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With the announcement of the Sony Alpha a7C Mirrorless, we see another step forward in quest to create compact, full frame digital cameras. And I might add, with impressive success.

sony-a7c-top.jpg Sony a7Cfull frame camera with with 28-60mm compact zoom lens

Along with the Nikon Z5 and the Canon EOS R, designers are trying to deliver as many features as possible in more compact packages. But the full frame reality is, that no matter how compact the camera body, the lenses will be bigger than their cropped-sensor counterparts.

1600-P9144352-Nikon-Z5.jpg Olympus OM-D E-M1 Mark II with 14-42mm compact zoom (foreground) compared to the Nikon Z5 with 24-50mm compact zoom. Photo by Derrick Story.

If, for example, you compare the latest Nikon full frame with its most compact zoom to a Micro Four Thirds body with its most compact zoom, you'll see a noticeable difference. Even though the MFT body is smaller, that's not where the real savings are. It's with the lens.

Let's take a look at the Olympus 25mm f/1.8 (50mm equivalent) in comparison to the Nikon 50mm f/1.8. You'll see a striking difference in size, and price.

The Olympus 25mm weighs 4.8 ounces and is 1.6 inches long. It costs $299. The Nikon 50mm f/1.8 weighs 14.6 ounces and is 3.41 inches long. It costs $596.

My point isn't to disparage full frame cameras. I have a couple myself. But I do want to remind photographers that any size savings you reap from the newest bodies will be quickly countered by the optics that you mount on them. I recommend keeping both lenses and bodies in mind when choosing your camera system.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #756, Sept. 15, 2020. Today's theme is "Nikon Z5 Review + New Online Workshop." I'm Derrick Story.

Opening Monologue

The Z5 is Nikon's more affordable full frame mirrorless camera that accepts Z-Mount lenses. I pack one for my scouting trip to the Sierra and report today what I think. And speaking of the Sierra, I'm announcing our online Eastern Sierra Workshop today with all the details. Let's get to it!

Nikon Z5 Review

One of the things that attracted me to the Z5 was the Nikkor 24-50mm f/4-6.3 zoom lens that you can get bundled with the camera. Both together will set you back $1,696.

1024-P9144353-Nikon-Z5.jpg

My thinking was that this tandem would be a good full frame option for hiking and travel. I put that theory to test with an 8-mile hike to Crystal Cove in South Lake Tahoe. Before I tell you how that went, let's take a closer look at the specs for this camera.

Features and Specs

  • 24.3MP CMOS sensor and EXPEED 6 processor afford wide sensitivity to ISO 51200, quick shooting at 4.5 fps.
  • Autofocus system with 273 selectable points, and is a hybrid focusing system that uses both phase-detection and contrast-detection methods
  • A large 3.2" 1.04m-dot LCD screen is available for bright, clear, and vivid image playback and live view shooting. The screen has a tilting design to suit working from high and low angles and it is also a touchscreen for more intuitive operation, navigation, and settings control.
  • A 3.69m-dot electronic finder is present for comfortable eye-level viewing.
  • Dual SD memory cards slots both support up to the UHS-II protocol for high-speed and efficient photo and video file saving.
  • Built-in to the body is a 5-axis sensor-shift Vibration Reduction (VR) mechanism that compensates for up to five stops of stabilization regardless of the lens in use. This system also works with adapted lenses, when using the optional FTZ Adapter, where 3-axis stabilization is used. Also, benefitting video recording, Electronic VR is available to help steady footage to suit handheld shooting.
  • the Z 5 supports UHD 4K video recording at up to 30 fps and Full HD recording at up to 60 fps, with the ability to save movie files to the in-camera memory cards or to an optional external recorder via HDMI out. UHD 4K recording uses a 1.7x crop of the center portion of the frame while Full HD recording uses the entire full frame. Additionally, in-camera time-lapse shooting is also possible with the ability to produce a finished UHD 4K video file directly from the camera.
  • USB charging as well as a dedicated battery charger in the box.
  • A robust magnesium alloy chassis is both dust- and weather-resistant to benefit working in harsh climates and inclement conditions.
  • Focus Shift mode automatically takes a series of up to 300 sequential images while advancing the focus position in each shot. These images can then be stacked into a single image with extended depth of field, making it ideal for close-up shooting of smaller objects as well as for landscapes and other still subjects.
  • What I Liked

    In use, there are many things that I like about the Z5. It feels great in the hands; really comfortable to shoot with. If you hand it to someone, they will likely remark that it feels lighter than it looks (1 lb, 4 oz). And I agree.

