The new Gallery View in macOS Mojave is a photographer's treasure chest. Not only can you browse images in a meaningful way, you can also review full metadata and tap a number of tools that once required opening an application.

Gallery View in macOS Mojave

To make things even more efficient, Apple has included a handful of Quick Actions to speed up the workflow. Take a look in the lower right corner of Gallery View, and you will see Rotate Left, Markup, and More. In the More menu you can also stash Automator scripts that are accessible via the Finder.

These little scripts can really save your time for mundane tasks such as converting file types, resizing images, etc. And they are especially handy when you're working in Gallery View.

In that spirit, I've added a few to the list that I needed. One of them, Scale to Social 2048, takes any image and resizes it to 2048 pixels on the long side... perfect for sharing on Facebook, Twitter, and other online destinations. Here's how I created it.

First launch Automator. You can just use Spotlight Search (magnifying glass in the upper right of the interface) to find it. Then go to File > New and choose Quick Action from the popup menu.

Choose Quick Action

Now turn your attention to the Library column on the left and click on the Photos group. You'll see all sorts of tools in there. Drag over the one that want to the main window. Fill out any parameters that may be required.

Decide what action(s) you want.

Now, all you have to do is Save. The Quick Action will automatically be placed in the Services directory, and immediately accessible via the More menu in the lower right corner of the Gallery View window. (It's also available other places via right-click, etc.)

The Quick Action is now available.

To run the script, all you have to do is choose it from the popup menu. The little Automator gear will turn at the top of the interface while it's executing, then just like that, it's completed. (You'll really feel smart at this point.)

From here, you can play on your own. I've created actions for converting PNGs to Jpegs, and for importing images into my Photos app straight from the Finder. It returns an error message, but it still works perfectly. Go figure. It's scripting.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

As I was driving south on Highway 101 to the studio this morning, I noticed an interesting scene to the west. Two hot air balloons were down in a vineyard. One was up and looking ready to launch. The other wasn't faring as well.

Fortunately, I could exit on River Road and drive over there for a closer look. What a beautiful scene. The warm colors of morning light combined with the balloons and vineyards. I could see the costal fog bank in the distance with a few additional wisps in the sky.

I parked the car by the side of the road and tromped out into the vineyard, shooting along the way. I reached for the Olympus PEN-F, which had the Panasonic 20mm f/1.7 on it. There was no time to change lenses. One thing I know about hot air balloons is that if you look away for just a second, it's easy to miss the shot.

Sure enough, as I was walking toward the scene, the first balloon began to lift off. I was shooting RAW+Jpeg, so I knew I could enable the doubler to frame the shot tighter. I love this feature on Olympus cameras. The 2X digital tele-converter is very high quality, especially when your Jpegs are set to Super Fine.

I also recorded a few frames with my iPhone X for the geotags. Those shots are nice, but the don't have the same presence as the one captured with the PEN-F. Yes, smartphones are capable picture-takers. But I was really happy that I had a real camera with me this morning.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

For years, the Retrospective line of photography shoulder bags has been one of the most respected and copied designs. And with the Retrospective 7 V2.0 ($165), Think Tank has improved this classic in a number of ways.

Highlights include a new zippered top security flap, interior laptop sleeve (up to 13"), outer trolly sleeve, improved side pocket, redesigned security hook and loop system, softer material, more attractive inner lining, and more. Let's step through those changes and see how they look.

Outer Front

Left: Retrospective 7; Right: Retrospective 7 V2.0

The outer shell of version 2 is softer with a smoother texture. A design feature on the bottom of the front flap improves the the appearance.

Outer Back

Left: Retrospective 7; Right: Retrospective 7 V2.0

Lots of big changes on the back side. Gone is the way too constrictive back pocket that could only hold a tablet or 11" MacBook. It was replaced by a zippered document pouch with a trolly sleeve that slides over the handle of your rolling luggage. The laptop compartment is now inside the bag.

Backside of version 2.0

Side Pocket

Side pocket of version 2.0

The two underpowered side pockets from version 1 were replaced with a roomy, expandable pocket on one side. When not in use, the storage area is held flat by a handsome buckle and two Velcro dots. When opened, it can hold a sizable water bottle or gear. The bottom of the pocket is lined with water resistant material to help manage condensation.

