Yes you can trim video in Aperture 3, but that's about it. What I needed was a tool for color and luminance adjustments. First I tried roundtripping to iMovie. Quite honestly, that was a disaster. Let's just say that I don't think Aperture and iMovie should see each other any more. I tried to apply filters on export in QuickTime 7. Just too clunky. I even explored some of the free video editors on the Web. Now I know why they are free.

Then it dawned on me. I have Photoshop CS4... Extended. Up until now, having the Extended version didn't mean much to me. I'm not a scientist and I haven't delved into 3D yet. But I can import video, add adjustment layers to it, then render it out using the standard QuickTime export dialog box. This is exactly what I needed.

You can pick any frame in your video to view while you make your adjustments. I worked in layers, just as I would normally. But you don't have to. Then simply go to File > Export > Render Video, and save out the adjusted version. Your entire movie will have the luminance and color correction applied.

I still haven't perfected my workflow for managing videos in Aperture 3. Now that I have Photoshop CS4 for adjusting the movies, I might work like this:

• Download video from camera to external hard drive that I use for all of my referenced files.
• If they don't need any luminance or color adjustments, import them into Aperture as referenced files.
• If they do need adjustment, correct in Photoshop CS4, render out, then import the corrected movies into Aperture 3 as referenced files.
• Apply metadata, organize, etc. in Aperture 3.

At that point, I would probably copy the uncorrected master movies on to my Drobo and remove them from my referenced hard drive. I'm sure I'll tweak this workflow some more. But for now, I have deadlines to meet.

You might be wondering if you can roundtrip to Photoshop CS4 by choosing it for videos in your Aperture 3 preferences. Well, yes and no. Aperture does send the video to Photoshop and it opens correctly. But, you can't use the Save command to roundtrip back. So you have to Export > Render and new file anyway. So, in my opinion, this workflow isn't ready for primetime yet. And from what I've read, you can use Photoshop CS3 Extended for this, but you can't listen to the audio. But it's still preserved.

All of that being said, I am thrilled to have a way to adjust my videos while still using Aperture 3 as the manager. I'll report more as I discover it.

More Aperture Tips and Techniques

To learn more about Aperture 3, check out my Aperture 3 Essential Training on Lynda.com. Also, take a look at our Aperture 3 Focus Section. Tons of free content about how to get the most out of Aperture.

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The exhibit hall opened on Tuesday night at NANPA, where Canon, Nikon, Lowepro, and many others displayed their wares. I was working in the Lowepro booth, talking with photographers, taking pictures, and answering questions. As you might suspect in a room of nature photographers, the most popular bag was the Lowepro Pro Trekker 600 AW. As one shooter said, "I need a bag that can hold my camera gear and my personal items when I'm working in the field.

Here's a short video of the Lowepro booth and a photographer giving the Pro Trekker the once over.

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After 2 years of waiting, we have Aperture 3. And it's beautiful! In this podcast I cover the highlights of this new release, then have 10 tips to help you get started.

Listen to the Podcast

You can also download the podcast here (30 minutes). Or better yet, subscribe to the podcast in iTunes.

More Aperture Tips and Techniques

To learn more about Aperture 3, check out my Aperture 3 Essential Training on Lynda.com. Also, take a look at our Aperture 3 Focus Section. Tons of free content about how to get the most out of Aperture.

Monthly Photo Assignment

Red is the Feb. 2010 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is Feb. 28, 2010.

TDS Workshops Update

The TDS Hot Air Balloon Photography Workshop in June 2010 has lost its hot air. The organizers cancelled the event for this year. Ack! So I'm working on a different event in the same time slot. Stay tuned for more information. If you'd like to get on the waiting list for upcoming workshops, please send me email with the subject line: "TDS Workshops." Those virtual camera club members who are on the waiting list get first opportunity to register for newly announced workshops. Attendance is limited to 6 for each TDS Workshop to ensure a personalized experience.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. It's a blast!