    The tilting LCD works very well, as does the EVF. The controls are intuitive and well placed, and the battery lasted the entire day.

    Image quality was excellent! I really liked both the Jpegs and the RAWs (processed in Lightroom CC). I was quite impressed with the 24-50mm Nikkor. It's a gem of a lens and about as compact as you can get for a full-frame zoom.

    Video was also quite good, and I appreciated having both mic and headphone jacks on the left side of the camera. The vibration reduction make handheld recording possible, which is something that I can't do with my Fujifilm X100V.

    A Few Complaints

    I do have my nits, however. The electronic level is quite invasive, in the center of the screen and not really useable for general photography. The camera is also slow to wake from sleep. So much so, that I ended up adjusting the sleep timer to 30 minutes and turning off the LCD. It was worth the tradeoff in battery life.

    Also, I was hoping for a built-in popup flash. I know real estate is at a premium in a mirrorless camera, but having to buy and carry an additional flash for a travel camera is a bit of a bummer.

    And finally, if you want to expand your lens collection beyond the 24-50mm zoom, the Nikon glass feels very expensive to me. I wrote about this in the Medium.com article titled, She's Great, but the Family's a Problem where I pointed out: "I felt a sinking feeling when meeting the Nikon lenses for the Z5. The first relative, a Nikkor 50mm f/1.8, was $596 and not easy on the eyes. I know I'm not supposed to say these things, but it's true. The situation became even worse with the 35mm f/1.8 -- $846. That's expensive."

    The Bottom Line

    Unto itself, the Nikon Z5 with 24-50mm zoom is an attractive, robust mirrorless camera that delivers excellent image quality in a reasonably sized package. I certainly can recommend it for photographers already invested in the Z-Mount lens library. For those just starting out, however, your investment can balloon quickly to well over $3,000.

    The Online Eastern Sierra Photography Workshop

    I'm thrilled to announce the Online Eastern Sierra Photography Workshop on November 6-7, 2020.

    This event will be unlike others that you may have read about or even attended yourself. We are taking the popular components of the TDS physical workshops and digitizing them. Here are a few examples.

    • The Opportunity to Share Your Photos with Me and the Class - Even though the live event begins on Friday, Nov. 6, You will receive lesson tutorials on Oct. 21 and 28, then have time to go outside and practice these techniques. If you wish, you can share your favorite images from the practice sessions to be incorporated in the workshop.
    • Small Group for a More Personal Experience - Even though it's an online event, class size is limited to 15 to ensure you have ample opportunities to get your questions answered (by me and other class members).
    • Ongoing Conversations Beyond the Event Itself - I'm setting up a page online that will feature content from our event with the ability for ongoing conversations among class members.

    Even though I'm using the Eastern Sierra as a backdrop for my tutorials, your photography and contributions to this workshop could be from anywhere in the world. In other words, it's all about the photography, not the specific location.

    Since this is our first online event of this type, the tuition is only $150. Seats are limited and available on a first come, first served basis. Sign up today by visiting the Online Eastern Sierra Photography Workshop page at theNimblePhotographer.com.

    Why These Top Pros are Sticking with Olympus

    You can read the entire article on AmateurPhotographer.co.uk

    Since Olympus announced it was selling its camera division, some owners are questioning whether to stay with the brand. We asked leading Olympus users why they chose the brand and whether they have any plans to change. Here's what they said:

    From there, 11 top pros talk about their favorite Olympus gear and why they have no plans to switch. It's a great read.

    New Release: "How to Get Started with Vinyl Records"

    Take a hands-on journey with Derrick Story as he shows you how to set up a HiFi stereo system, add vinyl records to your music library, care for them, and finally, how to digitize the albums for personal listening.

