This is The Digital Story Podcast #593, July 18, 2017. Today's theme is "Just One Print." I'm Derrick Story.

Opening Monologue

Sometimes we make things too big. And as such, we shy away from them. I was actually thinking about this as it relates to making prints from our digital images. The idea of printing and all that goes with it seems like so much work. But what if you said to yourself, "I'm going to make just one print." That doesn't seem so bad, does it? We explore this approach on today's TDS Podcast.

Just One Print

Work in Progress - A 13" x 19" print with an ImageFramer matte on my worktable getting ready to be framed.

You probably didn't know that for a while, I smoked cigarettes. I was in a rock n roll band called Section 8. I was in my 20s, and it was the golden era of small night clubs in Southern California. After our sound check, but before the gig actually started, we had a lot of time on our hands. And that's when I learned to smoke.

As you may have guessed, after a while the charm wore off. And when it was time to quit cigarettes, I found that was much more difficult than starting. Fortunately, my paths crossed with someone who could help me. He was teach smoking cessation for the Public Health Dept.

One of the things that he used to say, is that when the urge would strike, just say that I'm not going to do anything for the moment. Not forever, or even tomorrow, Just right now. And soon the urge would pass.

I learned that this technique worked in the opposite direction as well. If I was facing a big task, I would say to myself, "I'm just going to do one thing right now." Then later on, I would do another. And I some point I would have completed the whole thing.

I bring this up, because I think people feel that printing their images is a big task. Not only the actual output, but the matting and framing and all of that. But what if you decided to make just one print? That's it. Just a print, then a matte, then a frame. How would you feel about printing after that?

Making Your Your Own Mattes with ImageFramer

So after I made my one print, I decided to make a matte for it. I had a particular color scheme in mind, so I opened ImageFramer and started playing. Once I created the design I wanted, I substituted the picture with a a blank white Jpeg. Why? Because my intention was to print out this design on Red River Paper, cut it, then use it as a matte. And it looks terrific!

ImageFramer on Facebook

For more tips like these, and lots more, visit ImageFramer on Facebook. And give your images the ImageFramer look they deserve.

We want everyone to enjoy the benefits of the new ImageFramer. ImageFramer 4.0 is a free upgrade for ImageFramer 3 customers. Note that it requires macOS 10.11 (El Capitan) or later. TDS listeners can receive a 20 percent discount by visiting: our ImageFramer landing page.

Vanagon Update

Here's the latest on the VW Vanagon...

New Subjects Added to The Nimble Classroom

I've trying to figure out a way to bring more personalized training to photographer without them having to travel. It's one thing to get on a plane to photograph wine country or the French Quarter, but not quite as alluring to sit in a classroom for two days.

As a result, I've designed a new approach called, The Nimble Classroom. And now there are four courses for the Summer Session of The Nimble Classroom.

• August 19, Catalog Management, Capture One Pro
• September 9, Expert Editing, Capture One Pro
• September 23, Luminar Pro Techniques
• October 7, Photos 3 for macOS

You can learn more about them and sign up for your favorites by visiting The Nimble Classroom online.

Updates and Such

Big thanks to all of our Patreon members!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

Texas-based Red River Paper recently announced a new fine art paper, Palo Duro Etching. The new paper is a 100 percent cotton rag paper and is free of optical brightener additives. The paper is designed to offer warm white tones, deep blacks and a subtle texture to accurately recreate traditional darkroom fine art prints.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

ImageFramer 4 - ImageFramer is used by artists, professional and amateur photographers, scrapbookers, framers, and people who simply want their family photos to look better.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Want the benefits of personalized training without having to travel? The new Nimble Classroom Series offers just that.

Participation is limited to six, questions can be submitted before each session with the answers incorporated into the curriculum, and live Q&A segments allow us to address queries that arise during the live instruction.

You can attend class via your computer, tablet, or smartphone. Each session is recorded, so you can review the content as many times as you wish in the future. Each participant receives a video as part of their tuition.

Plus, the Nimble Classes are affordable. Five hour sessions only cost $99 (Luminar & Photos) or $129 (Capture One Pro). Combine the low tuitions with the fact that there are no airfares, hotels, rental cars, or restaurants to contend with, and the result is high value live instruction. You work with Derrick Story as if he were sitting right across from you.