Top Flap System

Inside top flap

The Velcro secure system has been improved. Now there are pockets behind the hook patch to hide the silencer flap when not in use. Also, the lining is softer with a handsome design... again, much nicer.

The Interior Cargo Area

Inside version 2.

A huge addition is the zippered security flap to keep gear safe when traveling from point A to point B. When working, you can attach it to the main flap to keep it out of the way. The design works well, and it provides extra peace of mind on the road.

The laptop sleeve is now inside the bag, which is also more secure. Plus, you can now stash a 13" model in the Retrospective 7 V2.0, making the bag far more practical for everyday use.

As with the original bag, there are plenty of stash pockets for accessories and personal items. The biggest challenge is not to overstuff these areas making the bag look puffy. The retrospective has a wonderful body-hugging design that looks great when not overpacked.

In Use

For day-to-day activities, the bag preformed very well. I would have liked an in-between setting on the side pocket. The way that it's designed now, it's either all the way closed, or all the way open (which is quite large). I wanted it halfway at times for sunglasses and other small accessories.

Version 1 had a nifty business card holder in the top flap that ensured your bag could always be identified if necessary. Think Tank removed that feature in version 2. I kind of miss it...

Stashing the laptop in the bag is definitely more secure. But it's not quite as convenient as outside access. This isn't really a complaint, rather an observation based on use.

The Bottom Line

The Retrospective 7 V2.0 is an absolute pleasure to use. The Think Tank design team thought about every aspect of the bag, and they implemented thoughtful, and sometimes quite handsome, improvements. With virtually no complaints, I highly recommend it.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #655, Oct. 2, 2018. Today's theme is "My Top 5 Photokina Picks." I'm Derrick Story.

Opening Monologue

Photokina is the largest photography show that I've ever personally attended. And once again, it didn't disappoint in terms of major announcements. There was gear that dazzled me while other news well, just puzzled me. This week I'm going to talk about those products that turned my head.

My Top 5 Photokina Picks

In large part because of the mirrorless movement, we're in a great cycle right now. And I think this year's show in Cologne reflected that excitement. Here are the things that I'm hoping come to market sooner than later.

• The Panasonic Lumix S1R - It's huge, like DSLR huge, but this product of the Panasonic / Leica / Sigma L-mount partnership provides an interesting full frame alternative to Sony, Canon, and Nikon.
• The Fujifilm GFX 50R - A relatively compact medium format rangefinder for $4,500. It seems that Fujifilm has gone this route rather than compete in the full frame space. Time will tell on the wisdom of that decision.
• The Ricoh GR III - A compact classic with an APS-C sensor gets a feature update. New goodies include a new 24MP sensor, touchscreen and image stabilization. The problem is, we don't know exactly when we will see it. Ricoh has announced its development, but no price or release date.
• The Sigma 56mm F1.4 DC DN lens for Sony E and Micro Four Thirds - On Micro Four Thirds, the lens will behave as being equivalent to a 112mm F2.8 lens on full frame. On Sony E mount, it will act as an 84mm F2.1 equivalent. Super Multi-Layer Coating, Weather-Sealed Construction, and Rounded 9-Blade Diaphragm. The lens will be part of Sigma's 'C' (for Contemporary) range of lenses which aim to strike a balance between quality and price.
• The Leica DG Vario-Summilux 10-25mm f/1.7 for Micro Four Thirds is the first lens that achieves a wide f/1.7 aperture through the full zoom range. The zoom will cover the 35mm equivalent of a 20mm, 24mm, 28mm, 35mm, and 50mm. It's not a compact optic, but wow.

Things I Learned During the TDS Fall Workshop

We closed out the 2018 workshop season high in the mountains with a spacious cabin as our headquarters. During the course of the event, there were many pearls of wisdom, and I thought I would share a few of them with you now.

Dave learned- Lens hood on the front of the lens may not be enough. Use your hand or a hat to shade. I learned from Jeremy that I was using too long of exposures for my star photos.

Kevin learned - You're never to old to desire a McLaren. When you're switching camera gear, it's really helpful to work with others who have it. (Kevin is learning Olympus gear.) For star shots, use Fluorescent WB preset to add blue to the stars.