    Everything that you need to know to get started with records, or to rekindle your love for vinyl LPs. Plus, you'll get 30-percent discount codes for digitizing software from Rogue Amoeba. The money you will save is more than you'll spend for the price of this online course. What a great value!

    In this online course, Derrick will show you:

    • All of the gear that you need to set up a HiFi system.
    • How to wire up and configure your kit.
    • Where to find records and what to look for.
    • How to take care of your vinyl so that it lasts a lifetime.
    • How to digitize your albums and add them to your digital music catalog.
    • Tips and tricks to enhance your enjoyment.

    Updates and Such

    Inner Circle Members: A big thanks to those who support our podcast and our efforts! You're eligible for a $25 discount to our online Eastern Sierra Workshop. Visit our Patreon page now for all the details.

    How to Watch Photos for macOS Catalina and iPadOS - Learn everything you need to know about Photos for the Mac and iPad by checking out my latest course on LinkedIn Learning and on lynda.com. This course is perfect for Mac and iPad based photographers who shoot with iPhone, Mirrorless, and DSLR cameras. It covers both photography and movies. And if I say so myself, it's a lot of fun.

    B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. (The Digital Story is supported by its audience. When you purchase through links on our site, we may earn an affiliate commission.) And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

    Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

    And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

    See you next week!

    Product Links and Comments

    There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

    You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Photography in Challenging Times

I've thought a lot about "photography in challenging times" lately, and have been figuring out how to approach it. I've never been a "doom and gloom" reporter. But I'm also a realist and see clearly what's going on around me. So how does that affect what I do with my camera?

san-rafael-bridge.jpeg San Rafael Bridge Heading West During the Summer 2020 Fires - Photo by Derrick Story

The short answer is: "I keep shooting."

The bulk of my pictures are for documentation and the ongoing photo diary. It's important to me to have an accurate account of these events for future reference.

I also share and publish a portion of the work because reporting to the outside world is important. Firsthand experiences are powerful. But for me, it is a matter of balance. I'll try to explain.

We've been going through the pandemic, economic challenge, social unrest, bizarre weather, and unprecedented fires for quite some time now. All of 2020 is scarred by these events.

Images representing these conditions do show up in my Instagram feed. But along the way, we've also seen Comet Neowise, reinvention, and perseverance. And I would like those represented as well.

Good things happen in bad times. I think finding engaging examples of both is important right now. And that will be my focus as we move through the remainder of the year.

I'm curious about your thoughts on this subject. You can share them at the TDS Facebook page, where I'll post this story for discussion.

I'm Back from the Eastern Sierra

Over the last five days I've recorded video for our upcoming online Eastern Sierra Workshop and have put the Nikon Z5 through its paces. I will have reports about both on next week's TDS Photography Podcast.

2048-DSC_0188-Eastern-Sierra.jpeg The Winding Road - Nikon Z5 with Nikkor 24-50mm zoom lens. Photo by Derrick Story.

I had a number of people check in with me to make sure that I was OK because of the wildfires in Northern California. (Thank you!) Fortunately, I was able to avoid the hot spots. I'm now safe and sound in the Santa Rosa studio.

Lots more to come about all of this in our next podcast. Stay tuned.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #755, Sept. 8, 2020. Today's theme is "5 Years with a Photo Diary." I'm Derrick Story.

Opening Monologue

Back in 2015, when I began my photo diary, the world was a much different place. I didn't know it at the time, but over the next few years, I would experience monumental changes in both my personal and professional lives. Many of those changes have been captured in pictures and words. Today, I'll share a few of those entries, and discuss the value of creating your own photo diary.

5 Years with a Photo Diary

One of the interesting things about a dairy of any type is that you can measure how quickly life changes. Not just your perceptions, but with actual dates and events. Here are a few examples.

