarters during the event. No rental car will be necessary. We'll explore the City's hidden treasures and capture them through our lenses. As always, we're adding new shooting locations again this year, including twilight assignments. This is San Francisco like you've never seen it before. And as a bonus, Olympus Visionary Mike Boening will be joining the teaching staff and leading sessions on street shooting and night photography. Two instructors, three days, and all for just $695. (That's right, it's 3 full days in one of the most photogenic cities in the U.S.)

New! TheFilmCameraProject on Instagram

I've started a new Instagram feed just for film camera lovers. It's called TheFilmCameraProject, and it's for those who appreciate the beauty of analog SLRs.

And to celebrate the launch, I'm giving away one Pentax SLR and lens to one lucky follower of TheFilmCameraProject. All you have to do is follow the feed by Feb. 28, 2018. I'll then do a random drawing and announce the winner on the March 6 podcast. Join in the fun, and get to admire some really beautiful camera along the way.

Updates and Such

I now have the dates for the Sonoma Country Hot Air Balloon and Drone Photography Workshop, June 8-10, 2018. We're combining two very fun aerial activities into one workshop. Be sure to get on the Reserve List for this one!

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Videoblocks - Go to videoblocks.com/digitalstory to get all the stock video, audio, and images that you can imagine for just $149. Save on millions of studio-quality clips, tracks, and graphics.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #623, Feb. 20, 2018. Today's theme is "Should Our Cameras Be as Smart as Our Phones?" I'm Derrick Story.

Opening Monologue

I've been thinking about how the camera industry could better combat the encroaching smartphone phenomenon that is eroding their marketshare. Should Nikon, Canon, Sony, Olympus, and Fuji tap computational photography for their devices? Or would another approach make more sense? I address this issue on today's TDS podcast.

Should Our Cameras Be as Smart as Our Phones?

I was up early shooting on Sunday morning. The air was crisp and clear, and the breeze hadn't kicked up yet. So off I went with my iPhone X, Pentax KP DSLR, and Olympus PEN mirrorless.

My experience changed noticeably as I switched from camera to camera. Standing there in the middle of a vineyard, the most visually delicious visuals were looking through the optical viewfinder of the Pentax DSLR. Everything was so beautiful, and it inspired me to compose the best shots possible.

The electronic viewfinder on the PEN-F was also satisfying, but in a different way. It was like I was in a darkened theater watching the scene on a screen. And it had the advantage of presenting me with realtime exposure compensation feedback.

The iPhone was the least satisfying. Seems like composing on its amply-sized LCD should have been engaging. But I found it far less inspiring than my dedicated cameras.

This got me thinking about approaches that camera companies, and you and me, could take when encouraging aspiring artists to add a dedicated camera to their toolset. Here are my five favorites.

• Emphasize your strengths. Create viewing experiences that can't be matched on a smartphone.
• Continue to develop tempting lens options, and possibly create more interchangeability among brands. Look how well Olympus and Panasonic have fared by doing so.
• Add a computational photography mode to help those making the transition from smartphones to cameras. I know there are scene detection modes now, but they pale in comparison to what we experience with mobile devices.
• Don't try to compete on the selfie level, emphasize important life events such as travel, weddings, and art.
• Continue to explore the design aesthetic. Smartphones are hampered by the need to fit slimly in one's pocket. But cameras have far more latitude with design, and that should be tapped.

Becoming smarter is only part of the answer. Camera manufacturers have so many assets they can leverage. They just need to focus.

Come Join me at the Skylum Photography Public Group

I'm now moderating the Skylum Photography Public Group, and I would love to have interested members from our audience join me there.

The San Francisco Street Photography Workshop Update

I've published an informative article on the San Francisco Street Photography Workshop that you may want to take a look at.

