This is The Digital Story Podcast #542, July 26, 2016. Today's theme is "The Cameras of Summer." I'm Derrick Story.

Opening Monologue

Life is much different during the summer months compared to the rest of the year. I don't wear proper shoes most of the time. Long pants are reserved for business meetings and going out to dinner. And my wardrobe of camera gear definitely changes too. And that's the focus of today's photography podcast.

The Cameras of Summer

I'm pretty darn active this time of year. Most of my errands are on bike. I go hiking on the weekends. And any chance I get, I'm in the water.

As much as I love my E-M5 Mark II, it doesn't come with me on many of these adventures. My summer wardrobe consists of a tube of sunblock and the Olympus TG-4 16 MP Tough Camera. Let's take a closer look at it.

• 4X wide-angle optical zoom with fast f2.0 high speed lens
• Waterproof to depths of 50 feet, Freeze proof to 14 degrees F, Shockproof to 7 feet, Crushproof to 220 lb.
• RAW capture, Live Composite, Underwater modes with Underwater HDR
• Wi-Fi / GPS / e. Compass - serves as my watch and compass too
• 1080P HD video
• USB charging for on-the-go
• Earned a DP Review Gold Award in August 2015

I go into more detail about the virtues of tough cameras in the first story of today's podcast.

In the News

Flickr ownership changes hands as Verizon acquires Yahoo via DP Review.

Telecom giant Verizon will acquire Yahoo and its web properties, including Flickr and photo blogging site Tumblr, for $4.83 billion. It seemed possible that Yahoo might sell its photo-sharing sites separately, as the company announced in March that it was accepting bids for its web properties. Today's announcement confirms that both Flickr and Tumblr will remain a part of Yahoo as it changes hands to Verizon.

Verizon owns AOL and Huffington Post, a point that Yahoo CEO Marissa Mayer spins as a positive for her company's outlook. In a statement published on Yahoo today, Mayer emphasized that joining forces with AOL could help strengthen Yahoo's mobile offerings.

The Third Episode of Nimble Photographer Podcast will be Live this coming Friday

In the third episode, "Busted" that will soon be available for our Patreon members, I explore my untimely introduction to being a southpaw, and how that affected my nimbleosity.

Ultra Fast Nikon Tele

Petapixel just posted Nikon 105mm f/1.4 Lens Leaked, To Be World's Fastest 105mm saying that a new Nikon AF-S Nikkor 105mm f/1.4E ED lens has been leaked early, offering us a glimpse at the soon-to-be world's fastest 105mm prime lens. The full-frame prime N (Nano Crystal Coat) lens will have a gold ring and won't have Vibration Reduction (VR). Nikon's existing 105mm has VR but is slower at f/2.8. Digicame-info says the new 105mm will have an emphasis on bokeh quality.

Updates and Such

TheFlimCameraShop on Etsy

As part of the Film Project I've been working on since December, I shoot with a variety of SLRs so I can talk about the various experiences that I've had with them. Those cameras have been cleaned, tested, and seen at least one roll of film. Once I've completed what I needed to do for the book, I put many of them up for sale in TheFilmCameraShop on Etsy. If you haven't been over there for a look, I think you'll enjoy it. I have a tile on The Digital Story that will take you directly to the shop.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

MacPaw Creators of CleanMyMac 3 and other great software for Apple computers. Visit www.macpaw.com today.

Hedge for Mac - The fast solution for moving photos and videos from memory cards to drives, or drives to drives for that matter. Learn more at Hedge for Mac.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

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One of the primary reasons that I moved from Aperture to Capture One Pro was that I felt comfortable with its organization tools. Yes, I like my catalog neat and tidy, and here's how I do that.

It's all about the hierarchy. At the top are Groups, which is Capture One terminology for what we typically call folders. I create my top level Group by navigating to User Collections, then clicking on the + icon. I then choose Group Inside...

For my catalog, this is usually a year, such as 2016. Moving forward, I keep my images in Projects, which look like little file boxes. Click on your Group once to highlight it, then click on the + and choose Project Inside... to create a new Project inside of that Group.

Projects need Albums to contain the actual image files. Click on your newly-created Project to highlight it, then click on the + icon, and choose Album Inside... from the popup menu. You are now setup to put images inside your User Collection.

When your images first are copied to the Catalog, usually from a memory card, by default they arrive in Catalog Collections > Recent Imports. Select all of those thumbnails from the last import, and drag them to the Album you created inside of the Project in the User Collections area. You have now successfully organized your first shoot.

Now all you have to do is continue down this path, creating nested Groups as necessary. You might want to add a Smart Album or two at the top of the list in the Group. You can click and drag these elements to place them in any order you want.