photo-diary.jpg

  • Aug. 16, 2016 - Giants Baseball - I packed the Contax 139Q for some street shooting in SF on our walk to AT&T Park for a Giants game. Four of us were going to the game: Zach, Max, Jason, and myself. We took the Larkspur Ferry over to the Embarcadero, strolled for 1 mile to the ballpark, then returned to Larkspur on the Giants Ferry after the game.
  • Dec. 27, 2016 - Apple Photos Book at Barnes & Noble - I was killing some time downtown waiting for the battery to be replaced in my iPhone 6S. So I ducked into our local Barnes and Noble bookstore to see if my The Apple Photos Book for Photographers was in stock. Much to my delight, there was one copy left. So I did what any photographer would do: I faced it forward and took a picture.
  • Jan. 31, 2017 - Ron and Lynn Story - Dad was recovering from his broken hip (and many other things) at Claremont Manor. On the last day of my January visit, I posed them together for this classic portrait. They are both in their 80s. [Note, this is the last photo of my dad that I took.]
  • March 10, 2017 - A celebration of Ron's Life: When my dad passed away near midnight on Monday, March 6, 2017, my family gathered at my sister's house in Huntington Beach California, and at my mother's home in Upland California. The first few days were just taking care of the many, many details that need to be addressed after such an event. Then on Friday, March 10, we had a gathering of family at Dalene's to celebrate Ron's life. This roll of film is from that event.
  • Oct. 19, 2017 - Steve and His 2 Hearts: I was able to take my first bike ride today since the firestorm. The breeze was coming from the west in the air-quality was quite good.
    I packed my camera and rode around the neighborhood. Photographing little things that will help me remember how horrible last week was.
    At one point, I met Steve. He had crafted these two hearts and wanted to post them somewhere to make people feel a little better.
    "I wanted to create a message without words," he told me. I talked with him for a bit more, felt a little better about things, then rode off to complete my errands. Steve had accomplished his goal.

Over the 5 years, I have 920 photo entries. And the more I look at the diary, the more I wish I had added more moments.So I'm going to rededicate myself to this project. After all, now the rebuilding begins, and I don't want to miss any of that!

Using Day One as a Photo Diary

In this spot, I talk about why I use Day One to record the entries for my photo Diary.

Panasonic unveils new 24, 35, 50 and 85mm F1.8 L-mount primes

You can read the entire article on DP Review.

The S5 is at the center of the Panasonic's announcements today, but the company has also revealed plans to release a handful of F1.8 prime lenses. Details are thin at the moment, but we know that S-series 24mm, 35mm, 50mm and 85mm F1.8 lenses are on the way, and that the 85mm will be available in November.

A YouTube presentation by Panasonic shows all four primes as being the same size, each of them smaller (and presumably less expensive) than the existing F1.4 L-mount options at these focal lengths, which will bring some added variety to the growing lens system.

New Release: "How to Get Started with Vinyl Records"

Take a hands-on journey with Derrick Story as he shows you how to set up a HiFi stereo system, add vinyl records to your music library, care for them, and finally, how to digitize the albums for personal listening.

Everything that you need to know to get started with records, or to rekindle your love for vinyl LPs. Plus, you'll get 30-percent discount codes for digitizing software from Rogue Amoeba. The money you will save is more than you'll spend for the price of this online course. What a great value!

In this online course, Derrick will show you:

  • All of the gear that you need to set up a HiFi system.
  • How to wire up and configure your kit.
  • Where to find records and what to look for.
  • How to take care of your vinyl so that it lasts a lifetime.
  • How to digitize your albums and add them to your digital music catalog.
  • Tips and tricks to enhance your enjoyment.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

How to Watch Photos for macOS Catalina and iPadOS - Learn everything you need to know about Photos for the Mac and iPad by checking out my latest course on LinkedIn Learning and on lynda.com. This course is perfect for Mac and iPad based photographers who shoot with iPhone, Mirrorless, and DSLR cameras. It covers both photography and movies. And if I say so myself, it's a lot of fun.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. (The Digital Story is supported by its audience. When you purchase through links on our site, we may earn an affiliate commission.) And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #754, Sept. 1, 2020. Today's theme is "5 Easy Ways to Edit Movies Recorded with Your Camera." I'm Derrick Story.

Opening Monologue

Practically every camera on the market today captures video in addition to still pictures. Yay! But capture is not the roadblock for most photographers turned movie makers; it's the editing that slows them down. I can help with that. Today, I'll show you five different apps that make it easy to trim up your clips and share them with the world. And the best part, you probably already have the software on your computer. I hope you enjoy the show.