Susie learned - Never do a workshop with only seven men. I learned about the Photographer's Ephemeris so I know when to go out for a night shoot. I learned how to do pano merging in Lightroom with the resulting DNG.

Jeremy learned - I'm over-dependent on technology. Take away WiFi and Cell service and I'm a gonner. Everyone sees things differently. I missed shots that others got right next to me, or they interpreted it differently.

Fred learned - I for the first time have used a graduated ND filter that helped me control the light on one side of the scene or another.

Earl learned - For Milky Way shots, duplicate the layer 3 times then use blend mode soft light to brighten the stars and intensify the color and image.

Kirk learned - I learned how to pack being a nimble photographer by observing how the other guys packed - not too much, not too little. Plus, I really enjoyed hanging around the other guys.

Do You Have a Film Camera that Needs a Good Home?

Over the last year, I've received donations from TDS members who have film cameras that need a good home. What I do is inspect the items, repair and clean as I can, then list them in TheFilmCameraShop where I can find a good home for them. If you're interested in donating, please use the Contact Form on TheNimblePhotographer site. And thanks for you consideration!

Updates and Such

Inner Circle Members: Starting this month - Photo Critique. Check out the post on Patreon. Send your images to me with the subject line, "Photo Critique." More details on our Patreon page.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Create the site that your best images deserve by visiting Portfoliobox. And get a 20 percent discount by using our landing page!

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

As we approached Day 1 of the TDS Photography Workshop, I was looking for the best way to tell the story of Lassen Volcanic National Park with my images.

Remains of a Volcano - Olympus OM-D E-M1 with Olympus PRO 45mm f/1.2 lens. Photo by Derrick Story.

I was impressed with the harsh, but beautiful environment created by centuries of eruptions by the four different types of volcanos in the area. But as we spent time there, I was also struck by the fortitude of the plants and animals that inhabited the area.

Chipmunk with Full Pouches - Olympus OM-D E-M1 Mark II with Olympus PRO 40-150mm zoom. Photo by Derrick Story.

I decided that black & white was the best way to convey what I felt while standing there: stark, rugged beauty with no excess. Nature had provided just enough resources for these trees, lakes, and creatures to survive. I wanted my images to feel the same way.

Lake Helen - Olympus OM-D E-M1 Mark II with Olympus PRO 45mm f/1.2 lens. Photo by Derrick Story.

I set my Olympus OM-D E-M1 to RAW+Jpeg (Superfine) and enabled the Dramatic Monochrome Art Filter. Even where reviewing the images on the LCD in bright sunlight, I could tell this was the look that I was hoping for: simple, clean, to the point. These pictures represent how I felt during the course of the day.

Wood Texture - Olympus OM-D E-M1 Mark II with Olympus PRO 45mm f/1.2 lens. Photo by Derrick Story.

Tomorrow we're off to another location. We'll be in a completely different environment. And once again we'll try to find a way to tell the story.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

I'm heading north today for our workshop cabin at Lake Almanor, California. We're going to spend a day in Lassen National Park, then Burney Falls, with some pretty sweet side trips as well. I've packed my bag, and thought you might want a peek inside.

I'm going with the Olympus OM-D E-M1 Mark II paired with the Panasonic Lumix G X Vario 12-35mm f/2.8 zoom lens. I'm in a mix and match mood for this trip, combining Olympus with Panasonic, Think Tank with Lowepro, and tossing in a dash of Fujifilm for seasoning.

The long lens case contains the Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO lens. The two shorter Think Tank Lens Case Duo 5s are protecting my Olympus Digital ED 17mm f/1.2 PRO lens and the Olympus Digital ED 45mm f/1.2 PRO lens. I keep the 17mm in the green case and the 45mm in the black case so I know which one to grab without having to open it.

I'm also bringing the delightful Fujifilm XF10. It's great for quick shots, or when I have the telephoto on the E-M1 Mark II and don't want to change optics for a quick shot.

All of this is housed in the Lowepro ProTactic 350 AW backpack, which is just the right size for these types of assignments. This is the same bag that I used successfully for my trip to Cuba. It's handsome, rugged, and holds just the right amount of gear.

It also provides access from the top, and from both sides. I can easily get to both cameras and all three lenses without having to open the main back panel.

I'll definitely want a tripod for Burney Falls, and I've packed a few filters as well. So this rig should provide me with all the tools I need, without slowing me down.