San Francisco Street Photography - April 26-28, 2018 - We'll work entirely on location in San Francisco. Our hotel in picturesque Union Square will serve as our headquarters during the event. No rental car will be necessary. We'll explore the City's hidden treasures and capture them through our lenses. As always, we're adding new shooting locations again this year, including twilight assignments. This is San Francisco like you've never seen it before. And as a bonus, Olympus Visionary Mike Boening will be joining the teaching staff and leading sessions on street shooting and night photography. Two instructors, three days, and all for just $695. (That's right, it's 3 full days in one of the most photogenic cities in the U.S.)

New! TheFilmCameraProject on Instagram

I've started a new Instagram feed just for film camera lovers. It's called TheFilmCameraProject, and it's for those who appreciate the beauty of analog SLRs.

And to celebrate the launch, I'm giving away one Pentax SLR and lens to one lucky follower of TheFilmCameraProject. All you have to do is follow the feed by Feb. 28, 2018. I'll then do a random drawing and announce the winner on the March 6 podcast. Join in the fun, and get to admire some really beautiful camera along the way.

Coming Up: Build Your Digital Darkroom with Photos

Our next Nimble Classroom is on March 10, Build Your Digital Darkroom with Photos. Here's why you might want to attend.

Updates and Such

I now have the dates for the Sonoma Country Hot Air Balloon and Drone Photography Workshop, June 8-10, 2018. We're combining two very fun aerial activities into one workshop. Be sure to get on the Reserve List for this one!

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Videoblocks - Go to videoblocks.com/digitalstory to get all the stock video, audio, and images that you can imagine for just $149. Save on millions of studio-quality clips, tracks, and graphics.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #622, Feb. 13, 2018. Today's theme is "A Personal Photo Essay." I'm Derrick Story.

Opening Monologue

Some of the most interesting photo essays that I've seen over the years are those where the photographer is allowed inside someone's life in their home. It's fascinating to peer behind the curtain of their life, and think about how it compares to mine. But what if we told our own story, from our personal point of view? I talk about this project that anyone can do, with any camera, on this week's photography podcast.

A Personal Photo Essay

This all started one afternoon when I was writing in the main room of my studio. The winter light was streaming in from the big window facing south, and it illumined a work table where I had some of my things.

As I looked at the scene, I thought, this one picture says a lot about my interests. There were a pair of red headphones hanging on the chair, a B&W print on the table, a Contax film camera, pens in a fake lens cup, and a Kodak scanner that I'll be reviewing soon.

Wouldn't it be fun to do a photo essay on a day in my life here? I would take pictures of the kitchen (where I spend too much time), Dibs, Studio A, Studio B, my washer that doesn't fit quite right in the laundry room, backdrops hung over the balcony rail upstairs, and on and on.

Imagine someone finding this photo essay years later? They would learn so much about me. And even on a practical level, many of these images would be helpful for insurance claims if something bad happened here in the near future.

So here are five tips that I have to help encourage you to endeavor your own personal photo essay.

• Look for scenes that really represent you - Your clothes hanging in the closet, your workroom, the car outside.
• Tidy, but don't over organize. Since it's a photo essay, we do want the images to look good. But don't over organize losing the soul and personality of the scene.
• Keep it to 36 exposures. I think 36 is a magic number here. It's a roll of 35mm film, a nice length for a slideshow, enough to tell the story, not so many that it becomes boring.
• Write captions for the shots. Images do say a lot, but a few additional words say even more.
• Finish the project. Build a slideshow, create a gallery that's saved as PDF, etc. Part of the beauty of this project is that it can be shared, discovered, and viewed.

New! TheFilmCameraProject on Instagram

I've started a new Instagram feed just for film camera lovers. It's called TheFilmCameraProject, and it's for those who appreciate the beauty of analog SLRs.

And to celebrate the launch, I'm giving away one Pentax SLR and lens to one lucky follower of TheFilmCameraProject. All you have to do is follow the feed by Feb. 28, 2018. I'll then do a random drawing and announce the winner on the March 6 podcast. Join in the fun, and get to admire some really beautiful camera along the way.