Signups have already begun for the first set of Nimble Classes:

• August 19, Catalog Management, Capture One Pro
• September 9, Expert Editing, Capture One Pro
• September 23, Luminar Pro Techniques
• October 7, Photos 3 for macOS

Reserve your spot today and learn photography software from a pro photographer who uses these tools in his daily work. It's fun, affordable, and most importantly, it will help you improve your images.

If you have questions about the Nimble Classroom Series, contact me via the Nimble Contact Form.

I hope to see you in class!

My original goal was to use the Olympus PEN-F for street photography and travel. I packed it neatly in my Think Tank Retrospective 7 for the SF Street Photography Workshop last April. Now, three months later, it's still in my bag.

The mistake that I made was thinking that the PEN-F was a niche camera, something that one uses for certain situations such as exploring urban environments. But the truth is, at least for me, that it's the camera that I want to have with me all the time. So, what happened?

• 20 MP Sensor - I didn't think that bump from 16MP (my E-M5 Mark II) to 20MP would be that big of a deal. But, turns out that it is. I'm loving that extra resolution.
• Amazing Design and Quality - I've never owned a Leica, but I have some idea now why photographers love that level of quality. Every physical detail on this camera is exquisite. I use a BolinUS Handmade Leather Half Case and a leather wrist strap. This combination is absolutely irresistible.
• The Creative Front Dial - The dial on the front is genius. I have my B&W setting (Mono 2), film color, and Art Filter all pre-programmed. All I have to do is set the front dial to the effect I want, shoot RAW+Jpeg, and enjoy pure creativity.
• Fully Articulated 3" LCD - I like the PEN-F's implementation of the swing out LCD better than with my E-M5 Mark II because it doesn't interfere with any ports. I can shoot using so many interesting angles with this viewfinder. And being able to close it up so only its textured back is exposed, saves me the trouble of having to purchase and mess with an LCD screen protector.
• It Fits Everywhere - For everyday use, I keep the Olympus 14-42mm EZ zoom with the Auto Opening Lens Cap for a camera that fits anywhere, and is ready to shoot instantly.

I tried to make the PEN-F a niche camera, but it refuses to be typecast. I'm resigned to the fact that it is indeed my favorite Micro Four Thirds camera... ever.

The Olympus PEN-F is currently available at B&H Photo for $1,099 with free shipping and no tax.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

There are many reasons why I carry the DxO ONE camera. It's super compact, works with my iPhone and Apple Watch, has an amazing editing extension for Photos for macOS, and provides tons of control and flexibility.

"4th of July Concert in the Square, Healdsburg, CA" - Captured with the DxO ONE by Derrick Story.

But at the end of the day, what really keeps me reaching for the camera is its outstanding image quality. It does capture in RAW, but most of the shots that I publish with it are Jpegs that have automatically been added to my Photos for macOS library, then fine tuned with the DxO Optics Pro for the DxO ONE editing extension.

For this outing on the 4th of July, I didn't want to carry a camera bag, but I wanted a bit more visual horsepower than just the iPhone. This is when the DxO ONE really shines. It fits in my pocket allowing me to travel light, but it provides amazing image capability when I want it.

I know that compact camera popularity has declined during the rise of smartphones. But the DxO ONE is different. It works with the iPhone and gives you the pixel grabbing power of a 1" sensor, but without the bulk. It's a beautiful combination.

If you want more than your iPhone, but don't want to carry a dedicated camera, reach for the DxO ONE. After all this time, it continues to amaze me.

Photos for macOS as Your Digital Darkroom

You can learn more about using DxO Optics Pro as an editing extension in my lynda.com training, Photos for macOS: Advanced Editing Extensions.

And if you'd prefer to cozy up with a book, check out The Apple Photos Book for Photographers that features chapters on basic editing, advanced post processing, and editing extensions.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #592, July 11, 2017. Today's theme is "DJI Spark - The Nimble Drone." I'm Derrick Story.

Opening Monologue

Quite frankly, drones were just too cumbersome to mess with. Since aerial photography was not essential to my business, I decided to bide my time until the right quadcopter was developed. Fortunately, I didn't have to wait too long. In June 2017, DJI released the Spark. It is truly the Nimble Photographer drone, and the top story for today's show.