In the coming days, I'll post some images from the workshop. I can't wait to start working with these great folks from our photography community. (Wish you were joining us!)

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

It's been quite a day of pre-Photokina announcements. Lots of heavy artillery will be displayed in Cologne later this week. And there, standing among the trees, will be the svelt GR III.

Many of us have been waiting to see the specs for this latest GR, especially those who are debating between it and the new Fujifilm XF10. Based on the Ricoh press release, there will be enough differences to make this an interesting decision.

The GR III will feature image stabilization, which the XF10 does not have (both cameras using a 28mm f/2.8 fixed focal length lens). The XF10 has an intelligent flash built-in, while Ricoh opted for a hot shoe capable of accepting an external strobe. The Fujifilm uses both Bluetooth and WiFi, while the Ricoh is WiFi only. This probably means that it won't be as adept as the XF10 at geotagging images in real time.

What they both have in common are large APS-C 24MP sensors, 3" million dot LCDs, and no electronic viewfinder.

Price may be a difference, as well. The Fujifilm XF10 sells now for $499. That's competitive for a large sensor compact. Currently, the older Ricoh GR II costs more than that. So it will be interesting to see how the numbers add up when Ricoh releases their new model in the first quarter of 2019.

One other major distinction between the two cameras... they look very different. Like I said, if you want a large sensor compact and are debating between these two, you'll have plenty to choose from.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #654, Sept. 25, 2018. Today's theme is "Are You a Photography Dinosaur?." I'm Derrick Story.

Opening Monologue

Photography is changing faster than many of its seasoned photographers. And even though this doesn't mean extinction for the ways of the past, it does signal that a certain amount of evolution is in order. You may think that I'm talking about film. No way! That's pre-dinosaur. I'm referring to the tried and true digital photography workflow that was once the standard. I'll explain more in today's TDS podcast.

Are You a Photography Dinosaur?

Before I get too deep here, let's take a quiz together to determine if you're a dinosaur photographer. Answer yes or no to the following questions.

• (1)Do you regard smartphones as real tools for meaningful photography?
• (2)Do you manage all of your images on a computer using a hard drive based DAM such as Lightroom Classic or Capture One Pro?
• (3)Do you post Instagram shots taken directly from your smartphone? (Opposed to a digital camera workflow)
• (4)Do you even have an Instagram account?
• (5)Do you know what Snapchat is?
• (6)Is your primary method for sharing images via email attachments?
• (7)Do you use a tripod more than twice a year?
• (8)Are you a professional photographer or at least a regular freelancer?

Answers: 1) No=1 Dinosaur bone 2) Yes=1 Dinosaur bone 3) No=1 Dinosaur bone 4) No=1 Dinosaur bone 5) No=1 Dinosaur bone 6) Yes=1 Dinosaur bone 7) Yes=1 Dinosaur bone 8) Yes= -3 Dinosaur bones.

If you have four or more bones, you are a photography dinosaur. 2-3 bones means that you are in evolutionary phase. And 1 bone or zero means that you're either 17, or part of the new breed.

So at this point you're probably expecting me to say that the species is doomed. But I don't think that at all. Smartphone and wearable photography will never completely replace workflow based work. But the popularity of those tools depends on rate of change those companies can embrace.

For example, interchangeable lens cameras need to evolve substantially to provide a meaningful alternative to computational photography. The software workflow must get easier and more mobile.

We will always have workflow based digital photography, just like we still have film and the cameras that use it. But tools and techniques that don't evolve become niche products.

In the photography jungle, dinosaurs can survive. But they will no longer rule the planet the way they once did. And by not experimenting with newer tools and techniques, they are also missing out on some real fun.

The Portfoliobox Featured Image

Have you visited our TDS Facebook Page in the last few days? If you, what do you think of the beautiful image by Kenneth Cole as the featured banner? Maybe yours will be next.

Each week for the month of September, I'm going to feature a PortfolioBox Pro image as the banner for our TDS Facebook Page. I will select the image from my list of TDS PortfolioBox Pro users, and include the photographer's name and link.

If you've signed up for a Portfoliobox Pro account, and have published at least one page, then send me the link to that site. Use the Contact Form on the Nimble Photographer and provide your name, the link, and the subject of the page or site you've published. I will add it to our PortfolioBox Pro Directory.