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Red River Paper -- Try the $7.99 Sample Kit.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

Technorati Tags: digital photography, podcast, technique, Technology, The Digital Story, tips

The car is packed, and I'll be heading up to the Nature Photography Summit in Reno, NV. This is the start of an exciting road trip that includes the NANPA event, then head down Highway 395 past some of my favorite sites in California (Mono Lake, June Lake, Mammoth Lakes, Bishop, Lone Pine), and arriving in Anaheim for the PMA Show.

At the shows, I'll be working in the Lowepro booth, meeting photographers, talking about gear, and recording short interviews. I'll post many of these conversations, so stay tuned. It's always great to hear what other shooters have to say. And if you're attending either of these events, be sure to come by the Lowepro booth to say hi.

Then, while on the road, I'll be taking pictures and posting anecdotes about the places I see and the people I meet. I have a lot of experience traveling Highway 395, and the one thing I know for sure is that I have no idea what I'll encounter. So , we'll all find out together.

Be sure to keep an eye on my Twitter feed, here at The Digital Story, and via the Lowepro Facebook Fan page.

If you have to switch to 32-bit mode in Aperture to run your plug-ins, which are all 32-bits, you can do so via the Get Info box (File > Get Info). With the application closed, check the "Open in 32-bit mode" box, then relaunch Aperture. All of your current Aperture plug-ins should be available to you then.

More Aperture Tips and Techniques

To learn more about Aperture 3, check out my Aperture 3 Essential Training on Lynda.com. Also, take a look at our Aperture 3 Focus Section. Tons of free content about how to get the most out of Aperture.

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One of the pleasant surprises in Aperture 3 is the new Full Screen Browser. To access it from the normal browser view in Aperture, all you have to do is hit the F key. This lets you dedicate every inch of your monitor to your pictures. This feature is a blessing while I'm using my 17" MBP on the road.

If you want to edit one of the images, just double-click on the thumbnail in the Browser to bring it to full screen, then hit the H key to bring up the Adjustments Inspector. At this point, you can work as normal. Another nice touch is, if you hold down the Shift key while moving any of the sliders in the Adjustments Inspector, the Inspector interface disappears except for the slider you're using. Again, this lets you see more of your image with less of the interface.

When you're done editing your picture, just double click it to return to the full screen Browser. Hit the F key to return to the normal Aperture 3 interface. Very nice.

Oh, and one other thing. Those images in the illustration... they are Raw files from my Canon S90. Aperture 3 decodes them wonderfully. I've also talked with LX3 shooters, and they too can decode their Raw files in A3.

More Aperture Tips and Techniques

To learn more about Aperture 3, check out my Aperture 3 Essential Training on Lynda.com. Also, take a look at our Aperture 3 Focus Section. Tons of free content about how to get the most out of Aperture.

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When Apple enabled video trimming in Aperture 3, my guess is they wanted to enhance the Slideshow module. And that they did. You can now combine still images, video, and separate audio tracks to create beautiful productions.

After playing with this module for a few hours, however, my message to Apple is that I would prefer even more video functionality (yeah, I know). But quite honestly, the task I often have at hand is to shoot video, cut it, then upload to YouTube -- as quickly as possible. Incorporating still images and soundtracks are fun, but not the normal project.

This short movie, "Mission St., SF" was captured with a Canon T1i, then imported directly into Aperture 3 for production and export. Click through to YouTube for the HD version.

So if you have your hopes up that there's a mini Final Cut Pro inside of Aperture, you might want to lower your expectations. The video tools are extremely basic. What you can do, however, is useful.

• Add and manage DSLR video clips in the Aperture library. And thanks to the improved Import dialog box, you can choose which types of files you want to upload.
• Select the video clips you want to work with, then go to New > Slideshow where you can organize their sequence, add a soundtrack, add title slides, and choose some basic parameters for your presentation.
• Trim video clips by double clicking on them. This is very important because the one thing that all videos need is editing.
• Export your production using one of the 5 presets or custom export settings. I used the HD 720 preset for this short movie.

I know it seems odd to use the Slideshow module for your video editing. But I think that's due to Apple's original concept for video management in Aperture. I wouldn't be surprised if up the road we see a dedicated module for handling movies. In the meantime, however, this is a huge addition to Aperture 3. And it will make my life more efficient and productive.