LRTimelapse 5 Is Here With Many Improvements and Additional Features

As reported on F-Stoppers,

LRTimelapse is without a doubt the best piece of software to manage extreme day-to-night and night-to-day transition when capturing a time-lapse sequence. This flicker remover program changed the industry for good and a new version with many improvements has just been announcement by its creator. Here is what you need to know about it.

LRTimelapse 5 is a big upgrade from version 4 but the workflow remains similar. The first thing you'll notice on LRT5 is the polished user interface. The buttons and icons look nicer and the interface is completely scalable for high-resolution monitors. Seasoned LRTimelapse users won't be lost but everything is better and faster thanks to the optimization and improved use of multithreading platforms. The program can now handle up to 32 threads.

The San Francisco Street Photography Workshop Update

Reservation forms have been sent to Reserve List members. If you signed up on the Reserve List, but didn't receive an invite, please email me.

San Francisco Street Photography - April 26-28, 2018 - We'll work entirely on location in San Francisco. Our hotel in picturesque Union Square will serve as our headquarters during the event. No rental car will be necessary. We'll explore the City's hidden treasures and capture them through our lenses. As always, we're adding new shooting locations again this year, including twilight assignments. This is San Francisco like you've never seen it before. And as a bonus, Olympus Visionary Mike Boening will be joining the teaching staff and leading sessions on street shooting and night photography. Two instructors, three days, and all for just $695. (That's right, it's 3 full days in one of the most photogenic cities in the U.S.)

Updates and Such

I now have the dates for the Sonoma Country Hot Air Balloon and Drone Photography Workshop, June 8-10, 2018. We're combining two very fun aerial activities into one workshop. Be sure to get on the Reserve List for this one!

The latest training videos posted for our Inner Circle members are processing aerial photographs in Luminar and using Lightroom for time-lapse photography.

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Videoblocks - Go to videoblocks.com/digitalstory to get all the stock video, audio, and images that you can imagine for just $149. Save on millions of studio-quality clips, tracks, and graphics.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #621, Feb. 6, 2018. Today's theme is "Using Lightroom for Time-Lapse Photography" I'm Derrick Story.

Opening Monologue

One of the joys of mirrorless photography is that the cameras typically have an extensive feature set, including an interval timer for time-lapse photography. But, once we've captured the frames, what's an easy way to render the movie? Did you know that Lightroom can handle it? It can, and I explain how in today's TDS photography podcast.

Using Lightroom for Time-Lapse Photography

On my Olympus cameras, if I go to the bottom of Camera Menu 1, I can set up an interval program to capture thousands of frames over a period of time. Also, using the Cascable app's Shutter Robot, I can also set up a time-lapse program. And after a few hours, I have thousands of images on my memory card.

But then what? I wanted to find an easy way to render an HD movie from those pictures, have the ability to manage and edit the frames, use software that worked on both platforms, and didn't cost me anything more than what I've already invested in my gear. The solution that surfaced: Lightroom Classic CC.

The only missing ingredient is a set of templates that you can download for free via an article on the Adobe blog titled, To the fast lane of time-lapse with Photoshop Lightroom.

Once you have the templates installed in the Slideshow module, you can take all those frames you've captured and convert them into an HD movie.

If you want to see the time lapse that I created, you can watch it here.

I've also published a 16-minute video tutorial for our Inner Circle Members that walks you through all the steps. After watching that, you'll be ready to create your own time-lapse movie with Lightroom.

New! TheFilmCameraProject on Instagram

I've started a new Instagram feed just for film camera lovers. It's called TheFilmCameraProject, and it's for those who appreciate the beauty of analog SLRs.

And to celebrate the launch, I'm giving away one Pentax SLR and lens to one lucky follower of TheFilmCameraProject. All you have to do is follow the feed by Feb. 28, 2018. I'll then do a random drawing and announce the winner on the March 6 podcast. Join in the fun, and get to admire some really beautiful camera along the way.

Layers in Capture One Pro 11

We have our first Nimble Class this coming Saturday, Layers in Capture One Pro 11.