So the hierarchy looks something like this:

• User Collections
• Top Level Group
• Nested Group
• Project
• Album

I like a clean workspace. I feel like I'm more productive in an organized environment, and the tools in Capture One Pro make that easy.

More Capture One Pro Tips and Techniques

Improve your skills by watching Capture One Pro Essential Training now available on lynda.com. More than 5 hours of tips, tricks, and techniques. Plus many free movies using advanced techniques.

I've also created a dedicated Capture One Pro Training page on The Digital Story. You can follow all of the tips and techniques that I publish in one convenient spot.

Thinking About Making the Transition from Aperture or Lightroom? - Download my free eBook titled, Rocky Nook's Guide to Moving to Capture One Pro. I show you the steps to create a test library, then build the foundation for a smooth transition to Capture One Pro.

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Photo sharing is great, as long as you're not showing any more than you're comfortable with. A quick trip to the Privacy and Safety settings in Flickr Mobile insures that your posts are handled in a manner that you're comfortable with.

In the following video, I review settings for Default Post Privacy, Location Privacy, Photo Safety Level, and the Safe Search Filter, for both iOS and Android devices. These establish the experience that's appropriate for you, both sharing and viewing.

These adjustments only take a few minutes. And I highly recommend that you review them today on your mobile device running Flickr.

More Flickr Tips and Techniques

If you want to master Flickr on your mobile device, check out Flickr Mobile: Photo Sharing Anywhere. Desktop users might be interested in Sharing Photos with Flickr. Of course the platforms work well together too, and I discuss how you can integrate all of your devices to create a seamless photography workflow.

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Sometimes when I look at a shot, I think to myself: "I like it, but it needs something." If I'm working in Photos for macOS, that something can be Intensify by Macphun.

The reason why I like Intensify is because it's a different approach to image enhancement than HDR. Intensify uses a combination of pro contrast, structure, and detail boost to "bring the image forward." The best way to start is to peruse the presets listed on the right side of the interface, then fine tune your selection with the Adjust tools.

You also have options for working in layers and localized work. Once you've tuned the shot, click on the Save Changes button, and you're returned to Photos. The process is totally non-destructive. You can revert to original at any time, or view the previous version by pressing the M key while in Edit mode.

I've found that Intensify helps me find that little extra juice that I know I want, but am not always sure how to create. It's one of my secret weapons in my Photos for macOS bag of tricks. (Well, I guess not so secret anymore...)

Master Photos for OS X

(It's More Powerful than You Think)

For hands-on tutorials, be sure to take a look at Photos for OS X Essential Training on lynda.com. I cover everything you need to know to get the most from this surprisingly powerful image management application.

The Apple Photos Book for Photographers

For photographers who are more than just casual snapshooters, or who are making the transition from Aperture or iPhoto, The Apple Photos Book for Photographers shines a light on the sophistication of this app and the ecosystem it taps into. Available as an eBook now, and coming to print later this year.

Get it for $15 using checkout code APPLE15!

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You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #541, July 17, 2016. Today's theme is "Moose Peterson Coffee Break." I'm Derrick Story.

Opening Monologue

If someone asked you, "What would you rather do this morning... tackle that big writing project you've been procrastinating on, or have Moose Peterson stop by to shoot the breeze?" Well, I can tell you what my answer was... and I turned on the recorder to share the conversation with you. Listen in on today's TDS podcast.

Moose Peterson Coffee Break

When Brad Pitt has a new movie out, chances are good that he'll make an appearance with Jimmy Fallon on the Tonight Show. And when Moose Peterson is in town putting the finishing touches on his new MP Backpack Series for MindShift Gear, the odds are I can get him to come by my studio for a morning chat. After all, I'm only about 5 minutes away from Think Tank Photo headquarters.

Derrick Story and Moose Peterson, photo by Sharon Peterson.

So sure enough, both Moose and his wife Sharon joined me for coffee recently. We sat around the big table here at the studio, and I fired up the audio recorder and just set it in the middle of all of us. I wanted you to be able to listen in just like you were here with us.

Moose has this terrific new backpack that's a collaboration between the Petersons and MindShift Gear. It was just announced yesterday, so I thought you might enjoy hearing about it directly from the Moose's mouth. So here we go.

In the News

Lightroom Mobile 2.4 is Wildly Impressive via The Digital Story.

The other exciting recent announcement, in my opinion, was Lightroom Mobile 2.4 for both iOS and Android. The releases are a bit different, and on the iOS side, we now get RAW editing and localized adjustments.

So I put this new version through its paces, and share my impressions with you.