More Aperture Tips and Techniques

To learn more about Aperture 3, check out my Aperture 3 Essential Training on Lynda.com. Also, take a look at our Aperture 3 Focus Section. Tons of free content about how to get the most out of Aperture.

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Photo bags are like your cameras: you want the right tool for the job. Often this means having a couple different types of bags to meet the different situations you face as a photographer. In this podcast I help you get your bags together.

Listen to the Podcast

You can also download the podcast here (25 minutes). Or better yet, subscribe to the podcast in iTunes.

Monthly Photo Assignment

Red is the Feb. 2010 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is Feb. 28, 2010.

TDS Workshops Update

The TDS Hot Air Balloon Photography Workshop in June 2010 has lost its hot air. The organizers cancelled the event for this year. Ack! So I'm working on a different event in the same time slot. Stay tuned for more information. If you'd like to get on the waiting list for upcoming workshops, please send me email with the subject line: "TDS Workshops." Those virtual camera club members who are on the waiting list get first opportunity to register for newly announced workshops. Attendance is limited to 6 for each TDS Workshop to ensure a personalized experience.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. It's a blast!

Follow me on Twitter

-

Red River Paper -- Try the $7.99 Sample Kit.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.

Technorati Tags: digital photography, podcast, technique, Technology, The Digital Story, tips

Over the coming weeks, we'll be delving into all the fun nooks and crannies here, including managing HD video, audio, new image editing presets, and much more. Stay tuned!

More Aperture Tips and Techniques

To learn more about Aperture 3, check out my Aperture 3 Essential Training on Lynda.com. Also, take a look at our Aperture 3 Focus Section. Tons of free content about how to get the most out of Aperture.

Follow me on Twitter

The Lowepro Pro Runner 300 AW is a photo backpack that holds the essential gear I need while working in the field, but it has a slim profile enabling me to work less obtrusively in urban environments. Yet, the Pro Runner has all of the features I need for shooting in the rugged outdoors.

As the photography evangelist for Lowepro, I get to test a variety of bags. In my last review, I put the Lowepro Fastpack 250 through its paces. The Fastpack remains one of my favorite combination backpacks (laptop and photo gear), especially for light jobs that require air travel.

The Pro Runner 300 AW fills a different need. It holds primarily photo gear (although the iPad may change that) and is used for more intensive photography jobs, or for situations when I can take two bags -- one for photo gear and another for computer stuff. Above all, what I really like about the Pro Runner 300 AW is its slim profile that allows me to tote it just about anywhere, even on a crowded city bus.

Right now I'm preparing for a busy month of travel in February, going to Macworld, NANPA, and PMA. I'll be shooting in a variety of conditions, from urban streets to Eastern Sierra trails. Here's what I have packed in my Pro Runner for the trip:

• Canon 5D Mark II and Canon T1i DSLR bodies
• 5 lenses: 70-200mm f/4, 24-105mm f/4, 17-40mm f/4, 85mm f/1.8, 18-55mm T1i kit lens and 1.4X Canon tele extender
• Canon 270EX flash
• Polarizing filters, ExpoDisc, batteries, and memory cards
• 24" PhotoDisc
• Monopod in the outside tripod holder
• Model releases, pens, small personal items

The backpack has a sturdy handle on top making it easy to pick up or grab out of a storage compartment. The harness system is very comfortable, capable of day-long treks, but it isn't bulky. I think this is a big deal, especially when working in the city. For example, I like having the belly band when I'm hiking, but it often gets in the way for street work. With the Pro Runner 300 AW, I can stash the belly band in the bottom AW compartment so it isn't visible at all. If I need it for a longer haul, it's easy to pull out and use.

Speaking of the All Weather cover, it adds an extra level of moisture protection in rain and snow. Other Pro Runner niceties include two side mesh pockets, outside tripod harness system, and sliplock sleeves.

The backpack is available in both black and pine green with black accents. I prefer the pine green model. It's quite handsome. The Lowepro Pro Runner 300 AW is available for $149.95 US. If you need to carry a lot of gear, but want to be nimble, take a look at it.