The headline new feature in Capture One Pro 11 is the redesigned layers area for localized editing. In this classroom, Derrick Story shows you best practices for working with layers in Capture One Pro 11. Class participants may submit their unique questions before class, allowing Derrick to incorporate that content into his teaching. And there will be live Q&A sessions throughout the course.

The San Francisco Street Photography Workshop Update

Reservation forms have been sent to Reserve List members. If you signed up on the Reserve List, but didn't receive an invite, please email me.

San Francisco Street Photography - April 26-28, 2018 - We'll work entirely on location in San Francisco. Our hotel in picturesque Union Square will serve as our headquarters during the event. No rental car will be necessary. We'll explore the City's hidden treasures and capture them through our lenses. As always, we're adding new shooting locations again this year, including twilight assignments. This is San Francisco like you've never seen it before. And as a bonus, Olympus Visionary Mike Boening will be joining the teaching staff and leading sessions on street shooting and night photography. Two instructors, three days, and all for just $695. (That's right, it's 3 full days in one of the most photogenic cities in the U.S.)

Updates and Such

I now have the dates for the Sonoma Country Hot Air Balloon and Drone Photography Workshop, June 8-10, 2018. We're combining two very fun aerial activities into one workshop. Be sure to get on the Reserve List for this one!

The latest training videos posted for our Inner Circle members are processing aerial photographs in Luminar and using Lightroom for time-lapse photography.

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Videoblocks - Go to videoblocks.com/digitalstory to get all the stock video, audio, and images that you can imagine for just $149. Save on millions of studio-quality clips, tracks, and graphics.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #620, Jan. 30, 2018. Today's theme is "Camera or Computer?" I'm Derrick Story.

Opening Monologue

Digital photography is this murky mix of technology and art. We see a picture, press the shutter, and record it. Then what? Unless we're using a smartphone, something else needs to happen. And that something is firing up a computer to complete our image. Since it's a noteworthy part of the process, why do we treat it like tires on a car? I explore that in today's TDS podcast.

Camera or Computer?

If I were to give you $1,000 right now and say that you could spend it on either a new camera, or a new computer, which are you likely to choose? My informal research has led me to the belief that you would choose a camera or a lens.

Why is this? I have five theories why when it comes to camera or computer, we choose camera.

• Theory #1 - Computers suck.
• Theory #2 - They are more utilitarian than cameras.
• Theory #3 - Computers are messy.
• Theory #4 - Computers are not as much fun.
• Theory #1 - If we could live without computers we would. But we would never give up our cameras..

One of the reasons why we feel this way, however, is that we tend to hang on to old hardware while constantly adding new software. If we stayed a bit more current, our experience should be better, and in the end we'd be more efficient and happy. Maybe.

A Review of the Olympus Super Fan Weekend in San Francisco

This past Friday, I spent a day with the Olympus community for their Super Fan Event in San Francisco. Here's what I learned.

The San Francisco Street Photography Workshop

San Francisco Street Photography - April 26-28, 2018 - We'll work entirely on location in San Francisco. Our hotel in picturesque Union Square will serve as our headquarters during the event. No rental car will be necessary. We'll explore the City's hidden treasures and capture them through our lenses. As always, we're adding new shooting locations again this year, including twilight assignments. This is San Francisco like you've never seen it before. And as a bonus, Olympus Visionary Mike Boening will be joining the teaching staff and leading sessions on street shooting and night photography. Two instructors, three days, and all for just $695. (That's right, it's 3 full days in one of the most photogenic cities in the U.S.)

The 2018 Nimble Classroom Series

The 2018 Nimble Classroom Series begins in February. Here are the first three sessions:

• Layers in Capture One Pro 11 - Feb. 10
• BUILD YOUR DIGITAL DARKROOM WITH PHOTOS - MARCH 10
• Digital Asset Mgmt with Luminar - April 21

You can sign up right now for each of these and reserve your spot. Only 6 participants per class.

