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Raw is Still the Favorite Topic


During Sunday night's panel discussion at Book Passage in Corte Madera, and then during the first day of the Aperture workshop at Macworld SF, Raw was still the most popular topic among attendees.

I imagine we're in for more Raw discussion at Wednesday's Apple Store event (in San Francisco) that features Mikkel Aaland, Harold Davis, Rick Smolan, and myself. (directions and details here.) The talk starts at 4:30 pm.

The crux of what many want to know is why they should shoot Raw, what are its advantages, and how best to process the files? I'm happy about the interest because I think Raw provides some nice options for photographers, including:

  • Ability to recover highlights and shadows better than with Jpegs.
  • Option to change white balance with no quality penalty.
  • More data to work with overall for high quality conversions.

I hope to keep the conversation going on Wednesday night at the Apple store.

Photo by Colleen Wheeler take with Canon 5D with a 50mm f-1.8 lens.

Event Calendar

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.

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One of the problems with sharpening in Adobe Camera Raw and Lightroom could be that you're not controlling what gets sharpened and what doesn't. For example, you may want to sharpen the buildings in a scene, but not the sky above them. Sharpening sky is a waste of time that only increases image noise. Same for portraits, you want to sharpen the eyelashes but not the skin pores.

You may have more control than you realize if you use this simple technique in either Adobe Camera Raw or Lightroom. Display your photo at 100 percent (this technique won't work unless you're working at full view). Go to the Sharpen menu. Hold down the Option or Alt key (Mac or Windows) and click on the Masking slider. You be treated with an instant edges mask that shows you exactly what will be sharpened. The white areas will be affected and the black areas will be left untouched. Move the slider to the right until you have a mask that works for your photo.

Now all you have to do is set the Radius (usually 1.0 or less), then slide the Amount until you have the sharpening you want.

This provides you excellent control and will improve your sharpening greatly.

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We think that Photoshop Elements 6 is one of the best values in Mac software (along with iLife 08). Adobe just announced Elements 6 for the Mac at a preorder price of $89.99 US and upgrade from $69.99 US. For those dollars you get a Universal Binary version of Photoshop that features many of Adobe's latest technologies such as Photomerge GroupShot, Faces, Web Galleries and improved tools for B&W and scrapbooking. Plus, you can even correct lens distortion.

Here's what Adobe has to say:

"New features based on proprietary Photomerge technology let users easily combine the best facial expressions and body language from a series of shots to create a single, perfect group shot. The new Quick Selection Tool reduces a once time-consuming select-and-adjust task to a single click. Photographers – beginner to expert – can choose from one of three edit modes, each geared toward a different experience level. A new Guided Edit mode helps walk users through the steps of improving a photo. Photoshop Elements 6 software streamlines editing with clean, uncluttered screens that draw focus to the photos, with new tabs providing simple access to the many capabilities of the program. Additional enhancements include an improved conversion tool that dramatically converts color images into elegant, nuanced black-and-whites."

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How to Shoot at Aquariums


I was wandering around the The Florida Aquarium in Tampa last night for the Kodak-sponsored Closing Night Party at Imaging USA. Since it was a photography show, it's safe to assume that most of the attendees were shooters.

I was amazed at how many people did not know how to shoot exhibits at an aquarium. So I thought it might be time for a refresher. This technique applies to shooting through hotel windows and portholes on airplanes too.

  1. Turn off the flash. (all it's going to do is cause reflection in the glass).
  2. Increase your ISO (for aquarium and museum shooting) to 400 or above.
  3. Look for a subject that isn't moving too fast. You're not going to engage in action photography here unless you switch to movie mode (which is also fun!).
  4. Find a clean place in the glass, and put the nose of your camera right against it. This eliminates reflections from your surroundings.
  5. Shoot in Raw if you have it. You'll most likely have to do a little image cleanup when you get back to the computer.
  6. Don't worry about bad shots. You'll have some loss for this type of assignment. But the keepers will be outstanding!

All types of water shots are fun. I was lucky enough to see Howard Schatz this week and learn how he did those amazing dancer images underwater. Aquariums also provide great opportunity. Apply this technique, and you'll come home with a prized shot.

Photo of Lionfish by Derrick Story, captured with a Canon G9, ISO 400, f-2.8 at 1/6 of a second. Processed in Adobe Lightroom.

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Rick LePage had managed Macworld Magazine, covered the photography beat for other publications, had more printers than I have cameras, and is now putting his talent into a new web site called Printerville. Rick says this about the site:

"We love everything about printers, paper, ink and printing. We have been playing with them, writing about them, and using them for more than two decades, so we like to think we know more than a little bit about them. Of course, the world of printers is a big one, and we’ve chosen to focus largely on photo printers for amateur and professional photographers."