DJI Spark - The Nimble Drone

One of the things I really like about the Spark is that I can carry it with me all the time in my Think Tank Retrospective 7 shoulder bag. It fits nicely in the front pocket, and it's like carrying a second camera. Except this camera can fly.

I don't lug around extra batteries or a controller. I'm sticking with the basic $499 kit. I have an extra set of props and the charging cable. That's it.

All of my testing has been using the iPhone or iPad mini as the controller. My preference is the iPad because of its additional screen real estate, plus my phone is free for other tasks during flights. The DJI GO 4 app is quite good.

So really, the only think I've added to my everyday kit is the svelt quadcopter itself. But the payoff is tremendous. Here are five reasons why I recommend the Spark for Nimble Photography.

• Built Like a Rock, but Much Lighter - You don't need to baby this device. It is solid. I carry it in a soft case in the front pocket of my Retrospective 7, and forget about it. When it's time to fly, the Spark is ready.
• Amazing Technology - Incredible use of GPS satellites, infrared detection, WiFi connectivity, still photography, video recording, and aerodynamics. When combined with a state of the art smartphone, it's mind blowing what you have in the palm of your hand for $500.
• Excellent for Still Photography - The 12 MP camera is quite good. Jpegs only. But on the fly you have options for single shot, burst mode, auto exposure bracketing, timed shot, shallow focus, and panorama photography. You can use full auto, or switch to manual exposure mode as needed. You can change both the ISO setting and white balance. All of this from your smartphone.
• Intelligent Flight Modes - For HD video recording, you can take advantage of settings such as Active Track and Tripod mode. For Active Track, you ID a subject, and the Spark follows it while recording. For Tripod mode, it becomes super steady and moves slowly allowing for the sexy screen saver videos that we see on Apple TV.
• Learn a New Skill - Just like I had to learn all about audio to become a photographer podcaster, I'm learning about aeronautics to become and aerial photographer. And it's fun. I'm using an app called Kittyhawk to review flight conditions such as wind and airspace clearance, I'm aware of obstructions and airport, and I'm learning how to take pictures from a completely new perspective.

I did register with the FAA because I may use some of my imagery commercially. Even though the Spark is super nimble, it's a serious aircraft. And I respect both its capabilities, and the responsibilities that come with its use.

Capture One Classroom

I've been trying to figure out a way to bring more personalized training to photographers without them having to travel. It's one thing to get on a plane to photograph wine country or the French Quarter, but not quite as alluring to travel far to sit in a classroom for two days.

As a result, I've designed a new approach called, The Nimble Classroom. And the first course series offered as part of this program will be for Capture One Pro. Here are the highlights.

Capture One Classroom - Session 1 - Catalog Management
Saturday, August 19, 8am PDT/11am EDT

Designing your Capture One Pro catalog to meet your needs as a photographer is an important first step toward creating a digital asset manager that is easy to use, effective, and enjoyable.

In this class, Derrick Story shows you best practices for creating a top notch catalog environment. Participants may submit their unique questions before class, allowing Derrick to incorporate that content into his teaching. And there will be live Q&A sessions throughout the course.

Class participation is limited to 6. The course may be viewed on a computer, tablet, or smartphone. Details will be sent to you prior to class.

Tuition for the one-day session is $129. No plane fares, hotel rooms, or rental cars. You can reserve your spot by visiting The Nimble Classroom on theNimblePhotographer.com

Framing Tip of the Month

One thing your professional framer will tell you is that some pieces of art «need» help. If a picture is a non-standard size, either too large or too long, or the focal point of the picture is very close to the lower edge of the image, then the mat can be "pulled down".

This means that the lower edge of the mat is wider compared to the upper and side edges, creating a feeling of proportionality. This same technique can be applied in cases where two pictures of different sizes are shown together. If the inner edges of both mats are made slightly narrower, the two pictures will look more balanced.

ImageFramer on Facebook

For more tips like these, and lots more, visit ImageFramer on Facebook. And give your images the ImageFramer look they deserve.

We want everyone to enjoy the benefits of the new ImageFramer. ImageFramer 4.0 is a free upgrade for ImageFramer 3 customers. Note that it requires macOS 10.11 (El Capitan) or later. TDS listeners can receive a 20 percent discount by visiting: our ImageFramer landing page.