Updates and Such

Three new training videos are now posted for our Patreon Inner Circle Members:

• Tips for Importing Images into Photos for macOS
• Using Gradient Masks in Luminar
• Working with Light Adjustments in Capture One Pro

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Videoblocks - Go to videoblocks.com/digitalstory to get all the stock video, audio, and images that you can imagine for just $149. Save on millions of studio-quality clips, tracks, and graphics.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #619, Jan. 23, 2018. Today's theme is "Oh, The Assumptions We Make." I'm Derrick Story.

Opening Monologue

Assumptions aren't always a bad thing. In our fast-paced world, they can save us time as we move from decision to decision. But we also know that assumptions can get us in trouble, or at least lead us down the wrong path. Photography is not immune to this shortcoming, and that's the topic for today's show.

Oh, The Assumptions We Make

Not long ago, I purchased a beautiful used Pentax-FA 50mm f/1.4 lens. I was looking for a fast prime to use on both my film cameras as well as DSLR bodies, and this optic, at least on paper, seemed to fit the bill.

First I mounted it on a Program Plus and shot a half dozen 35mm frames with it. Then I put it on my KP DSLR and snapped a photo with it wide open at f/1.4. When I review the image on the LCD, I thought something must be wrong. It didn't look very sharp. I recorded another frame with the same result.

My immediate assumption was that I had received a "bad copy." A wave of sadness came over me. It was such a beautiful lens, and I had purchased it for only $125. Fortunately, I decided to dig a little deeper, and here's what I discovered... (story concludes on the podcast).

Here are some other assumptions to be leary of...

• Larger camera sensors are always better.
• Primes are always sharper than zooms.
• I must always shoot at a low ISO.
• RAWs are always better than Jpegs.
• Real photographers (pros) only shoot with Nikons and Canons.

DJI Mavic Air leaked ahead of announcement, looks like a Spark-Mavic hybrid

DP Review writes: If these leaked photos and specifications are accurate, the Mavic Air will put Mavic-level hardware--a 3-axis gimbal, 1/2.3-inch CMOS sensor, 4K 60p video capture, obstacle-avoidance sensors on the front, back, and bottom--into a body that looks very much like the diminutive DJI Spark. The upside is that 4K 60p video capture that the Mavic Pro and even Mavic Pro Platium has been missing; the downside is that the smaller body means even less flight time, which is rumored at just 21 minutes. The drone is also purported to have a 32MP panorama mode.

Velbon launches the Chairpod, a tripod-chair hybrid (no, really)

Digital Camera World reports: We all love photography, but sometimes it's also nice to sit down. Well, thanks to Japanese manufacturer Velbon, these two pursuits need no longer be enjoyed separately.

Here, we present the Chairpod HY127, reported in Japanese publication DC Watch (translated version here). Able to extend to a maximum height of 1.28m with the addition of an extension rod, the Chairpod integrates a tripod and a folding chair, which allows the photographer - well, at least, a photographer that weighs less than 80kg (176 pounds), which is the maximum weight it'll support - to shoot while sitting.

The San Francisco Street Photography Workshop

San Francisco Street Photography - April 26-28, 2018 - We'll work entirely on location in San Francisco. Our hotel in picturesque Union Square will serve as our headquarters during the event. No rental car will be necessary. We'll explore the City's hidden treasures and capture them through our lenses. As always, we're adding new shooting locations again this year, including twilight assignments. This is San Francisco like you've never seen it before. And as a bonus, Olympus Visionary Mike Boening will be joining the teaching staff and leading sessions on street shooting and night photography. Two instructors, three days, and all for just $695. (That's right, it's 3 full days in one of the most photogenic cities in the U.S.)

The 2018 Nimble Classroom Series

The 2018 Nimble Classroom Series begins in February. Here are the first three sessions:

• Layers in Capture One Pro 11 - Feb. 10
• BUILD YOUR DIGITAL DARKROOM WITH PHOTOS - MARCH 10
• Digital Asset Mgmt with Luminar - April 21

You can sign up right now for each of these and reserve your spot. Only 6 participants per class.