Rick launches the site with a news piece about the new Epson R1900. "The R1900 uses a reformulated inkset, called UltraChrome Hi-Gloss 2, consisting of eight individual inks: the gloss optimizer, matte and photo black, and cyan, magenta, yellow, red and orange. Epson claims that the orange ink, which replaces blue in the original Hi-Gloss inks, increases the printer’s overall gamut and provides improved flesh tones, while the new formulations of magenta and yellow inks improve the blues and greens, respectively, in most prints."

If you love printing too, or just want to keep up on everything in the world of output, be sure to spend some time over at Printerville. I think it's going to be a terrific resource for all of us.

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Regardless if you're using Lightroom or just managing files on your own, a good file naming convention that you can apply to your pictures on import will help you stay organized. In his Imaging USA session, "Organizing: Asset Management in Lightroom," Seth Resnick provided this tip.

He created a preset in Lightroom to name his pictures logically when he brings them into the application:


So a file would look something like this for a shot he'd take today: 20080107_tampa_0001.cr2

I like his method, but use a variation on it. Instead of adding a sequential number after the custom name, I retain the original file suffix. I like keeping that original number the camera assigns in all of my file names. So my picture would look something like this on import:


The 0827 is the original file suffix the camera assigned. Then, when I output the image for various purposes, such as for web publishing, I add this:


Regardless of which method you embrace, now, at the start of 2008, is a good time to establish a useful file naming convention that you can use going forward.

About the photo... I captured this with a Canon G9 while walking down a stairwell in the hotel. I used a GorillaPod to steady the camera during the .8 exposure. I keep the ISO to 80 and converted the image to B&W in Lightroom.

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In Tampa for Imaging USA


Lots of interesting stuff going on today at Imaging USA. I'm going to sit in on a Seth Resnick talk, "Organizing: Asset Management in Lightroom." I haven't had a chance to listen to Seth since he's moved from his management system to Lightroom, so this should be fun to hear how one of the DAM masters leverages Adobe's latest photo software.

I'm also looking forward to Katrin Eismann's talk on "The Power of Camera Raw." Katrin has a new book out, The Creative Digital Darkroom that looks just great. I have a copy at home that I can't wait to dig in to.

And of course, the Expo opens today with lots of high profile exhibitors. I want to get my hands on the new Nikon D3. It looks terrific on paper.

I took this photo last night while walking home from dinner. There's plenty of water in Tampa, and it makes for good night shooting, especially when you get some interesting skies to boot. I used the Canon G9 resting on the railing of a bridge (yes, I held on to the strap). With the self-timer on, I manually set the exposure to 15 seconds at f-2.8 keeping the ISO to 80 to control the image noise. I then processed the picture in Adobe Lightroom.

Photo of Tampa Night Reflections by Derrick Story.

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Here's a fun project if it's miserable outside and you want to play with your photography. Find an old pair of corrective glasses for farsighted eyes, and make a do-it-yourself fisheye lens.

You can read all about, complete with instructions, at Photojojo, (which is a great site anyway for a rainy day).

Oh, by the way, this shot was taken with a Nikon 10mm lens, not a DIY fisheye lens... don't expect these results with your hack ;)

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Prepare Your Hard Drives for 2008


I've spent a lot of time lately backing up my portable drives, making sure my big drives are in order, and getting my photography act together for 2008. I've decided to close out my Aperture and Lightrooom libraries for 2007, and begin fresh libraries for 2008. I still carry my 2007 libraries with me on portable drives, and of course have them backed up in multiple locations.

This is a great time of year to get your digital house in order. I cover more of this stuff in this week's podcast, Getting Organized. 2008 will be our best workflow year yet!

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As of Jan. 1, 2008 on U.S. flights, if you pack a spare Li-Ion battery in your carry-on luggage, it has to be in a plastic bag or in the original packaging. Here's the verbiage from the Department of Transportation.

Passengers will no longer be able to pack loose lithium batteries in checked luggage beginning January 1, 2008 once new federal safety rules take effect. The new regulation, designed to reduce the risk of lithium battery fires, will continue to allow lithium batteries in checked baggage if they are installed in electronic devices, or in carry-on baggage if stored in plastic bags. Common consumer electronics such as travel cameras, cell phones, and most laptop computers are still allowed in carry-on and checked luggage. However, the rule limits individuals to bringing only two extended-life spare rechargeable lithium batteries*, such as laptop and professional audio/video/camera equipment lithium batteries in carry-on baggage...

You can find out more by visiting the

Event Calendar

Events! See the TDS Event Calendar for photography workshops, speaking engagements, and trade show appearances.

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