Updates and Such

Big thanks to all of our Patreon members!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

Texas-based Red River Paper recently announced a new fine art paper, Palo Duro Etching. The new paper is a 100 percent cotton rag paper and is free of optical brightener additives. The paper is designed to offer warm white tones, deep blacks and a subtle texture to accurately recreate traditional darkroom fine art prints.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

ImageFramer 4 - ImageFramer is used by artists, professional and amateur photographers, scrapbookers, framers, and people who simply want their family photos to look better.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Back in mid-June, Instagram introduced a new archiving feature that allows users to move images off their profile page into a separate area that only they can see.

If you haven't looked at it yet, it's worth knowing. It allows photographers to clean up their profile page, while still keeping those "slice of life" images that are meaningful to us personally, but not so intriguing to others.

The feature is easy to use. Just tap on the 3 dot menu, then tap on Archive that appears at the top of the popup menu. The image is moved into a separate area that is accessible via the top menu bar.

You can move pictures back to your profile page via a similar process, this time choosing Show on Profile that appears in the popup menu.

What a great way to do a little Instagram housekeeping!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

There are so many different things to look for when exploring urban areas. Of course, we're always hoping for a decisive moment. But there are satisfying shots even in the quiet moments.

"For Rent" - Olympus PEN-F with 14-42mm EZ zoom. Photo by Derrick Story.

One of the things that I look for is symmetry. Whether it's the pattern of two iron emergency staircases on the outside of a brick building, or a set of steps leading up to a duplex apartment, these images can add texture to your presentation. And if you can subtly disrupt the balance with a closed curtain or For Rent sign, all the better.

You can call it your quiet moment photography.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #591, July 4, 2017. Today's theme is "Frederic VJ Lives; New Orleans." I'm Derrick Story.

Opening Monologue

Some of my favorite moments during the Rail Adventure Workshop were our one-on-one meetings during the 19-hour train journey through the South to New Orleans. And one of the names that often came up during our discussions was my friend Frederick Van Johnson and his podcast, TWiP. Friends asking about friends, Southern hospitality, street photography, and so much more... all on today's TDS podcast.

Frederick Van Johnson Lives

Before we get to New Orleans itself, I want to address an issue that came up along the way: the well being of Frederick Van Johnson. As soon as I returned from my trip, I dropped him a note asking if he'd make an appearance on the show to discuss what he's been up to, and how he's been. Here's what he had to say.

The City of New Orleans

It was supposed to rain every day we were in NOLA. And yet it stayed dry (relatively speaking) until 10 minutes after our workshop ended, when a downpour began. So other than the weather itself, here are my five favorite moments in New Orleans.

• Shrimp Tacos in the French Market - I know that I shouldn't lead off with food, but how can you not when visiting Louisiana? In addition to the freshest shrimp taco I've ever had, I ate my way through the South trying a variety of local specialties, including my introduction to Tasso.
• Wednesday Morning in the French Quarter - We were out the door early on Wednesday, lead by local photographer Tillie Van Etten. There's something special about photographing places like the Quarter as it slowly comes to life in the morning.
• Breakfast in the Classroom - Each morning we dined together enjoying a full breakfast served by the staff at Hotel Provincial. In the evening, we also ate together in the restaurants, but these mornings were just us. And I loved being there with everyone.
• Sergeant Mark Mumme - For our evening shoot in the Quarter, we hired Sergeant Mark of the New Orleans Police Dept. to watch our backs as we worked. I've never had security before during an urban shoot. But I loved it. And it was wonderful being able to just focus on our photography.
• Class Presentation - After all the miles, photo shoots both in Chicago and New Orleans, everyone chose eight shots to share and discuss to close out the workshop. Reliving all of those moments with our crew was special indeed.

How to Choose a Color for Your Photo Mat

A mat can be described as a field of light or colour around a picture, in width usually 1/2 to 1/3 of the image's narrowest side. Mats can be of different shapes and kinds - rectangular, oval, multi-layered, with decorative insertions, etc. The mat creates a neutral zone between picture and its frame, helping the viewer to focus on the art work itself.