5 Easy Ways to Edit Movies Recorded with Your Camera

The number one need in the world of amateur video is trimming. If you could easily clean up the beginning of the clip and the end, you've fought half the battle.

QuickTime-Player.jpg

Adding a title or two is another very common request. And then exporting the footage in a format that will work on social is darn important as well.

For these tasks, you don't need to invest in high end video editing software. In fact, you probably have apps on your computer right now that can meet your basic needs. So let's take a look at them and see if any are right for you.

  • QuickTime for Mac - QuickTime Player lets you trim movies, stitch clips together, and move them around once they're on the timeline. Once you've finished your editing, you can export the new file or share it to YouTube and social networks. It's really quite incredible.
  • Photos for Windows and Photos for Mac - There's a nifty video editor inside Photos for Windows 10 that allows you to split and trim clips. So you can do quite a bit of editing once you get the hang of it. Photos for macOS enables trimming of video clips, and then you can stitch them together by creating a Slideshow. You can also create and add graphics there. Here's a good article on editing video using Photos for Windows 10.
  • Photos for iOS on iPad - Funny enough, the iPad is a more powerful machine for editing videos using Photos than the Mac itself. On the tablet you can not only trim, but add filters, adjust colors, tweak exposure, crop, and even add a vignette. Since the iPad and Mac are connected via iCloud, you could use them as a tandem. Edit the clips on the iPad, then stitch them together using Slideshow on the Mac.
  • Lightroom Classic for Mac and Windows: The Classic version is quite good at video editing. You can trim, adjust tone and color, and even play with clips. Check out this excellent tutorial for using Lightroom with movies.
  • iMovie for macOS and iOS: If you haven't looked at iMovie in a while, you should revisit it. Not only is it excellent for editing your videos, you can create trailers and other fun projects. Take a look at trailer I created for the How to Get Started with Vinyl Records online course.

As your comfort level increases, you can push into more sophisticated apps such as Final Cut. But for basic work, it's amazing you can do with software that you probably already own.

Sony to Debut a New Line of 'Compact' Full-Frame Cameras Starting this Month: Report

You can read the entire article on PetaPixel.

Sony might have some interesting gear in the works. According to the latest rumors, the company is planning to debut a new line-up of "super-compact" full-frame a7 and a9 cameras aimed at vlogging and travel. And the first one, dubbed the "Sony a7C", will arrive this month.

According to Sony Alpha Rumors, two reliable sources have "confirmed" speculation that Sony is planning to release a new entry-level full-frame camera this month... but they actually said a lot more than that. Apparently, the camera will be part of a new line of super-compact "C" cameras that will live alongside the regular a7 and a9 series.

The first to arrive will be the Sony a7C--an entry-level model, on par with the Sony a7 III--but other "C" cameras are rumored to follow, creating a whole line of compact cameras aimed at vloggers and travel shooters who prioritize portability and features like a flip screen.

The first camera, the so-called Sony a7C, is rumored to arrive sometime in "mid-September" as a sort of hybrid between a Sony a7 III and the a6600. According to SAR, the camera will combine the body of an a6600 with the sensor and performance of the a7 III, the fully-articulating screen of the a7S III, and a pop-up EVF like we've seen on several of the RX100 cameras.

Other specs include a single SD card slot, USB Type-C, both a mic and a headphone jack, and built-in WiFi and Bluetooth. All of this for a little more than $2,000 MSRP at launch. Finally, the "C" line of cameras will allegedly be released alongside a new line of compact lenses to match.

New Release: "How to Get Started with Vinyl Records"

Take a hands-on journey with Derrick Story as he shows you how to set up a HiFi stereo system, add vinyl records to your music library, care for them, and finally, how to digitize the albums for personal listening.

Everything that you need to know to get started with records, or to rekindle your love for vinyl LPs. Plus, you'll get 30-percent discount codes for digitizing software from Rogue Amoeba. The money you will save is more than you'll spend for the price of this online course. What a great value!

In this online course, Derrick will show you:

  • All of the gear that you need to set up a HiFi system.
  • How to wire up and configure your kit.
  • Where to find records and what to look for.
  • How to take care of your vinyl so that it lasts a lifetime.
  • How to digitize your albums and add them to your digital music catalog.
  • Tips and tricks to enhance your enjoyment.