Updates and Such

Three new training videos are now posted for our Patreon Inner Circle Members:

• Tips for Importing Images into Photos for macOS
• Using Gradient Masks in Luminar
• Working with Light Adjustments in Capture One Pro

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Videoblocks - Go to videoblocks.com/digitalstory to get all the stock video, audio, and images that you can imagine for just $149. Save on millions of studio-quality clips, tracks, and graphics.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #618, Jan. 16, 2018. Today's theme is "5 Photo Tips You May Not Have Thought Of." I'm Derrick Story.

Opening Monologue

Evolving as a photographer is a journey of many small steps. We start with the basics, then spend the rest of our lives perfecting our technique. And along the way, we may discover a small bit of information that results in a big improvement. Today, I have five tips that may help you take the next step.

5 Photo Tips You May Not Have Thought Of

I have this running joke with myself that any given photograph has dozen components. Things like composition, aperture setting, ISO, color, motion, highlights, shadows, expression, and so on. The joke is, that I can do 11 of those things wonderfully, but if I screw up the 12th, then the image will likely fall short of my expectations.

That's why tips pieces are so popular. Because they often address the one thing we overlooked. And when applied with the other 11 variables, could turn out to be the missing ingredient to success.

I'm not saying that any of today's tips may serve as a silver bullet for you. But you never know. So let's take a look and see what we think.

• Use Your Histogram in the Field - We have this amazing tool on the back of the camera that can help us capture the best range of tones for any given image, but it's often not used: the histogram.
• Embrace Natural Light Photography All Times of Day - All sorts of things get stuck in our heads, and a popular misconception is that our travel work should only be shot during the golden hours of the day. All light is good light. Match the lighting to the story that you're trying to tell. And when needed, use your bag of tricks, such as a polarizer and RAW files to help tame extreme tones.
• Backgrounds Are As Important as Subjects - It's so easy to become mesmerized by our primary subject that we overlook non-complementary backgrounds. Practice the 1-2 punch technique: first the subject then the background... every time.



• Ask Your Portrait Subjects if They Have a Good Side - This is so simple that it's hard to believe how often it's overlooked. Even non-models often know their best side. By starting there, you not only gain their respect, but get the shoot off to a good start.
• Weight on One Foot or the Other, Never Flatfooted - This is the most basic posing technique, and one that is so important. By shifting the weight to one foot or the other, the entire energy of the shot improves.

Beer Koozie Lens Pouch

I've been offered plenty of free, promotional beer koozies over the past few months, and I have accepted every one of them. Why? Because they make great on the go lens cases. You have to get the kind that fold for them to be truly nimble. I keep a couple of them in my suitcase, along with ultralight shoulder bag for on-the-fly urban exploration.

Starbucks Lens Hood

Next time you purchase your morning Americano, be sure to hang on to the cup sleeve that we use to keep our hands for burning. Why? They make a great on-the-fly lens hood, for practically any optic in your arsenal.

The San Francisco Street Photography Workshop

San Francisco Street Photography - April 26-28, 2018 - We'll work entirely on location in San Francisco. Our hotel in picturesque Union Square will serve as our headquarters during the event. No rental car will be necessary. We'll explore the City's hidden treasures and capture them through our lenses. As always, we're adding new shooting locations again this year, including twilight assignments. This is San Francisco like you've never seen it before. And as a bonus, Olympus Visionary Mike Boening will be joining the teaching staff and leading sessions on street shooting and night photography. Two instructors, three days, and all for just $695. (That's right, it's 3 full days in one of the most photogenic cities in the U.S.)

The 2018 Nimble Classroom Series

The 2018 Nimble Classroom Series begins in February. Here are the first three sessions:

• Layers in Capture One Pro 11 - Feb. 10
• BUILD YOUR DIGITAL DARKROOM WITH PHOTOS - MARCH 10
• Digital Asset Mgmt with Luminar - April 21

You can sign up right now for each of these and reserve your spot. Only 6 participants per class.