The Second Episode of Nimble Photographer Podcast is Now Live

One of my favorite shows of the first season, "Baggage" is now live for our Patreon members. In this episode, I read and discuss four different stories that relate to our camera bags. And thanks to all of our new Patreon supporters who signed up this week.

Real Camera Stores

I've started this series on theAnalogstory.com called Real Camera Stores. If you haven't read any of them yet, you might want to click on the link. But more importantly, if you have a real camera store that you want to share with the world, I'd love to hear about it. Just send me the scoop, with a photo if you can, to theAnalogstory@gmail.com.

Updates and Such

Just Released!: The Apple Photos Book for Photographers

You can get your eBook copy of The Apple Photos Book for Photographers for $15 by using the checkout coupon: APPLE15. That saves your 5$ off the price.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

MacPaw Creators of CleanMyMac 3 and other great software for Apple computers. Visit www.macpaw.com today.

Hedge for Mac - The fast solution for moving photos and videos from memory cards to drives, or drives to drives for that matter. Learn more at Hedge for Mac.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

I don't think a lot of photographers realize just how easy it is to digitize their film negatives. I'm going to show you the few basic steps that I use with Capture One Pro. My method was inspired by the excellent article, How to Convert Negatives to Positives Using Capture One by Quentin Decaillet.

First you have to take a picture of your negative and save it as a RAW file. I have a simple setup where I use a macro lens on my Olympus OM-D to photograph a negative on a lightbox. I use a large skylight filter to keep the neg flat while I shoot it. Works great.

Then I load the RAW file into Capture One Pro. Select the Levels adjuster and invert the dark and light values. It's simple: in the bottom boxes below the graph, enter 255 where 0 is, then enter 0 where 255 was. Save this as a preset. You now have a positive.

At this point, I typically just adjust the luminosity to taste, add a little clarity and sharpening, and call it a day. I tend not to mess with color much because I like the film look supplied by the negatives themselves.

SMART Train Dry Run, Santa Rosa, CA - Contax 137 MA in Aperture Priority Mode at f/16. Yashica 42-75mm zoom. Fujicolor Superia 400 expired film. Photos by Derrick Story.

The point is, you can put film negatives to work right away for social and general web publishing. Take a picture, invert the levels, and enjoy.

More Capture One Pro Tips and Techniques

Improve your skills by watching Capture One Pro Essential Training now available on lynda.com. More than 5 hours of tips, tricks, and techniques. Plus many free movies using advanced techniques.

I've also created a dedicated Capture One Pro Training page on The Digital Story. You can follow all of the tips and techniques that I publish in one convenient spot.

Thinking About Making the Transition from Aperture or Lightroom? - Download my free eBook titled, Rocky Nook's Guide to Moving to Capture One Pro. I show you the steps to create a test library, then build the foundation for a smooth transition to Capture One Pro.

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

When I heard the news that Adobe had released Lightroom Mobile 2.4 for iOS and Android, I couldn't wait to test it on my aging iPad mini 2. I figured if it could process RAW files and add local adjustments on that device, Adobe has really created something special. And fortunately, they did not disappoint.

Applying a local adjustment in Lightroom Mobile 2.4 on my iPad mini 2

I started with a fresh memory card in my Olympus OM-D E-M5 Mark II and set the file format to RAW only. I then snapped a few pictures and put the memory card in the Apple Lightning Card Reader, then imported two files via Photos to my iPad mini 2. I opened one of the images in Lightroom Mobile 2.4.

The RAW badge confirms that I'm working on a RAW file.

The first thing I noticed when reviewing the Camera Roll in LR Mobile was the RAW badge over the image that I had just imported into the iPad. So right away I got confirmation that I was indeed working in the format that I wanted.

I then began testing highlight and shadow recovery. For me, that's the quickest way to distinguish editing a RAW from a Jpeg. And indeed the recovery was elegant in both areas, just like working with RAWs on my Mac.

The editing tools worked smoothly and as expected, providing the results that I wanted.

After a few color adjustments, I applied a gradient screen in the lower left corner to tone down those highlights, then finished off with a dash of clarity. Even on an iPad mini 2, the work flowed smoothly and the results were as one would expect on a computer. This was truly impressive.

I then opened Lightroom CC on my MacBook and inspected the shot I had edited on the iPad. It looked the same as on my iPad. (Yes, it automatically synced and was waiting for me.) The image was a full-sized RAW file complete with all of the adjustments I had made in Lightroom Mobile.

All of my iPad edits display properly in Lightroom CC on my Mac.