You can learn more and purchase the course here.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

How to Watch Photos for macOS Catalina and iPadOS - Learn everything you need to know about Photos for the Mac and iPad by checking out my latest course on LinkedIn Learning and on lynda.com. This course is perfect for Mac and iPad based photographers who shoot with iPhone, Mirrorless, and DSLR cameras. It covers both photography and movies. And if I say so myself, it's a lot of fun.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. (The Digital Story is supported by its audience. When you purchase through links on our site, we may earn an affiliate commission.) And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Even though Photos for iOS is my home base for managing and editing images on the iPad, I've been using Darkroom to augment it for additional image editing tools.

IMG_0150.jpeg The Adjustments panel in Darkroom.

Darkroom works well as both a standalone app, or as a plugin for Photos. It's equally adept at editing RAWs as it is Jpegs. My normal workflow is to open the image in Photos, and if I need to do something beyond its tools, I tap the "3 dots" in the upper right corner and access Darkroom. Any work that I do there is fed back to my Photos library.

Aside from its excellent set of tone and color tools, Darkroom also features lots of extras, such as an extensive Filters library, outstanding cropping tool with perspective controls, and even a framing workshop where you can add borders to your images.

IMG_0153.jpeg The Cropping tool in Darkroom.

The app also encourages you to take more risks with your image editing because it supports a robust History interface that displays all of the adjustments you've made, and allows you to go back in time to any spot in the process. If you don't like the direction you're going, just return to the edit before it all went wrong.

IMG_0152.jpeg The History interface in Darkroom.

You can use the app for free, which has lots of power, or you can upgrade to Darkroom+ that gives you a ton more including Curves, Selective Color, Video Editing, Watermarking, Premium Filters, and on and on. The additional tools are available via subscription ($19.99 a year) or for one total price of $49.99.

If you enjoy image editing on the iPad, Darkroom can certainly enhance that experience. The free version is wildly powerful, and if you get hooked, Darkroom+ is a comprehensive package.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Catalog or Session in Capture One Pro?

As new users come to Capture One Pro, I'm hearing a familiar question from them: Should I use a catalog or a session when I start a new library? My answer is: "Well, that depends." Click on the link below to watch a 2-minute video that explains the differences.

session-vs-catalog.jpg

Catalog vs. session: How are they different? from Capture One Pro 9 Essential Training by Derrick Story

If you do decide to use a session for a temporary work area, such as sorting out a wedding or taking your laptop on vacation, remember you can use the Import Session command to incorporate the session into your catalog, if you need to.

Even though I use catalogs the majority of the time, I do use sessions for my tethered shooting for product shots. If I want to add those images to my catalog, I can. But generally speaking, I don't.

Hope this helps clear the muddies waters a bit.

Learn Capture One Pro 20 Quickly

If you're new to Capture One Pro, you may want to check out my latest online class, Capture One Pro 20 Essential Training on LinkedIn Learning, or, if you're a lynda.com subscriber, you can watch it there as well. It will get you up and running in no time at all.

If you don't have Capture One Pro yet, you can download the 30-day free trial (Mac/Win). No credit card is required, and it's a fully functioning version.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #753, August 25, 2020. Today's theme is "A RAW Look at Image Differences Between Smartphones and Cameras." I'm Derrick Story.

Opening Monologue

As a guy who loves to shoot with both his iPhone and digital cameras, I wondered how much of a difference there is between the two when I shoot in RAW. The smartphone certainly holds its own when it comes to Jpegs. Is it equally competitive with RAW files? So I conducted a test and compared an iPhone X with an Fujifilm X100V. And I share my findings in today's TDS photography podcast.

A RAW Look at Image Differences Between Smartphones and Cameras

RAW File Comparison Left: Fujifilm X100V - Right: iPhone X - Rendered in Capture One Pro 20

I'm a bit surprised that I never set aside the time to do this test before. I enjoy photography with both my iPhone and my Olympus, Fujifilm Nikon, and Pentax cameras. I rarely shoot in RAW on the iPhone, but did so for this test since I capture in RAW on my other cameras. So I wanted a pears to pears comparison.