Here are five tips to keep in mind while designing a mat.

• The color of a light mat should be a tone darker than the lightest color of the image. If using a dark mat, its color must be one tone lighter than the darkest color on the photo.
• Using a colored mat is a good way to attract attention to important segments of a photograph. In this case, the surrounding color must be the same as the brightest segment of the image, but in more muted tones.
• The simple trick of a double mat will give a personality to an artwork. Two or even three mats of different shades can be applied. The color of the inner mat is usually chosen from a particular tone in the image, which may be lighter or darker than the outside mat.
• It is important to remember that colors and shades of a mat must be chosen to complement the color of the frame and the main color of the picture.

ImageFramer offers a huge selection of mats, as well as frames that play the role of a mat, which is especially good for oil paintings. Besides the usual colors, which accompany photographs and watercolors, you can select the color of your mat, using any color from your photo.

Read the complete article, How to Choose Mats for Photos for lots more information about framing your artwork.

Special Offer! ImageFramer celebrates Canada Day & July 4th with a 34% discount store-wide. No coupons necessary! (New Frames Too). You can learn all about it here.

We want everyone to enjoy the benefits of the new ImageFramer. ImageFramer 4.0 is a free upgrade for ImageFramer 3 customers. Note that it requires macOS 10.11 (El Capitan) or later. TDS listeners can receive a 20 percent discount by visiting: our ImageFramer landing page.

Updates and Such

Big thanks to all of our Patreon members!

Registration invitations have gone out to Reserve List members for the Autumn in Wine Country Photography Workshop. If you are on the Reserve List, but didn't get your invite, please contact me. You can learn more about the workshops by visiting the TDS Workshops Page.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

Texas-based Red River Paper recently announced a new fine art paper, Palo Duro Etching. The new paper is a 100 percent cotton rag paper and is free of optical brightener additives. The paper is designed to offer warm white tones, deep blacks and a subtle texture to accurately recreate traditional darkroom fine art prints.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

ImageFramer 4 - ImageFramer is used by artists, professional and amateur photographers, scrapbookers, framers, and people who simply want their family photos to look better.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Smartphones are highly convenient. But they are not always the perfect choice.

"iPhone Photographers" - Millennium Park, Chicago. Photo by Derrick Story with an Olympus PEN-F.

I watched these young women grapple with their iPhone in bright sunlight and was pulling for them that they would get the shot.

The sun had emerged from behind the clouds in Chicago's Millennium Park, and the contrast was incredible at 1:30 in the afternoon. Light was bouncing around everywhere. And even though our cameras were more than capable of recording images in these conditions, composing on LCD screens was difficult at best.

Having a camera with a viewfinder is such an advantage in these types of conditions. I looked through the optics of my Olympus PEN-F, rotated the exposure compensation ring that's positioned conveniently around the shutter button (my custom setting), then captured this shot.

The entire process took just a few seconds. The iPhone photographers were still working as I strolled away.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Before we departed for our evening shoot in the French Quarter, I decided that I was going to record in monochrome with the Olympus PEN-F, using only the Panasonic 20mm f/1.7 at maximum aperture.

"Street Performer, NOLA" - Olympus PEN-F, monochrome mode, Panasonic 20mm f/1.7 - Photos by Derrick Story.

The fast aperture with an every so slightly wide field of view was perfect for navigating Royal and Bourbon Streets as the party warmed up.

"Bartender, NOLA" - Olympus PEN-F, monochrome mode, Panasonic 20mm f/1.7 - Photos by Derrick Story.

I set the PEN-F to RAW+Jpeg, Mono-2, ISO 1600 or 3200 and locked the aperture to f/1.7 in aperture priority mode.

"Mask, NOLA" - Olympus PEN-F, monochrome mode, Panasonic 20mm f/1.7 - Photos by Derrick Story.

The images you see here are the JPEGs created using the Mono-2 profile. I haven't even looked at the RAW files yet. Perhaps I'll take a peek once I get home.

"Musician, NOLA" - Olympus PEN-F, monochrome mode, Panasonic 20mm f/1.7 - Photos by Derrick Story.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

"Rotating Bar, NOLA" - Olympus PEN-F, monochrome mode, Panasonic 20mm f/1.7 - Photos by Derrick Story.