For all of these features, you'll need a Creative Cloud account, which I've been maintaining for sometime now to stay current with Photoshop and Lightroom. And now Lightroom Mobile 2.4 elevates my nimble cloud-based workflow to new heights. And the fact that it works on a humble iPad mini 2 is even more impressive. Well done, Adobe!

Lightroom Mobile 2.4 has a very high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

After publishing today's TDS podcast titled, Nimble HQ Video, I received some requests for the actual settings that I use on my Olympus OM-D E-M5 Mark II. I'll share those here, keeping in mind that these will work on most other cameras too.

The Fn1 Button and 1-2 Lever

The first thing I recommend it programming the lever that's next to the Fn1 button and positioned just to the right of the viewfinder. By setting up "1" for your still photography and "2" for video work, you can quickly go from one mode to the other knowing that you have the right settings for each.

To program this lever, go to Menu > Gear Submenu > Gear B > Button/Dial/Lever > Lever Function and choose mode 6. With Mode 6 selected, you've programmed the lever to use position 1 for still photography and position 2 for video.

The Movie Menu

Everyone is a bit different when it comes to specific camera settings, but I'll give you an overview of what I use, and you can take it from there. Start by going to Menu > Gear Submenu > Gear I, then follow along.

• Mode: Manual ("M") - In my opinion, unless you're in run and gun mode, why would you use anything else. Set the shutter speed to 30 and the aperture for the look you want.
• Movie Mic - "On"
• Recording Volume - I use an external mic, and with my rig the gain is set to +2. Test for your particular mic.
• Volume Limiter - I go back and forth on this. Currently I have it on to protect against clipping the highs.
• Wind Noise Reduction - I keep it off unless I'm in breezy conditions. Even then, I'll use a dead cat over the mic, because it's more effective.
• Plug-in Power - Off. My mic doesn't require it. Hopefully yours won't either.
• PCM Recorder Link - I don't use it.
• Headphone Volume - I'm usually around 7. My headphones are plugged into the Olympus HLD-8G External Grip.
• Time Code Settings - Non-DF (Does not adjust for time difference vs. actual recording time.)
• Movie Specification Settings - I use FHD-F and FHD-SF. For shorter pieces I'll switch to SuperFine. For longer recordings Fine is great.
• Movie+Photo Mode - Mode 1 - Movie is given priority.
• Shutter Function - Mode 1 - Shutter button is for photos, and movie button is for recording.
• Noise Filter - Standard
• Picture Mode - Off

My recording format is FHD Fine 30fps MOV 1920x1080. ISO can be anything I need, usually between 400 and 1600. I use S-AF for focusing mode because I don't want the camera hunting for focus while I'm recording.

Once you have these set to your liking, the camera will remember them. Now, when shooting still photos, have the lever in position 1. When it's time for movies, go to position 2, and make some magic!

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

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You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #540, July 12, 2016. Today's theme is "Nimble HQ Video." I'm Derrick Story.

Opening Monologue

Video isn't so bad. If you didn't have to worry about loads of equipment, frame rate, humongous files, crappy audio, a plethora of formats, or compression algorithms, it would be a piece of cake. I might not be able to help you with everything on this list, but I can share with you my nimble video kit that will lighten your load. It's what I use for commercial interviews.

Nimble HQ Video

Back when I was designing this recording kit, I wanted the same nimbleosity rating for my movie gear that I enjoy for still photography. Thanks to some careful selection, and advances in technology, I have a kit that produces professional results and won't break the bank, or your back.

• Olympus OM-D E-M5 Mark II $1,099 - Since I never have to shoot 4K, this camera works fantastic. I pair it with the Panasonic Lumix G X Vario 12-35mm f/2.8 Asph. Lens, which is on sale now for $300 off ($699), for a killer combination. If I needed 4K, I would probably opt for the Panasonic Lumix DMC-GH4 that's currently on sale for $1,297.
• Olympus HLD-8G External Grip ($113) - What's clever about this grip is that it includes a headphone jack with volume control. I find this invaluable for both recording and reviewing my video segments.
• Shure VP83F LensHopper Shotgun Microphone with Integrated Flash Recorder ($299) - I've tested a number of shotgun mics for field recording, and this is my favorite. It's easy to use, super compact, takes AA batteries, has a headphone jack, and most importantly, it has its own audio recorder that saves to a micro SD card.
• Genaray LED-7100T 312 LED Variable-Color On-Camera Light ($189) - Super compact, comes with a diffusion panel that attaches via magnets, variable color temp between 3200K and 5600K, two battery configuration with external power capability. It puts out 1400 LUX, yet measures only 7.5 x 4.5 x 1.75" and weighs less than a pound.
• Induro AKP0 Adventure Series Tripod w/ 3-Way Pan Head Kit ($75) - This excellent set of sticks is currently on sale for less than half price ($90 off) and is my current favorite brand for full sized tripods.