My subject was a bowl of pears from my yard photographed in natural light. As best I could, I maintained similar angles and avoided exposure compensation. I let the cameras do the work, using the RAW files from each.

To decode and view the images, I used Capture One Pro 20 and Lightroom CC. My cameras were an iPhone X and Fujifilm X100V. I did use camera and lens profiles when they were available, and I did add some warmth to these through white balance. But I let the apps do the rest of the processing using their respective auto enhancements.

BTW: As a point of reference, the DNGs from the iPhone were 12.1 MBs for a 12MP file vs the RAF files from the X100V that are 56.8 MBs for a 26MP image. That is a substantial difference.

After comparing the output, here's what I noticed.

Pears-Side-by-Side-LR.jpg Left: Fujifilm X100V - Right: iPhone X - Rendered in Adobe Lightroom

  • Smartphones continue to impress - There are differences between the two files, which I will note, but overall I wanted to state that the DNGs from the iPhone are quite respectable, especially in terms of detail. Can I tell the difference? Yes I can. But it's much closer than one might initially think.
  • Depth of Field - This isn't a RAW thing so much, but boy is it noticeable. Even when I stopped down to f/5.6 on the X100V, the falloff is so much more pleasing that shooting at f/2.4 on the iPhone, which renders everything sharp.
  • Color Science - The color difference was very noticeable to me. The iPhone had a much harder time rendering subtle hue difference. This was particularly noticeable on the backside of the pear in the upper left corner. There is this wonderful peachy coloring in the Fuji shot, but in all of the iPhone images that area went brown, as if the gamut was narrower for the iPhone. Also, and this will sound funny, the fruit looked much more edible with the Fuji shots compared to the iPhone rendering.
  • Sharpness: Both images are sharp, but the characteristics are much different. The textures on the iPhone pears are more pronounced, almost exaggerated, compared to the more delicate rendering from the X100V. Again, I'm not sure that I would want to eat the fruit in the iPhone shot.
  • Shadows and Highlights: Again, an admirable rendering by the iPhone. The shadows were good with decent gradation. But the shadows from the X100V were more pleasing, and the highlights were brighter, but still retained detail. The iPhone highlights were more controlled with less contrast. I feel the X100V shot has more life.

If I didn't have the X100V RAW files in the same album as the iPhone images, I would say that the iPhone RAWs were very good. And to be honest, they are. But when you compare the two side by side, little differences become quite noticeable.

And I think that is how I would sum up the comparison. If little differences in color science, tonality, and texture are important to you, it's still very worth it to carry a digital camera for the images that you want to draw the most out of in post.

The gulf becomes even wider when it comes to background control. And for a lot of photographers, the conversation would end right there.

Panasonic will announce, via livestream, its new Lumix S5 full-frame camera on September 2

You can read the entire article on DP Review.

Panasonic has announced it will hold an online launch event for its new full-frame mirrorless camera, the Lumix S5, on Wednesday, September 2, 2020, at 10 AM EDT.

Aside from the date and time, no further information was shared about the camera or launch event. Panasonic suggests keeping an eye on its Lumix S5 webpage and Instagram account, but we will also update this article with a link to the event when it goes live.

Rumor has it, however, that the S5 will be more compact and affordable than existing options from Panasonic. According to Digital Camera World, "the Panasonic S5 will be one-third smaller and lighter than the S1, has a 24.2MP sensor, 4K, Dual Native ISO, and will cost $1,998. Those specs are pretty compelling. We'll find out for sure soon enough.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

My Expansion into Music and Audio

With two new music titles about to release: "Ripping and Cataloging Audio CDs" and "Enjoying and Digitizing Vinyl Records," you may be wondering how these topics fit with the traditional content on TheDigitalStory that is primarily image based.

The answer is: Quite Well!

Audio has always been a part of our world here. This is a podcast for heaven's sakes! And as I look at our changing world and how we might be adapting to it, I see music being a big part of the formula that helps us stay happy and creative.

Plus, one of the side effects to the popularity of digital music is that we're listening more and more on small devices with earbuds and bluetooth speakers. There's no denying that this is highly convenient, but if you play the same music on via a CD or record album on a HiFi stereo, it will sound different. And at times, very different.