Updates and Such

Three new training videos are now posted for our Patreon Inner Circle Members:

• Tips for Importing Images into Photos for macOS
• Using Gradient Masks in Luminar
• Working with Light Adjustments in Capture One Pro

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Videoblocks - Go to videoblocks.com/digitalstory to get all the stock video, audio, and images that you can imagine for just $149. Save on millions of studio-quality clips, tracks, and graphics.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #617, Jan. 9, 2018. Today's theme is "Beer and Roaming in Las Vegas." I'm Derrick Story.

Opening Monologue

The Consumer Electronics Show is one of the few remaining technology events where press still receives the red carpet treatment. We enjoy a well-stocked media center, excellent PR events with substantial refreshments, and lots of access to the stars of the show. And this week I'm going to take you behind the scenes as we junket together at CES.

Beer and Roaming in Las Vegas

"Waiting for the Samsung Press Event" - A sea of journalists waiting in line at the Mandalay Bay Convention Center for the Monday Samsung press conference. Photo by Derrick Story.

I take you behind the scenes for the press day that precedes the opening of CES in Las Vegas.

Panasonic announces Lumix DC-GH5S, an even more video-focused GH5

DP Review reports: The GH5S uses a slightly larger, but lower resolution 12.5MP sensor whose 'multi-aspect' design offers a series of ~10.2MP crops with the same angle of view. It gains the ability to shoot the wider-angle DCI 4K format at up to 60p, whereas the GH5 tops out at 24p. Both cameras can shoot UHD 4K at up to 60p.

The sensor features a "dual gain" design that Panasonic calls "Dual Native ISO." This uses two separate sensor read-out circuits - one that maximizes dynamic range at lower sensitivities, and one that prioritizes noise reduction at a dynamic range cost. Unusually, Panasonic lets you limit its camera to one of these modes.

The Panasonic Lumix DC-GH5S will be available February 2nd for $2499 body-only.

The 2018 Nimble Classroom Series

The 2018 Nimble Classroom Series begins in February. Here are the first three sessions:

• Layers in Capture One Pro 11 - Feb. 10
• BUILD YOUR DIGITAL DARKROOM WITH PHOTOS - MARCH 10
• Digital Asset Mgmt with Luminar - April 21

You can sign up right now for each of these and reserve your spot. Only 6 participants per class.

Updates and Such

Three new training videos are now posted for our Patreon Inner Circle Members:

• Tips for Importing Images into Photos for macOS
• Using Gradient Masks in Luminar
• Working with Light Adjustments in Capture One Pro

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Videoblocks - Go to videoblocks.com/digitalstory to get all the stock video, audio, and images that you can imagine for just $149. Save on millions of studio-quality clips, tracks, and graphics.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #616, Jan. 2, 2018. Today's theme is "Pick One from Each." I'm Derrick Story.

Opening Monologue

We spend a lot of time discussing the art and science of photography. As we should. This is our chosen craft. But to be a truly effective artist, we need to address issues beyond aperture settings and sensor size. I've identified 5 key areas that can help us become more efficient and effective in 2018. And as a result, better content creators as well.

Pick One from Each

These five key areas are definitely slanted toward photographers. But with a few tweaks, could be applied to any creative endeavor. Each needs to be accomplished before the end of 2018. Let's take a look at them.

Create a New Revenue Stream - Yeah, I know, you already have a full time job or are retired. Great. If we've learned nothing else from 2017 is that these situations can turn on a dime. It take but only a minute to lose a revenue stream, but usually weeks, months, or even years to create a new. Start one now. Here are some ideas.

Experiences Over Things - I'll discuss new gear in a moment. But this is more about focus. Using resources to facilitate experiences instead of just accumulating possessions creates an energy that fuels us in nearly every area of our life. I'm suggesting workshops, social groups (in person), personal projects, a camera buddy, and day trips.

Fix or Improve One Valuable Relationship - Unfortunately, the people in our lives often become collateral damage when bad things happen to us. Many of these relationships can be repaired or improved. Pick one, and take steps to make it better. You will feel lighter.

Decide What Equipment You Need to Move Forward - Don't wait until you're tempted by the latest new thing. Take a look at your craft and identify the soft spots. Then plan for and purchase the gear that will help you strengthen those areas.