In the News

Elevating X-Trans? Fuji film X-T2 First Impressions Review via DP Review.

The Fujifilm X-T2 is an updated version of the company's top-level DSLR-shaped APS-C camera. It's built around the same 24MP X-Trans sensor as the X-Pro2 but ends up being much more than an X-T1 with more pixels. Instead, the X-T2 is a camera that does much to address the X-System's remaining weaknesses, which can only broaden its already considerable appeal.

Key features include:

• 24MP X-Trans CMOS III sensor
• 325 AF points (169 of which offer phase detection)
• AF point selection joystick
• 2.36M-dot OLED EVF with 0.005 sec refresh time (60 fps or 100 fps in boost mode)
• 3" 1.04M-dot articulating LCD
• 4K UHD video at up to 30 fps for up to 10 min (30 min with booster grip)
• F-Log flat profile and 4K out over HDMI
• 8 fps continuous shooting with AF (11 fps with booster grip)
• 5 fps continuous shooting with live view updates between capture
• Dual SD card slots (UHS-II compatible)
• USB 3.0 socket

The camera is expected in Sept. 2016 for $1,599.

The Nimble Photographer Podcast and Patreon

The first episode is waiting for you right now. The second show goes live this coming Friday, July 15. It's title, "Baggage."

I hope you become a patron of The Digital Story, and I look forward to hearing what you think of The Nimble Photographer Podcast. The URL is: www.patreon.com/thedigitalstory

Do You Have an Analog Story to Share?

If so, please send the text and up to 6 pictures to theanalogstory@gmail.com.

Updates and Such

Just Released!: The Apple Photos Book for Photographers

You can get your eBook copy of The Apple Photos Book for Photographers for $15 by using the checkout coupon: APPLE15. That saves your 5$ off the price.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

MacPaw Creators of CleanMyMac 3 and other great software for Apple computers. Visit www.macpaw.com today.

Hedge for Mac - The fast solution for moving photos and videos from memory cards to drives, or drives to drives for that matter. Learn more at Hedge for Mac.

inkdot Metal Prints Brilliant, affordable, and archival. Visit ink dot.com/metal-prints today.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

I've been working with the Priime Styles editing extension for Photos for macOS. I've applied its filters to my iPhone Jpegs and RAWs from my Micro Four Thirds cameras, and I've had some excellent results.

BTW: Priime Styles works for Lightroom users too. So if you're not into Photos, then still read on...

The iPhone workflow is straightforward. You open the image in Priime, choose from their vast array of professional filters, and save. But in order to get the most out of the RAW workflow, I have a few tips.

Duplicate your RAW file in Photos, then edit it using native tools first. Images by Derrick Story.

Duplicate Your RAW and Edit First

Priime Styles can import your RAW file, but it returns a Jpeg to your Photos library. My recommendation is to duplicate the RAW in Photos, then apply your basic adjustments while it's still in the RAW state. This gives you much better control over recovering highlights and opening up shadows.

Send Edited RAW to Priime Styles

Once your RAW has received its basic adjustments, you can send it over to Priime Styles for finishing. There are lots of filters to choose from. And this part of the process is really fun. All you have to do is click on the thumbnail to apply a filter.

Load the edited RAW file into Priime Styles and apply your favorite filter.

Now click the Save Changes button, and a Jpeg will be returned to your Photos library, right next to the original RAW. You have all of the standard options at this point, such as viewing the master (press the M key) or reverting to the original RAW file.

When working in Priime Styles, I like to start with the Explore button to view thumbnails of all the possibilities for my image. Once I choose a filter, I generally use the strength slider to adjust the intensity. You have two different comparison buttons so you can really get a feel for the before and after. This editing extension is very easy to use, and it provides a wealth of options for your pictures.

Master Photos for OS X

(It's More Powerful than You Think)

For hands-on tutorials, be sure to take a look at Photos for OS X Essential Training on lynda.com. I cover everything you need to know to get the most from this surprisingly powerful image management application.

For photographers who are more than just casual snapshooters, or who are making the transition from Aperture or iPhoto, The Apple Photos Book for Photographers shines a light on the sophistication of this app and the ecosystem it taps into. Available as an eBook now, and coming to print later this year.

Get it for $15 using checkout code APPLE15!

More Help and Insights on Photos for OS X

Don't forget about the Photos for OS X Special Feature Section on The Digital Story. It's a roundup of tutorials, videos, and articles focused on helping you master Apple's latest photo management software. You can also find it under Photography in the top nav bar.

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.