From my perspective, this is no more a campaign against digital downloads for music than it is for smartphone photography. They are both here to stay, and I like 'em! But, if we're limited to smartphones for photography and audio, then we are missing a lot. And I want to advocate for richer experiences on both fronts to augment the digital convenience we tend to rely on.

If this resonates with you at all, then please take a look at these two titles that will appear on TheNimblePhotographer site later this week. I'm loving rediscovering music on this level, and I'm hoping that you may as well.

The Essential Steps to Impressive Video Conferencing

If you want to learn more about looking and sounding great for your next online interaction, then I think you'll very much enjoy my latest online workshop, The Essential Steps to Impressive Video Conferencing.

This 1-hour deep dive focuses on the 3 major areas of successful online interaction: Audio, Video, and Environment. During the course, I walk you through a variety of techniques that range from simple using gear that you already have, to improving your chops through a few inexpensive purchases.

The course is currently available for free to our Inner Circle Members on Patreon. Members, just go to our Patreon site, and all the information will be there. If you're not already an Inner Circle Member, you can join us for $5 a month.

The course is also available on our Nimble Photographer Workshop Page for $14.95.

I have tons of great tips and techniques waiting for you there. If you want to get serious about how you come across during online meetings, classes, interviews, and family interactions, then you definitely will want to watch this course.

Digitizing Family Memories Course Now Available Online

Each of the four classes will outline a specific set of steps for you to accomplish. By the end of the course, you will have an organized digital archive of your most valuable family images.

You can sign up for the course by visiting the Workshops page on The Nimble Photographer. The course fee is a reasonable $39 (on sale right now). It includes the 4 class videos, class notes, and access to the class forums that are a part of each movie.

Updates and Such

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

How to Watch Photos for macOS Catalina and iPadOS - Learn everything you need to know about Photos for the Mac and iPad by checking out my latest course on LinkedIn Learning and on lynda.com. This course is perfect for Mac and iPad based photographers who shoot with iPhone, Mirrorless, and DSLR cameras. It covers both photography and movies. And if I say so myself, it's a lot of fun.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. (The Digital Story is supported by its audience. When you purchase through links on our site, we may earn an affiliate commission.) And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

I still have Photoshop, but I'm so happy that I don't need it often thanks to layers in Capture One Pro 20. And I was reminded of that joy again today while editing this grape image.

Sonoma County Grapes Sonoma County Grapes - Fujifilm X100V, f/8, 1/30th, ISO 160, processed in Capture One Pro 20. Photo by Derrick Story.

I really like the unique variety in this bunch, something that I don't see often. But there were also a few distracting elements that I knew I would have to address in post. I captured the image in RAW with the Fujifilm X100V, then loaded the files into Capture One Pro 20 when I returned home. Here's what it looked like before I started working on it.

C1P-Not-Edited.jpg Not edited version of grape shot.

One of the biggest distractions for be was the ugly leaf just to the right of the grapes. In the old days, that would have guaranteed a trip to Photoshop. But the cloning and healing tools have improved a lot in Capture One. So I stayed home and addressed the issue there.

I actually started with the healing brush first, then touched up with the clone tool. Each on separate layers. I still have a bit more fine tuning to do, but it's coming along nicely. Here's a look at where I am now with the picture. You can see the layers listed on the left of the screen.

C1P-Edited-With-Layers.jpg Editing in progress with the grapes.

Another adjustment that I made was tandem radial screens for the grape bunch. The first radial screen excluded the grapes and worked like a sophisticated vignette. Then I copied the mask, inverted it, and brightened up the fruit a bit. This is one of my favorite techniques.

All in all, I have seven layers plus the background. They are very easy to manage, and quite powerful.

I'm sure I'll have to fire up Photoshop in the future for an image. Just not sure when.

Learn Capture One Pro 20 Quickly

If you're new to Capture One Pro, you may want to check out my latest online class, Capture One Pro 20 Essential Training on LinkedIn Learning, or, if you're a lynda.com subscriber, you can watch it there as well. It will get you up and running in no time at all.

If you don't have Capture One Pro yet, you can download the 30-day free trial (Mac/Win). No credit card is required, and it's a fully functioning version.

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.