Improve Your Physical Well Being - Fatigue makes cowards of us all. Whereever you are with your physical well being right now, you can improve it. Look at diet, exercise, and daily habits in general. I recommend physical activity first thing in the morning, then one other time over the course of the day. Each session can only be 15-20 minutes. You will be delighted with the results.

Update Your Camera Metadata

Take a minute tonight to update the copyright imprint on each of your cameras to 2018, double check the timestamp, and create new 2018 metadata templates for Lightroom and Capture One Pro.

The 2018 Nimble Classroom Series

The 2018 Nimble Classroom Series begins in February. Here are the first three sessions:

• Layers in Capture One Pro 11 - Feb. 10
• BUILD YOUR DIGITAL DARKROOM WITH PHOTOS - MARCH 10
• Digital Asset Mgmt with Luminar - April 21

You can sign up right now for each of these and reserve your spot. Only 6 participants per class.

Updates and Such

Three new training videos are now posted for our Patreon Inner Circle Members:

• Tips for Importing Images into Photos for macOS
• Using Gradient Masks in Luminar
• Working with Light Adjustments in Capture One Pro

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Videoblocks - Go to videoblocks.com/digitalstory to get all the stock video, audio, and images that you can imagine for just $149. Save on millions of studio-quality clips, tracks, and graphics.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #615, Dec. 26, 2017. Today's theme is "You Are the Keeper of Memories." I'm Derrick Story.

Opening Monologue

My father loved family history and spent countless hours researching every branch of our family tree. Now that he's moved on, I'm the family historian. Chances are, that's a role that you have for your clan, whether you realize it or not. And that's the focus of this week's TDS photography podcast.

You Are the Keeper of Memories

My sister-in-law arrived at our Christmas Eve gathering with a slide project under one arm, and a carrousel of family pictures under the other.

About half way through the evening, everyone gathered around the dining room table to watch their family history projected on glossy white closet door. Many of the images were amazing.

I watched the siblings react to images of them as children. I marveled at pictures of their mom when she was a young woman, raising a family of four on her own. I saw beautiful classic cars, outdated furnishing, and plenty of vintage clothing.

Most of these images were captured on 35mm slide film by a talented grandmother who has long since passed away. But thanks to her, an entire family was able to journey back in time and see glimpses of the world that shaped their lives.

Even though cameras have changed, the value of the images they record remain as important as ever. And chances are good that you're the one who will provide the family history for your children, their offspring, and the generations that follow. So here are a few tips to ensure the story lives on.

• Capture people, places, and things. The portraits are vital, but so are the homes and the cars that are part of our current lives.
• Record a few shots with your phone as well as your camera. The location data that the phone captures will apply to every shot with a nearby timestamp. And that can prove very important up the road.
• It's essential that you shoot a group shot at family gatherings. They are the most important images.
• Share images immediately after the event. Even though you may be the primary keeper of the family history, diversifying this content helps ensure its survival.
• Organize your work so it makes sense to others. Use albums with logical names, take advantage of face detection, and add as much descriptive text as you have time for.

And if you have access to family history now, consider sharing it at the next gathering. I promise you that it will be worth the effort.

3 Libraries, 1 Low Price

So I've been talking about all of the royalty free content I can download via my videoblocks account. They help expand your horizons by constantly introducing you to new items in their library. This week, however, I want to talk about the special offer for TDS Listeners: 3 Libraries, 1 Low Price - $149 for the entire year provides you with unlimited access to 615,000+ Videos, Audio Tracks, and Images.

San Francisco Street Photography Workshop

On April 26 through 28, we will be gathering in San Francisco for one of our most popular workshops. You can reserve your place now by visiting our Workshops page.

Updates and Such

Big thanks to all of our Patreon members!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Videoblocks - Go to videoblocks.com/digitalstory to get all the stock video, audio, and images that you can imagine for just $149. Save on millions of studio-quality clips, tracks, and graphics.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.