I love using Portfoliobox for these reasons:

• My images look great, both on my computer and on my mobile devices.
• It's easy to use. Without any instruction, I'm adding a high quality page in just minutes.
• It's affordable. There's a free plan and a Pro version. The Pro version is only $82.80 per year or $8.90 per month USD, and that's before the 20 percent TDS discount.

In addition to unlimited pages, you get a personalized domain name, web hosting, and up to 1,000 images.

Get Started Today

Just go to the TDS Landing Page to get started with your free account, or to receive the 20 percent discount on the Pro version. And if you want to see the page that I've begun, visit www.derrickstoryphotography.com.

Focos Brings iPhone XS Tricks to iPhone 8 and X

If you are envious of the computational photography goodies in the new iPhone XS, but want to stick with your existing iPhone 8 or iPhone X handset, take a look at Focos. It can provide much of the same functionality, for free.

• Take photos with shallow depth of field, without manually painting or making selections
• Simulate large apertures to create real bokeh effects normally only possible with DSLR cameras and expensive lenses
• Import existing portrait photos and customize the bokeh effect
• Re-focus portrait photos that have already been taken, with a simple tap
• Choose from various simulated aperture diaphragms to generate different bokeh spot effects
• Professional options to simulate lens characteristics, such as creamy, bilinear, swirly, and reflex effects, and more
• An essential tool for iPhone 7 Plus, iPhone 8 Plus and iPhone X (dual lens devices).

There's much you can do with the free version. But if you want to unlock all of the cool features, you can do so for $10.99 one time fee or $6.99 a year for a subscription.

Inner Circle Members: New York Fine Art Greeting Cards

My latest printing project is creating a set of 6 fine art greeting cards from my trip to New York. Inner Circle members, not only can you help me choose the final images, but by doing so, you become eligible to win a free set of the cards.

Starting last week, I published two images on our Inner Circle site. Post a comment as to which one you prefer best, and you are automatically entered in the drawing. We'll do this once a week throughout September. At the end of each week, I'll randomly choose a name from the comments and send them a completed set of fine art cards once they are finished. This week's winner is: Bim Paras.

If you want to participate, you can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

Updates and Such

Inner Circle Members: Starting in October - Photo Critique. Check out the post on Patreon. Send your images to me with the subject line, "Photo Critique." More details on our Patreon page.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Create the site that your best images deserve by visiting Portfoliobox. And get a 20 percent discount by using our landing page!

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Apple fixed one of my most frustrating nits with importing images from a camera card to my iPhone: those tiny thumbnails.

Tiny thumbnails on an iPhone.

In previous versions, it was difficult to tell which shots I wanted, and those I did not, because I had to make decisions based on thumbnails too small to tell.

Now, I can pinch-zoom on any of the images to unlock a bigger view to make it easier to decide which ones I want, and those that I don't.

Relief! Bigger views of my images.

This improvement has made it far more fun to bring in images from my mirrorless cameras, then incorporate them into my Photos workflow.

I'm still learning iOS 12. But at the moment, this is my favorite photo improvement.

The Apple Photos Book for Photographers, 2nd Edition

Updated for macOS High Sierra, the The Apple Photos Book for Photographers, 2nd Ed. provides you with the latest tips, techniques, and workflows for Apple's photo management and editing application. Get your copy today!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Capturing great images of high school students is one of my favorite assignments. I've learned a lot over the years, and I've poured as much of that knowledge as possible into my newly revised, Learn How to Photograph High School Senior Portraits 2018 on LinkedIn Learning.

For this new release, I've kept the interesting live action sequences with actual high school seniors, including shooting sessions and discussion about what they are looking for in a portrait session. Then, I added movies showing how to use Lightroom, Capture One Pro, and Photos for macOS to sort, edit, and share the best pictures from the session.

This title reflects the best of both worlds: understanding how to capture great images of teens combined with using the current software tools available to us. Here's a peek at the movie trailer.

Learn how to photograph high school seniors from Portrait Photography: High School Seniors by Derrick Story

If you've been tasked with photographing a high school student in your family, or if you're interested in adding this type of assignment to your freelance work, then I encourage you to watch Learn How to Photograph High School Senior Portraits on LinkedIn Learning.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.